PreS-Gr 1—In the straightforward style of the traditional oral storyteller comes this simple tale of a boy learning to conquer his worst fear. One afternoon, when his mother is feeling sick, young Musa assures her that he can gather firewood from the forest. But the forest is dark, and, when he hears "out of nowhere, a great noise… crashing through the trees," the terrified child leaps into a hollow tree trunk, where he stays, crouching and trembling; thinking scary thoughts; feeling lost and alone. Later, when all is quiet and calm, a tiny squirrel and a friendly cow help him regain his self-assurance and he returns to the village. Painted in the primitive folk-art style of the Gond people, who live in the hills of central India, the extraordinary illustrations fill each page with bold, muted colors and meld perfectly with this well-told tale. The almond-shaped eyes of the flat, childlike images of people and animals that appear on every page are repeated in several huge representations throughout the story. People, animals, trees, clothing, and houses are highly detailed, patterned, and textured in black line. Illustrations and text vary in size and in placement on the page, the text often appearing in circles of yellow sun or blue shadow. Even the darkest scenes have touches of color. Musa's fear of facing the unknown without his mother's protection is one to which most young children will surely relate.—
Susan Scheps, formerly at Shaker Public Library, OHWolf (The Enduring Ark, rev. 9/13) sets her tale of a child venturing outside his usual sphere among the forest-dwelling Gonds of central India. Since Musa's mother is too ill to fetch firewood, she sends Musa. Proud to be "grown up," he marches into the forest humming with confidence--until an ominous "crack!?" and a "boooom!?" ignite his fears. Wild boars? He'd been chased by one before! Terrified, Musa hides deep in a hollow tree until a squirrel lures him out into the sunshine, where he sees a friendly cow he can follow back to his village--without firewood, but with a story to tell. According to a note, the illustrations, by a Gond tribal artist, "derive from the decorative patterns painted on the mud floors and walls of [Gond] houses." Shyam's stylized, boldly outlined forms brim with energy. The forest's dark tones convey emotion; sharp teeth and vivid red connote Musa's fear, while varied depictions of him signal his changing emotions. The source of those frightening sounds appears only in an illustration: it's a falling branch that might (ironically) have provided firewood. A simple, satisfying story, much enriched by its cultural grounding and handsome art. joanna rudge long
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