Newbery / Caldecott 2018: Final Prediction Edition

I was all prepped to begin today by saying that the entire reason I’m doing this post in January is because the ALA Youth Media Awards are slated to go live in February this year . . . but then I looked at last year’s Final Prediction Edition and saw that it was posted on […]

I was all prepped to begin today by saying that the entire reason I’m doing this post in January is because the ALA Youth Media Awards are slated to go live in February this year . . . but then I looked at last year’s Final Prediction Edition and saw that it was posted on January 4th of that year. So, honestly, everything old is new again. Be sure you’re ready to watch the results on February 12th at 8 a.m. MT on the live feed. I’ll be going to work a little late that day, so that I can yells, scream, sob and cheer in the privacy of my own home (thereby freaking out my sleeping children). Can’t get the feed to work? Then follow on Twitter at #alayma, or Facebook live stream @AmericanLibraryAssociation.

Soon enough the committee members will pack up their bags and fly to Denver. They’ll disembark and perhaps get a good night’s sleep in before the discussions begin. Some committees will work fast and furiously, like a well-oiled machine. Others will find themselves doing yoga at 2 a.m. just to keep their heads on straight. But all of them will reach their decisions after long discussions and great deep thoughts. All of them are putting 100% into this and I have every confidence that they’re gonna knock ’em out of the park.

It won’t be easy for them. Some years the award winners seem to spring from the very earth, fully formed, ready for any medals you’d care to slap upon their covers. Then there are years like 2017 where it can sometimes feel like anything’s fair game.

As this is my final prediction edition, I’ll just say right up front that it is entirely possible that not a single title I mention here today will make it to the finish line. Wild Card Years are part of the reason I love these awards so very much. But this one? It’s a doozy, man. This may be the most unpredictable year I’ve encountered thus far.

Here’s what I think:


 

Caldecott Honor Books

After the Fall: How Humpty Dumpty Got Back Up Again by Dan Santat

AftertheFall

I’ll just present everything alphabetically here today. And truth be told, I think Santat is probably my second most likely Caldecott Award winner. I know folks are all about the Beekle, but I am squarely Team Humpty on this one. It has all the right elements in place: A personal connection to the book, a story arc for the main character, something to say about our times, and what I’d say is probably Dan’s best art to date. Now weird as this may sound, I have encountered several people that are confused by the ending. For folks like myself that think it’s pretty clear (Humpty cracks open and flies away, free now that he’s overcome his anxieties) this may seem baffling. However, there are a fair number of people that interpret that ending to mean that he’s died. This confusion may or may not end up shifting the Caldecott committee one way or another on the book. However you look at it, though, it’s clearly a very strong contender.

Big Cat, Little Cat by Elisha Cooper

BigCatLittleCat

I’m trying not to get my hopes up. I’m trying not to think too hard about this. And yet, and yet, and yet . . . Elisha Cooper is due. He’s been due for years, but for the first time he’s changed up his style a little bit. Then he added in a truly heart-warming/wrenching tale of cats and it’s the sheer seeming simplicity of this book that could push it into the upper strata. Honestly, if they announced that this won the Award proper I’d be floating on cloud 9. As it stands, I’m happy just to root for it from the sidelines. I certainly hope the committee thinks the way I do.

Crown by Derrick Barnes, ill. Gordon C. James

Crown

Because there is always ALWAYS a chance. Now I suspect that the Caldecott committee wouldn’t give the Gold to a book that references Basquiat in some way, if only because of last year’s winner. That said, the art and text in this book meld so seamlessly together that there is a distinct chance that this Wild Card could garner an Honor of its own. Caldecott committees love to honor debut illustrators, when they are able, and few debuts this year cut as clear a path as this book. Plus, I love books from small publishers, and Agate Press is about as small as you can get these days.

Out of Wonder: Poems Celebrating Poets by Kwame Alexander, ill. Ekua Holmes

OutofWonder

The Caldecott committee can’t take into consideration the fact that next year Ms. Holmes could well be the front-runner with the art she’s done for The Stuff of Stars. With this book she hones her skills even further, playing with papers and techniques alongside wizardry and creativity, which is something award committees are known to love. The only point against its favor in terms of the gold is the fact that she’s illustrating poems. Often, committees prefer to give Caldecott and Newbery Medals to books with a single storyline, not multiple works of poetry. So I can see this getting an Honor (lots of room for shiny medals on this cover, don’t you think?) but not necessarily the top one.

And the gold goes to . . .

