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	<title>School Library Journal&#187; incarcerated teens</title>
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	<description>The world&#039;s largest reviewer of books, multimedia, and technology for children and teens</description>
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		<title>Style or Substance? One Teen Makes the Point &#124; YA Underground</title>
		<link>http://www.slj.com/2013/09/teens-ya/style-or-substance-one-teen-makes-the-point-ya-underground/</link>
		<comments>http://www.slj.com/2013/09/teens-ya/style-or-substance-one-teen-makes-the-point-ya-underground/#comments</comments>
		<pubDate>Tue, 17 Sep 2013 21:13:43 +0000</pubDate>
		<dc:creator>Amy Cheney</dc:creator>
				<category><![CDATA[Librarian Previews]]></category>
		<category><![CDATA[Teens & YA]]></category>
		<category><![CDATA[YA reviews]]></category>
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		<category><![CDATA[incarcerated teens]]></category>
		<category><![CDATA[SLJTeen]]></category>
		<category><![CDATA[urban fiction]]></category>

		<guid isPermaLink="false">http://www.slj.com/?p=60773</guid>
		<description><![CDATA[Amy Cheney is constantly on the look-out for books that will engage her incarcerated teens, but estimates that only about one in five that she encounters will pass muster. That's why she is so excited about a new self-published title, <em>From Crack to College &#038; Vice Versa</em>.]]></description>
			<content:encoded><![CDATA[<p>Hopefully, you’ve all read publisher Lee and Low’s <a title="Lee and Low on Diversity in YA" href="http://blog.leeandlow.com/2013/06/17/why-hasnt-the-number-of-multicultural-books-increased-in-eighteen-year" target="_blank">terrific piece</a> on the state of diversity in children’s books (and if you haven’t, now is the time). In response, Tanita Davis writes on her <a title="Tanita Davis blog" href="http://tanitasdavis.com/wp/?s=multicultural" target="_blank">blog</a> that “Writers of color, however new, are expected to produce…what? Not the next <em>Hunger Games,</em> that’s for sure. The expectation seems still so weirdly strictured: poverty, slavery, history.” I love that she wrote this. While I agree, and inwardly cringe every time I sell all of the great YA books with white protagonists in the majority to one of my kids of color, we still need more of <em>all</em> kinds of books for teens featuring people of color or from disadvantaged backgrounds. In particular, I find a dearth of teen-friendly books that actually address the very real, very gritty and stark poverty and street culture that the kids I serve experience every day.</p>
<p>YA Underground came about after I wrote a piece about <a title="Self published memoirs" href="http://www.slj.com/2012/10/literacy/time-after-time-self-published-memoirs-about-gangs-drugs-and-renewal-offer-hope-to-troubled-teens-2/" target="_blank">self-published memoirs</a>. For many years I have been actively trying to find new books for my kids that accurately reflect their lives (and believe me, it’s not all about being poor and downtrodden—if there were an African American Harry Potter I’d be more than thrilled). I hoped having a column (and committee, more on that in a future column) would send books my way—new authors to bring to light—especially for our teens&#8217; reading pleasure. Let’s be clear. It is still by chance that I come across the ones that I do. I’d say I&#8217;ve read five books to every one that I feel is even worth mentioning.*</p>
<p>Marilyn Jones’s book is worth mentioning.</p>
<p><img class="alignright size-full wp-image-60929" title="91813cracktocollege" src="http://www.slj.com/wp-content/uploads/2013/09/91813cracktocollege.jpg" alt="91813cracktocollege Style or Substance? One Teen Makes the Point | YA Underground" width="127" height="200" />Jones has written a passionate memoir about her experience as an abuse survivor, single mother, crack addict, and college student. Written with humor and insight, <em>From Crack to College &amp; Vice Versa</em> is equally real and thoughtful. Jones grew up with her loving grandparents, where food and nurturing were abundant. It was the 1970s in San Francisco’s Fillmore district, steeped in a strong Black Panther presence, and among many businesses owned by Black people, which instilled in her a sense of self-pride and love. At age 9, she moved into her father’s house where she encountered a toxic mixture of mental, physical, and sexual abuse. Jones was introduced to crack cocaine in 1985 when she was 19 years old.</p>
