Back in the classroom, there will be much to discuss, including why the amendment was necessary on the heels of the Emancipation Proclamation (1863), the political maneuvering necessary to secure the amendment’s passage, and the medium’s depiction of the event and the historical figures. To further explore the relationships depicted in Lincoln and learn about the film’s production, download the free app Lincoln: Discover the Story (David Rubel and Disney Editions, iBooks, Free, Gr 6 Up). Your students will be intrigued.

Six chapters delve into topics such as the “Players on the Stage of History,” “The Conflict,” and “The President” discussing the Civil War, those who fought for and against the amendment, Lincoln’s presidency, and more. Incorporated into the text are quotes by Lincoln and his contemporaries, archival images, and other primary source material.Throughout the text are black-and-white period photos, sometimes juxtaposed against shots of similar scenes re-created for the film (in color), and embedded videos offering commentary by Spielberg, the actors, and others who worked on the film.

In the videos, Spielberg speaks to Lincoln’s relevancy today as a “most vivid model of a leader, of leadership,” who advocated for “things that we hold dear today.” Daniel Day-Lewis, who plays the president in the movie, comments on Lincoln’s accessibility—the “ever-open door of the White House.” Other actors discuss their research in preparation for their roles—and their challenges—including  Sally Field who plays Mary Todd Lincoln, Gloria Reuben as Elizabeth Keckley, the “personal modiste” of the First Lady, and  David Strathairn as William H. Seward, Lincoln’s the Secretary of State.

Much notice has been paid to the film’s authenticity. In the chapter, “Bringing History to Life” viewers hear from Rick Carter, the production designer, on scouting sets and props, and Joanna Johnston, the costume designer, who dressed the 140-member cast. Johnston mentions Mary Todd Lincoln’s outfits, many of which were “exact replicas” of those she wore in life….”  (“For the president, clothing was purely a way of keeping out the weather.”) Ben Burtt’s narrative addresses his quest to “research and record historic sounds” and to re-create those he could from the ticking of the portico clock to the off-screen bombardment of a cannonade. Museum officials allowed Burtt to record the sound of Lincoln’s actual watch, heard in the film.

Page turns and video runs are fluid and readers will be guided through this production by a table of contents and discreetly placed icons. The app ends with a film clip and link to the iTunes page to purchase tracks from the motion picture. In all, a production for fans of the president and the film, and, to be sure, something for visual learners.-Daryl Grabarek, School Library Journal.

For some recently published books for students on Lincoln, see Vicki Reutter’s Whiskers, Dreams, and Grave-Robbing Schemes.

Fans of Captain Underpants—and of rude, over-the-top humor—are in for a field day: The Adventures of Captain Underpants: The First Epic App (Scholastic; $4.99; Gr 2-6) offers awesome animation and engaging activities. First is the complete Book-O-Rama, here in high resolution and full color. Viewers can read the story or listen to Mike West’s spirited narration with added sound effects and musical accompaniment. Pages aren’t turned per se; a swipe of the screen slides the characters to the next page, or morphs the background into the next setting.

Games, manipulable message boards, and even those flip-o-rama pages found in the books are embedded in appropriate spots. (Readers can choose to engage in these activities or not.) A jump from one page to any other in the text is via a collapsible bar at the bottom of the screen, while a bar at the top allows children to return to the main menu, to select chapters, or to exit to a game. Avatars to help track game progress are easy to create, but with a tap of a button one will be created (and named) for viewers.

Screen shot from The Adventures of Captain Underpants (Pilkey)
©2013 by Dav Pilkey

Activities include hypnotizing Mr. Krupp with the 3-D Hypno-Ring, catching Captain Underpants in the Skate-o-Rama, or slinging underwear at robots and the diabolical Dr. Diaper in an attempt to annihilate them in the Stretch-O-Rama. Beat Box 2000 is a music-making machine; as Captain Underpants flies across the sky, he triggers ka-booms and other, (often uncouth), noises to one of three catchy beats. Users can record their own sounds if they prefer. The games take full advantage of the iPad’s capabilities, requiring the players to tilt and tap their way through various levels using different strategies; plenty of options keep the play fresh.

The app contains “no ads, no social media sharing, no in-app purchasing, no links to outside websites, [and] no location-tracking features.” With access to a full-length story, terrific animation, challenging activities, and loads of irreverent fun, this app will have fans cheering for the 16-year-old “Captain Underpants.”— MaryAnn Karre, West Middle School, Binghamton, New York 

BiblioBoard is a free iPad app providing access to more than 100 curated collections of “licensed, open source and public domain materials” on topics ranging from Punk Rock to The Brothers Grimm. Anthologies on English writers are the most numerous. With the app, readers can dip into any collection, most of which include more than 50 “books, images, and articles written by or about” the subject and sample up to the first seven pages of any title.

