FICTION

Bea at Ballet

illus. by author. 32p. Penguin/Nancy Paulsen Bks. May 2012. RTE $12.99. ISBN 978-0-399-25409-3.
COPY ISBN
PreS-K—A precious primer from the first lady of ballet books for children. Isadora's pencil, ink, and oils on paper present the preschoolers in black, white, and gray line with bursts of color in wardrobe and accessories, which she explains piece by piece, for each gender. The class instruction includes labels for the barre, mirror, piano, the five classic positions, and four foot movements (point, flex, flat, relevé). There are chuckles when Sara wears boots and later gets dizzy, but the students' camaraderie is charming and includes a fluffy white dog as mascot. Youngsters will no doubt be anxious for Bea's promised, "See you next week!" to revisit this warm and inviting ballet class.—Gay Lynn Van Vleck, Henrico County Library, Glen Allen, VA
For the youngest dance enthusiasts, this is a pitch-perfect introduction to ballet. Preschooler Bea attends class with four girls and two boys. They demonstrate the five ballet positions and show four ways dancers move their feet as well as a split, an arabesque, and an attitude. The illustrations' understated style keeps the focus on the children, each of whom is a distinctive character.
For the youngest dance enthusiasts, this is a pitch-perfect introduction to ballet. Little Bea goes to ballet class with four other girls and two boys, all of whom appear to be about three years old (judging from their rounded tummies). Before class begins, we see an itemized list of all the things Bea wears, and all the things her friend Sam wears. We take a peek inside the studio (where everything is also labeled) and meet the piano player, Mr. Paul, and the teacher, Ms. Nancy. Class begins with a warm-up exercise where the children clap in rhythm, and then Bea's classmates demonstrate the five ballet positions and show us four ways dancers move their feet as well as a split, an arabesque, and an attitude. But these are tiny dancers, after all, so the most fun is to be had from spinning around and around. Isadora's illustrations are done in pencil-and-ink drawings with color highlights in oil paint, and her understated style keeps the focus on the children, each of whom is a distinctive character. She skillfully balances basic information with realistic childlike characters -- one boy, for example, quietly opts out of holding hands with his classmates in the end-of-class goodbye bow, but no one makes a fuss about it. Nothing can dampen Bea's enthusiasm for ballet, and she shares it with aplomb. kathleen t. horning

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