<p>In a detailed account filled with important insight, Jones describes the life of a crack addict: exchanging  her body for drugs, in and out of juvenile hall, county jails, drug treatment, and losing her children. She writes, “When I first got locked up, I was very angry, (but ultimately) I gave up fighting the system and adjusted my ability to function and not be so angry was looked upon as progress by the juvenile facility’s staff, but all I did was learn how to be in jail.” Also important are her insights and writing about the college experience, and the inherent racism and classism she experienced from curriculum to people being scared of her impassioned discussion style.</p>
<p>Self-published, Jones did a good job with the cover <em>From Crack to College</em>. The type face and interior design is functional but not particularly pretty, and the book could definitely, no doubt about it, use an editor to clean up the misspellings and repetitions, and improve overall flow and narration. In spite of the flaws, Jones’s voice shines through.</p>
<p>I gave the book to Janelle (not her real name), a biracial 17-year-old. She likes to read <em>Chicken Soup for the Soul</em> and inspirational books, and reads when she is not in the facility. When I asked for her feedback on <em>From Crack to College</em>, she said, “Has it been edited? Some stuff you can tell it hasn’t, because she said it twice. This is a book that wants to tell her story. It’s important because if you on crack you think there is no turning back, but it’s a major turnaround because some people can’t even get off weed and go to college. It gives you hope and inspiration and makes you want to go for something.”</p>
<p><img class="alignleft size-full wp-image-60927" title="91813cake" src="http://www.slj.com/wp-content/uploads/2013/09/91813cake.jpg" alt="91813cake Style or Substance? One Teen Makes the Point | YA Underground" width="90" height="136" />In this genre, <em>A Piece of Cake </em>by Cupcake Brown still stands out as the superstar of drug memoirs, particularly for teens of color, but of interest to all teens. African American Cupcake is thrust into the foster care system when her mother dies. Experiencing abuse, gangs, and drug addiction, she completely turns her life circumstances around and becomes a lawyer and an internationally bestselling author. Well-written, filled with a ton of action and valuable insight, the memoir details clearly the interesting steps Brown took to change—it’s off the charts!</p>
<p><em><img class="alignright  wp-image-60928" title="91813comeback" src="http://www.slj.com/wp-content/uploads/2013/09/91813comeback.jpg" alt="91813comeback Style or Substance? One Teen Makes the Point | YA Underground" width="121" height="182" /></em>I asked Janelle to talk with me about a few of the books she read on the topic of crack, and terrifically, she explains where <em>From Crack to College </em>is in the spectrum. “<em>Come Back: </em><em>A Mother and Daughter&#8217;s Journey Through Hell and Back</em> is a one—the book talked to me. <em>Diary of a Crack Addict’s Wife</em> is a two. The writing was more to tell the story with so much detail you can <img class="alignleft size-medium wp-image-60930" title="91813diary" src="http://www.slj.com/wp-content/uploads/2013/09/91813diary-202x300.jpg" alt="91813diary 202x300 Style or Substance? One Teen Makes the Point | YA Underground" width="125" height="186" />see it. It was kind of slow and I put it down a lot, because it was hard to find the action part. <em>From Crack to College</em> is a three. It was more like me writing a book and giving it to you. But it was real, talked like us, was shorter and easier to read. There was action.”  While clearly Janelle values a well written and edited story (as most everyone does), and clearly, race and class aren’t always of the utmost importance in relate-ability (<em>Come Back</em> is about a middle class white mother and daughter), there is enough of value in <em>From Crack to College</em> to pick up, read and easily finish the book.</p>
<p>I couldn’t find my one copy of <em>From Crack to College</em> for several weeks—girls were reading it. I tracked down Amanda, a 16-year-old African American girl who isn’t a big reader, and she had the book in her room. She sums it up perfectly—“The way she writes could be better but the overall story is good.”</p>
<p>Indeed, there is enough in <em>From Crack to College</em> that sets it apart from mainstream memoirs, making it a truly worthwhile read for anyone, including a population whose interests aren&#8217;t always reflected on our library shelves or served at the checkout desk. These teens need books that are really by, about, and for them.</p>