The price for each collection ranges from $9.99 to $15.99. Our reviewer, Danielle Farinacci, took a look at three of the newer collections.

As first glance, the BiblioBoard app (BiblioLabs LLC; Free; $9.99 to $15.99 for individual collections; Gr 9 Up) is equal parts inspiring and overwhelming. It offers more than 30 literary anthologies alone, with access to free content within each curation.

The 60-plus volumes in Brontë Sisters: A Historical Collection includes offerings under “Novels,” “Poetry,” “Biographical Works,” “Critical Essays,” and “Images.” It affords a rare glimpse into the sisters’ lives through traditional biographies as well as a series of well-organized letters to and from Charlotte, Anne, and Emily, their fathers, and friends. Readers can also examine portraits of the women, their home, and a reproduction of each sister’s handwritten pen name signature, which are likely to ignite a discussion of a woman’s place in the literary world of the 19th century. It would be difficult to find a more complete anthology of the Brontës’s work in one place with such a small footprint.

John Keats: A Historical Collection presents such telling works as, ”The Life, Letters, and Literary Remains of John Keats,” edited by Richard Monckton Milnes, and ”A Day with Keats,” by his contemporary May Clarissa Gillington Byron, plus romantic gems like Keats’s Letters to Fanny Brawne, written to his fiancée from Rome before the English poet succumbed to tuberculosis at age 25.

Keats’s poems are represented, as is his correspondence. Completing the anthology, which totals more than 70 volumes, are  “Memoirs,” “Critical Essays,” “Souvenirs,” and “Images.” Viewing pages of the original editions of the poet’s work evokes the romanticism these poems warrant, while the color illustrations add a dimension and context not often found in other resources.

“Fragment of a Third Century Copy of Plato’s ‘Republic’” from BiblioBoard’s “Socrates.” (BiblioLabs LLC)

On the topic of Socrates: Father of Western Philosophy, there are a number of biographical and contextual essays, such as “Talks with Athenian Youths,” that offer a glimpse into the philosopher’s daily interactions and the era in which he lived. Scholarly revelations about Socrates’s influence on the writings of Plato, Xenophon, and Aristophanes are also presented. The depth and language of these works makes them most suited for advanced placement or college students, but items such as the Fragment of a Third Century Copy of Plato’s “Republic” provides relevance for any reader.

While some may value these collections as primary source material or as historical artifacts, there is much here for students of literature and philosophy to peruse. They’re sure to find something that speaks to them.—Danielle Farinacci, Sacred Heart Cathedral Prep, San Francisco, CA


For additional app reviews visit Touch and Go under blogs and columns at slj.com, and be sure to add us to your RSS feed.

With snow blanketing the country there’s not much else to do but pour yourself a cup of hot cocoa, grab your iPad, and get ready for a wintery adventure featuring two boys, a whale, and a polar bear or two.

Valentine Parguey and Charly Playe’s Scott’s Polar Trip (Square Igloo, 2012; iOS $2.99; Android $2.99; PreS-Gr 2) finds a young boy traveling in the Arctic Circle via submarine. Through his periscope, the youth glimpses an Inuit child staring over the edge of an ice floe into the water below. Inook has discovered a baby whale trapped in a net and Scott offers to help him rescue it. After this successful mission, the two have several other adventures involving polar bears, wolves, and other creatures of the North.

This entertaining app is easy to navigate. A magnifying glass indicates when there are more images to be discovered, such as a photo of an igloo, a whale, snow goggles, etc., each accompanied by informative nonfiction text. Story illustrations by Matt Roussel are colorful, featuring icy blues, unusual perspectives, and slight animations. Four games related to Inuit culture are embedded into the story; viewers can work on an puzzle of an igloo, play blanket toss, search for murre eggs, and build an Inukshuk.

Screen shot from ‘Scott’s Polar Adventure’ (Square Igloo) Roussel

Two age-level options are available: 3-4 or 5-7, which determine the amount and level of nonfiction text that accompanies the photos. Children can choose to read the story on their own or have it read to them, in one of three languages (English, Spanish, and French). A sprinkling of (defined) Inuit words also appears. Ambient sounds, such as the cry of the whale when the boys are trying to rescue it, add a nice layer to the story, but can be switched off if desired. This is one trip that children are sure to enjoy.-Omar Ramiriz, Northlake Public Library District. Northlake, IL

Eds. note: Scott’s Polar Adventure has a trailer.

