Gr 6–8—Twelve-year-old Merciful Truth and her older brother, Gospel, have just lost their mother following a long illness. They are unable to bury her because of heavy snow and unseasonable cold. Despite the warnings of The Minister, their shape-shifting spiritual advisor, they place her under the kitchen table. Wracked with guilt, Merciful comes to terms with their decision until she hears her mother's voice from the other room. Her reanimated corpse, inhabited by an unknown entity, informs Merciful that she might be the only one who can stop a world-destroying fog if she can find the machine responsible. Unfortunately, The Minister has other plans. Atmospheric and unsettling, Vanhee's debut offers a fresh approach to apocalyptic fiction. Set primarily in the Truth family's cabin, the narrative revolves around the actions of Merciful and Gospel, and in this intimate setting, their choices feel heavy and their options limited. It's a testament to Vanhee's writing style that he can make something as immense as the end of the world feel so disturbingly claustrophobic. Merciful is the catalyst who sets the narrative in motion, and it is through her strength and courage that the audience sees a glimmer of hope despite the bleak circumstances. The book's ambiguous conclusion is both refreshing and frustrating. Spiritual but never didactic, the story will leave readers questioning their own truths and beliefs.—
Audrey Sumser, Cuyahoga County Public Library, Mayfield, OHAfter their mother dies, Merciful Truth and her brother Gospel are left alone with the Minister, an ominous shape-shifting creature. The ground is frozen solid, so Merciful and Gospel must wait to bury Mama--who won't stay dead. In dense, lyrical language, the novel raises questions of religion, morality, and free will as it builds toward a dark and ambiguous ending.
Merciful Truth and her older brother Gospel are left alone when their mother dies -- alone, that is, except for the Minister, an ominous shape-shifting creature. The ground is frozen solid, so Merciful and Gospel lay Mama out under the kitchen table to wait for warmer weather in order to bury her. But it quickly becomes apparent that Mama is moving about the house, and equally apparent that a mother who "won't stay dead" is just the beginning of their problems. Merciful and Gospel haven't seen anyone but their nearest neighbors in years, and an encroaching fog is devouring everything in its path; Gospel believes "it's the end of everything." With the fog closing in and the siblings' attempts to get help from their neighbors only making matters much worse, Merciful and Gospel must decide whom to trust. The Minister, who knows more than it is saying? "Auntie," the being now inhabiting their mother's body? Each other? Reading between the lines of Merciful's naive but evocative first-person narration reveals Auntie's weird and surprising origins. The setting of this ghost-story-meets-apocalyptic-story is unusually domestic, even claustrophobic; Merciful and Gospel's shrinking world and dwindling options heighten the immediacy of the horrors they face. In dense, lyrical language, the novel raises questions of religion, morality, and free will as it builds toward a dark and ambiguous ending. katie bircher
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