In our one-on-one interview, British author (and HarperCollins UK children’s book editor) Lake opens up to SLJ about his reaction to the YMA win, his inspirations for such a complex undertaking, the importance of staying true to oneself, and his next projects on the horizon.

What was your reaction to the Printz win? Are you familiar with that award?
I’m ashamed to confess that, though I knew of the Caldecott and the Newbery, I had only vaguely heard of the Printz and it wasn’t enormously on my radar. And anyway, I just assumed that The Fault in Our Stars or Code Name Verity  would win it… and I’m still living in fear of John Green fans turning up on my doorstep with pitchforks. [laughs] I assumed that the fact that [In Darkness] was obscure was why they had chosen it, that The Fault in Our Stars had enough of the purse, I guess.

Did you know that many in the audience at the YMAs were shocked Fault did not win?
I’m not surprised! I could kind of tell from Twitter as well, and because I work in publishing, I just thought it was an absolute lock for that award. I haven’t read Code Name Verity  yet but it is on my pile to read, and I read The Fault in Our Stars and I loved it. He is kind of an inspiration.

I think of anyone who writes young adult fiction, [John Green] changed what it was possible to do in a young adult book. When I started out at HarperCollins, Looking for Alaska was one of the first books I read, and I read all of his books. 

What inspired you to write this story?
It was two separate strands. The first: I did a Masters in linguistics and one of the nodules was on Creole and those kind of languages and so that got me interested in Haiti and reading about people like Toussaint L’Ouverture, and reading Wade Davis and Zora Neale Hurston. That was 10 years ago but that fascination with Toussaint L’Ouverture was kind of percolating at the back of my mind.

He is this absolutely extraordinary figure. He was 53 when the revolution started; he had, up until then, looked after horses. And he taught himself to read, taught himself to write, and ended up becoming a general very quickly and then rose to lead the revolutionary army. He was a very intelligent, driven man; he defeated not only the French army but also the British and the Spanish as well, and he ended up freeing the country. For a long time I just thought that was absolutely extraordinary that a man who is 53 could just completely reinvent himself in that way. So for ages I wanted to do something about him but I wasn’t quite sure what it would be, and I didn’t want to write a biography.

The second thing was the earthquake—and the utter horror that most people felt, that this terrible humanitarian tragedy happening to a country that had already had such a bad history. And particularly, it was when two or three days later, the news started doing stories on people who had dug out of the rubble. I saw one of them being interviewed on TV and they said ‘There was a point there where I couldn’t tell whether I was thinking thoughts or speaking aloud.” And I thought that was just the most extraordinary thing for someone to say. In fact, I stole it and used it for Shorty in the book.

How did the interwoven story start to flow for you?
I just became fascinated—or obsessed—with the idea of what that might be like and, since I couldn’t arrange for my house to fall down around me, I thought the only way that I could experience it was to write it down and explore it imaginatively. So I just started writing the story of Shorty and his voice came very quickly, and then I just had this unshakeable idea that was also the story of  Toussaint L’Ouverture. I just was convinced that there was something that linked these two characters.

Toussaint died in a French dungeon, so at a certain point in time this boy and this man are metaphorically and literally in the same place—they’re both trapped underground in the darkness.

The only thing that is dividing them is the mere fact of 200 years of time. I think time can sometimes be kind of porous and thin, so it was that idea of these two people who are in the same place. And then as well, I am very interested in voodoo—real voodoo as opposed to movie zombie voodoo, this whole notion of being ridden by spirits and being possessed.

It all just fit together then because I thought suddenly, that there’s an explanation for why, at the age of 53, he abruptly [became] this great military leader. So lots of things suddenly fit into place and in quite a satisfying way, and I just had to sit down and write furiously for about 6 weeks.

This book is so complex and so dark; were you surprised that it became a YA book?
I was more surprised that anyone wanted to publish it at all! With the “Blood Ninja” books, I approached it as someone who worked in publishing, and I was thinking that there are lots of books like Twilight but there isn’t as much for boys, and everything about it was very conscious and deliberate, trying to design something that might suit the market. Whereas with In Darkness I was writing it for me, really. I think, to be honest, that my agent didn’t really think anyone would want to publish it either. But Bloomsbury were hugely enthusiastic from the outset. Here I was completely ignoring what publishers might want and suddenly they very quickly wanted it. Maybe there’s a lesson in there.

In  Darkness  in the UK was published as an adult book and a young adult book. It’s the same book but with different jackets; it’s increasingly something that is done in publishing in the UK. Maggot Moon by Sally Gardner has young adult version and now it’s coming out as an adult edition, and they do that with people like Patrick Ness. I think people are still trying to work out this genre and where the boundary lies between young adult and adult. I didn’t really know who the book was for, and neither did my agent. So it was sent to adult lists and young adult lists. Essentially, I’ve always written for younger teenagers, and this was the first young adult [title].

Can you speak about the role of hope in the story?
I very consciously wanted it to be a hopeful book. I don’t know if I one hundred percent succeeded because a lot of reviews focused on how incredibly miserable and violent the book is—and it is in many ways—but I always saw it as a hopeful book, and it doesn’t have an unhopeful ending. So that was always very much the intention, and consciously the intention. Everyone has difficult things that they’ve gone through in their lives and, for several years before I wrote the books, there were several difficult things in my life and I’d moved beyond them.

And so I supposed I wanted to, without wanting to sound too evangelical, say something to teenagers about how you can move past bad things that happen. And yeah, I very much wanted it to be a message; we ended up using it as a strapline on the UK edition of the book, this idea that—on this planet anyway because we circle the sun—there’s always light on the other side of darkness and you don’t have to wait for very long for darkness  to be replaced by light.

What projects are you are most excited about working on next as author or editor?
Ooh…There are two actually, one that I’m editing for HarperCollins that’s coming out early 2014 is a YA, beautifully written book by a young, male British writer, who I kind of think could be the British John Green. And that’s amazing. It’s a debut, and it’s astonishing.

And the other thing is my book, which hasn’t come out in the states yet, called Hostage Three (Bloomsbury, fall 2013). That’s about a girl who lives in London; her father is a banker. He’s lost his job and he buys this super yacht and decides that they’re going to sail around the world with the girl’s stepmother. Her mother has died in uncertain circumstances not that long before; she hates the step mother so it’s kind of a fairytale element and then they get about 3 months into their journey and they’re kidnapped by Somali pirates. Then to add to all the complications she thinks she’s falling in love with the youngest pirate…and it all just then goes horribly wrong, obviously, as it would. It’s much more of a straight thriller than In Darkness but I’m proud of it, so hopefully people will like it!

And so I’m kind of two books on from In Darkness, weirdly, and the thing that I’m most excited about, that I’m writing now, is tentatively called Your Little Princess; it’s actually set in America. The entire story is constructed around a massive twist; the teenage protagonist gets hit by a car, this then triggers her mum discharging her from hospital, bundling her into the car with all their belongings and saying ‘we’re going on the run.” And the mystery is why they suddenly have to run.

So I’m sticking to the genre of thrillers with an emotional first-person core to them.

Has the experience of being an author changed you as an editor?
Yes, it has actually. Mostly in the sense that it has made me much, much more sensitive in the way that I couch what I’m saying, because I am hyper aware now how even the most softly phrased suggestions can feel devastating for an author. It’s made me express things very carefully, and as much as possible in conversation rather than in writing. It’s made me very, very aware. I can’t edit myself, and so I absolutely have to have someone else who reads it who can say ‘the shape of this isn’t quite right’ or ‘there’s something missing here.’ I genuinely think that all writers need an editor.

Since the YMAs, have you seen an increased interest from the U.S.? The awards are critically important to the library and publishing worlds.
So I terrifyingly gather! I [have] spent a lot of time on the phone to people, lots of sudden renewed interest and I gather that they’re reprinting it. It does make an impact in that way. I didn’t quite realize that at first, but it does seem that suddenly I’m spending a lot of time on the phone, which is nice!

