Photograph by David Paul Morris
(Getty Images for SLJ)

In 1993 a certain New York Times article caught author Katherine Applegate’s eye. The piece, called “A Gorilla Sulks in Mall as His Future Is Debated,” focused on the B & I Shopping Mall in Tacoma, WA, where a 500-pound gorilla languished while the humans around him determined his fate. Something about this ape named Ivan lodged itself deep into the crevices of Ms. Applegate’s brain. It wasn’t until more than a decade had passed that she returned to it. During that time, she’d written a pair of Harlequin romance novels, the enormously popular “Animorphs” series (Scholastic), a multitude of books for children, and the verse novel Home of the Brave (Feiwel & Friends, 2007). After agreeing to write two novels for HarperCollins, she rediscovered Ivan’s tale. “I found it so tragic and so compelling, but honestly, I was not sure it would work as a book,” she says. “I really had my doubts.”

Now the newest winner of the Newbery Medal for the most distinguished contribution to American literature for children, Applegate’s The One and Only Ivan has brought new attention to an author who has worked tirelessly on books for children for decades. At 56, she and her husband, fellow novelist Michael Grant, live with their two children (Jake, age 15, and Julia, 13), a cat named Lightning McQueen, and a dog named Stan (who bears an uncanny resemblance to Bob, the dog in her Newbery winner) in Tiburon, CA. Says Applegate, we “can see San Francisco, Alcatraz, and Angel Island from our porch, unless it’s foggy.”

Funny and modest to a fault regarding her recent Newbery victory, Applegate spoke with me less than a week after her historic win.

What was the first thing you ever published?
I really made my way up through the trenches, and the first thing I published were psychology quizzes in YM magazine—I think it was called Young Miss. It was kind of like Seventeen magazine. So I did a lot of that, and the first book I published was a Harlequin romance. I’m almost certain that I will be the first Newbery winner to have published two Harlequin romances.

That’s a scoop!
You know, I’ll tell you something. They are very hard to write. You follow the formula. It was a really steep learning curve. And after that, I did a bunch of ghosting. So again, I was learning to write to a specific formula. I did, I think, around 17 “Sweet Valley Twins” [books].

Was following a formula valuable?
I think it’s a little like basic training. It taught me the discipline part of the writing. The stuff you want to get away with and you can’t, the continuity errors, and the inconsistencies in characterization. I think for me, it was a very helpful tool. The one thing I never really learned well was how to meet a deadline.

Did it feel natural to you to write for a gorilla?
Well, I have to say, I’m fascinated by animals, and I’ve always been fascinated by animal communication and experiments with primate communication, but I’m not a gorilla person. I’m much more comfortable with your basic Labradors. [Gorillas are] not cute and cuddly, and I think they’re profoundly intimidating because of their size and their strength. And that pensive sort of impenetrable gaze of theirs.

So I went into it not knowing. I didn’t know a thing about gorillas. I had had a gorilla in “Animorphs” that we’d use occasionally as one of the characters. That was back in the day before the Internet, and oh, man, it would have been so much easier to write with Google around. So, I’m sure it was rife with inaccuracies, but I had this nonfiction library that Michael and I used to try to keep track of data bits about animals. But we were writing a book a month, and the time frame for doing a lot of research about any given animal was pretty limited.

Did you consider writing Ivan as a nonfiction book?
Well, I tried—my attempts at nonfiction have not been entirely successful. Once I attempted a book about elephants on the savanna, and I got maybe two chapters into it, and I realized I was starting to make things up. [Laughter]

I was grossly unqualified to be writing nonfiction. So I pretty much knew going into Ivan that there was no way I should go near nonfiction per se. But I could follow pretty precisely what actually happened, and I did go to the Tacoma Public Library archives—they were so helpful—with my kids in tow, and dug through old clippings about Ivan. It was fascinating. I went back to the strip mall where he had lived, and they have this semi-shrine there. Once a year, they open up his cage, I think, on his birthday and let people walk through, and there were tons of clippings and tons of touching pictures from little kids and that sort of thing. So I got a pretty good picture of what his life was like.

Why did you decide to write the story in a sort of prose poetry form? Was it just to give Ivan a believable voice, or was there another reason?
I am not entirely sure. I tend to look at structure before I look even at plot, which is probably why plot is a struggle for me. I think about what the book looks like and how it feels. Maybe that discipline is helpful for me in terms of finding the right words.

But when I look at big sprawly novels, sometimes… my husband just finished [writing] 500 pages. I marvel at it, because it’s so symphony and I’m so chamber music. I just don’t think that way, and it seemed really appropriate that since I was working with an animal voice that it would be small and poetic.

But that’s kind of how I write anyway, left to my own devices. That’s why I love Twitter. That 140-character thing I can deal with, but Facebook to me is like, “Oh, my God, that’s so much more work, I can’t go there.”

Do you see yourself writing another novel in the same style?
You know, I think that there’s a danger in writing the same thing. Home of the Brave was definitely free verse, and I’ve done a couple of picture books where—well, you know yourself, picture books by definition are poetry.

They’re the haiku of children’s literature, yes?
I think I lean in that direction, but I don’t want to be redundant. I’ll have to see how it evolves. Right now, the book I’m working on is in sort of choppy blocks… bigger than Ivan, but smaller than a typical middle grade [novel].

You chose to put this story in the first person, which has made all the difference, I think, for your readers. Did you also consider other ways of telling the story?
Oh, yeah, I tried everything. I definitely wrote it in third. It seemed too distant. I wrote it in different kinds of first-person voices. I wrote it in big blocky narrative pieces. That seemed like too much. Name another way I could have written it, and I bet you I did it.

