A popular high school senior relives the same day over and over again, caught in a repetitive time warp.
Director J.A. Bayona unleashes the destructive, tough-talking, and tale-spinning colossal, based on author Patrick Ness’s 2011 novel.
The film remarkably retains the book’s essence, even though the main character is a few years older on screen, as played by Canadian actress Sophie Nélisse.
At first glance, the pairing of Ransom Riggs’s macabre 2011 coming-of-age novel Miss Peregrine’s Home for Peculiar Children and director Tim Burton would seem like a match made in movieland heaven.
This is a quietly triumphant adaptation of Tim Crothers’s nonfiction account of a Ugandan teenage girl from the slums who becomes an international chess champion.
Not sure what to do to celebrate the arrival of the Miss Peregrine’s Home for Peculiar Children film adaption? “Teen Librarian Toolbox” blogger Heather Booth has some suggestions!
In two high-profile releases, J.K. Rowling pens her first screenplay and director Tim Burton meets his match, Ransom Riggs’s Miss Peregrine.
The film adaptation of Rick Yancey’s YA The 5th Wave comes to theaters on January 22. Teens will be rushing to the library in search of the source material; offer them these new and upcoming sci-fi read-alikes.
Your clicks have spoken! The following are the top 10 pieces that ran in the SLJTeen newsletter this year.
Media and popular culture expert and founder of TheYoungFolks.com Gabrielle Bondi presents some of the upcoming book-to-film adaptations that teens (and librarians) should put on their to-watch lists.
As buzz builds for the film adaptation of John Green’s Paper Towns, check out the following selections, all of which feature summertime journeys and epic odysseys.
After the heavy plot lifting in the first film based on Veronica Roth’s “Divergent” trilogy (HarperCollins) viewers are in for a smoother ride in the adaptation of her second installment, Insurgent. It speeds past intricate intrigues and sketchy characterizations, moving like a sleek roller coaster ride, free from clunky exposition.
Dear White People, written and directed by Justin Simien, takes a satirical look at race relations in America. Be prepared for the October 17 premiere with a selection of books for teens that deal with intolerance, civil rights, and racism.
With the success of Divergent and The Book Thief, Hollywood continues to tap kid’s books, from classic fairy tales to the latest dystopian, for new ideas. To celebrate the highly the anticipated big screen version of John Green’s The Fault in Our Stars, starring Shailene Woodley and Ansel Elgort, SLJ has compiled a list of upcoming projects that will be coming to a screen near you.
As 2014 peeks around the corner, SLJ looks ahead to future releases in this latest installment of our roundup of the most highly anticipated franchise openers and long-awaited big screen versions of children’s classics.
Multiple beheadings, one impaling, and an omnipresent necromancer—these are just three indications that director Peter Jackson’s adaptation of J. R. R. Tolkien’s 1937 adventure/fantasy The Hobbit has taken a dark turn. The short novel has been expanded into what might amount to a nearly nine-hour-long trilogy—turning what seems a fireside yarn in print into an overlong saga on the screen.
In this second foray into Suzanne Collins’s “Hunger Games” trilogy, the filmmakers approach Catching Fire’s dystopian derring-do with deadly seriousness. Though a new director, Francis Lawrence, has taken over the franchise from The Hunger Games’s Gary Ross, it has been a smooth transition.
How does a filmmaker adapt Markus Zusak’s bestseller The Book Thief, written in Death’s candid point of view? Director Brian Percival tackles that question and more in this atypical family movie set in Nazi Germany. Starring Geoffrey Rush, Emily Watson, and Sophie Nélisse, the adaptation expands to theaters nationwide in the coming weeks.
For those who can’t wait two more weeks to see Catching Fire, relief is at hand. The taut How I Live Now offers a slimmed down dystopian world at its most bucolic—a survival tale meets hot-and-heavy first love with a punkish swagger. The screenwriters have tweaked the snarky-but-soft-hearted narration of Meg Rosoff’s absorbing novel (Random, 2004), but given the heroine a still-defiant voice.