Future editions of Aristotle and Dante will display merit seals for the Pura Belpré Author Award for excellence in depicting and celebrating the Latino cultural experience, the Stonewall Book Award for literary excellence in depicting the LGBT experience, and a Michael L. Printz Honor for the best writing in teen literature. Likely, the novel’s cover will have to be slightly redesigned to incorporate these various honors, “a great problem to have” for an author, Sáenz jokes.

SLJ caught up with Sáenz in between his meetings as chair of the MFA bilingual creative writing department at the University of Texas at El Paso for a revealing chat about his reaction to the YMA wins, his personal inspirations for Aristotle and Dante, his writing process, and his next YA project.

How do you feel about being selected by three very different YMA committees?
It was like a mirror of me! It made me very happy in a profound way. It was all the communities that I claim: the gay community, the Latino community, and the mainstream community. I’m part of the mainstream. I was educated and integrated into America by going to school, and when I went to college in the 1970s there were no Mexican-Americans. But I didn’t feel left out; my friends loved me. I was integrated. So even though I’ve always claimed the Mexican/Chicano community, and I’ve been aware of racism, I have not lived a segregated life.

What inspired you to write Aristotle and Dante?
I was married for 15 years, but I really had to come to terms with my own sexuality at the age of 54. One of the things I had to come to terms with is that I was sexually abused as a boy. It’s not that I didn’t remember; it’s that I didn’t want to think about it. The thought of being with a man was unappealing, so it took me a lot of therapy and time to come to terms with my life, and me.

So I thought I wanted to write a gay-themed book, I thought that I wanted to write a book about a young boy who really didn’t know that he was gay. I mean Ari really doesn’t know it. That’s the theme—what does he know? So I created this situation, and I thought about what names I would give them, and I love the name Dante and I teach the Inferno a lot. And “Ari” is not uncommon among Latinos, or at least Mexican Nationals. So I just started to write this story and I wanted it to be set not in the present time, because I think it’s easier now for boys to admit they’re gay. In the 1980s I don’t think it was so easy, and I didn’t want to have all this texting stuff in the book.

And the first thing I wanted to write about was the relationship between Ari and his mother.

How have your experiences shaped the story?
I wanted to represent two very different Mexican-American families. These are families that I knew—there are working class families like Ari’s, and professional Mexican-American families and it’s not a phenomenon. There are professional families and they’re never portrayed; there’s lots of anti-Mexican rhetoric that says we’re all illegals, all recent immigrants. None of this is true. I just wanted to portray a normal Mexican-American family—and they’re very American. I wanted that contrast because I wanted my audience to know that there is a wide variety of Mexican-American experience in this country. But I also wanted to make it feel real. They are real people. I really fell in love with both the mothers. I always fall in love with my characters, but I know women like this. They love their sons and just because they aren’t always wise in the way they love you doesn’t mean they don’t love you. Ari’s mother is very loving but also very controlling—in a loving way, but controlling nonetheless.

Was it a conscious choice to include so many caring adults in the story?
I think that young men need father figures; one way or another they’re going to find them or get them, and (hopefully not) suffer for it. I’ve mentored a lot of young men that have had terrible relationships with their fathers and I’ve been a stand-in, albeit an academic one. But it’s been a privilege for me to be in their lives and I think that impacts my writing.

Maybe too much young adult fiction is about teens that are in a world apart from adults and that’s just not true for a lot of teens. And Mexican-American teens have good parents—it’s just not true that you are ostracized if you are gay. It’s true in a lot of Latino-American families but it’s also not  true in a lot of Latino-American families. My novels are so hard, all of them. I wanted to write something tender. I thought, “I don’t want to write something hard.” Part of it is that I’m such a sentimental man and you wouldn’t know it from my work. And I’m afraid of being sentimental and I was afraid of making this into a sentimental novel, but I thought I could do it. I could make it feel real and make the characters feel real. That was the hard part for me. I like to think I pulled it off.

What is your writing process like? As a college professor, how do you find the time?
I write on Fridays, and I get up early and I write in the mornings, because once office hours begin, I’m just busy busy. Luckily, where I live the walk literally takes 7 minutes. I like being department chair actually; I’ve grown into it. But I’m just a really old-fashioned teacher. I don’t teach online. I’m not against it—a lot of MFA programs have online classes—but it’s not something I do.

I love what I teach and I like young people. I know some writers feel that the teaching takes time away from their writing, but quite frankly it’s never hurt my writing. And my students read the books! And my nephews and nieces read them and analyze me. I get a big kick out of it.

What are you working on now?
The novel I’m writing is about a young man who is adopted (his dad is a Mexican-American gay artist) but he doesn’t feel adopted at all. One of my nephews is adopted, and he doesn’t wonder about his real family at all. So this kid is telling a story about how he came to be and the rest is how he watches this family as they go through this crisis; the matriarch of the family, his grandmother, is dying. He is in pain but he is a watcher, watching his father deal with this loss. We also learn how he came to be adopted in this family. In one of the opening chapters, his father asks him once if he ever thinks of his real father, and he says, “Yes. You’re my real father, and I think about you all the time.”

It’s going to be a painful novel in some ways with the automatic story line of the grandmother dying, but it’s the journey of him watching. Like Aristotle and Dante, it’s a love story between this young man and the family that he’s been adopted into, and how his love for them and their love for him is so profound. And of course I need to write that novel because my mother died a year ago.

I’m very excited about it. I love to write and I love to figure it out. It’s like you’re learning your craft all over again; each project is new and you learn something new. And I just sold a book of short stories for adults and those are not tender. Those are hard. That’s my world. I think I live between violence and tenderness. I think we all do. So I just try to incorporate that somehow into my art.

(John) Newbery Medal
The One and Only Ivan by Katherine Applegate
HarperCollins Children’s Books
Fuse #8: Review of the Day

Honors:
Splendors and Glooms by Laura Amy Schlitz
Candlewick
Curriculum Connections: An Apprentice to Dickens: An Interview with Laura Amy Schlitz

Tall Tale: Laura Amy Schlitz (2008 profile)

Bomb: The Race to Build—and Steal—the World’s Most Dangerous Weapon by Steve Sheinkin
Flash Point/Roaring Brook
Curriculum Connections: Steve Sheinkin Writes a Thriller: An Interview with Steve Sheinkin

Three Times Lucky by Sheila Turnage
Dial/Penguin Young Readers
Heavy Medal: Three Times Lucky

(Randolph) Caldecott Medal
This Is Not My Hat by Jon Klassen
Candlewick Press
This Is Not My Sequel: Just Wait Till You See This New Book from Jon Klassen: Under Cover Interview

Honors:
Creepy Carrots! illus. by Peter Brown, written by Aaron Reynolds
Simon & Schuster
Fuse #8: Review of the Day: Creepy Carrots!

Extra Yarn illus. by Jon Klassen, written by Mac Barnett
HarperCollins/Balzer + Bray
SLJ Review of the Day

Green by Laura Vaccaro Seeger
Neal Porter Books/Roaring Brook
Fuse #8: Review of the Day: Green

One Cool Friend illus. by David Small, written by Toni Buzzeo
Dial/Penguin Young Readers
Book Verdict Review

Sleep Like a Tiger, illus. by Pamela Zagarenski, written by Mary Logue
Houghton Mifflin Harcourt
Review of the Day

Theodore Seuss Geisel Award
Up, Tall and High by Ethan Long
G. P. Putnam’s Sons

Honors:
Let’s Go for a Drive! by Mo Willems
Hyperion/Disney
Highlighted in Curriculum Connections: Fun and Fresh: Books for Emergent Readers

Pete the Cat and His Four Groovy Buttons by Eric Litwin, created and illus. by James Dean
HarperCollins
Book Verdict Review

Rabbit & Robot: The Sleepover written and illus. by Cece Bell
Candlewick
Fuse #8: Review of the Day

(Laura Ingalls) Wilder Award
Katherine Paterson
Katherine Paterson Named National Ambassador for Young People’s Literature in 2010

Katherine the Great: There couldn’t be a better choice for our new kids’ book ambassador than Katherine Paterson

Andrew Carnegie Medal
Anna, Emma and the Condors
Produced by Katja Torneman
Book Verdict Review

