We particularly look for titles that align with the goals of the CCSS–books that provide unique perspectives, ask readers to consider multiple points of view, and generate conversation, as well as leisure reading material. On occasion, a fiction title may slip in–one that offers a perfect complement to a nonfiction study or a thought-provoking interpretation. This month, books about women make a good showing.

Adler, David. Harriet Tubman and the Underground Railroad. (Holiday House; Gr 4-8). Filled with primary-source material, black-and-white period reproductions, and detailed notes, this book will provide students with insight into the Tubman’s life, the tenor of the times, and an author’s research. See Doers and Dreamers: Celebrating Black History in this issue of Curriculum Connections for more about this book.

Arnold, Caroline. Too Hot? Too Cold? Keeping Body Temperature Just Right. (Illus. by Annie Patterson; Charlesbridge; Gr 3-5). How humans and creatures regulate body temperature is covered in this clearly written title for elementary students. Each spread presents a paragraph or two of text on topics such as “Cooling and Warming the Blood,” “Fur, Hair, and Feathers,” and “Body Size and Shape.” Several captioned and carefully labeled watercolor illustrations and/or diagrams per spread offer information and illuminate concepts. A glossary delivers additional support.

Markel, Michelle. Brave Girl: Clara and the Shirtwaist Makers’ Strike of 1909. (Illus. by Melissa Sweet; HarperCollins, 2013; K- Gr 5). The America Clara Lemlich discovered when she disembarked at Ellis Island in the early 1900s wasn’t the country she had envisioned. Working long hours in NYC’s garment district for little pay under appalling conditions, the feisty, “uncrushable” immigrant fought back. Lemlich led the “the largest walkout of women workers in U.S. history,” a strike that resulted in a shorter workweek and more pay for many women. An author’s note provides more information about the garment industry, including the firms that refused to negotiate with the strikers, “notably” the Triangle Shirtwaist Factory. The watercolor, gouache, and mixed-media collages artwork by Melissa Sweet forms a patchwork of vibrant images. Consider this title when introducing the topics of workers’ rights, women’s history, and the early 20th-century immigrant experience.

Rubin, Susan Goldman. Diego Rivera: An Artist for the People (Abrams; Gr 6 Up). Rivera was a larger-than-life personality and Rubin documents the painter’s private and professional life. Numerous quotes provide readers with the essence of this man, while sumptuous reproductions highlight the “storytelling” style of his murals. The author doesn’t shy away from discussing the controversy that his art ignited, particularly The Detroit Industry frescoes painted in the lobby of the New York City’s RCA building, which included a portrait of Vladimir Lenin. Black-and-white photos of the artist at work and with Frida Kahlo illustrated the book. A glossary, sources, and author’s notes about Mexican history and Rivera’s influences are also included. Beautiful bookmaking.

Parker, Steve. The Human Body Book (2nd ed.) (DK; Gr 6-10). When the first edition of this book was released School Library Journal’s reviewer called The Human Body “a mesmerizing tour of the body’s parts and common diseases,” noting its superb illustrations with “razor-sharp detail, realistic modeling, clean colors, and clear and thorough labeling.” In addition to covering the 10 body systems, this edition adds a section on aging. Updated illustrations and information on recent medical advances are included. The accompanying DVD delivers some added animation on the breathing and digestive processes. Consider for both circulating and reference collections.

Stone, Tanya Lee. Who Says Women Can’t Be Doctors? (Illus. by Marjorie Priceman; Holt, 2013; Gr 1-5). Good question. While it’s likely that your students have seen a female physician, in the middle of the 19th century practicing medicine wasn’t an option for women. But encouraged by a friend, Elizabeth Blackwell applied to medical schools and after 28 rejection letters she was finally admitted to New York’s Geneva Medical. This picture book is a great choice for Women’s History Month and lends itself to discussion: explore with your students what those rejection letters stated, if attitudes toward women have changed, and whether occupations are still closed to certain groups today. What other stories have they read about individuals who persevered against all odds? Ask students what impression Marjorie Priceman’s fluid watercolor images create of the Blackwell. (Consider the woman’s stride and gestures.) In what way do the illustrations depict a woman who refused to be constrained by contemporary attitudes? Look for period details in the art. An author’s note contains more information about Blackwell with mention of the institutions she founded: a medical school for women and a hospital for women and children.

Yolen, Jane and Heidi E. Y. Stemple. Bad Girls: Sirens, Jezebels, Murderesses, Thieves & Other Female Villains. (Illus. by Rebecca Guay; Charlesbridge; Gr 8 Up). Just in time for Women’s History Month in March comes a collective biography of a 26 women from the Biblical Delilah to Gangster Girlfriend Virginia Hill. With an appealing cover, a chatty text, colorful graphic-art illustrations, and a cast of infamous characters, this book will appeal to a range of readers, including those looking for leisure reading. With a title like this, who will be able to resist?  The select bibliographies for each chapter include books and websites.

STONE

To read an interview with Tanya Lee Stone, see Jennifer M. Brown’s “A Mission Above and Beyond Them.”

