From top, created by: Mellie Ryan; BGM;
and Hilde Kuyper.

As Johnson hoped, hundreds of visual responses poured in from fans—ranging from the intriguing to the hilarious—some of which were later hosted in a slideshow by The Huffington Post. “I was surprised at how many people appear to be good at Photoshop, and how quickly they could generate so many high-quality images. But I wasn’t surprised at the general wish to do so,” Johnson tells School Library Journal. “Once you look at the subject, it just starts to open up, like a weird flower.”

Johnson’s favorite overall response, she says, is from Jennifer Lynn Barnes, YA author and professor of psychology and YA literature. “This discussion led to her writing these amazing scientific pieces about gender, and how that might relate to some books become ‘big books,’” she says. “Finally, the science!”

Johnson was also pleased to see teachers and librarians getting in on the action, inviting their students to participate in the challenge and sparking additional discussion. “I was thrilled,” she says. “The Number One place for this to go is into the library and the classroom. It’s nice that there was a hullaballoo online, but there are always hullabaloos online, and they’re forgotten a week later. Teachers and librarians are the critical torchbearers for this.”

Johnson’s notion to raise the issue with fans struck her after yet another female author friend’s new book was assigned a decidedly “girly” cover by its publisher—and was promptly categorized as “chick lit” by reviewers despite its content, a pervasive and common occurrence for YA authors, Johnson says. “I was just looking at the radically different response it was getting to a similar book just released, one written by a guy,” she says. “What surprised me was the number of people who said, ‘Whoa. I never noticed that before.’ I’m glad it got around.”

Created by: Kuelthador; Miller; Mellie Ryan; and Brandy.
(All credits from left to right, top to bottom.)

What also surprised Johnson, she says, is the storm of media coverage that followed—especially in the UK—along with intense online discussion as fans and other bloggers who wanted to weigh in on these issues of publishing, culture, and gender sought to be heard. At the beginning, “I definitely didn’t think I was launching anything,” Johnson says. “It started with a simple tweet about the gendered nature of book covers. But it only takes one shot to start a battle, so it all kicked off.”

Did media outlets understand the type of conversation she was hoping to inspire, or did they miss the mark? “Some did, some didn’t,” Johnson says. “Strangely, the coverage really took off in England. It was all over the place there—The Telegraph, The Guardian, The Daily Mail. Even Jacqueline Wilson chimed in, which was amazing,” Johnson says.

Created by: Stephen Denes; Book Revels; slodwick; and Electric Sheep Comix.

“The problem was, a lot had headlines that basically said, ‘Look at these trashy girly chick lit covers!’ Which misses the entire and extremely subtle and prickly point of how we define ‘girly’—and why ‘girly’ also seems to lead to the default assumption that said books are light, breezy, and trashy, often of generally poor quality.”

This is the heart of the issue, Johnson notes.

“The term “chick lit” drives me absolutely insane, as it has no real, identifiable meaning except books by women, for women,” she explains.

“I’ve never seen ‘chick lit’ used in a positive critical light. It’s invariably something seen as lesser than literature. It’s wrong. The label gets slapped on things pretty indiscriminately. The only common factor is that the books are by and for women. Period. Easiest case in point: Jane Austen. I’ve seen so many people call Jane Austen ‘chick lit.’ It goes on and on.”

Created by: Hannah; Emily Rosenfield; Miller; and Monica.

But there are no easy solutions for solving the dilemma, Johnson admits. “This is a bigger and more complex problem,” Johnson says, noting that “publishers really just want to get the books out there. I can’t fault them for that.”

She adds, “Selling books is hard, and people are only trying their best to keep books in the marketplace. It just also happens to be true that some of the decisions made about how to present and package work end up influencing how we value certain stories over others.”

Created by: Rosianna; Gillian Berry; Autumn; and Ardawling.

This realization led Johnson to start putting together an “action plan” to help keep the conversation going. “Many teachers and librarians got into it right away, and their students started making amazing covers instantly,” Johnson says. “The kids got it within seconds. That was excellent to see.”

Johnson currently is considering creating a downloadable Coverflip lesson plan for educators, because, going forward, these teachers and librarians [will] “be the ones coming up with the solutions, not me,” she says. “But I’d be thrilled to have some of those discussions.”

Moderator Jen Hubert-Swan, a blogger at ReadingRants and middle school librarian at New York’s Little Red School House, began the conversation by bringing up a recent Slate.com article, “Against Enthusiasm: The Epidemic of Niceness in Online Book Culture, ” which took aim at online book culture for creating an atmosphere in which “retweets, likes, favorites…make any critique stick out sorely” and which has resulted in bloggers who are reluctant to negatively review novels.

Although the panelists agreed that reviewers should honestly critique novels, Betsy Bird, a youth materials specialist at New York Public Library, pointed to a few who would rather limit themselves to writing about titles they enjoyed. Bird, who blogs for SLJ at Fuse #8, says she considers them cheerleaders rather than reviewers. However, Bird cautioned against writing nasty or mean-spirited reviews.

Similarly, Liz Burns, a librarian at New Jersey’s National Library Service for the Blind and Physically Handicapped and who blogs for SLJ at A Chair, A Fireplace & a Tea Cozy, advised that a critical review should be supported by quotes or references to the text. She also stated that a reviewer can apply critical analysis to books they appreciate as well as to those they dislike.

Monica Edinger, fourth grade teacher at the Dalton School, a private school in New York, and who blogs at Educating Alice, put the conversation into historical context. She brought up past authors and literary critics, such as E.B. White and Dorothy Parker, who regularly reviewed each other’s work—and often resulted in feuds and arguments. Edinger believes that the world of social media is simply making the relationships between authors and reviewers more public.

Hubert-Swan questioned whether a blogger can have a friendship with a writer and still review their work. Freelance writer Marjorie Ingall, who also writes at her self-titled blog, doesn’t “friend” or follow any authors because her journalism background makes her more sensitive to potential conflicts of interest.

On the other hand, Burns distinguished between knowing an author personally and following them on Twitter, stressing that a relationship based only on social media wouldn’t affect reviews. Above all, she emphasized the importance of transparency and stated that if she’s reviewing a book written by a friend, she always discloses their relationship in the blog-post.

Bird said she often receives responses from authors or editors who take issue with her negative reviews of their work. Similarly, Hubert-Swan talked about her experience writing critical commentary of books on Goodreads. She said she removes her negative comments if contacted by authors because she would rather not start a debate in a public forum.

The panelists concluded that many authors dealing with Internet commentary need more guidance from publishers. Sheila Barry, blogger at Making Books for Children and co-publisher of Groundwood, said that as an editor, she’s often had to reassure authors who were unhappy at receiving negative reviews. As both a blogger and a young adult author, Maureen Johnson finds herself in a unique position. She drew upon her personal experience, stating that confronting the world of online reviews is incredibly daunting for a first-time author. However, she emphasized that authors must refrain from replying to negative responses to their work to ensure that reviewers feel comfortable voicing their opinions.