Robert F. Sibert Informational Book Medal
Bomb: The Race to Build—and Steal—the World’s Most Dangerous Weapon by Steve Sheinkin
Flash Point/Roaring Brook
Curriculum Connections: Steve Sheinkin Writes a Thriller: An Interview with Steve Sheinkin

Honors:
Electric Ben: The Amazing Life and Times of Benjamin Franklin by Robert Byrd
Dial/Penguin Young Readers
Book Verdict Review

Moonbird: A Year on the Wind with the Great Survivor B95 by Phillip M. Hoose
Farrar
A Chair, a Fireplace and a Tea Cozy: Review

Jonathan Hunt’s assessment on Heavy Medal

Titanic: Voices from the Disaster by Deborah Hopkinson
Scholastic
Someday My Printz Will Come: Titanic: Voices from the Disaster (Is Not a Disaster)

Mildred L. Batchelder Award
My Family for the War by Anne C. Voorhoeve
Dial/Penguin Young Readers
Book Verdict Review

Honors:
A Game for Swallows: To Die, to Leave, to Return by Zeina Abirached, tr. by Edward Gauvin
Graphic Universe/Lerner
SLJ Pick of the Day

Son of a Gun, written and tr. by Anne de Graaf
Eerdmans
Book Verdict Review

May Hill Arbuthnot Honor Lecture Award
Andrea Davis Pinkney
Celebration Time: Black History Month by Andrea Davis Pinkney
Teacher Appreciation Week: Andrea Davis Pinkney’s Letter to Mr. Dwyer

Pura Belpré Awards
Author: Aristotle and Dante Discover the Secrets of the Universe by Benjamin Alire Sáenz
Simon & Schuster
SLJ Review

Honor:
The Revolution of Evelyn Serrano by Sonia Manzano
Scholastic
Book Verdict Review

Illustrator: Martín de Porres: The Rose in the Desert
Illus. by David Diaz, written by Gary D. Schmidt
Clarion

Michael L. Printz Award
In Darkness by Nick Lake
Bloomsbury
Pick of the Day

Honors:
Aristotle and Dante Discover the Secrets of the Universe by Benjamin Alire Sáenz
Simon & Schuster
SLJ Review

Code Name Verity by Elizabeth Wein
Hyperion/Disney
A Chair, a Fireplace and a Tea Cozy: Review

Dodger by Terry Pratchett
HarperCollins Children’s Books
Someday My Printz Will Come: Review

The White Bicycle by Beverley Brenna
Red Deer Press

Odyssey Award
The Fault in Our Stars, written by John Green, narrated by Kate Rudd
Produced by Brilliance Audio
SLJ Review

Honors:
Artemis Fowl: The Last Guardian, produced by Listening Library, written by Eoin Colfer and narrated by
Nathaniel Parker

Ghost Knight, produced by Listening Library, written by Cornelia Funke and narrated by Elliot Hill

Monstrous Beauty, produced by Macmillian Audio, written by Elizabeth Fama and narrated by Katherine Kellgren

YALSA Award for Excellence in Nonfiction for Young Adults
Bomb: The Race to Build—and Steal—the World’s Most Dangerous Weapon by Steve Sheinkin
Flash Point/Roaring Brook
Curriculum Connections: Steve Sheinkin Writes a Thriller: An Interview with Steve Sheinkin

Finalists:
Steve Jobs: The Man Who Thought Different by Karen Blumenthal
Feiwel & Friends
Curriculum Connections: Karen Blumenthal Connects the Dots: Interview

Moonbird: A Year on the Wind with the Great Survivor B95 by Phillip Hoose
Farrar
Heavy Medal: Black Hole and Moonbird

Titanic: Voices from the Disaster by Deborah Hopkinson
Scholastic
Someday My Printz Will Come

We’ve Got a Job: The 1963 Birmingham Children’s March by Cynthia Levinson
Peachtree Publishers
Practically Paradise: Nonfiction Monday

William C. Morris Award
Seraphina by Rachel Hartman
Random House
Someday My Printz Will Come: Seraphina

Finalists:
Wonder Show by Hannah Barnaby
Houghton Mifflin Harcourt Books
A Chair, a Fireplace and a Tea Cozy

Love and Other Perishable Items by Laura Buzo
Knopf/Random House

After the Snow by S. D. Crockett
Feiwel and Friends
SLJ Review

The Miseducation of Cameron Post by emily m. danforth
Balzer + Bray/HarperCollins
Someday My Printz Will Come

Margaret A. Edwards Award:
Tamora Pierce for her “Song of the Lioness” series

Coretta Scott King Book Awards
Author: Hand in Hand: Ten Black Men Who Changed America by Andrea Davis Pinkney, illus. by Brian Pinkney
Hyperion/Disney
Books to Celebrate the Everyday Heroes of the Civil Rights Movement

Honors:
Each Kindness by Jacqueline Woodson, illus. by E. B. Lewis
Nancy Paulsen Books/Penguin Young Readers
Interview with Jacqueline Woodson

No Crystal Stair: A Documentary Novel of the Life and Work of Lewis Michaux, Harlem Bookseller by Vaunda Micheaux Nelson, illustrated by R. Gregory Christie
Carolrhoda Lab/Lerner
Heavy Medal

Illustrator: I, Too, Am America
illus. by Bryan Collier, written by Langston Hughes
Simon & Schuster

Honors:
H. O. R. S. E., illus. & written by Christopher Myers (listed in this interview highlighting the hottest books of Fall 2012)
Egmont USA
Included in Interview: JLG’s Susan Marson Talks About the Hottest Upcoming Books for Fall 2012

Ellen’s Broom, illus. by Daniel Minter, written by Kelly Starling Lyons
Putnam/Penguin Young Readers
Included in Black History Month 2012

I Have a Dream: Martin Luther King, Jr., illus. by Kadir Nelson, written by Martin Luther King, Jr. Schwartz & Wade/Random House (listed in this compilation of books for celebrating MLK Day
Included in Great Books for Celebrating Martin Luther King Day

Virginia Hamilton: Demetria Tucker
Practitioner Award for Lifetime achievement

Stonewall Book Award
Aristotle and Dante Discover the Secrets of the Universe by Benjamin Alire Sáenz
Simon & Schuster
SLJ Review

Honors:
Drama by Raina Telgemeier
Graphix/Scholastic Inc.
Good Comics for Kids

Gone, Gone, Gone by Hannah Moskowitz
Simon Pulse/Simon & Schuster

October Mourning: A Song for Matthew Shepard by Lesléa Newman
Candlewick
Interview with Lesléa Newman

Sparks: The Epic, Completely True Blue, (Almost) Holy Quest of Debbie, by S. J. Adams
Flux

Listed below are the SLJ reviews for the top prizes:

Newbery Medal
APPLEGATE, Katherine. The One and Only Ivan. illus. by Patricia Castelao. 305p. CIP. HarperCollins/Harper. Jan. 2012. Tr $16.99. ISBN 978-0-06-199225-4; ebook $9.99. ISBN 978-0-06-210198-3. LC 2011010034.
Gr 3-7—This tender tale of friendship and hope is narrated by a silverback gorilla living at The Big Top Mall, a shabby, circus-themed roadside attraction. For years, Ivan was passively content. He had his art, unlimited bananas, and his friends: Stella (an elephant), Bob (a stray dog), and Julia (a human child). Ivan’s eyes are finally opened to his deplorable surroundings when he loses a friend due to neglect. The last straw is when he witnesses the attraction’s owner abusing Ruby, a newly acquired baby elephant. Thus, Ivan is inspired to take action. With some help from his human friends, his dream of a better life for all the Big Top’s animals just might come true. The character of Ivan, as explained in an author’s note, is inspired by a real gorilla that lived through similar conditions before being adopted by Zoo Atlanta. Applegate makes a powerful statement about the treatment of animals—especially those living in captivity—and reminds readers that all creatures deserve a safe place to call home. Castelao’s delightful illustrations enhance this lovely story, and the characters will capture readers’ hearts and never let go. A must-have.—Alissa J. LeMerise, Oxford Public Library, MI

