FICTION

Better to Wish

Bk. 1. 226p. (Family Tree Series). Scholastic. 2013. Tr $16.99. ISBN 978-0-545-35942-9; ebook $16.99. ISBN 978-0-545-53926-5.
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Gr 3–7—In a small town in 1930s Maine, Abby Nichols is happy in her small bungalow by the sea. Life is stable, but not without challenges; her father has a volatile temper and is biased against people who are different and her mother experiences bouts with sadness and sees ghosts from the past. However, Abby finds solace and pleasure in her longtime friendships with Orrin and Sarah. Despite the changing times and the onset of the Great Depression, the family furniture business begins to boom and her father proudly moves them to a big house in a bigger town, complete with hired help. Regretfully saying goodbye to the house and friends she's so fond of is only the beginning of a life of love and loss, triumph and struggle for Abby. This first in a series is sure to be a hit with children, especially fans of historical fiction. The descriptive writing transports them right back to this fascinating period in time when families grappled with economic challenges, civil-rights injustices, and everyday concerns. Martin writes with respect for her readers, piquing their interest in history and tackling real-life issues head-on, but with grace. The series will continue with three more books following the lives of Abby's daughter, granddaughter, and great-granddaughter.—Amy Shepherd, St. Anne's Episcopal School, Middleton, DE
The typical historical fiction set during the Great Depression is a story of financial hardship -- but it's not lack of money that's the issue here, in this first of what will be four novels about succeeding generations of women. For eight-year-old Abby and her family, the decade of the 1930s begins with a rise in family fortunes and a move into town (from a modest cottage by the sea in tiny Lewisport, Maine, to a fancy house in a fashionable neighborhood). In a set of short vignettes, one or two per year, we follow Abby through her childhood to 1940 when, at eighteen, she makes the decision to leave home (an epilogue shows her in New York City, working at becoming a writer). As we receive these bulletins, we start to fill in the various strands of the story: an abusive, bigoted, controlling father; a mother prone to depression after a series of miscarriages; the accidental death of a best friend; the family tension caused by a disabled baby brother; issues of class; the poor boyfriend, the rich boyfriend, and the spare boyfriend. The approach here is plain, with lots of unapologetic telling, but the story has that addictive quality of the multigenerational family saga. Who has secrets, and who knows them? What alliances are formed? Who inherited what qualities? Who escaped? Who got lured back? What were the major consequences of minor actions? We're hooked. Bring on the next book, about Abby's daughter Dana, without delay. sarah ellis

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