Was Anne Hoppe always your editor at HarperCollins?
Yeah, and you know Ivan would not be Ivan without Anne. Honestly, it was the most collaborative and fun adventure I’ve ever had with an editor. I was working on another animal fantasy, actually, and struggling with it. Anne finally looked at me, and she said, “You know, you really want to write that gorilla book, don’t you?” I said, “Yeah, I really do.”

I attempted to be very journalistic and follow the true story of the real Ivan, but it was a pretty passive story. There wasn’t a lot happening. When I had originally submitted the concept to her, I had envisioned a fictionalized element, and Anne said, “Look, why don’t you go back and try it, because right now it’s really short and I’m going to have a hard time selling a template.” So, I went back to my original idea, and it really fell into place. Anne loves words the same way I do, and so we could go back and forth for three days trying to get a sentence just right. I love that. She’d say, “No, that’s not quite right.” “OK, we’ll try again.” And when you have that experience with an editor, you just feel so lucky.

The real Ivan passed away on August 20, 2012. It must have been kind of bittersweet publishing Ivan the same year that he died. I know you didn’t get a chance to meet him, but you attended his memorial.
Oh, that was so touching! And I almost didn’t go because, you know, announcing to the family that I’m jumping on a plane to go to a gorilla funeral can be met with a certain amount of concern. But it was really amazing.

There were maybe 100 people. There were people from all over the country. His keeper was there and a primatologist who had been vital in getting him moved and people who just loved him. People came who had grown up seeing him in the malls when they were little kids going in every Sunday and seeing him, high-fiving the glass….

They had a big wall with letters of tribute, many from children. His photo was in the middle and people talked about their experiences with him. He was apparently quite a quirky guy. Ivan hated to get his feet wet. He did not like dampness, and when he went outside, one of his quirks was that he would take a burlap coffee bag, which were regularly supplied to the zoo by a local coffee supplier, and put it under his butt and under his hands. He would slide around on the ground and get around that way.

So hanging up was a burlap bag to signify his passing. It was lovely to see that a gorilla whose life had been so tragic in so many ways still had brought together all these humans.

I was looking at the villains in your novel and in this year’s Newbery Honor books, and I have to say, they’re usually very black-and-white. In Splendors and Glooms, the bad guy could not be more evil. In Three Times Lucky, the villain is pretty bad. And in Bomb, he’s Hitler. But Mack, who’s Ivan’s keeper, is the least black-and-white. He’s got the most gray. He’s the most human, I’d say, out of all the baddies. Where did he come from?
I really, really struggled with that, and thought about that a lot because I have not met the real live people who were involved with Ivan’s life. But I am convinced from what I’ve read that the feelings about him were very complex. It was a nuanced and complicated affair. I think they probably loved him very much in their own way.

I know that one of Ivan’s caretakers, who had worked there for quite a while, traveled to see Ivan when he was reacclimated at Zoo Atlanta because she was a figure that he knew. And, you know, I think kids are very capable of understanding nuance and of grasping that life is more gray than black-and-white. It was so important for me to get that across.

One of the things that I’ve heard about your book is that it’s an animal book for people who hate animal books. And Nina Lindsay, who blogs at SLJ ’s “Heavy Medal,” even went so far as to say of it, “the animal’s gestures feel true and vivid and consistent so that I believe in each character as the animal they are.” Did you turn to anything for animal inspiration? Did your pets sneak into the story in any way?
Well, Bob, a dog who is a small sarcastic sort of sidekick to Ivan, was inspired in part by my own little lap dog. I used to have big galumphy mutts around the house and this dog, who in my home is known as Stan, is a little Chihuahua mix with a deformed paw. And he’s kind of bratty and yappy—all the things you would expect from a little dog. He actually served as a wonderful inspiration for Bob.

Do the illustrations of Bob resemble Stan?
That was what was so remarkable, the sketches came back from Patricia Castelao, and I thought they were so wonderful! I loved the way she managed to make Ivan substantive and accessible and almost cute because, let’s face it, that was not an easy task. But when I saw the dog, I went, “Oh, my God, that is Stan!”

Had she seen pictures of him?
No, no. It was just a remarkable coincidence.

So, the story everyone wants to hear is the story of getting “the call” from the Newbery committee.
Well, I was in a Residence Inn in Richmond, Virginia. My sister had just turned 50, and we were celebrating. My daughter Julia was with me and she had a really lousy bug and a fever so I had decided to stay over another day. I was busy Googling Expedia, trying to figure out what I was going to do plane-wise, and I looked over and the phone rang. It was around 9:30. I saw Seattle, Washington, on my iPhone, and I thought, “Seattle?” And then it clicked and my heart sort of stopped, and I picked it up and when they said “Newbery Medal,” honestly I thought there must have been some clerical error. I think I said, “Are you sure?” I was just sort of stunned. I’m not sure how long I sat there silently just blinking in disbelief. But I finally said, “This is the coolest moment since I gave birth to my son and adopted my daughter,” and there was a long pause, and then I forgot that I hadn’t mentioned marrying my husband. I quickly added that. There was some laughter. Then they said, “Are you sure there aren’t any other life events you want to add?”

You weren’t even aware it was that day?
I hadn’t really—I think it was probably a nice thing to have been traveling and doing other things because it had sort of left my radar, which made it even more of a shock. I don’t think I’ve quite absorbed it. That it’s for real.

