FICTION

Earth and Air: Tales of Elemental Creatures

192p. Big Mouth. 2012. Tr $17.95. ISBN 978-1-6187-3058-9; pap. $14.95. ISBN 978-1-6187-3038-1.
COPY ISBN
Gr 7–9—In this companion to Water (2002) and Fire (2009, both Putnam), his short story collections with Robin McKinley, Dickinson goes solo as he explores fantastic creatures of the realms of earth and air. Drawing on ancient Norse, Celtic/British, Greek, and Roman mythological traditions, and using a rather formal style that hints at folktale, he explores the relationship of people to the gods and how they react when confronted with the fantastic. In these five varied stories, a woman with a genetic connection to trolls finds a way to make a deal with one in order to save her husband; a man who kills a gryphon finds himself in a process of physical transformation; a boy whose beloved dog dies ventures into Hell to find her; a brother and sister who save an owl find supernatural help as they confront evil in their village; and a magical spirit, a wizand, enables a young girl to connect to the magical power within herself. Unfortunately, the first story is the least accessible, with unexplained literary and cultural references that threaten to overwhelm the storytelling, and "Wizand" suffers from too much exposition, but the other three stories sparkle with plot twists and powerful imagery, and will be enjoyed by readers who welcome a challenge. This is ultimately a wonderfully hopeful work, with glimpses at some of the best of human nature: compassion, love, a sense of right and fairness, and a correspondingly humane response from the supernatural powers.Sue Giffard, Ethical Culture Fieldston School, New York City
Dickinson completes the series of “elemental” tales he began with his wife Robin McKinley (Water, rev. 7/02; Fire, rev. 11/09). Though links to the theme can be tenuous, these six new stories are provocative in both variety and ideas. “Troll Blood” features a scholarly May/December friendship founded on Old Norse; it bursts into action with an underwater rescue (think Beowulf) and includes romance and a neat genealogical twist. In “Wizand” a dynamic, self-renewing broom controls witches notable for their cerebral power. Yanni, an island boy in Christian Byzantium, nurtures Athena’s owl (“Scops”); returning the favor, the goddess rescues him from a Minotaur-like demon and its horrific pagan rite. In “Talaria,” Varro escapes slavery and survives the African desert by dispatching a dying gryphon and making use of its various parts, which are later regenerated in a fitting manner (indeed, regeneration is a common theme here). The young master of “Ridiki,” a dog prematurely lost (like Eurydice) to the underworld, seeks closure there and above ground. And “The Fifth Element” is a creative effusion of fantastical creatures that coalesce in an interplanetary team, with ironic -- and surprising -- roles for its apparent protagonist (a man) and a useless-seeming cat. Suspenseful, frequently violent, sometimes comic, and with Dickinson’s usual command of imaginative imagery and beautifully tooled language, this is a fitting capstone to the series. joanna rudge long

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