Caldecott Medal
KLASSEN, Jon. This Is Not My Hat. illus. by author. 40p. Candlewick. Oct. 2012. RTE $15.99. ISBN 978-0-7636-5599-0.
PreS-Gr 1–With this new creation, Klassen repeats the theme from I Want My Hat Back (Candlewick, 2011), but with a twist. The narrator here is the thief–a small, self-confident fish who has pilfered a little blue bowler from a big sleeping fish. He wastes no time or words in confessing his crime as he swims across the page announcing, “This hat is not mine. I just stole it.” He continues his narrative with no regrets, but with a bit of rationalizing (“It was too small for him anyway.”) as he swims to his hiding place, unaware that the big fish is in quiet pursuit. Readers, of course, are in on this little secret. When the two disappear into a spread filled with seaweed, the narration goes silent, and youngsters can easily surmise what happens as the big fish reemerges with the tiny blue bowler atop his head. Simplicity is key in both text and illustrations. The black underwater provides the perfect background for the mostly gray-toned fish and seaweed while the monochromatic palette strips the artwork down to essential, yet exquisite design. Movement is indicated with a trail of small white bubbles. This not-to-be-missed title will delight children again and again.–Carolyn Janssen, Public Library of Cincinnati & Hamilton County, Cincinnati, OH

Theodore Geisel Medal
LONG, Ethan. Up, Tall and High! illus. by author. unpaged. CIP. Putnam. Feb. 2012. RTE $15.99. ISBN 978-0-399-25611-0. LC 2011003291.
PreS-K—Long borrows from the Mo Willems school of minimalist humor in this early reader about a flock of funny birds trying to outdo one another. The three stories utilize repetition of very few words (“I am tall.” “You are not tall.” “I may not be tall. But I am not small”), but the accompanying illustrations greatly enrich the spare text with bright colors and charming cartoons, making this a fun first venture into reading alone. The book has one shortcoming: the pages are flimsy and do not lie flat, so the flaps catch when opened or closed, so longevity is definitely a concern. Otherwise, the silly birds and their games of one-upmanship are definitely giggle-worthy.—Alyson Low, Fayetteville Public Library, AR

Carnegie Medal
Anna, Emma and the Condors. DVD. 20 min. Green Planet Films. 2012. ISBN unavail. $49.
Gr 5 Up–Viewers will be captivated by this charming and gorgeously photographed look at the life of an environmental biologist and his family as they work to save the California Condor. Chris Parrish is the director of the Condor Project for the Peregrine Fund at Vermilion Cliffs National Park in Arizona, and his wife, Ellen, is a teacher for Roots and Shoots, an organization founded by Jane Goodall. They home school their two daughters, Anna and Emma, allowing the girls to work with them in their species conservation efforts. There is no story or plot to the film, and not a lot of scientific details either. Rather, the film showcases the stunning landscapes of the Vermillion Cliffs in Arizona, and offers many breathtaking images of condors—in flight, at rest, eating, and mating. The family is shown tracking the birds, taking blood samples, feeding them (not for the faint of heart, condors are scavengers and these eat dead calves), and in an emotional moment, releasing a young condor back into the wild. There are many images of the family hiking, camping and riding horses, while in voice-overs they discuss living with respect for the environment. Parrish is also shown singing several songs with his guitar. This short sketch might make a nice supplemental film for an environmental studies class.–Geri Diorio, Ridgefield Library, CT

Sibert Medal, YALSA Award for Excellence in Nonfiction, Newbery Honor
SHEINKIN, Steve. Bomb: The Race to Build–and Steal–the World’s Most Dangerous Weapon. Roaring Brook/Neal Porter. Tr $19.99. ISBN 978-1-59643-487-5; ebook $9.99. ISBN 978-1-59643-861-3.
Gr 5 Up–“Harry Gold was right: This is a big story.” So begins this depiction of the “creation–and theft–of the deadliest weapon ever invented.” As he did in The Notorious Benedict Arnold (Roaring Brook, 2010), Sheinkin has again brought his superior talent for storytelling to bear in what is truly a gripping account of discovery, espionage, and revolutionary changes in both physics and the modern world. This fascinating tale, packed with a wide cast of characters, focuses mainly on three individuals: spy for the Soviets Harry Gold, leader of the Manhattan Project J. Robert Oppenheimer, and Knut Haukelid, who sabotaged German bomb efforts while working for the Norwegian resistance. Sheinkin skillfully combines lucid, conversational snapshots of the science behind the atomic bomb with a fast-paced narrative of the remarkable people who made it possible and attempted to steal it. Handsomely designed and loaded with archival photos and primary-source documents, the accessible volume lays out how the bomb was envisioned and brought to fruition. While the historical information and hard facts presented here will likely be new to the intended audience, they in no way overwhelm readers or detract from the thoroughly researched, well-documented account. It reads like an international spy thriller, and that’s the beauty of it.–Brian Odom, Pelham Public Library, AL

Batchelder Medal
VOORHOEVE, Anne C. My Family for the War. tr. from German by Tammi Reichel. Dial. p. 124.
Gr 7 Up—In 1938 Berlin, 10-year-old Ziska and her best friend run from classmates-turned-bullies who torment them for being Jewish, even though Ziska’s family converted in the last century and she knows nothing of the Jewish religion or culture. When her father is beaten during a brutal midnight raid on their apartment and imprisoned, Ziska earns a position on the kindertransport to England, where she begins a new life as Frances, foster daughter to an Orthodox London “family for the war.” In an engaging, honest voice, she relates her fears, triumphs, and revelations as she learns English and the rituals of Judaism, adapts to a new life, and copes with guilt about her growing love for her new family. She tries in vain to acquire permits for her parents to join her while they keep up a soon spotty, strained correspondence that brings increasingly heartbreaking news of those left behind. By war’s end, Frances, now 17, has experienced evacuation to the English countryside and another foster home, air raids, bomb shelters, and first love with page-turning immediacy despite the sense that the story is told by a much older, reflective Frances looking back. Events and facts are expertly woven into the girl’s emotional growth, and changing relationships—especially those with her complex, fading mother and differently complex foster mother—provide a rich exploration of identity and self. Like Frances, the mostly Jewish cast of secondary characters is varied, multidimensional, and sometimes unlikable. With a compelling main character and taut and insightful story line, this novel is sure to find no shortage of readers, and it adds a valuable perspective to collections of World War II fiction.—Riva Pollard, Prospect Sierra Middle School, El Cerrito, CA

Pura Belpré Author Award, Stonewall Medal, Printz Honor
SÁENZ, Benjamin Alire. Aristotle and Dante Discover the Secrets of the Universe. 358p. CIP. S & S. Feb. 2012. Tr $16.99. ISBN 978-1-4424-0892-0; ebook $9.99. ISBN 978-1-4424-0894-4. LC 2010033649.
Gr 9 Up-In the summer of 1987 in El Paso, TX, two 15-year-old loners meet when Dante offers to teach Ari to swim, and they have a laugh over their unusual names. Though polar opposites in most aspects other than age and Mexican heritage, the teens form an instant bond and become inseparable. This poetic novel takes Ari, brooding and quiet, and with a brother in prison, and Dante, open and intellectual, through a year and a half of change, discovering secrets, and crossing borders from which there is no return. Two incidents, one in which Ari saves Dante’s life and his family’s temporary move to Chicago, help Dante understand that he is gay and in love with his friend. Yet, Ari can’t cross that line, and not until Dante is hospitalized in a gay-bashing incident does he begin to realize the true depth of the love he has for him. With the help of his formerly distant, Vietnam-damaged father, Ari is finally able to shed his shame—the shame of his anger, of his incarcerated brother, of being different—and transition from boy to man. While this novel is a bit too literary at times for some readers, its authentic teen and Latino dialogue should make it a popular choice.—Betty S. Evans, Missouri State University, Springfield