Actually Michael, I believe, tweeted after the announcement: “I am married to the 2013 Newbery winner who will now make me do dishes for the rest of 2013.” True or false?
You know, it’s funny, someone read that to me in an interview I was doing. I hadn’t seen it, but I was thrilled and delighted. And I have to tell you, I came home last night and did the dishes. So there you go.

Elizabeth Bird (fusenumber8@gmail.com) is a children’s librarian at the New York Public Library and blogs at “A Fuse #8 Production” on SLJ’s website.

Plush gorilla Ivan visits his book at the Indianapolis Public Library. Photo credit: John Schumacher.

“You know what’s interesting? I’m sort of a Luddite about technology, but I embraced Twitter this year,” Applegate tells SLJ, noting that immediately after the YMA announcements, she viewed “a scary amount of tweets” discussing her win.

It’s this interactive community of online librarian fans, both independent bloggers and Tweeters, that helped boost Ivan’s visibility, she says. “It’s helped tremendously.”

Leading the charge for The One and Only Ivan has been the Nerdy Book Club as well as popular book blogger and K–5 librarian John Schumacher, who has “a huge online presence,” Applegate says.

Once Applegate’s Newbery win was announced, “My students clapped and clapped and clapped. Incredible,” Schumacher tells SLJ. “Ivan will never be forgotten.”

Applegate says she was honored when she learned that Schumacher chose Ivan as the inspiration for his book-character-on-vacation trip in 2012, an annual event that he blogs about for the kids back home. “Every year he takes a plush character from a kid’s book around on adventures, and this year he selected Ivan!” Applegate says. “He took him to meet the actual Ivan at Zoo Atlanta. John was able to go in with a couple of friends and have Ivan sign his book with a green thumbprint. Isn’t that cool?”

(“You have no idea how hard it is to find a T-shirt for a stuffed gorilla,” Applegate adds.)

Looking ahead, Applegate says she hopes her Newbery recognition means even more children will now learn the story about the real silverback gorilla named Ivan. “It’s a chance to really connect with kids and that’s really wonderful. I’m really gratified,” she tells SLJ. “I wish I had been in Seattle. But it makes me very happy that this story could make it into the world in some way.”

Meanwhile, relative newcomer to kid lit Jon Klassen says he was surprised to learn, just in the past few years since the publication of his picture book I Want My Hat Back (Candlewick, 2011), how determined librarians are in their efforts to get a book out to readers. “It’s a big deal,” he tells SLJ.

So far, the illustrator, who began his career in animation, has been relying on children’s book collaborator Mac Barnett—who was also named, along with Klassen, winner of a Caldecott Honor this week for Extra Yarn (HarperCollins)—to help guide him through this “crazy” new world, he says.

“Librarians are very important!” Klassen adds. “It’s not a marketplace angle; librarians are looking for what’s best for kids, so they have different criteria. The opinions that they give out are really thought through. They’re very passionate.” Author events have been eye-opening in this regard, he tells SLJ. “(Librarians) are very organized and they’re quick and super sharp—and smarter than you.”

And as it turns out, the experience of being an author is much more expansive—and involves much more community-building in these areas—than he originally expected.

“I like making the books, but if you get lucky with one, you end up talking about it more than you thought you would,” he tells SLJ. “There’s a cycle that I’m slowly learning about.” However, Klassen says, “Being busy following these books around? That’s the best problem to have in the world.”

(John) Newbery Medal
The One and Only Ivan by Katherine Applegate
HarperCollins Children’s Books
Fuse #8: Review of the Day

Honors:
Splendors and Glooms by Laura Amy Schlitz
Candlewick
Curriculum Connections: An Apprentice to Dickens: An Interview with Laura Amy Schlitz

Tall Tale: Laura Amy Schlitz (2008 profile)

Bomb: The Race to Build—and Steal—the World’s Most Dangerous Weapon by Steve Sheinkin
Flash Point/Roaring Brook
Curriculum Connections: Steve Sheinkin Writes a Thriller: An Interview with Steve Sheinkin

Three Times Lucky by Sheila Turnage
Dial/Penguin Young Readers
Heavy Medal: Three Times Lucky

(Randolph) Caldecott Medal
This Is Not My Hat by Jon Klassen
Candlewick Press
This Is Not My Sequel: Just Wait Till You See This New Book from Jon Klassen: Under Cover Interview

Honors:
Creepy Carrots! illus. by Peter Brown, written by Aaron Reynolds
Simon & Schuster
Fuse #8: Review of the Day: Creepy Carrots!

Extra Yarn illus. by Jon Klassen, written by Mac Barnett
HarperCollins/Balzer + Bray
SLJ Review of the Day

Green by Laura Vaccaro Seeger
Neal Porter Books/Roaring Brook
Fuse #8: Review of the Day: Green

One Cool Friend illus. by David Small, written by Toni Buzzeo
Dial/Penguin Young Readers
Book Verdict Review

Sleep Like a Tiger, illus. by Pamela Zagarenski, written by Mary Logue
Houghton Mifflin Harcourt
Review of the Day

Theodore Seuss Geisel Award
Up, Tall and High by Ethan Long
G. P. Putnam’s Sons

Honors:
Let’s Go for a Drive! by Mo Willems
Hyperion/Disney
Highlighted in Curriculum Connections: Fun and Fresh: Books for Emergent Readers

Pete the Cat and His Four Groovy Buttons by Eric Litwin, created and illus. by James Dean
HarperCollins
Book Verdict Review

Rabbit & Robot: The Sleepover written and illus. by Cece Bell
Candlewick
Fuse #8: Review of the Day

(Laura Ingalls) Wilder Award
Katherine Paterson
Katherine Paterson Named National Ambassador for Young People’s Literature in 2010

