FICTION

Coppernickel Goes Mondrian

May 2012. 40p. 978-1-59270-011-3. 15.95.
COPY ISBN
Gr 2-5–Birdlike creatures populate this book that roughly tells the story of Piet Mondrian’s search for a more abstract style. Mr. Quickstep (Mondrian) is thinking about the future when he encounters Coppernickel and his dog, Tungsten. To Coppernickel’s argument that “If you just wait, the future will arrive anyway,” he responds that waiting isn’t good enough: “‘...nothing will change. Things will only get older. I’m looking for the new.’” Coppernickel’s initial reluctance changes to awe as he and Tungsten move through landscapes that reflect Mondrian’s early naturalistic paintings, his stylistic forests, and finally into a primary-colored city with grids and buildings that mimic the familiar work of the artist’s later years. Upon arriving in the future, even the characters themselves take on a more geometric look. The illustrations and the terse text create a futuristic tone. As the characters move into the future, the pages become less austere and more vibrant, busier, more populated. Careful scrutiny reveals many references to Mondrian’s works. After multiple readings, children will discover still more nuances. In fact, multiple readings are necessary to fully understand this well-crafted, semi-biographical story. The two-page biography at the end is also essential to grasp the book’s content. This picture book has a limited audience and is best suited for older readers. Nevertheless, the creativity and high quality make it an excellent addition for libraries with strong art collections.–Carolyn Janssen, Public Library of Cincinnati & Hamilton County, Cincinnati, OH
The more you know about artist Piet Mondrian (1872-1944), the better you will appreciate this look at his journey from representational landscape painter to modernist. This Dutch import begins with a theater-of-the-absurd flavor, but readers who surrender to the book's strange universe (people have bird heads and long, thin legs; dogs are stick figures with rectangular bodies) will become absorbed into increasingly complex and compelling land- and cityscapes. At the start, we meet Mr. Quickstep (Mondrian), Mr. Coppernickel (everyman), and their two dogs. Quickstep leaves to find the future, while Coppernickel prefers to stay put and wait for it to come. Soon, however, Coppernickel sets out in search of his friend, and the book moves through the landscape, reflecting Mondrian's progression from representational to abstract. On one double-page spread in particular, we see a long, tree-lined road in which the trees on the left are drawn in the style of his early 1900s paintings but then gradually morph into his later angular style. On another spread, a grid of streets and subway maps reflects his most famous 1920s Paris paintings. Later, with the help of the dogs, the two men discover jazz, literally becoming transformed by it. The appended biographical information is quite complete but does not include any reproductions. Clearly this is not a book for very young children, and some of the language sounds stiff, but as a visual experience it works brilliantly. It is a quest, an immigration story, and an exploration of artistic vision. lolly robinson

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