Pura Belpré Illustrator Award
SCHMIDT, Gary D. Martín de Porres: The Rose in the Desert. illus. by David Diaz. 32p. CIP. Clarion. 2012. RTE $16.99. ISBN 978-0-547-61218-8. LC 2011025721.
Gr 2–4—Picture-book biographies of Catholic saints are usually limited to those best known, like Patrick, Francis, Joan of Arc, and Blessed Mother Teresa. Martín de Porres was the first black saint of the Americas, and he has a story as inspiring and evocative of Christian virtue as any other. Born the illegitimate son of a former slave and a Spanish conquistador in 1579 in Lima, Peru, he lived with his mother and sister in abject poverty until he was claimed by his father and eventually apprenticed to a surgeon and found to have healing powers that matched his great piety. He was accepted to be a servant at a Dominican monastery, with the explicit understanding that he, a mulatto, would never become a priest. He showed compassion for all people and animals and was said to have miraculous gifts. But it is his extreme humility that resonates with most biographers, including Schmidt, who tells the story of St. Martín’s life in simple and eloquent language, emphasizing his humble servitude and great empathy. Diaz’s multimedia illustrations are lush and beautiful, reinforcing the narrative and frequently using iconic images and stylized shapes that evoke stained glass. Some drawings of Martín, however, are inconsistent. His age occasionally seems to shift out of sequence, and the changing shape of his nose and eyes in particular results in some visual dissonance for young readers. Nonetheless, this is an artful and reverent portrait of a little-known figure.—Lisa Egly Lehmuller, St. Patrick’s Catholic School, Charlotte, NC

Odyssey Medal
The Fault in Our Stars (unabr.). 6 CDs. 7:19 hrs. Brilliance Audio. 2012. ISBN 978-1-4558-6987-9. $59.97.
Gr 9 Up–John Green’s compelling, engaging novel (Dutton, 2012) is about life, and love, and death. Hazel was diagnosed with terminal cancer at the age of 13. Three years later, she is still alive. However, her life is turned upside down when she meets Augustus Waters at a support group for teens with cancer. They embark on a relationship that has the potential to become an emotional grenade. Gus uses his “last wish” granted to sick children by the Genie Foundation to take Hazel to Amsterdam in order to meet Peter Van Houten, the author of her favorite book about a girl who has cancer. She believes there is more to the story and wants the author to give her additional information. Van Houten’s response is disappointing, but in the end Hazel allows herself to love Gus. Kate Rudd narrates in a relaxed style, perfectly voicing all of Green’s well-developed characters. This novel doesn’t pull any punches, and listeners’ emotions will run the gamut from laughing out loud to sobbing with joy or grief. A strong choice for young adult collections.–Elizabeth L. Kenyon, Merrillville High School, IN

Printz Medal

LAKE, Nick. In Darkness. 352p. Bloomsbury. 2012. Tr $17.99. ISBN 978-1-59990-743-7; ebook $9.99. ISBN 978-1-59990-820-5. LC 2011022350.
Gr 9 Up–Trapped in the rubble of Haiti’s massive 2010 earthquake, teenage Shorty desperately waits for rescue. While in darkness, events of his traumatic, violent life replay in his head. He is haunted by his father’s brutal murder, his twin sister’s disappearance, and the armed gang activity that has been his means of survival in Site Soléy (Cite Soleil), a very real and dangerous slum. As he faces death and struggles to understand the external forces that have shaped him, Shorty gradually feels the uplifting spiritual presence of revered slave liberator Toussaint L’Ouverture and draws strength and hope from the man’s extraordinary life, determination, and idealism. The pervasive Haitian voodoo belief in spirit transfer empowers Shorty and connects him with Touissant across time. In alternating chapters of “Now” and “Then,” Shorty’s and Toussaint’s stories unfold. The relentless oppression, poverty, violence, and instability of the country is vividly conveyed through Shorty’s stark, graphic narrative. Toussaint’s story provides historical background for the socioeconomic and political conflicts that continue today. As the author notes, he portrays the essential spirit and history of Touissant with some omissions and simplifications. For example, Touissant learned to read as a boy, and not late in life, but this factual inaccuracy does not diminish the account of his charisma and significance. The entangled actions of gangs and government, the complicated relationship between Haitians and foreign-aid organizations, and the rich mix of Creole and French patois provide insight and authenticity. A striking cast of characters, compelling tension as Shorty confronts his own death, and the reality and immediacy of Haiti’s precarious existence will captivate secondary readers.–Gerry Larson, formerly at Durham School of the Arts, NC

Coretta Scott King Book Awards
Author Award:
PINKNEY , Andrea Davis. Hand in Hand: Ten Black Men Who Changed America. illus. by Brian Pinkney. 244p. bibliog. chron. further reading. index. CIP. Disney/Jump at the Sun. 2012. Tr $19.99. ISBN 978-1-4231-4257-7. LC 2011051348.
Gr 5–8—This book is similar in scope to the author’s Let It Shine: Stories of Black Women Freedom Fighters (Harcourt, 2000). The subjects here include Benjamin Banneker, Frederick Douglass, Booker T. Washington, W.E.B. DuBois, A. Philip Randolph, Thurgood Marshall, Jackie Robinson, Malcolm X, Martin Luther King, Jr., and Barack Obama, all introduced in the author’s characteristically lively prose (“Black students kept on keeping on with dog-eared textbooks and dog-tired feet”; Malcolm Little’s hair was transformed from “pretty-boy cotton-kink to slick-daddy bone-straight”). The distinct experiences that shaped each man are ably delineated-the childhood events, the hardships faced, the richly deserved victories won-and the results are, without exception, compelling. The large font size is perfect for the middle-grade audience, but too many blocks of unbroken text may turn away less-confident readers. Thankfully, Brian Pinkney’s magnificent portraits and spot art throughout each profile help to amplify each man’s story. A must-have for all libraries serving young people. Sam Bloom, Blue Ash Library, Cincinnati, OH

Illustrator Award:
HUGHES, Langston. I, Too, Am America . illus. by Bryan Collier. CIP. S & S. 2012. Tr $16.99. ISBN 978-1-4424-2008-3. LC 2011002879.
K-Gr 5—Hughes’s poem of burgeoning pride in one’s African American identity, written at the height of the Harlem Renaissance in 1925, is interpreted anew in this striking picture book.Collier has visualized the message of the sparely written poem, barely 60 words in length, through the lens of a Pullman porter. “I, too, sing America” proclaims the opening spread that depicts a passenger rail car whizzing by; then, “I am the darker brother” shows an African American young man in the porter’s uniform gazing squarely at readers through a faint, translucent overlay of the American flag, a recurring motif. As the porter cleans up the club car and examines the detritus—newspapers, magazines, blues, and jazz albums left by the train’s well-heeled passengers—he impulsively flings it all from the caboose, scattering this knowledge to those who will willingly learn from it. Wafting through time and space, these items fall into the hands of a young female field worker in the long-ago South as well as residents in a contemporary northern urban landscape. The poem’s powerful conclusion—”I, too, am America”—depicts a young boy on the subway with his mother, peering out the window through a readily visible flag toward his unknown but hopeful future. Collier’s signature mixed-media collages create bold, textured images that give tangible expression to the poet’s potent words. A memorable and multilayered volume for all libraries.—Kathleen Finn, St. Francis Xavier School, Winooski, VT

William C. Morris Award
HARTMAN, Rachel. Seraphina. Random. Tr $17.99. ISBN 978-0-375-86656-2; PLB $20.99. ISBN 978-0-375-96656-9; ebook $10.99. ISBN 978-0-375-89658-3. LC 2011003015.
Gr 7 Up–For nearly 40 years, the treaty between the humans of Goredd and the dragons of dragonkind has held strong. Humans must not enter dragonkind territory and dragons, upon entering human lands, must take their human shape, or saarantrai. In Goredd, Seraphina’s human father, a high offical, needs her to stay anonymous. The dark secret that she must hide is that her mother was a dragon. Because of her musical talents, Seraphina becomes Goredd’s music assistant, helping prepare for the anniversary celebration. Layers of clothing disguise the scales on her arms and stomach, but unlike dragons, her blood runs red, not silver. Also, to keep from having fainting spells in which she relives her deceased mother’s experiences, Seraphina must clear her head each night. She calls the figures in her vision grotesques, and each night, she must ensure all is calm in her mind-garden. When the decapitated body of Prince Rufus is found just days before the anniversary festivities, many humans are quick to accuse a dragon of breaking the pact. Seraphina’s grotesques begin acting strangely, and the whole court is investigating the murder. When the celebrations are in full swing, all hell breaks loose as the rogue dragon that killed the prince enters Goredd in his dragon form and attempts to take control. Seraphina must risk revealing her true identity (and that of her fellow hybrids) in an attempt to save the kingdom. Hartman creates a rich story layered with intriguing characters and descriptive settings. Seraphina is a complex and fully developed protagonist. Although long, this unique novel (left open for a sequel) will surely appeal to fans of Christopher Paolini’s “Eragon” books (Knopf) and wherever readers enjoy fantasies. Lauren Newman

