K-Gr 2—On a summer night, a full golden moon lights up the busy dark city streets and inspires the prayers of a boy who scrambles out of bed to kneel for the ritual he had forgotten. One by one, readers are shown four city scenes in which the moon shines over people oblivious to its beauty: a homeless woman huddling for warmth on a bench, a man on a commuter train thinking of his soldier daughter far away, an elderly man in his hospital room, and two "sad souls staring at bare kitchen cabinets." The child prays in turn "for people with no home…for wars to end…for the sick to be healed…for people, little and big, to have the food they need." Having covered these larger social needs, he moves on to more personal concerns, praying for family members, his turtle," for his teacher to read a story every day." Velasquez's double-page scenes are painted in dark tones with early light on the faraway armed soldiers and their helicopter and brighter warm tones in the foreground of the soup kitchen. The simple narrative, which juxtaposes social concerns with prayer lines attributed to the "little boy," seems most likely to resonate with adults. The tone of the youngster's personal prayers and the concluding view of him tucked back into bed are more childlike. The diverse people sharing the night, the realistic dilemmas of the people in need, and the handsome presentation should serve well as bedtime reading for families practicing daily prayer.—
Margaret Bush, Simmons College, BostonBy the light of a full moon, a young boy says his bedtime prayers. In addition to praying for his family members, he prays for the sick to be well, an end to war, and food for the hungry. Velasquez's large full-bleed paintings portray a diverse if static urban setting. There is much sadness here, but this quiet book does offer some hope.
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