<p>Bottom line: this book belongs not only on inner city and urban library shelves; it belongs in libraries everywhere.</p>
<p><em>From Crack to College &amp; Visa Versa </em>is available on Amazon or <a href="http://fromcrack2college.com" target="_blank">direct from the author</a>. I gave Jones the information on how to set up her book with Ingram, but she would only receive $1.10 per copy, so decided against it.</p>
<p>*In case anyone comes across the titleBitter Fruit: the Street Ministryand thinks it might have potential due to it’s provocative and street teen-pick-up immediately cover, two words: Nope. None.</p>
<p><strong>Brittenum,</strong> DeVan Faye. <em>Bitter Fruit: the Street Ministry. </em>Brittenum. 2013. pap. $7.99. ISBN 9781482047462.</p>
<p><strong>Brown, </strong>Cupcake. <em>A Piece of Cake</em>. Broadway Books. pap. $11.49. ISBN 9781400052295.</p>
<p><em></em><strong>Fontaine, </strong>Claire and Mia. <em>Come Back: A Mother and Daughter&#8217;s Journey Through Hell and Back. </em>William Morrow. pap. $15.95. 0060859718</p>
<p><strong><em></em>Hunter,</strong> Cynthia. <em>Diary of a Crack Addict’s Wife. </em>Kensington. 2005. Tr $15.00. ISBN <em></em>0758208340</p>
<p><strong>Jones,</strong> Marilyn Denise. <em>From Crack to College &amp; Vice Versa</em>. Marilyn D. Jones. 2013. pap. $14.95.  ISBN 9780989427401.</p>
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		<title>Reader Expectations for &#8216;The Art of War,&#8217; Snitches, and 50 Cent  &#124; YA Underground</title>
		<link>http://www.slj.com/2013/07/books-media/publishing/reader-expectations-for-the-art-of-war-snitches-and-50-cent-ya-underground/</link>
		<comments>http://www.slj.com/2013/07/books-media/publishing/reader-expectations-for-the-art-of-war-snitches-and-50-cent-ya-underground/#comments</comments>
		<pubDate>Tue, 23 Jul 2013 23:20:58 +0000</pubDate>
		<dc:creator>Amy Cheney</dc:creator>
				<category><![CDATA[Publishing]]></category>
		<category><![CDATA[Teens & YA]]></category>
		<category><![CDATA[YA reviews]]></category>
		<category><![CDATA[incarcerated teens]]></category>
		<category><![CDATA[SLJTeen]]></category>

		<guid isPermaLink="false">http://www.slj.com/?p=53691</guid>
		<description><![CDATA[How much do our expectations influence our reading? Sometimes it's the cover that throws you off, or maybe the author's back story. And then again, what we think is great may not ring the bell for the teens we serve. Amy Cheney presents several titles that have met her teen readers' expectations, including classics, self-help narratives, and YA novels for reluctant and urban readers.]]></description>
			<content:encoded><![CDATA[<p>I remember my expectations of the movie <em><a title="Muriel's Wedding" href="http://www.imdb.com/title/tt0110598/plotsummary?ref_=tt_ov_pl" target="_blank">Muriel’s Wedding</a></em>—laughing, having a good time, giggling with my friend over coffee afterwards. Instead, we left completely irritated and depressed. The movie had been billed as a comedy, and was anything but. Another time, I walked into<a title="Exit Through the Gift Shop" href="http://www.imdb.com/title/tt1587707/" target="_blank"><em> Exit Through the Gift Shop</em></a>, a movie I knew nothing about and had no expectations. I laughed hysterically and it became one of my favorite movies of all time.</p>
<p><img class="alignright size-full wp-image-53712" title="72413takedown" src="http://www.slj.com/wp-content/uploads/2013/07/72413takedown.jpg" alt="72413takedown Reader Expectations for The Art of War, Snitches, and 50 Cent  | YA Underground" width="124" height="183" />How much do our expectations influence our reading? I picked up Allison van Diepen’s newest book <em>Takedown</em> and was expecting a lot. The first pages got me excited: Sick Puppy’s arrest is the beginning of the takedown. YA version of the <em>Wire</em>! But then I got bogged down. Darren’s motivation to play the super dangerous game of informing and risking his life while trying to get out of the game didn’t ring true. However, all the teens that I’ve given the book to have been satisfied and their expectations met.</p>
<p><em></em>The cover and trim size of <em>Takedown</em> is different from the author&#8217;s previous <em>Street Pharm</em> (2006) and <em>Snitch </em>(2007, both Simon Pulse) and doesn’t shelve well as a set—as a result I’ve had to call the <em></em>teens&#8217; attention to the author and content. The final cover isn’t out yet—the  two cover versions I&#8217;ve seen so far are both just okay. Maybe  the blue one is a little bit better? The nice interior has lots of white space, big enough type, cool font at the beginning of each chapter, and Darren’s rap lyrics in a different type sprinkled throughout.</p>