Katherine the Great: There couldn’t be a better choice for our new kids’ book ambassador than Katherine Paterson

Andrew Carnegie Medal
Anna, Emma and the Condors
Produced by Katja Torneman
Book Verdict Review

Robert F. Sibert Informational Book Medal
Bomb: The Race to Build—and Steal—the World’s Most Dangerous Weapon by Steve Sheinkin
Flash Point/Roaring Brook
Curriculum Connections: Steve Sheinkin Writes a Thriller: An Interview with Steve Sheinkin

Honors:
Electric Ben: The Amazing Life and Times of Benjamin Franklin by Robert Byrd
Dial/Penguin Young Readers
Book Verdict Review

Moonbird: A Year on the Wind with the Great Survivor B95 by Phillip M. Hoose
Farrar
A Chair, a Fireplace and a Tea Cozy: Review

Jonathan Hunt’s assessment on Heavy Medal

Titanic: Voices from the Disaster by Deborah Hopkinson
Scholastic
Someday My Printz Will Come: Titanic: Voices from the Disaster (Is Not a Disaster)

Mildred L. Batchelder Award
My Family for the War by Anne C. Voorhoeve
Dial/Penguin Young Readers
Book Verdict Review

Honors:
A Game for Swallows: To Die, to Leave, to Return by Zeina Abirached, tr. by Edward Gauvin
Graphic Universe/Lerner
SLJ Pick of the Day

Son of a Gun, written and tr. by Anne de Graaf
Eerdmans
Book Verdict Review

May Hill Arbuthnot Honor Lecture Award
Andrea Davis Pinkney
Celebration Time: Black History Month by Andrea Davis Pinkney
Teacher Appreciation Week: Andrea Davis Pinkney’s Letter to Mr. Dwyer

Pura Belpré Awards
Author: Aristotle and Dante Discover the Secrets of the Universe by Benjamin Alire Sáenz
Simon & Schuster
SLJ Review

Honor:
The Revolution of Evelyn Serrano by Sonia Manzano
Scholastic
Book Verdict Review

Illustrator: Martín de Porres: The Rose in the Desert
Illus. by David Diaz, written by Gary D. Schmidt
Clarion

Michael L. Printz Award
In Darkness by Nick Lake
Bloomsbury
Pick of the Day

Honors:
Aristotle and Dante Discover the Secrets of the Universe by Benjamin Alire Sáenz
Simon & Schuster
SLJ Review

Code Name Verity by Elizabeth Wein
Hyperion/Disney
A Chair, a Fireplace and a Tea Cozy: Review

Dodger by Terry Pratchett
HarperCollins Children’s Books
Someday My Printz Will Come: Review

The White Bicycle by Beverley Brenna
Red Deer Press

Odyssey Award
The Fault in Our Stars, written by John Green, narrated by Kate Rudd
Produced by Brilliance Audio
SLJ Review

Honors:
Artemis Fowl: The Last Guardian, produced by Listening Library, written by Eoin Colfer and narrated by
Nathaniel Parker

Ghost Knight, produced by Listening Library, written by Cornelia Funke and narrated by Elliot Hill

Monstrous Beauty, produced by Macmillian Audio, written by Elizabeth Fama and narrated by Katherine Kellgren

YALSA Award for Excellence in Nonfiction for Young Adults
Bomb: The Race to Build—and Steal—the World’s Most Dangerous Weapon by Steve Sheinkin
Flash Point/Roaring Brook
Curriculum Connections: Steve Sheinkin Writes a Thriller: An Interview with Steve Sheinkin

Finalists:
Steve Jobs: The Man Who Thought Different by Karen Blumenthal
Feiwel & Friends
Curriculum Connections: Karen Blumenthal Connects the Dots: Interview

Moonbird: A Year on the Wind with the Great Survivor B95 by Phillip Hoose
Farrar
Heavy Medal: Black Hole and Moonbird

Titanic: Voices from the Disaster by Deborah Hopkinson
Scholastic
Someday My Printz Will Come

We’ve Got a Job: The 1963 Birmingham Children’s March by Cynthia Levinson
Peachtree Publishers
Practically Paradise: Nonfiction Monday

William C. Morris Award
Seraphina by Rachel Hartman
Random House
Someday My Printz Will Come: Seraphina

Finalists:
Wonder Show by Hannah Barnaby
Houghton Mifflin Harcourt Books
A Chair, a Fireplace and a Tea Cozy

Love and Other Perishable Items by Laura Buzo
Knopf/Random House

After the Snow by S. D. Crockett
Feiwel and Friends
SLJ Review

The Miseducation of Cameron Post by emily m. danforth
Balzer + Bray/HarperCollins
Someday My Printz Will Come

Margaret A. Edwards Award:
Tamora Pierce for her “Song of the Lioness” series

Coretta Scott King Book Awards
Author: Hand in Hand: Ten Black Men Who Changed America by Andrea Davis Pinkney, illus. by Brian Pinkney
Hyperion/Disney
Books to Celebrate the Everyday Heroes of the Civil Rights Movement

Honors:
Each Kindness by Jacqueline Woodson, illus. by E. B. Lewis
Nancy Paulsen Books/Penguin Young Readers
Interview with Jacqueline Woodson

No Crystal Stair: A Documentary Novel of the Life and Work of Lewis Michaux, Harlem Bookseller by Vaunda Micheaux Nelson, illustrated by R. Gregory Christie
Carolrhoda Lab/Lerner
Heavy Medal