2018 Caldecott Award Winner

Wolf in the Snow by Matthew Cordell

WolfInTheSnow

To be fair, it does look as if this Award splits evenly between After the Fall and Cordell’s breakout hit. Both Cordell and Santat have a lot in common, actually. They overwork themselves, creating a great vast swath of content every year. Each one, no doubt, has had to field jokes about how many books they have out in a given season. Both are completely comfortable illustrating other people’s books too. The one edge that Cordell may have here isn’t even technically something we can take into account. It may well be that in the back of the committee members’ brains they remember that Santat won only three years ago. They cannot, of course, act on this thought. Each book is brought before the committee based on its own merits, and not on its creator’s past wins. But Cordell has another advantage at his disposal. If a committee member argues that this book is about otherness, looking past our bubbles, and reaching out to those that are different even in the face of fear . . . well THAT is awfully timely, don’t you think? Not that anxiety isn’t timely too, but where one feels personal the other feels universal. It may all fall to which feeling the committee believes speaks to the times in which we live.


 

Newbery Honor Books

Beyond the Bright Sea by Lauren Wolk

beyondbrightsea

Wolk’s advantage in this case is also her disadvantage. When I picked up this book and read it, I was filled with a palpable sense of relief. At last! Here HERE was a Newbery challenger. This is where all the great, grand writing for the year went. And yet . . . I couldn’t help but wonder the degree to which I was enjoying the book as an adult versus what a child would enjoy. The committee will wonder the same thing, and I could see them going the route of the 2016 Newbery committee, giving Wolk an Honor in the end. Nothing wrong with Honors, after all. And nothing wrong with this book.

Orphan Island by Laurel Snyder

OrphanIsland

Huh. How did I never notice that the cover of Beyond the Bright Sea and the cover of Orphan Island go together like peas in a pod? Check it out:

beyondbrightseaOrphanIsland

 

 

 

 

 

 

 

Apparently the universe is trying to tell us something.

If it’s trying to tell ME anything, it’s that boats are the new bicycles for kids these days. Hop into one and find an island that will offer you both secrets and possible dangers. Snyder’s book is a bit of a wonder. I’ve been trying to assess the degree to which it’s dividing people. In my experience, books that could or could not be metaphors fare poorly because interpretations of metaphors vary widely. Yet for the most part, Snyder’s book is garnering some gruff admiration from all corners. It may be dismissed as too slight by the committee in the end, but I hope they give it their full consideration. It may not have the language of Wolk’s book, but the plot’s a deep dive into childhood itself. And that ain’t nothing.

Princess Cora and the Crocodile by Laura Amy Schlitz, ill. Brian Floca

PrincessCora1

Normally I’d say that a book this charming and delightful wouldn’t have a chance at an award, but the sheer star power behind it may tip it over the edge. Not that committees are supposed to pay attention to any of that. Under normal circumstances they would act as if there were a strip of brown paper covering up the author and illustrator’s names. But who could mistake Ms. Schlitz’s seemingly effortless writing? Who could look at Floca’s art and not instantly recognize his style? And if the committee is worried at all about selecting books that are only appropriate for very advanced readers, giving this book an Honor would certainly go a long way towards alleviating that fear.

And the gold goes to . . .

2018 Newbery Award Winner

One Last Word: Wisdom from the Harlem Renaissance by Nikki Grimes  

OneLastWord

There is a GREAT big “if” attached to this win, however, so let’s look at it. Each ALA committee walks into its room knowing that it is up to them alone to interpret the rules of the past. Consider how the 2008 Caldecott committee decided that The Invention of Hugo Cabret could certainly be called a “picture book”. Or how the 2014 Newbery committee decided that even though there were graphic and visual elements to Flora and Ulysses, you could still consider the book strong based on text alone. In the case of One Last Word, it is up to the committee to decide if the inclusion of poems by Harlem Renaissance poets (which prove to be the jumping off point for the poems of Ms. Grimes herself) disqualify it from contention. The terms and criteria of the Newbery clearly state that the award must go to an “original work”. And what constitutes an original work? They write:

• “Original work” means that the text was created by this writer and no one else. It may include original retellings of traditional literature, provided the words are the author’s own.
• Further, “original work” means that the text is presented here for the first time and has not been previously published elsewhere in this or any other form. Text reprinted or compiled from other sources are not eligible. Abridgements are not eligible.

It seems pretty clear that the poems in this book would fall into the category of “text reprinted or compiled from other sources”. That said, I’ve seen books that I considered out of contention go on to win big awards in the past. If the committee can make a strong argument for the book’s inclusion in consideration, I think it could win the gold. If not? Then I think the award is going to be a Wild Card. Something none of us have even been talking about.

It could happen.


Now you’re wondering why I didn’t include a bunch of other titles out there. Where’s Little Fox in the Forest? Where’s Muddy? And where the HECK is Her Right Foot (a book I’d been touting as a possible winner for a couple months there)? I should note that I’m not actually predicting what I want to win necessarily, but what I think will win. And looking at this winners and their Honors, I’d say this is a pretty convincing list of potential wins.

Maybe I’m really far off. There’s only one way to tell. See you on Monday, February 12th, everyone!

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