Gr 7-10–In this imaginative retelling, the jealous, overlooked fairy who curses Sleeping Beauty is recast as a sickly, bookish teenager. Thirteen-year-old Gorse belongs to the Shouting Fey, a clan of mischievous fairies with powerful voices. In a subversive departure from the original tale in which benevolent fairies bestow gifts at the infant’s christening, Yolen portrays the relationship between the royal family and the Shouting Fey as downright feudal. Tied to their land by an ancient oath, the Fey are compelled to perform spells at the whim of their capricious monarchs. On the day of the christening, Gorse rushes to the palace only to fall down a hole into a cave where she discovers two fey princes who have been banished for years, as well as revelations about her family’s past. The frequent references to fairy lore are occasionally overwhelming; however, Yolen has crafted an intricate world full of well-developed characters. The incantations that the fey often invoke (“Blow and sow/This fertile ground/Until the knot/Be all unwound”) add a lyrical quality to the elegant prose. Readers who typically prefer fairy-tale retellings, such as those by Donna Jo Napoli or Robin McKinley, may be put off because the plot largely revolves around Gorse’s escape from the cave rather than Sleeping Beauty herself, but fans of more unconventional fantasy adaptations, such as Gregory Maguire’s Wicked (HarperCollins, 1995), will enjoy seeing an antagonist receive a rich, compelling backstory.–Mahnaz Dar, School Library Journal
For generations Gorse's faerie family has been unable to refuse any of the king's Bidding. Now the royals have demanded christening gifts for their long-awaited newborn daughter, but on the way to deliver her gift (a spindle), Gorse is held captive. Yolen brings a master's confidence to this re-envisioning of "Sleeping Beauty"; a tour-de-force combination of fantasy, whimsy, and family story.
When Gorse’s faerie family, the Shouting Fey, were exiled from Under the Hill, the human king promised them protection in exchange for doing his Royal Bidding, “which we will consider as binding as an Oath.” For generations the Family has been unable to refuse any Bidding, no matter how ill-advised, because a faerie who breaks an Oath dies by bursting into a thousand stars. Now the feckless royals have demanded christening gifts for their long-awaited newborn daughter, but on the way to deliver her gift (a spindle), Gorse, the thirteenth-born, falls into a magical trap. Held captive underground by two fey princes themselves trapped by an old curse, Gorse fears her absence means Oath-breaking for her entire clan. As she learns more about her captors and the history of her family, she begins to assemble the means to escape. Yolen, adept at fairy-tale retellings, brings a master’s confidence to this re-envisioning of “Sleeping Beauty.” Complementing her invention of the Shouting Fey, she explores the power of words in all incarnations: oaths, curses, wishes, spells. Her own rich language conveys a beguiling portrait of childhood in a large, sprawling family, then sets it against forces in the adult world that sift through to a child’s awareness. When her heroine gets going -- Gorse makes up in perceptiveness what she lacks in grace -- the journey becomes a tour-de-force combination of fantasy, whimsy, and good old-fashioned family story. anita l. burkam
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