<p><em><img class="wp-image-53711 alignleft" title="72413takedownyellow" src="http://www.slj.com/wp-content/uploads/2013/07/72413takedownyellow.jpg" alt="72413takedownyellow Reader Expectations for The Art of War, Snitches, and 50 Cent  | YA Underground" width="123" height="180" /></em>We are extremely lucky to have some of the best writers for our teens as inner-city school teachers and/or social workers. Coe Booth, Alan Sitomer, and Alison van Diepen are my saviors. I couldn’t do my job without them. I asked Allison about Darren’s motivation, and she said this:</p>
<p>“Making a snitch the hero was a tough sell, especially since it wasn&#8217;t because of some dramatic incident, but instead because he&#8217;d woken up to the reality that he&#8217;d been used—that he&#8217;d been the scapegoat—and that he&#8217;d lost two years of freedom because of it. My students, both at the alternative school where I teach, and back in Brooklyn, hated snitches, but I&#8217;ve always wondered if they might feel differently if they saw the world through the eyes of a snitch.” That&#8217;s a worthy cause for writing motivation, and teens will enjoy the read regardless of our lofty hopes for them.</p>
<p><img class="alignright size-full wp-image-53717" title="72413thesecret" src="http://www.slj.com/wp-content/uploads/2013/07/72413thesecret.jpg" alt="72413thesecret Reader Expectations for The Art of War, Snitches, and 50 Cent  | YA Underground" width="83" height="103" />Along the lines of motivating factors, I laughed (silently) when <a title="speaker AR" href="http://writetoreadbooks.wordpress.com/2013/03/18/programming-non-violence-hip-hop-artist-speaker-ar/" target="_blank">speaker AR</a> brought in a totally hot girl friend (formerly incarcerated, turned her life around) who mentioned Rhonda Byrne’s <em>The Secret</em>. I was flooded by boys requesting the book afterwards. Forget booktalks, just bring in a hot girl to wave a book in the air. Unfortunately, not a one could get into the book—their expectation was way different than the reality. James Allen’s bestseller <em>A</em><em>s a </em><em>Man Thinketh </em>is a classic version of <em>The Secret, </em>and in many ways th<img class="alignright  wp-image-53718" title="72413asaman" src="http://www.slj.com/wp-content/uploads/2013/07/72413asaman.jpg" alt="72413asaman Reader Expectations for The Art of War, Snitches, and 50 Cent  | YA Underground" width="84" height="118" />e old-school language may be a bit more accessible to teens than <em>The Secret’s </em>lofty new ageism.<em> </em></p>
<p>Sun Tzu’s classic <em>Art of War</em> is one of my most requested books. One of my teens rattled off all the books that mention it, and I should have written them down, but I was scrambling to find copies to fill all the requests. Especially for reluctant readers, it’s great to have different versions of the same book in order to meet differing expectations. Here are the two other versions of the <em>Art of War </em>I offer besides the original:</p>
<p><img class="size-full wp-image-53716 alignleft" title="72413artofwar" src="http://www.slj.com/wp-content/uploads/2013/07/72413artofwar.jpg" alt="72413artofwar Reader Expectations for The Art of War, Snitches, and 50 Cent  | YA Underground" width="119" height="165" />Kelly Roman’s adult graphic novel version is amazing. Stark pages feature black and white art that pops with red highlights—thigh high boots, a tattoo, blood, a tie, the American flag—and Sun Tzu’s words in gritty bursts throughout.  A young man with a mohawk and genetic enhancements is released from military prison to face his demons: an ex-girlfriend he severely injured, the ghost of his murdered brother, a sick father, a world at war. Set in the future, the landscape is devastated, except where it’s been purchased—Manhattan has been bought by China. This is one of those &#8220;meta-books,&#8221; with more meaning and information unfolding with each read.</p>
<p><em>The Art of War: How to Be Successful in Any Competition</em> isn’t as complex, <em><img class="wp-image-53715 alignright" title="72413artofwarold" src="http://www.slj.com/wp-content/uploads/2013/07/72413artofwarold.jpg" alt="72413artofwarold Reader Expectations for The Art of War, Snitches, and 50 Cent  | YA Underground" width="110" height="142" /></em>classy, or gory as Roman’s version, but it’s more accessible and definitely more shelvable in a teen section, and a good choice for less-skilled readers. Tzu’s wisdom is revealed in full-color art in a variety of settings including a SWAT team, jail cell, old school gangsters, and a poker tournament.</p>
