FICTION

Bo at Ballard Creek

illus. by LeUyen Pham. 279p. Holt. 2013. Tr $15.99. ISBN 978-0-8050-9351-3; ebook $9.99. ISBN 978-0-8050-9894-5. LC 2012046055.
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Gr 4–7—In 1924, Arvid and Jack, two blacksmiths who work in mining communities in the Alaska territory, adopt an abandoned baby girl. They name her Bo, and, when readers meet her, they will be immediately grabbed by her infectious personality. One moment she helps Jack, who becomes a camp cook, make doughnuts, and the next minute she runs in a three-legged race. When a speechless boy shows up in the camp, five-year-old Bo's compassion helps him heal. Each experience Bo has, including her frightening encounter with a bear, plays out naturally. Pham's joyful illustrations match the overall exuberant mood of the story. Sweeping generalizations like "Eskimos are just foolish over babies" and "All the Eskimos made up songs-funny songs or sad or happy," coupled with some strong language, are unfortunate. Readers can easily picture the Alaskan mining town where Bo and her family live, though they might wish for a map to give them a sense of the vast land and the distance between the towns mentioned and documentation about the Native group(s) living in the territory during the early part of the 20th century. The endearing qualities of Bo, her fathers, and the other characters are what make this story.—Hilary Writt, Sullivan University, Lexington, KY
The disarmingly forthright tone is set right at the start of this chapter book when we meet Bo, a little girl who lives with her papas (yes, that's plural) in a small, almost-worked-out gold-rush town in 1920s Alaska. Papa Jack and Papa Arvid explain to Bo that her mother was Mean Millie, a "good-time girl" who unceremoniously dropped baby Bo into Arvid's arms and left town on the riverboat. "Sometimes mamas don't stick around, you know. Just walk off." The explanation satisfies Bo and suits the cheerful and uncomplicated nature of the episodic story, which follows Bo through the course of a year. Like Little House in the Big Woods but with a considerably larger cast (miners, Eskimos, old-timers, good-time girls), the small events (a birthday party, a visiting plane) and crises (a grizzly, pneumonia) keep the story involving even while it lacks much of a through-line beyond the seasons. The frequent use of simple pen-and-ink drawings further the Wilder resemblance, but Pham's are more sophisticated, befitting the era and situations. Hill's book is a little more rambunctious, but in the end it shares something else with Laura: with the gold now gone, Bo and her papas (and a new adopted little brother) head out for better prospects -- and perhaps another book? roger sutton

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