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Certain kinds of important, difficult, and formative queer experiences are not being truthfully explored in books for queer teens—primarily, I believe, because they make adult gatekeepers uncomfortable.
The characters in Love at Second Sight are not direct parallels to the Scooby Doo crew despite referencing them at one point, but they were one of many inspirations. And with that, I would like to introduce the Love at Second Sight characters through the lens of Scooby Doo.
Eventually, I decided that the nefarious plotting of my young tontine contenders was not only acceptable for middle grade but also funny—for the same reason that Home Alone is a comedy and not a horror movie.
Optimism fosters a sense of collective action and shows that no effort is too small.
Losing anyone you love is a miserable, painful, and heartbreaking experience. But losing a friend is uniquely strange in the sense that the world isn’t really equipped to keep you in mind as you grieve.
Author Regina Linke talks about bringing ancient traditions to today's young readers
Archaeologists, by definition, must care about the past; we wouldn’t be in this line of work if we didn’t. To care about the past, we have to connect to it. And it’s imagination, whatever form it takes, that makes this connection possible.
Our characters, Bee and Alice, talk about the same things middle-grade readers do: how the world works, bodies, queerness, and what is fair and right.
Where are the very real depictions of us saying, “yes, we have the thing, and it sucks, but we can still have amazing lives anyway, even when the disability causes us hardship.”
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