Gr 8 Up—As India stands on the brink of partition, three young people's lives become increasingly entangled with the upheaval and violence that surround them: Margaret, a British cartographer's daughter; Tariq, a Muslim teenager employed in Margaret's household who dreams of studying at Oxford; and Anupreet, a young Sikh girl also employed by Margaret's family. Although initially resistant to living in India, Margaret is soon enraptured with the culture. Tariq captures the interest of both Margaret and Anupreet, even though a relationship with him would be disastrous for either girl. He is pressed to join his family in what will become Pakistan, and although Margaret's father discourages him, he is convinced that an Oxford education would be the best for his future. There are multiple narrators, but each character's story is defined and intertwines with the others' seamlessly. Historical background of postcolonial India is neatly inserted within the narrative, and market and street scenes teem with everyday life. The awkwardness the protagonists feel about interacting with one another is honestly and realistically drawn. Characters are fully fleshed out and are sympathetic in their struggles to find themselves within the new India. Back matter includes a glossary and an author's note detailing Bradbury's personal connection to India and a brief overview of the partition. As clashes continue between and within India and Pakistan, this title fills an important niche in YA historical fiction.—
Jennifer Schultz, Fauquier County Public Library, Warrenton, VAA fascinating novel about the 1947 Indian Partition. The three alternating viewpoints—of Tariq, a Muslim; Anupreet, a Sikh; and Margaret, a Briton—give a well-rounded perspective of the situation. Each belief system is considered equally, with none being privileged or deemed “correct.” The first-person narration highlights the personal, rather than the political, aspects of the conflict. The three teens are all concerned more with personal matters than with the large-scale implications of partition, which rings true. Strong writing skillfully portrays the book’s unique setting. For instance, when Margaret visits a refugee camp, she describes her impression: “Narrow lanes cut through the makeshift city like fissure cracks in a pane of glass. And everywhere are people. The whole camp, which stretches impossibly far, all the way to a muddy brown river in the distance, moves and thrums like an animal in too small a pen.” Jennifer Bradbury never sugarcoats the (often deadly) violence that accompanied this period of civil unrest, creating a credible fictional history as opposed to a romanticized one.
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