Illustrator: I, Too, Am America
illus. by Bryan Collier, written by Langston Hughes
Simon & Schuster

Honors:
H. O. R. S. E., illus. & written by Christopher Myers (listed in this interview highlighting the hottest books of Fall 2012)
Egmont USA
Included in Interview: JLG’s Susan Marson Talks About the Hottest Upcoming Books for Fall 2012

Ellen’s Broom, illus. by Daniel Minter, written by Kelly Starling Lyons
Putnam/Penguin Young Readers
Included in Black History Month 2012

I Have a Dream: Martin Luther King, Jr., illus. by Kadir Nelson, written by Martin Luther King, Jr. Schwartz & Wade/Random House (listed in this compilation of books for celebrating MLK Day
Included in Great Books for Celebrating Martin Luther King Day

Virginia Hamilton: Demetria Tucker
Practitioner Award for Lifetime achievement

Stonewall Book Award
Aristotle and Dante Discover the Secrets of the Universe by Benjamin Alire Sáenz
Simon & Schuster
SLJ Review

Honors:
Drama by Raina Telgemeier
Graphix/Scholastic Inc.
Good Comics for Kids

Gone, Gone, Gone by Hannah Moskowitz
Simon Pulse/Simon & Schuster

October Mourning: A Song for Matthew Shepard by Lesléa Newman
Candlewick
Interview with Lesléa Newman

Sparks: The Epic, Completely True Blue, (Almost) Holy Quest of Debbie, by S. J. Adams
Flux

Listed below are the SLJ reviews for the top prizes:

Newbery Medal
APPLEGATE, Katherine. The One and Only Ivan. illus. by Patricia Castelao. 305p. CIP. HarperCollins/Harper. Jan. 2012. Tr $16.99. ISBN 978-0-06-199225-4; ebook $9.99. ISBN 978-0-06-210198-3. LC 2011010034.
Gr 3-7—This tender tale of friendship and hope is narrated by a silverback gorilla living at The Big Top Mall, a shabby, circus-themed roadside attraction. For years, Ivan was passively content. He had his art, unlimited bananas, and his friends: Stella (an elephant), Bob (a stray dog), and Julia (a human child). Ivan’s eyes are finally opened to his deplorable surroundings when he loses a friend due to neglect. The last straw is when he witnesses the attraction’s owner abusing Ruby, a newly acquired baby elephant. Thus, Ivan is inspired to take action. With some help from his human friends, his dream of a better life for all the Big Top’s animals just might come true. The character of Ivan, as explained in an author’s note, is inspired by a real gorilla that lived through similar conditions before being adopted by Zoo Atlanta. Applegate makes a powerful statement about the treatment of animals—especially those living in captivity—and reminds readers that all creatures deserve a safe place to call home. Castelao’s delightful illustrations enhance this lovely story, and the characters will capture readers’ hearts and never let go. A must-have.—Alissa J. LeMerise, Oxford Public Library, MI

Caldecott Medal
KLASSEN, Jon. This Is Not My Hat. illus. by author. 40p. Candlewick. Oct. 2012. RTE $15.99. ISBN 978-0-7636-5599-0.
PreS-Gr 1–With this new creation, Klassen repeats the theme from I Want My Hat Back (Candlewick, 2011), but with a twist. The narrator here is the thief–a small, self-confident fish who has pilfered a little blue bowler from a big sleeping fish. He wastes no time or words in confessing his crime as he swims across the page announcing, “This hat is not mine. I just stole it.” He continues his narrative with no regrets, but with a bit of rationalizing (“It was too small for him anyway.”) as he swims to his hiding place, unaware that the big fish is in quiet pursuit. Readers, of course, are in on this little secret. When the two disappear into a spread filled with seaweed, the narration goes silent, and youngsters can easily surmise what happens as the big fish reemerges with the tiny blue bowler atop his head. Simplicity is key in both text and illustrations. The black underwater provides the perfect background for the mostly gray-toned fish and seaweed while the monochromatic palette strips the artwork down to essential, yet exquisite design. Movement is indicated with a trail of small white bubbles. This not-to-be-missed title will delight children again and again.–Carolyn Janssen, Public Library of Cincinnati & Hamilton County, Cincinnati, OH

Theodore Geisel Medal
LONG, Ethan. Up, Tall and High! illus. by author. unpaged. CIP. Putnam. Feb. 2012. RTE $15.99. ISBN 978-0-399-25611-0. LC 2011003291.
PreS-K—Long borrows from the Mo Willems school of minimalist humor in this early reader about a flock of funny birds trying to outdo one another. The three stories utilize repetition of very few words (“I am tall.” “You are not tall.” “I may not be tall. But I am not small”), but the accompanying illustrations greatly enrich the spare text with bright colors and charming cartoons, making this a fun first venture into reading alone. The book has one shortcoming: the pages are flimsy and do not lie flat, so the flaps catch when opened or closed, so longevity is definitely a concern. Otherwise, the silly birds and their games of one-upmanship are definitely giggle-worthy.—Alyson Low, Fayetteville Public Library, AR

