FICTION

Bewitching

336p. (The Kendra Chronicles). HarperCollins/HarperTeen. 2012. Tr $17.99. ISBN 978-0-06-202414-5; PLB $18.89. ISBN 978-0-06-202415-2; ebook $9.99. ISBN 978-0-06-210406-9. LC 2011024244.
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Gr 8–10—Flinn's latest fairy-tale mash-up revisits the witch from Beastly (HarperTeen, 2007). The story jumps right in with Kendra explaining how she came to be a witch. In 1666, she fled her plague-ridden village in England with her little brother (and only surviving family member). The young witch was unaware of the full extent of her powers and near starving when she wandered lost in a vast forest with Charlie. The two stumbled upon a cottage that was constructed of sweet-smelling gingerbread, but as soon as the first delicious bite was swallowed, a witch captured them and declared her intention to "bake" them into cookies. Kendra harnessed her own newfound witchy powers and honed her wits to fool the elder witch and break free. She then went on to live as an eternal teenager, causing mischief in her attempts to "help" those in need. In addition to this "Hansel and Gretel" retelling, Bewitching visits "The Princess and the Pea" and "The Little Mermaid," but the main focus is on stepsisters Emma and Lisette. Emma takes over narrating the story of how beautiful and manipulative Lisette comes to live with her. Through lies and machinations she takes over Emma's life. Average-looking Emma is left with almost nothing until she starts a romance with fellow bookworm Warner. But when Lisette manages to even steal her boyfriend, Emma turns to Kendra for help. With hints of "Cinderella" and a sprinkling of valuable life lessons for teens ("beautiful on the outside does not mean beautiful on the inside" and "accept your own shape and size"), Emma's story will leave readers cheering. Bewitching is a humorous and engaging read that will appeal to those who love classic tales.—Tara Kehoe, Plainsboro Public Library, NJ
Flinn re-imagines four fairy tales, connected through Kendra, the witch from Beastly. The traditional tales are faithfully transposed into believable new frameworks; most compelling is the story about modern-day Emma and her stepfather's daughter, beautiful and kind Lisette. Flinn skillfully keeps sympathy with Emma, making readers cheer for her, not Cinderella stand-in Lisette, to rock the ball and get the guy. A historical note is included.
Kendra Hilferty, a five-hundred-year-old witch who chooses to live as a teen, shares tales—which happen to include eyewitness accounts of “Hansel and Gretel,” “The Princess and the Pea,” and “The Little Mermaid”—from her long life. Magic, far from being a vehicle for good in these stories, is usually an agent of chaos; surprises and role reversals abound. Interspersed between these supernatural stories is a contemporary inversion of “Cinderella.” When mousy, bookish Emma first meets Lisette, her stepfather’s beautiful biological daughter, Emma worries that she’ll become the wicked stepsister to Lisette’s Cinderella. But when Lisette razes a steady path of destruction through Emma’s life, Emma must learn to navigate in a world in which appearances and reality rarely match up. Her personal journey is alternately heartbreaking and inspiring. Kendra’s voice—mischievous, but also wary—provides a contemporary edge. “It would be easy to turn Lisette into a frog but . . . in today’s society of litigation and reality television, someone is just as likely to trumpet [her] misfortune from the rooftops as hide in a basement.” Over the course of the book, Kendra becomes Emma’s friend and protector, and her magical hijinks—mainly, inflicting physical discomfort on snotty popular girls who tease Emma—read as delicious wish fulfillment. In the end, though, Emma achieves happiness in spite of Kendra’s help, which makes her success all the more gratifying.
Flinn here re-imagines four fairy tales, connected through Kendra, the witch who put the spell on Kyle in Beastly. Kendra explains how, in the seventeenth century, an evil witch living in a gingerbread house helped her develop her powers ("Hansel and Gretel"). Then she introduces Emma, a modern-day girl who's thrilled that her stepfather's daughter, the beautiful and kind Lisette, has just joined the family ("Cinderella"). When Lisette steals the attention of their father and of Emma's boyfriend, however, it's clear that Lisette isn't as sweet as she appears. As Kendra ponders whether to help Emma, she tells two stories in which she'd intervened with mixed success: eighteenth-century Prince Louis's determination to find a wife despite his "helicopter mother" ("The Princess and the Pea") and a mermaid's quest to find the man she rescued from the Titanic (a decidedly non-Disney "Little Mermaid"). The traditional tales are faithfully transposed into believable new frameworks, perhaps inspiring readers to compare them with the original versions. Of the four stories, Emma's is the most compelling. Readers will easily be able to relate to its themes of jealousy, loneliness, and longing. Flinn skillfully keeps sympathy firmly with Emma, making readers cheer for her, not Cinderella stand-in Lisette, to rock the ball and get the guy. A historical note is included. rachel l. smith

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