Schneider Family Book Award
For Middle Grade Readers:
LEAN, Sarah. A Dog Called Homeless. 198p. HarperCollins/Katherine Tegen. 2012. Tr $16.99. ISBN 978-0-06-212220-9; ebook $9.99. ISBN 978-0-06-212222-3. LC 2011044628.
Gr 4–7—Cally Fisher hasn’t spoken for 31 days. As she explains in the prologue, “Talking doesn’t always make things happen, however much you want it to.” She knows that talking won’t bring her mother back to life or keep her dad from selling their home in exchange for a small apartment so what’s the point in saying anything. But when her mother appears one day wearing a bright red raincoat and the only other soul that sees her is a big scraggly dog, the girl knows she must find a way to convince her father that the dog is the only thing connecting them to her mother. But her father’s growing depression continues to separate the family and Cally struggles to keep her mother from becoming a distant memory. When she meets Sam, who lives downstairs, the friendship that forms between the blind boy and silent girl manages to reunite a family, and each character benefits from the bond. Truly a lesson in the power of love and loss, this story shows that learning how to listen is more important than what’s being said. This is a thought-provoking story that will speak to readers of all ages.—Cheryl Ashton, Amherst Public Library, OH

For Younger Readers:
ALEXANDER, Claire. Back to Front and Upside Down. illus. by author. 26p. Eerdmans. Sept. 2012. Tr $16. ISBN 978-0-8028-5414-8.
PreS-Gr 1–Stan, a small anthropomorphic puppy, faces a big problem–his class is making birthday cards for the principal, but he just can’t get the hang of writing. He is despondent until a friend suggests that he approach their teacher for help. Gathering up some courage, Stan approaches Miss Catnip and discovers that he’s not the only one having trouble. After “lots and lots and lots of practice,” Stan’s writing improves and he not only creates a great card, but learns that he should always ask for help when he is struggling. Alexander’s mostly full-page illustrations of Stan and his animal friends are bright and cheerful. Though cartoonish, they expressively depict the change in Stan’s emotions–from isolation and sadness to accomplishment and happiness. The story is a tad didactic, but it teaches a good lesson. Students should have no trouble sympathizing with Stan’s learning difficulties and cheer for his success.–Yelena Alekseyeva-Popova, formerly at Chappaqua Library, NY

The audience erupted in cheers Monday morning after “Animorphs” (Scholastic) author Katherine Applegate was named the winner of the Newbery Medal for her heartfelt and unforgettable story The One and Only Ivan (HarperCollins), and Jon Klassen was awarded the Caldecott Medal for This Is Not My Hat (Candlewick) at the American Library Association’s Youth Media Awards for 2012, which were announced during ALA‘s annual Midwinter Meeting in Seattle, WA. Another Klassen project, Mac Barnett’s picture book Extra Yarn (HarperCollins), was named a Caldecott Honor book.

Katherine Applegate

The Newbery for The One and Only Ivan, Applegate’s uniquely creative, fictional take on the true story of a silverback gorilla who once lived in glass enclosure in a shopping mall, surprised many attendees who had not shortlisted it for the win. Nevertheless, the book had many enthusiastic fans among the crowd in Seattle, who agreed that it was—and would continue to be—a hugely popular choice with kids.

California resident Applegate was visiting relatives in Virginia when she was surprised by the call from the Newbery committee this morning, only an hour and a half before the YMAs presentation began, she tells SLJ. ”I was stunned, totally delighted but speechless,” she says. “The speechlessness went on for a while, then I screamed, and my family marched in at that, and there were a lot of screams! Then we watched the webcast and it was great. It was fun to watch with no anxiety, because they had called me already.”

Applegate credits her win in part to a large community of online fans, especially on Twitter, who have been championing the book and who have conducted huge amounts of outreach to middle readers, including John Schumacher and The Nerdy Book Club. “I have gotten so much support from different communities,” she says. “They have helped tremendously in how visible the book was to readers.”

Adds Applegate, “It’s just surreal! I know what a lottery it is because there were so many good books this year. It’s a huge honor but it could have been any one of them.”

Jon Klassen

And although This Is Not My Hat was a Caldecott favorite going into the awards, “I was actually very, very surprised,” Klassen tells SLJ. “I had done a pretty good job of convincing myself not to think about it, so it came out of the blue. It’s such a big thing to think that you were going to get mentioned at all, (the dual win) didn’t register. I’m still getting used to the idea that people are looking at these books, much less giving them the distinction.”

The crowd was also ecstatic to learn that the Margaret A. Edwards Award, which celebrates its 25th anniversary this year, will be presented to Tamora Pierce for her significant and lasting contributions to YA literature via her “Song of the Lioness” series. The award is sponsored by SLJ.

Other big winners of the day were Bomb: The Race to Build—and Steal—the World’s Most Dangerous Weapon (Roaring Brook Press) by Steve Sheinkin, which scored the YALSA nonfiction award, the Sibert Informational Book Medal, and a Newbery Honor; and Aristotle and Dante Discover the Secrets of the Universe (Simon & Schuster) by Benjamin Alire Sáenz, which also was selected three times: for the Stonewall Award, the Belpré Author Award, and a Printz Honor.

Although Sheinkin knew Bomb was a strong contender for the YALSA nonfiction award, he was “really surprised by the other awards—happily so,” he tells SLJ.

In fact, after the YALSA committee informed him of his win for the nonfiction award on Saturday night, he turned off his phone before the Sibert committee was able to reach him. ”They tried to call me many times last night,” he says, “but then they left a message. But that was cool, too.” (Now he has the message saved, he says.)

Sheinkin hopes his cross-category wins might signal a trend of growing popularity for exciting young adult nonfiction overall among kids.

“It’s really cool to break out of just the nonfiction category,” he says. “That’s my biggest thing—I’m a big proponent of history for kids, of nonfiction, but also trying to win over people who just want to read a good book. To prove to young readers that this kind of book can be fun also is a really big thing. A lot of kids know it (some kids are into history) but some kids are scared of it.”

Benjamin Alire Sáenz

Meanwhile, Sáenz, after hearing of his three wins across categories “had a frantic and beautiful morning, was in class all afternoon and then quietly celebrated by taking a walk in the desert,” he tells SLJ, adding that the Stonewall award was a “complete surprise” and the Printz honor left him “stunned.”

He notes, “the Belpré people called me the night before and I was absolutely thrilled. They were all on speakerphone and I could hear them screaming. They were very sweet and I didn’t know what to say. I don’t know that we as authors should expect awards; they are gifts to us. I get really choked up. I’m just grateful for the gifts. I would hope my mother raised a gracious man, who knows how to say thank you.”

He also notes that the book’s cross-category recognition is a testament to how well it was marketed by Simon & Schuster as well as the word of mouth of reviewers and librarians who recommended it. “They felt that everybody should read this book, they put it into everybody’s hands,” he says. “It takes a village to take the book out into the world. We had a great village.”

The prolific author—who writes poetry, children’s books, and adult novels in addition to YA literature—somehow found the time to write Aristotle and Dante while teaching bilingual creative writing and acting as MFA department chair at the University of Texas at El Paso. He is already deep into his next project, another dramatic YA novel. “I’m always writing,” he says.

* * *

Here is the list of winners of the ALA’s Youth Media Awards:

(John) Newbery Medal
The One and Only Ivan. Katherine Applegate. HarperCollins.

Honors:
Splendors and Glooms. Laura Amy Schlitz. Candlewick.

Bomb: The Race to Build—and Steal—the World’s Most Dangerous Weapon. Steve Sheinkin. Flash Point/Roaring Brook.