Carnegie Medal
Anna, Emma and the Condors. DVD. 20 min. Green Planet Films. 2012. ISBN unavail. $49.
Gr 5 Up–Viewers will be captivated by this charming and gorgeously photographed look at the life of an environmental biologist and his family as they work to save the California Condor. Chris Parrish is the director of the Condor Project for the Peregrine Fund at Vermilion Cliffs National Park in Arizona, and his wife, Ellen, is a teacher for Roots and Shoots, an organization founded by Jane Goodall. They home school their two daughters, Anna and Emma, allowing the girls to work with them in their species conservation efforts. There is no story or plot to the film, and not a lot of scientific details either. Rather, the film showcases the stunning landscapes of the Vermillion Cliffs in Arizona, and offers many breathtaking images of condors—in flight, at rest, eating, and mating. The family is shown tracking the birds, taking blood samples, feeding them (not for the faint of heart, condors are scavengers and these eat dead calves), and in an emotional moment, releasing a young condor back into the wild. There are many images of the family hiking, camping and riding horses, while in voice-overs they discuss living with respect for the environment. Parrish is also shown singing several songs with his guitar. This short sketch might make a nice supplemental film for an environmental studies class.–Geri Diorio, Ridgefield Library, CT

Sibert Medal, YALSA Award for Excellence in Nonfiction, Newbery Honor
SHEINKIN, Steve. Bomb: The Race to Build–and Steal–the World’s Most Dangerous Weapon. Roaring Brook/Neal Porter. Tr $19.99. ISBN 978-1-59643-487-5; ebook $9.99. ISBN 978-1-59643-861-3.
Gr 5 Up–“Harry Gold was right: This is a big story.” So begins this depiction of the “creation–and theft–of the deadliest weapon ever invented.” As he did in The Notorious Benedict Arnold (Roaring Brook, 2010), Sheinkin has again brought his superior talent for storytelling to bear in what is truly a gripping account of discovery, espionage, and revolutionary changes in both physics and the modern world. This fascinating tale, packed with a wide cast of characters, focuses mainly on three individuals: spy for the Soviets Harry Gold, leader of the Manhattan Project J. Robert Oppenheimer, and Knut Haukelid, who sabotaged German bomb efforts while working for the Norwegian resistance. Sheinkin skillfully combines lucid, conversational snapshots of the science behind the atomic bomb with a fast-paced narrative of the remarkable people who made it possible and attempted to steal it. Handsomely designed and loaded with archival photos and primary-source documents, the accessible volume lays out how the bomb was envisioned and brought to fruition. While the historical information and hard facts presented here will likely be new to the intended audience, they in no way overwhelm readers or detract from the thoroughly researched, well-documented account. It reads like an international spy thriller, and that’s the beauty of it.–Brian Odom, Pelham Public Library, AL

Batchelder Medal
VOORHOEVE, Anne C. My Family for the War. tr. from German by Tammi Reichel. Dial. p. 124.
Gr 7 Up—In 1938 Berlin, 10-year-old Ziska and her best friend run from classmates-turned-bullies who torment them for being Jewish, even though Ziska’s family converted in the last century and she knows nothing of the Jewish religion or culture. When her father is beaten during a brutal midnight raid on their apartment and imprisoned, Ziska earns a position on the kindertransport to England, where she begins a new life as Frances, foster daughter to an Orthodox London “family for the war.” In an engaging, honest voice, she relates her fears, triumphs, and revelations as she learns English and the rituals of Judaism, adapts to a new life, and copes with guilt about her growing love for her new family. She tries in vain to acquire permits for her parents to join her while they keep up a soon spotty, strained correspondence that brings increasingly heartbreaking news of those left behind. By war’s end, Frances, now 17, has experienced evacuation to the English countryside and another foster home, air raids, bomb shelters, and first love with page-turning immediacy despite the sense that the story is told by a much older, reflective Frances looking back. Events and facts are expertly woven into the girl’s emotional growth, and changing relationships—especially those with her complex, fading mother and differently complex foster mother—provide a rich exploration of identity and self. Like Frances, the mostly Jewish cast of secondary characters is varied, multidimensional, and sometimes unlikable. With a compelling main character and taut and insightful story line, this novel is sure to find no shortage of readers, and it adds a valuable perspective to collections of World War II fiction.—Riva Pollard, Prospect Sierra Middle School, El Cerrito, CA

Pura Belpré Author Award, Stonewall Medal, Printz Honor
SÁENZ, Benjamin Alire. Aristotle and Dante Discover the Secrets of the Universe. 358p. CIP. S & S. Feb. 2012. Tr $16.99. ISBN 978-1-4424-0892-0; ebook $9.99. ISBN 978-1-4424-0894-4. LC 2010033649.
Gr 9 Up-In the summer of 1987 in El Paso, TX, two 15-year-old loners meet when Dante offers to teach Ari to swim, and they have a laugh over their unusual names. Though polar opposites in most aspects other than age and Mexican heritage, the teens form an instant bond and become inseparable. This poetic novel takes Ari, brooding and quiet, and with a brother in prison, and Dante, open and intellectual, through a year and a half of change, discovering secrets, and crossing borders from which there is no return. Two incidents, one in which Ari saves Dante’s life and his family’s temporary move to Chicago, help Dante understand that he is gay and in love with his friend. Yet, Ari can’t cross that line, and not until Dante is hospitalized in a gay-bashing incident does he begin to realize the true depth of the love he has for him. With the help of his formerly distant, Vietnam-damaged father, Ari is finally able to shed his shame—the shame of his anger, of his incarcerated brother, of being different—and transition from boy to man. While this novel is a bit too literary at times for some readers, its authentic teen and Latino dialogue should make it a popular choice.—Betty S. Evans, Missouri State University, Springfield