With the focus on nonfiction, educators around the country have been asking for direction as they implement the goals of the Common Core initiative. A number of useful guides are available to assist those developing lists of retrospective titles. Librarians and teachers seeking fresh material to enhance their collections can continue to look to Curriculum Connections, and this column, as they move forward.

Each month “Nonfiction Notes” will highlight a few titles publishing that calendar month—books that  have caught our eye and display the hallmarks of quality nonfiction: accuracy, cohesiveness, lively writing, and an interesting approach, along with support materials in the form of informative illustrations, primary resources, author and source notes, and lists of further reading. We’ll be on the lookout particularly for books that offer unique perspectives, ask readers to consider multiple points of view, and generate conversation, as well as titles that will encourage more nonfiction leisure reading. On occasion, a fiction title may slip in—one that offers a perfect complement to a nonfiction study.

Here are some of our favorites publishing this month:

JAN 2013

Bolden, Tonya. Emancipation Proclamation: Lincoln and the Dawn of Liberty. (Abrams, 2013; Gr 5-10). This year marks the 150th anniversary of the signing of the Emancipation Proclamation. In this beautifully designed volume, Bolden tells the story of the document through the events and the work of individuals-citizens, soldiers, politicians, and abolitionists-that led to its eventual adoption. Reproductions of engravings, maps, paintings, and documents, and black-and-white archival photos, as well as the inclusion of well-chosen detailed captions, quotes, and primary sources enrich the text. Don’t miss the photo of Harriet Tubman in her nineties on page 94. See Vicki Reutter’s article “Whiskers, Dreams, and Grave-Robbing Schemes” in this issue of Curriculum Connections for more information about this and related titles.

Brown, Don. Henry and the Cannons: An Extraordinary True Story of the American Revolution. (Roaring Brook, 2013; Gr 2-5). In 1775, outside of Boston, MA, General George Washington fretted as the British occupied the city. Without cannons his troops had little chance against the crown’s soldiers. In stepped Henry Knox, a Boston Patriot and bookseller, who, despite preferring “a good meal to a good fight” was willing to trek 300 miles to Fort Ticonderoga, NY, to retrieve a cache of weapons captured earlier that year. A remarkable story of an indomitable spirit and an improbable winter journey over icy waterways and snow-covered mountains with 58 cannons in tow. Don Brown’s illustrations add information–and a touch of humor.

Bryant, Jen. A Splash of Red: the Life and Art of Horace Pippin. (Random House, 2013; Gr 2- 5). From an early age, Horace Pippin drew–he drew through his school years, his first jobs, in the trenches of World War I, and later, when he returned to the states, but it wasn’t until he was in his forties that this self-taught artist painted his first canvas. Delightfully detailed mixed-media illustrations by Melissa Sweet, winner of the NCTE 2012 Orbis Pictus Award for Outstanding Nonfiction for Children (Balloons over Broadway, HMH) and a Caldecott Honor winner, illustrate the book. Historical and author and illustrator notes, complete the volume. Other recent titles offering ample opportunities for comparison to Splash of Red include Done Tate’s It Jes’ Happened: When Bill Traylor Started to Draw (Lee & Low, 2012) and Chuck Close: Face Book (Abrams, 2012) by the artist. Beyond the images, students will want to discuss the distinct challenges these artists faced as they pursued their art.

Fradin, Judith Bloom & Dennis Brindell Fradin. The Price of Freedom: How One Town Stood Up to Slavery. illus. by Eric Velasquez. (Bloomsbury, 2013; Gr 3-6) In the mid-1800s Oberlin, OH, was a stop on the Underground Railroad and the home of a number of former slaves. This stirring story recounts the rescue of John Price in 1856 from slave hunters by its citizens. Mixed-media paintings, in shadowy deep blues, impart a sense of the danger and clandestine nature inherent in travel along the Underground Railroad. When an Ohio court upheld the legality of the Fugitive Slave Act, the 37 men involved in what came to be known as the Oberlin-Wellington Rescue were jailed. A photo of this remarkable group, as well as author notes, are included.

Halperin, Wendy Anderson. Peace. (S & S, 2013; Gr 2-8 ) What is peace? And how do we have meaningful conversations about it with children? Through a circular text (“For there to be peace in the world…”) and spreads featuring a kaleidoscope of pastel images of children at work, play, school, and home, Halperin explores the concept. Each page incorporates quotes from around the world and through time from Jimi Hendrix’s “When the power of love overcomes the love of power, the world will know peace” to Albert Camus’s “Peace is the only battle worth waging.” Writing extension possibilities abound. Perfect for sharing on International Day of Peace (September 21) or any day.

Stone, Tanya Lee. Courage Has No Color: The True Story of the Triple Nickles America’s First Black Paratroopers. (Candlewick, 2013; Gr 6 Up). In this title, Stone, the author of the Robert F. Sibert Medal winner, Almost Astronauts: 13 Women Who Dared to Dream (2009; both Candlewick), examines the training of and discrimination endured by the African American servicemen chosen under the World War II directive to establish black aviation units. Archival photos and fascinating author notes provide insight into a Stone’s research and what she discovered along the way. You’ll find an interview with the author in this issue of Curriculum Connections.