<p><em><img class="size-full wp-image-53709 alignleft" title="7241350thlaw" src="http://www.slj.com/wp-content/uploads/2013/07/7241350thlaw.jpg" alt="7241350thlaw Reader Expectations for The Art of War, Snitches, and 50 Cent  | YA Underground" width="117" height="151" />The 50th Law</em> by Robert Greene and 50 Cent is perfect for inner-city teens, or any reader looking for an edgy approach. The good cover image of 50 Cent does not carry through to the inside art, but the combination of story—from hustler to hip hop artist—and words of wisdom and keys to power packs a powerful punch.</p>
<p><img class="size-full wp-image-53713 alignright" title="72413hesaid" src="http://www.slj.com/wp-content/uploads/2013/07/72413hesaid.jpg" alt="72413hesaid Reader Expectations for The Art of War, Snitches, and 50 Cent  | YA Underground" width="113" height="172" /> Kwame Alexander’s <em>He Said, She Said </em>has the winning alternating girl/boy chapter format along with texts and Facebook posts. He also taught high school, so I had high expectations. Omar is the star quarterback and all around full of himself big man. Claudia is a brainy Beyonce look-alike who is done with playas—but can’t deny she feels a spark, especially after Omar surprises her and uses his fame to rally students in a silent protest to bring back the arts programming.  Sigh&#8230; Our gritty kids will probably find it too nerdy—in fact they rolled their eyes at me when I booktalked it—and none of them have picked it up. An author visit would rectify and stimulate interest. This isn’t to say that it’s not a great book for lots of teens.</p>
<p><a title="Randy Kearse" href="http://randykearse.net " target="_blank"><img class="size-full wp-image-53714 alignleft" title="72413changinggameplan" src="http://www.slj.com/wp-content/uploads/2013/07/72413changinggameplan.jpg" alt="72413changinggameplan Reader Expectations for The Art of War, Snitches, and 50 Cent  | YA Underground" width="116" height="176" />Randy Kearse</a>, after serving 13 years, 6 months and 2 days of a federal prison term, was highly motivated to change his life. In prison he researched and wrote <em>Street Talk </em>and began work on <em>Changin’ Your Game Plan</em>! <em>How to Use Incarceration as a Stepping Stone for Success. </em>Upon his release he applied his drug dealing skills to hustling his books, selling 35 or more a day for three years on streets and subways. Clearly a charismatic and engaging person, Kearse is definitely a speaker I’d bring in. It’s terrific when he gets specific about the steps he took to change, and there are definitely gems amidst all the repetitions, generalities, and preachiness. You will not hear my usual lament of too much of the dirt (which actually hooks the kids and gets them reading), and not enough of the transformation, as this barely skims the surface of what he was incarcerated for. It’s also surprisingly free of the religious factor except for a guest chapter. Teens aren’t going to be flocking to read it, but it’s a must-have for adult facilities and urban libraries, especially on the eastern seaboard, where the majority of his resource list is oriented.</p>
<p><strong>ALEXANDER,</strong> Kwame. <em>He Said, She Said. </em>Harper Teen/Amistad. 2013. 336p. Tr $17.99. 9780062118967.</p>
<p><strong>ALLEN,</strong> James. <em>As a Man Thinketh. </em>Tribeca Books. 2013. 62p. pap. $6.99. 9781612930220. (Note: I haven’t found the best version of this classic—still looking.)</p>
<p><strong>BYRNE</strong>, Rhonda. <em>The Secret. </em>Atria. 2006. 198p. Tr $23.95. 9781582701707.</p>
<p><strong>GREENE,</strong> Robert and 50 Cent.<em>The 50th Law.</em> illus. by Dave Crosland. <em></em> G-Unit Book, Inc., Robert Greene and SmarterComics, LLC. 2012. 60p. $14.95. 978-1-6108-2006-6.</p>
<p><strong>KEARSE,</strong> Randy. <em>Changin’ Your Game Plan! How to Use Incarceration as a Stepping Stone for Success.</em> 3rd ed. Positive Urban Literature, Inc. 2012. 248p. $14.99. 978-0-9800-9740-5.</p>
<p><strong>KEARSE,</strong> Randy. <em>Street Talk: Da Official Guide to  Hip-Hop &amp; Urban Slanguage. </em>Barricade Books. 2006. 700p. 978-1-5698-0320-2.</p>
<p><strong>ROMAN,</strong> Kelly.<em>The Art of War: A Graphic Novel.</em> illus. by Michael DeWeese. <em></em>Harper Perennial.  2012. 346p. $ 22.99 978-0-06-210394-9.</p>
<p><strong>TZU,</strong> Sun. <em>The Art of War: How to </em><em>Be Successful in Any Competition. </em>illus. by Shane Clester. <em></em><em> </em>Reprint Edition.<em> </em>SmarterComics.  2012. 88p. $12.95. 978-1-6108-2008-0.</p>
<p><strong>VAN DIEPEN, </strong> Allison. <em>Takedown.</em> Simon Pulse. Sept. 2013. 288p. $16.99 978-1-4424-8690-4.</p>
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