Three Times Lucky. Sheila Turnage. Dial/Penguin Young Readers.

(Randolph) Caldecott Medal
This Is Not My Hat. Jon Klassen. Candlewick Press.

Honors:
Creepy Carrots! Aaron Reynolds. Illus. by Peter Brown.
Simon & Schuster.

Extra Yarn. Mac Barnett. Illus. by Jon Klassen.
HarperCollins/Balzer + Bray.

Green. Laura Vaccaro Seeger. Neal Porter Books/Roaring Brook.

One Cool Friend. Toni Buzzeo. Illus. by David Small. Dial/Penguin Young Readers.

Sleep Like a Tiger. Mary Logue. Illus. by Pamela Zagarenski. Houghton Mifflin Harcourt

Theodore Seuss Geisel Award
Up, Tall and High. Ethan Long. G. P. Putnam’s Sons.

Honors:
Let’s Go for a Drive! Mo Willems. Hyperion/Disney.

Pete the Cat and His Four Groovy Buttons. Eric Litwin. Illus. by James Dean. HarperCollins.

Rabbit & Robot: The Sleepover. Cece Bell. Candlewick.

(Laura Ingalls) Wilder Award
Katherine Paterson

Andrew Carnegie Medal
Anna, Emma and the Condors. Produced by Katja Torneman.

Robert F. Sibert Informational Book Medal
Bomb: The Race to Build—and Steal—the World’s Most Dangerous Weapon. Steve Sheinkin. Flash Point/Roaring Brook

Honors:
Electric Ben: The Amazing Life and Times of Benjamin Franklin. Robert Byrd. Dial/Penguin Young Readers.

Moonbird: A Year on the Wind with the Great Survivor B95. Phillip M. Hoose. Farrar.

Titanic: Voices from the Disaster. Deborah Hopkinson. Scholastic.

Mildred L. Batchelder Award
My Family for the War. Anne C. Voorhoeve. Dial/Penguin Young Readers.

Honors:
A Game for Swallows: To Die, to Leave, to Return. Zeina Abirached.
Tr. by Edward Gauvin. Graphic Universe/Lerner.

Son of a Gun. Anne de Graaf. Eerdmans.

May Hill Arbuthnot Honor Lecture Award
Andrea Davis Pinkney

Pura Belpré Awards
Author: Aristotle and Dante Discover the Secrets of the Universe. Benjamin Alire Sáenz.
Simon & Schuster.

Honor: The Revolution of Evelyn Serrano. Sonia Manzano. Scholastic.

Illustrator: Martín de Porres: The Rose in the Desert. Gary D. Schmidt. Illus. by David Diaz. Clarion.

Michael L. Printz Award
In Darkness. Nick Lake. Bloomsbury. 

Honors:
Aristotle and Dante Discover the Secrets of the Universe. Benjamin Alire Sáenz. Simon & Schuster.

Code Name Verity. Elizabeth Wein. Hyperion/Disney.

Dodger. Terry Pratchett. HarperCollins Children’s Books

The White Bicycle. Beverley Brenna. Red Deer Press.

Odyssey Award
The Fault in Our Stars. John Green. Narrated by Kate Rudd. Brilliance Audio.

Honors:
Artemis Fowl: The Last Guardian. Eoin Colfer. Narrated by Nathaniel Parker. Listening Library.

Ghost Knight. Cornelia Funke. Narrated by Elliot Hill. Listening Library.

Monstrous Beauty. Elizabeth Fama. Narrated by Katherine Kellgren. Macmillian Audio.

YALSA Award for Excellence in Nonfiction for Young Adults
Bomb: The Race to Build—and Steal—the World’s Most Dangerous Weapon. Steve Sheinkin
Flash Point/Roaring Brook

Finalists:
Steve Jobs: The Man Who Thought Different. Karen Blumenthal. Feiwel & Friends.

Moonbird: A Year on the Wind with the Great Survivor B95. Phillip Hoose. Farrar

Titanic: Voices from the Disaster. Deborah Hopkinson. Scholastic.

We’ve Got a Job: The 1963 Birmingham Children’s March. Cynthia Levinson. Peachtree Publishers.

William C. Morris Award
Seraphina. Rachel Hartman. Random House.

Finalists:
Wonder Show. Hannah Barnaby. Houghton Mifflin Harcourt Books.

Love and Other Perishable Items. Laura Buzo. Knopf/Random House.

After the Snow. S. D. Crockett. Feiwel and Friends.

The Miseducation of Cameron Post. emily m. danforth. Balzer + Bray/HarperCollins

Margaret A. Edwards Award
Tamora Pierce for her “Song of the Lioness” series

Coretta Scott King Book Awards
Author: Hand in Hand: Ten Black Men Who Changed America. Andrea Davis Pinkney. Illus. by Brian Pinkney. Hyperion/Disney.

Honors: Each Kindness. Jacqueline Woodson. Illus. by E. B. Lewis.
Nancy Paulsen Books/Penguin Young Readers.

No Crystal Stair: A Documentary Novel of the Life and Work of Lewis Michaux, Harlem Bookseller 
Vaunda Micheaux Nelson. Illustrated by R. Gregory Christie. Carolrhoda Lab/Lerner.

Illustrator: I, Too, Am America. Langston Hughes. Illus. by Bryan Collier. Simon & Schuster.

Honors: H. O. R. S. E.. Christopher Myers. Egmont USA.

Ellen’s Broom. Kelly Starling Lyons. Illus. by Daniel Minter. Putnam/Penguin Young Readers.

I Have a Dream: Martin Luther King, Jr. Ilus. by Kadir Nelson. Schwartz & Wade/Random House.

Virginia Hamilton: Demetria Tucker
Practitioner Award for Lifetime achievement

Stonewall Book Award
Aristotle and Dante Discover the Secrets of the Universe. Benjamin Alire Sáenz. Simon & Schuster.

Honors:
Drama. Raina Telgemeier. Graphix/Scholastic Inc.

Gone, Gone, Gone. Hannah Moskowitz. Simon Pulse/Simon & Schuster.

October Mourning: A Song for Matthew Shepard. Lesléa Newman. Candlewick.

Sparks: The Epic, Completely True Blue, (Almost) Holy Quest of Debbie. S. J. Adams. Flux.

Schneider Family Book Award
Teen: Somebody, Please Tell Me Who I Am. Harry Mazer and Peter Lerangis. Simon & Schuster.

Middle Grade: A Dog Called Homeless. Sarah Lean. HarperCollins/Katherine Tegen Book.

Children: Back to Front and Upside Down! Claire Alexander. Eerdmans.

We’re just a few days away from the most important announcement in the world of children’s literature. Awarded every year by the American Library Association, honors like the Newbery and Caldecott Medals are highly coveted by kid lit authors and illustrators. And while libraries all over the country have organized mock awards programs in recent months where participants choose their favorite books as possible Newbery and Caldecott winners, not much has been heard about the other top prizes that will bestowed early on January 28. School Library Journal editors and contributors took a stab at naming a few titles that might just win one of these—lesser publicized, yet still highly sought after—Youth Media Awards.

The Coretta Scott King Awards are given annually to one outstanding African-American author and to one African-American illustrator of books for children and young adults who demonstrate an appreciation of African-American culture and universal human values.

“Two possibilities for the Coretta Scott King illustrator award—for their sheer stunningness and timeliness—are Shane W. Evans for his We March (Roaring Brook), and Kadir Nelson for his artistic representation of Martin Luther King Jr.’s I Have a Dream speech (Random),” effusively says Joy Fleishhacker, former SLJ book review editor and frequent contributor.

For the author award, Daryl Grabarek, editor of SLJ’s Curriculum Connections newsletter and SLJ’s “Touch & Go” blog, has great hopes for Vaunda Micheaux Nelson’s No Crystal Stair: A Novel in Documents, Based on the Life and Work of Lewis Michaux, Harlem Bookseller, illustrated by R. Gregory Christie (Carolrhoda). “This stunner is a lens onto New York City and African-American history, but so much more, including a look at feisty individual whose life was changed by his books, and whose work in turn, helped others realize their dreams,” she says.

