FICTION

After the Snow

290p. Feiwel & Friends. Mar. 2012. Tr $16.99. ISBN 978-0-312-64169-6. LC number unavailable.
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RedReviewStarGr 8 Up—What if, instead of a warmer future, "every thing got proper cold"? What if "the seas stopped working," and those who didn't move to the crowded, smelly cities approved by the government became "stealers" and "stragglers" and lived off the grid? Russia and China are big influences in this new order, and the yuan is the preferred currency. Willo's family are stragglers, living in the frigid mountains of Wales. Willo has a talent for hunting and helps his father turn hides into finely crafted coats, boots, and gloves. Cat and dog make the finest furs, though Willo catches mostly rabbits. When he returns from a hunt to find the cabin deserted, he knows something bad has happened. He packs a sled with supplies and heads off to find his family. His first encounter is with Mary, almost starving, whose father is a pony man, also missing. Willo intends to take Mary only as far as the power lines, where she can be picked up by a snow truck, but events tumble both teens onto a transport into the city. The bones of this story are not new: civilization trying to reform after human-caused catastrophe. Some people try to make a better world, and others ask only what's in it for them. What elevates Snow is the voice Crockett uses to tell the tale. Willo's narration, with misspellings and inventive phrasings, is a voice we have not heard before. Graphic violence occurs in several places, but Crockett's cold, brutal world is not without a few warm rooms where travelers can rest and prepare for the next challenge.—Maggie Knapp, Trinity Valley School, Fort Worth, TX
Fifteen-year-old Willo and his family live in a future ice-age world. One day he comes home to find his family gone, stranding him in the frozen mountains of Wales. Willo's first-person voice is distinctive; the dystopian world, especially the hellish city, is carefully delineated. Allusions to Yeats, Genesis, Browning, and various fairy tales lend epic weight to Willo's journey.
Fifteen-year-old Willo tires of the grown-ups' stories of "the old time, before the sea stop working, before the snow start to fall and fall and fall and don't stop." All he has ever known is this future ice-age world, and his family roughing it on the mountain. His trapping skills help with their survival, but one day he returns home to find his family gone, stranding him in the frozen mountains of Wales. He sets off toward the city in search of his family, meeting a thirteen-year-old girl named Mary on the way. Entering the city is like Dante's entering the gates of Hell. A sign daubed on a wall proclaims, "There is no law beyond / Do what thou wilt." But Willo doesn't abandon hope, and finds brief refuge with Piper, the rat man who recites Browning, and Jacob the furrier, who leads Willo toward news of his father. The strengths of the novel are Willo's distinctive first-person voice and the carefully delineated dystopian world, especially the hellish city with its slushy streets and foul air, gangs, dogs, soldiers, and fascist government in league with powerful business interests. Willo's oft-repeated slogans and parroting of his father's admonition to be a "beacon of hope" wear thin, but allusions to Yeats and Genesis and Browning and various fairy tales lend epic weight to Willo's journey in this absorbing first novel. dean schneider

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