FICTION

Boy on the Edge

219p. Candlewick. 2014. RTE $16.99. ISBN 9780763666804. LC 2013943072.
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Gr 8 Up—Henry, clubfooted, virtually illiterate, and a stutterer, is an Icelandic teenager increasingly unable to control his rage. When he attacks his mother, he is sent to the Home of Lesser Brethren, a farm in the middle of a lava field on the coast of Iceland, run by Reverend Oswald, a religious fanatic, and his kindly wife, Emily. She teaches Henry how to milk and care for the cows, and they help him to find his role in this harsh place. He is desperate for a friend, and this loneliness leads him to make some poor judgments, but it also prompts him to write the letters that are the basis of the novel's narrative (although the novel is not epistolary). The prologue explains that Henry wrote these letters to a friend over a period of 20 years, which were never answered. Henry's death prompts the recipient to write Henry's story. Readers don't learn until the end who the "friend" is, and the disclosure will inspire readers to reread the prologue for hints. Although the novel's setting and theme are grim, the actual violence is minimal by today's over-the-top standards. Readers will be drawn into Henry's world. Engrossing and finely wrought.—Nina Sachs, Walker Memorial Library, Westbrook, ME
In this Icelandic import we enter a world of spare darkness, with a landscape of lava rock and steep cliffs, that is steeped in stories of tragedy. Two boys meet in a foster home on a farm. Henry is deeply anxious, borderline illiterate, and incapable of human connection. Ollie, much younger, is a kind of fey visionary. A deeply engaging, anti-sentimental story.
In this Icelandic import we enter a world of spare, Bergman-esque intensity and darkness, with a landscape of lava rock and steep cliffs, that is unforgiving and steeped in stories of tragedy and entrapment. Two boys meet in a foster home located on a farm. Henry comes to the farm as the new cowherd. He's deeply anxious, borderline illiterate, awkward, lame, and heart-rendingly incapable of human connection. Ollie, a much younger boy, is an orphan and a kind of fey visionary. The foster father is a tortured, rigid, devil-obsessed pastor. His wife, Emily, is the one note of warmth, fun, and color in the whole situation. The tone of the narrative is anti-sentimental, and the two boys do not become friends quickly or easily, but when Ollie has a near-fatal accident Henry realizes the depth of his bond to him. A framing story lets us know what happened to the two boys in adult life: contrary to expectations, Ollie, capable of such joy as a child, becomes a lost soul, while Henry, with all his challenges, finds satisfaction and peace. This is a deeply engaging story for readers willing to go over the edge of the cliff into the dark. sarah ellis

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