And don’t miss…Michael J. Rosen’s Sailing the Unknown: Around the World with Captain Cook (Creative Editions, 2012; Gr 2-5). It didn’t take me long to mention a fiction title in this column (and a 2012 one at that), but clearly this picture book is one everyone will want on their shelves when the topic of exploration comes up. The story follows 11-year-old Nicholas Young as he travels with James Cook on the HMS Endeavour. Little is known about the actual boy, who was responsible for caring for the ship’s goat. The text, which takes the form of brief journal entries, charts the ship’s progress and life onboard an 18^th century vessel. Natural discussion prompts include point-of-view, exploration, and historical re-creation. Fluid watercolor scenes by Maria Cristina Pritelli take a birds-eye-view onto busy ports, exotic island locales, and the ship’s deck, and readers will enjoy trying to spot this engaging fellow who sports a red-and-white striped jersey reminiscent of another favorite fictional character.

Tanya Lee Stone’s search—for photos and facts—has led her in surprising and rewarding directions. “To me, visual storytelling is as important as the text,” Stone has said, and that is certainly true of Courage Has No Color: The True Story of the Triple Nickles: America’s First Black Paratroopers (Candlewick, Jan. 2013). Through text and images the author paints a fascinating portrait of the African Americans who trained as part of the 555th Parachute Infantry Battalion under First Sergeant Walter Morris. Seventeen of those 20 men came from the all-black 92nd Infantry Division, whose roots could be traced back to the Buffalo Soldiers of the Revolutionary and Civil Wars. The author spoke to Curriculum Connections about her research, and the Triple Nickles’ extraordinary legacy.

What attracted you to this topic? Did it have any relationship to your work on Almost Astronauts: 13 Women Who Dared to Dream (Candlewick, 2009)?
These stories are related in that they are both about extraordinary people, relatively unknown individuals, whose work paved the way for others. Change happens slowly—and it’s often due to individuals such as these. We owe them tribute.

When you begin a nonfiction work, do you have a sense of where you’re going, or do you let the research guide you?
The research did guide me, as did feedback from Marc Aronson and Hilary Van Dusen, who said, as they did with Almost Astronauts, “This story is too big for a picture book.” I tend to think cinematically, so I’m looking at the story through the points-of-view of the Triple Nickles’ and [their leader, First Sergeant] Walter Morris. What are the margins that inform those perspectives? That helps me shape my boundaries. Unfortunately, it took almost 10 years to write the book!

You interviewed Morris, as well as a number of the women represented in Almost Astronauts. It’s amazing to think that these events didn’t transpire that long ago.
It wasn’t that long ago. I think we have come a long way—and have a really long way to go. That’s why it’s important to highlight these stories. We can be proud of our achievements—and have them motivate us to do a whole lot more.

Your notes on your work on the identities of the Triple Nickles who did not graduate, and how you resolved inconsistencies discovered in your research, were fascinating.
That was so thrilling [figuring out the three men who hadn't graduated]! The first person I called when I made sense of that information was Ed Howard. He’s the historian at Fort Benning [where those first black paratroopers trained]. After the book was finished, Ed and I kept working to track down the information that was eluding me. I found two of the men through a document that noted who was paid when.

Is detective work also involved in photo research?
On occasion, a photograph is in opposition to a “fact” you have unearthed earlier. You have to use your journalistic skills to figure out the truth. Even in the archives, the labels are sometimes incorrect. There’s a photo of the 761st tank battalion (the camera is looking down into the tank as a man looks up), that has been mislabeled for decades. When I got to the 761st tank battalion section, I went back to the library. In the end, I agreed with who I believed was the most trusted scholar and relabeled the photo; [in my book] the label is different than the one attributed in the National Archives.

It is like being a detective. In order to be authoritative, everything must be verified.

Were there events that you uncovered that surprised you? I had no idea that balloon bombs launched from Japan were landing in western states such as Oregon, for instance.
I had no idea about the balloon bombs, either. I could have gone on and on about them. To include information about these weapons and to not provide background on the Japanese-American internment camps seemed wrong, [but] I also was aware that I had to balance these pieces with the rest of the story.

This is complicated material and the challenge was to select what was pertinent to the paratroopers’ story and would give readers the context they needed. There’s an unending wealth of stories to tell.

So many of the events we know of history depend on timing—when the many small actions of people come together, as you point out.
When change happens, we tend to forget that many events preceded it. There’s another parallel between Almost Astronauts and Courage, in that people sometimes say to me, “But [the Triple Nickles] didn’t get sent into combat” with a tone in their voice that suggests, “Why are you making such a big deal out of this?” What these men accomplished was of their time. If you’re looking at it through a 21st-century lens, you miss it.

Many children aren’t [aware of how the rights we enjoy now] were achieved. That’s why I spend the amount of time I spend on background.  With context, on their own, children can get to, “Wow, that’s a big deal.”

Listen to Tanya Lee Stone introduce and read from Courage Has No Color.