FICTION

Picasso: I the King, Yo el Rey

illus. by David Diaz. 64p. bibliog. chron. glossary. notes. Amazon. 2012. RTE $19.99. ISBN 978-0-7614-6177-7; ebook $3.99. ISBN 978-0-7614-6179-1. LC 2011032177.
COPY ISBN
Gr 7–10—This latest of Bernier-Grand's carefully researched and attractively formatted biographies is written, like her recent others, in free-verse style with strong, rhythmic phrasing that draws readers through each of 40 individually titled pieces and into the life of the prolific artist. Quotes by Picasso appear often-with their sources listed in the endnotes. The artist's strong will and drive are demonstrated in his decision to wander Madrid with sketchbook in lieu of attending art school; by his insistent attempts to develop his own style (e.g., his Blue Period; his fascination with masklike faces; his creation of Cubism); by his move to Paris; and his insatiable desire for women. Picasso's liaisons with his nine lovers-two of them wives-and the impact of each upon his artwork are an integral part of his life story. ("As paint is to brush, women are to Picasso's art.") The strong emphasis on his sexuality and the artistic inspiration he derived from his women runs through the poems. ("Picasso,/a minotaur,/bull-man,/ravenous for orgies./Maidens must sacrifice everything/to be immortal in his art,/and multiply his glory.") He is also presented as a loving father who delighted in observing and painting his four children. Diaz has used acrylic, charcoal, and varnish on masonite board to create smooth-surfaced paintings of Picasso and the people in his life, their angular, stylized Hispanic faces often displaying echoes of Cubism. Five reproductions are included, with brief notes. A three-page synopsis of his life; a thorough chronology; a short glossary of included Spanish words; and a source list are appended. A memorable, informative introduction to an artistic genius.—Marian McLeod, Darien Library, CT

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