Already a Boston Globe-Horn Book Award winner, it could be a shoe-in for a Coretta Scott King—and possibly even a Newbery, Grabarek notes.

The Odyssey Award is given to the producer of the best audiobook for children and/or young adults, available in English in the United States. Phyllis Levy Mandell, SLJ managing editor and Multimedia Review editor, has her heart set on the audiobook versions of Libba Bray’s The Diviners (Listening Library) or Laura Amy Schlitz’s Splendors and Gloom (Recorded Books). Both titles are serious contenders, she says.

The Pura Belpré Awards are presented to one Latino/Latina writer and one Latino/Latina illustrator whose work best portrays, affirms, and celebrates the Latino cultural experience in outstanding works of literature for children and youth.

Shelley Diaz, assistant editor of SLJ’s Book Review anticipates that narrative award will go to either Guadalupe McCall Garcia for her Odyssey retelling, Summer of the Mariposas (Lee & Low) or Margarita Engle’s novel in verse The Wild Book (Houghton Harcourt), both past Belpré winners. Diaz adds, however, that The Revolution of Evelyn Serrano (Scholastic), written by Sonia Manzano (best known as Sesame Street’s “Maria”) might surprise everyone.

The Robert F. Sibert Informational Book Medal is awarded to the author(s) and illustrator(s) of the most distinguished informational book published in the United States in English.

SLJ Executive Editor Rick Margolis and Contributing Editor Rocco Staino both think that Steve Sheinkin’s Bomb (Roaring Brook) could take this top nonfiction award. Barbara Kerley’s Those Rebels, John & Tom (Scholastic) also made Staino’s contender list.

Mahnaz Dar, editorial assistant of SLJ’s Book Review, is going the slithery slimy route, choosing Nic Bishop Snakes (Scholastic) for the Sibert. “Bishop also deserves some kudos for his dedication—he was actually bitten several times while photographing his subjects,” she says. “How many nonfiction writers can boast about bite marks in the service of their craft?”

The Schneider Family Book Award is presented to an author or illustrator for a book that embodies an artistic expression of the disability experience for child and adolescent audiences.

The title that automatically comes to mind when discussing this award, hand down, is Wonder by R. J. Palacio (Random), Grabarek says.  An SLJ Best Book of 2012, the touching middle grade novel has tugged kids’ heartstrings since its publication date. Grabarek also chose it as her school library’s book club pick; now there’s a waiting list read it, with more copies on order. “The writing and characterizations are superb, and there’s a lot here for kids to ponder and talk about—which they’re eager to do,” she argues.

Staino also says Jepp, Who Defied the Stars (Hyperion) by Katherine Marsh might have a shot.

The Stonewall Book Award recognizes works with exceptional merit relating to the gay/lesbian/bisexual/transgender experience.

Diaz and Dar are in agreement when it comes to the novel that will dominate this category: A. S. King’s Ask the Passengers (Little, Brown). “It captures the voice of a smart, sensitive teen perfectly,” says Dar. Diaz adds, “This novel is not only about romantic love, but loves of all kinds: for your family, for your friends, for even strangers. Most importantly, it’s about loving yourself, even though you’re still not sure who that self is yet.”

Other SLJ favorites for the category include two debut works, E. M. Kokie’s Personal Effects (Candlewick) and Emily M. Danforth’s The Miseducation of Cameron Post (HarperCollins). Chelsey Philpot, SLJ’s associate editor of Book Review, is crossing her fingers that the latter will pull ahead for the win.

The Theodore Seuss Geisel Award goes to the author(s) and illustrator(s) of the most distinguished American book for beginning readers published in English in the United States

Mo Willems usually walks away with this prize, and his Let’s Go for a Drive! (Hyperion) just might take it again this year, staffers say. But there are a few fervent fans for beloved author/illustrator Kevin Henkes. “I can’t think of a more charming introduction to reading than Penny and Her Doll. Penny is an endearing, appealing character whom children will adore,” shares Dar.

Fleishhacker can’t decide between the two. “I really like both of these titles for their solid writing, the way that the artwork and the narrative work in harmony to tell the story, their originality, and the way that they are both entertaining and extremely accessible for beginning readers,” she says. “Both of these titles will encourage and stand up to repeated reads—certainly an essential element for a beginning reader.” Diaz hopes that the dark horse, Sonya Hartnett’s pitch-perfect Sadie and Ratz (Candlewick) will be the last easy reader left standing.

Stay tuned to the live streaming webcast announcements on Monday, January 28. Or check our Youth Media Award coverage via Twitter and SLJ.com.

HARTMAN, Rachel. Seraphina. Random, 2012. ISBN 9780375966569. JLG Level: FH: Fantasy/Science Fiction. High (Grades 9-12).

Newcomer Rachel Hartman brings an exciting dragon adventure to the list of possible contenders. Already a winner on numerous best lists, Seraphina is a fantasy novel about a half-dragon heroine who lives in a land where a treaty was made with the dragons 40 years ago. When the prince is found beheaded, villagers are quick to blame the powerful creatures. Seraphina must risk revealing her own identity in order to save the kingdom from those who wish the peaceable agreement to end. Romance, political thriller, mystery, and coming-of-age genres combine in this high fantasy.

Leaving the ending open for a sequel, readers of all kinds will devour this new addition to the star-studded year.

KELLY, Jacqueline. Return to the Willows. illus. by Clint G. Young. Holt. 2012. ISBN 9780805094138. JLG Level: A+ : Intermediate Readers (Grades 3-5).

Over a hundred years after its original publication, Kenneth Grahame’s Wind in the Willows (Methuen, 1908) gets a sequel. Written in an amazingly-similar style, Kelly brings back some of our favorite characters in one hilarious adventure after the other. Supplemented by footnotes to translate the English language into American, readers will cheer when Toad is saved once again, and worry as his friends encounter trouble after trouble. New characters enter the Willows (Toad’s nephew) and a once-enemy (Sammy the weasel). The whole story leads to a rousing and satisfying conclusion. Young’s gorgeous illustrations complement the tale.

Kelly begins with an admonishment to read the original before you start. Check your shelves to be sure you have it for your students who will certainly want to read it after they read Kelly’s homage―if not before.

LIN, Grace. Starry River of the Sky. Little, Brown. 2012. ISBN 9780316125956. JLG Level: A+ : Intermediate Readers (Grades 3-5).

A companion to Where the Mountain Meets the Moon (Little, Brown, 2009), Starry River of the Sky begins with a runaway boy who finds work in a village inn. Rendi is harboring secret troubles, but he seems to be the only one who notices that the moon is missing from the village’s sky. He begins to piece things together―missing moon, and also missing sons. When a mysterious guest visits, Rendi joins in her nightly storytelling, and he finds a way to make peace and restore the things that are lost.

Beautiful illustrations, stories-within-stories, and a flowing narrative make Starry River a standout. Though fans of the first work may jump at the chance to read Lin’s latest, newcomers will want to read this one too. Perfect for reading aloud.

MACLACHLAN, Patricia. Kindred Souls. HarperCollins/Katherine Tegen Bks. 2012. ISBN 9780060522988. JLG Level: A : Intermediate Readers (Grades 3-5).

Long known for her heart-wrenching stories, MacLachlan doesn’t disappoint with her newest prairie story. Eighty-eight-year-old Billy has a special bond with his ten-year-old grandson, Jake. Every day they walk the farm where Billy grew up. “Kindred souls, we are,” he says. One day a stray dog makes himself at home with Billy―just about the time that he gets sick. Before he goes to the hospital, Jake promises to rebuild his grandfather’s sod house. The whole family joins in the project, binding them together and granting Billy’s request.

Though the sad ending is inevitable, the magic of the dog’s appearance and the joy found in rebuilding the sod house keep the story from being too painful for young readers. MacLachlan gives the reader hope.

For ideas about how to use these books and links to supportive sites, check out the Junior Library Guild blog, Shelf Life.

Junior Library Guild is a collection development service that helps school and public libraries acquire the best new children’s and young adult books. Season after season, year after year, Junior Library Guild book selections go on to win awards, collect starred or favorable reviews, and earn industry honors. Visit us at www.JuniorLibraryGuild.com.