Pura Belpré Illustrator Award
SCHMIDT, Gary D. Martín de Porres: The Rose in the Desert. illus. by David Diaz. 32p. CIP. Clarion. 2012. RTE $16.99. ISBN 978-0-547-61218-8. LC 2011025721.
Gr 2–4—Picture-book biographies of Catholic saints are usually limited to those best known, like Patrick, Francis, Joan of Arc, and Blessed Mother Teresa. Martín de Porres was the first black saint of the Americas, and he has a story as inspiring and evocative of Christian virtue as any other. Born the illegitimate son of a former slave and a Spanish conquistador in 1579 in Lima, Peru, he lived with his mother and sister in abject poverty until he was claimed by his father and eventually apprenticed to a surgeon and found to have healing powers that matched his great piety. He was accepted to be a servant at a Dominican monastery, with the explicit understanding that he, a mulatto, would never become a priest. He showed compassion for all people and animals and was said to have miraculous gifts. But it is his extreme humility that resonates with most biographers, including Schmidt, who tells the story of St. Martín’s life in simple and eloquent language, emphasizing his humble servitude and great empathy. Diaz’s multimedia illustrations are lush and beautiful, reinforcing the narrative and frequently using iconic images and stylized shapes that evoke stained glass. Some drawings of Martín, however, are inconsistent. His age occasionally seems to shift out of sequence, and the changing shape of his nose and eyes in particular results in some visual dissonance for young readers. Nonetheless, this is an artful and reverent portrait of a little-known figure.—Lisa Egly Lehmuller, St. Patrick’s Catholic School, Charlotte, NC

Odyssey Medal
The Fault in Our Stars (unabr.). 6 CDs. 7:19 hrs. Brilliance Audio. 2012. ISBN 978-1-4558-6987-9. $59.97.
Gr 9 Up–John Green’s compelling, engaging novel (Dutton, 2012) is about life, and love, and death. Hazel was diagnosed with terminal cancer at the age of 13. Three years later, she is still alive. However, her life is turned upside down when she meets Augustus Waters at a support group for teens with cancer. They embark on a relationship that has the potential to become an emotional grenade. Gus uses his “last wish” granted to sick children by the Genie Foundation to take Hazel to Amsterdam in order to meet Peter Van Houten, the author of her favorite book about a girl who has cancer. She believes there is more to the story and wants the author to give her additional information. Van Houten’s response is disappointing, but in the end Hazel allows herself to love Gus. Kate Rudd narrates in a relaxed style, perfectly voicing all of Green’s well-developed characters. This novel doesn’t pull any punches, and listeners’ emotions will run the gamut from laughing out loud to sobbing with joy or grief. A strong choice for young adult collections.–Elizabeth L. Kenyon, Merrillville High School, IN

Printz Medal

LAKE, Nick. In Darkness. 352p. Bloomsbury. 2012. Tr $17.99. ISBN 978-1-59990-743-7; ebook $9.99. ISBN 978-1-59990-820-5. LC 2011022350.
Gr 9 Up–Trapped in the rubble of Haiti’s massive 2010 earthquake, teenage Shorty desperately waits for rescue. While in darkness, events of his traumatic, violent life replay in his head. He is haunted by his father’s brutal murder, his twin sister’s disappearance, and the armed gang activity that has been his means of survival in Site Soléy (Cite Soleil), a very real and dangerous slum. As he faces death and struggles to understand the external forces that have shaped him, Shorty gradually feels the uplifting spiritual presence of revered slave liberator Toussaint L’Ouverture and draws strength and hope from the man’s extraordinary life, determination, and idealism. The pervasive Haitian voodoo belief in spirit transfer empowers Shorty and connects him with Touissant across time. In alternating chapters of “Now” and “Then,” Shorty’s and Toussaint’s stories unfold. The relentless oppression, poverty, violence, and instability of the country is vividly conveyed through Shorty’s stark, graphic narrative. Toussaint’s story provides historical background for the socioeconomic and political conflicts that continue today. As the author notes, he portrays the essential spirit and history of Touissant with some omissions and simplifications. For example, Touissant learned to read as a boy, and not late in life, but this factual inaccuracy does not diminish the account of his charisma and significance. The entangled actions of gangs and government, the complicated relationship between Haitians and foreign-aid organizations, and the rich mix of Creole and French patois provide insight and authenticity. A striking cast of characters, compelling tension as Shorty confronts his own death, and the reality and immediacy of Haiti’s precarious existence will captivate secondary readers.–Gerry Larson, formerly at Durham School of the Arts, NC

Coretta Scott King Book Awards
Author Award:
PINKNEY , Andrea Davis. Hand in Hand: Ten Black Men Who Changed America. illus. by Brian Pinkney. 244p. bibliog. chron. further reading. index. CIP. Disney/Jump at the Sun. 2012. Tr $19.99. ISBN 978-1-4231-4257-7. LC 2011051348.
Gr 5–8—This book is similar in scope to the author’s Let It Shine: Stories of Black Women Freedom Fighters (Harcourt, 2000). The subjects here include Benjamin Banneker, Frederick Douglass, Booker T. Washington, W.E.B. DuBois, A. Philip Randolph, Thurgood Marshall, Jackie Robinson, Malcolm X, Martin Luther King, Jr., and Barack Obama, all introduced in the author’s characteristically lively prose (“Black students kept on keeping on with dog-eared textbooks and dog-tired feet”; Malcolm Little’s hair was transformed from “pretty-boy cotton-kink to slick-daddy bone-straight”). The distinct experiences that shaped each man are ably delineated-the childhood events, the hardships faced, the richly deserved victories won-and the results are, without exception, compelling. The large font size is perfect for the middle-grade audience, but too many blocks of unbroken text may turn away less-confident readers. Thankfully, Brian Pinkney’s magnificent portraits and spot art throughout each profile help to amplify each man’s story. A must-have for all libraries serving young people. Sam Bloom, Blue Ash Library, Cincinnati, OH

Illustrator Award:
HUGHES, Langston. I, Too, Am America . illus. by Bryan Collier. CIP. S & S. 2012. Tr $16.99. ISBN 978-1-4424-2008-3. LC 2011002879.
K-Gr 5—Hughes’s poem of burgeoning pride in one’s African American identity, written at the height of the Harlem Renaissance in 1925, is interpreted anew in this striking picture book.Collier has visualized the message of the sparely written poem, barely 60 words in length, through the lens of a Pullman porter. “I, too, sing America” proclaims the opening spread that depicts a passenger rail car whizzing by; then, “I am the darker brother” shows an African American young man in the porter’s uniform gazing squarely at readers through a faint, translucent overlay of the American flag, a recurring motif. As the porter cleans up the club car and examines the detritus—newspapers, magazines, blues, and jazz albums left by the train’s well-heeled passengers—he impulsively flings it all from the caboose, scattering this knowledge to those who will willingly learn from it. Wafting through time and space, these items fall into the hands of a young female field worker in the long-ago South as well as residents in a contemporary northern urban landscape. The poem’s powerful conclusion—”I, too, am America”—depicts a young boy on the subway with his mother, peering out the window through a readily visible flag toward his unknown but hopeful future. Collier’s signature mixed-media collages create bold, textured images that give tangible expression to the poet’s potent words. A memorable and multilayered volume for all libraries.—Kathleen Finn, St. Francis Xavier School, Winooski, VT

William C. Morris Award
HARTMAN, Rachel. Seraphina. Random. Tr $17.99. ISBN 978-0-375-86656-2; PLB $20.99. ISBN 978-0-375-96656-9; ebook $10.99. ISBN 978-0-375-89658-3. LC 2011003015.
Gr 7 Up–For nearly 40 years, the treaty between the humans of Goredd and the dragons of dragonkind has held strong. Humans must not enter dragonkind territory and dragons, upon entering human lands, must take their human shape, or saarantrai. In Goredd, Seraphina’s human father, a high offical, needs her to stay anonymous. The dark secret that she must hide is that her mother was a dragon. Because of her musical talents, Seraphina becomes Goredd’s music assistant, helping prepare for the anniversary celebration. Layers of clothing disguise the scales on her arms and stomach, but unlike dragons, her blood runs red, not silver. Also, to keep from having fainting spells in which she relives her deceased mother’s experiences, Seraphina must clear her head each night. She calls the figures in her vision grotesques, and each night, she must ensure all is calm in her mind-garden. When the decapitated body of Prince Rufus is found just days before the anniversary festivities, many humans are quick to accuse a dragon of breaking the pact. Seraphina’s grotesques begin acting strangely, and the whole court is investigating the murder. When the celebrations are in full swing, all hell breaks loose as the rogue dragon that killed the prince enters Goredd in his dragon form and attempts to take control. Seraphina must risk revealing her true identity (and that of her fellow hybrids) in an attempt to save the kingdom. Hartman creates a rich story layered with intriguing characters and descriptive settings. Seraphina is a complex and fully developed protagonist. Although long, this unique novel (left open for a sequel) will surely appeal to fans of Christopher Paolini’s “Eragon” books (Knopf) and wherever readers enjoy fantasies. Lauren Newman

Schneider Family Book Award
For Middle Grade Readers:
LEAN, Sarah. A Dog Called Homeless. 198p. HarperCollins/Katherine Tegen. 2012. Tr $16.99. ISBN 978-0-06-212220-9; ebook $9.99. ISBN 978-0-06-212222-3. LC 2011044628.
Gr 4–7—Cally Fisher hasn’t spoken for 31 days. As she explains in the prologue, “Talking doesn’t always make things happen, however much you want it to.” She knows that talking won’t bring her mother back to life or keep her dad from selling their home in exchange for a small apartment so what’s the point in saying anything. But when her mother appears one day wearing a bright red raincoat and the only other soul that sees her is a big scraggly dog, the girl knows she must find a way to convince her father that the dog is the only thing connecting them to her mother. But her father’s growing depression continues to separate the family and Cally struggles to keep her mother from becoming a distant memory. When she meets Sam, who lives downstairs, the friendship that forms between the blind boy and silent girl manages to reunite a family, and each character benefits from the bond. Truly a lesson in the power of love and loss, this story shows that learning how to listen is more important than what’s being said. This is a thought-provoking story that will speak to readers of all ages.—Cheryl Ashton, Amherst Public Library, OH

For Younger Readers:
ALEXANDER, Claire. Back to Front and Upside Down. illus. by author. 26p. Eerdmans. Sept. 2012. Tr $16. ISBN 978-0-8028-5414-8.
PreS-Gr 1–Stan, a small anthropomorphic puppy, faces a big problem–his class is making birthday cards for the principal, but he just can’t get the hang of writing. He is despondent until a friend suggests that he approach their teacher for help. Gathering up some courage, Stan approaches Miss Catnip and discovers that he’s not the only one having trouble. After “lots and lots and lots of practice,” Stan’s writing improves and he not only creates a great card, but learns that he should always ask for help when he is struggling. Alexander’s mostly full-page illustrations of Stan and his animal friends are bright and cheerful. Though cartoonish, they expressively depict the change in Stan’s emotions–from isolation and sadness to accomplishment and happiness. The story is a tad didactic, but it teaches a good lesson. Students should have no trouble sympathizing with Stan’s learning difficulties and cheer for his success.–Yelena Alekseyeva-Popova, formerly at Chappaqua Library, NY