Evan Frost

Image from ‘Atlas by Collins’

A number of apps address the state of our planet. One of the first produced for students was Al Gore’s award-winning Our Choice (Melcher Media/Push Pop Press; $4.99), featuring stunning photography, informative video clips, and a compelling message about global warming. In 7 Billion: How Your World Will Change (National Geographic; $4.99) thought-provoking photos, videos, charts, and articles examine the impact of population growth on the earth, including commentary on food sources, family size, and the most challenged regions of the world. Fragile Earth, one of SLJ’s Top 10 Apps of 2012, offers a gallery of photos detailing the impact of human endeavors and natural phenomena on the environment. Satellite and land photographs, taken from minutes to years apart, depict the alarming before-and-after effects of mining, deforestation, tsunamis, earthquakes, and other events on our landscape.

The recently released Atlas by Collins takes a look at our planet from a number of perspectives. Cathy Potter reviews it below.

Chart, “Energy Consumption,” from ‘Atlas by Collins’

Gr 6 Up-The expansive Atlas by Collins contains seven globes: satellite, physical, political, population, environment, communications, and energy. For each thematic section text and illustrations combine to provide an overview of the subject.

“Living Earth” explores the natural world and a variety of landscapes, as well as changes in and threats to the planet, among other topics. “People and Power” considers where energy reserves are located, where energy is produced and consumed, how technology connects the world, and more. These and other subjects are addressed through questions (“What are the major environmental threats to our planet and the areas most affected? “What energy reserves does each country contain?” “Where in the world can you get mobile phone coverage?) and detailed answers are provided along with captioned photos, charts, and graphs (sources cited).

Viewers swipe to spin the 3-D globes; pinch and pull to zoom in and out. While zooming in the globe will switch to Google Maps, but an Internet connection is required to take advantage of this feature. A location bar at the top of each screen marks the city and country or region displayed. A tap on the information symbol opens a window that reveals country statistics and information on the nation’s land, climate, economy, demographics, and transportation, and a few images–information that will be useful to student researchers. Each entry also includes links to the country’s web site.

Menus below each globe provide readers with a plethora of information about our planet including birth rates, pollution hotspots, and Internet usage. Color-coded keys and symbols help readers interpret the information presented. (The app contains no narration or sound effects.)

The satellite globe is the only one that downloads when users purchase the app. The others must be installed individually, and the amount of time required to do so is considerable. While the breadth of information in Atlas by Collins is impressive, the download time, tendency to shut down, and substantial amount of storage space required (1.3 GB) may prove problematic for some users.—Cathy Potter, Falmouth Elementary School, Falmouth, ME

Eds. note: For a look inside Atlas by Collins take a peek at the trailer.

There’s no doubt about it: app production has skyrocketed. But curiously, a number of children’s book publishers and app developers are now thinking twice about the format. After dipping the proverbial toe in the water, some companies have put app development on hold, while others are exploring their options, trying to determine how to create these costly innovative items and still make a buck. Some organizations, including Random House and Sesame Workshop, have extended their partnerships to include apps, and many more bookshelf apps, such as MeeGenius! and Wanderful, are hosting collections of titles that are grouped by theme, specialization, or publisher. In a word, the world of apps is in flux.

But that doesn’t mean there hasn’t been a slew of exceptional products this year, and you’ll find a number of them on our list. As with most year-end lists, this one is subjective, and it includes only apps that have been reviewed in SLJ’s column Touch and Go. You’ll note a front-runner, but those items that follow can stand proudly side-by-side.

 1. Moonbot Studios deserves high praise. Its Oscar-winning team, led by kids’ book creator William Joyce and film director Brandon Oldenburg, was one of the first to create an app, IMAG.N.O.TRON, that features augmented reality—a technology that layers digital images and information onto the real world. How does this cutting-edge app work? Clutching an iPad, simply hold the app over a page of Joyce’s bestseller The Fantastic Flying Books of Mr. Morris Lessmore (S & S/Atheneum, 2012), an ode to the joys of reading. As soon as the app recognizes an image, the magic begins: books suddenly start to flutter, fly, and softly recite their lines; characters begin to wink; images are seamlessly transformed from 2-D into 3-D, and a bicyclist appears to glide off the printed page. Moonbot’s signature wit and originality are in evidence here, but with this app, seeing is truly believing.

2. Jessica Anthony and Rodrigo Corral’s young adult novel, CHOPSTICKS (Penguin/Citrus Suite), is a format-bending mystery that’s told through photos, news clippings, and artwork—and the kicky digital version packs some added punch. Will the embedded songs, YouTube videos, animated IMs, sound effects, and a “shuffle” feature that lets viewers choose alternate readings help solve this sophisticated puzzle? The verdict’s still out.

3. With just a touch of the screen, kids can zoom in from outer space and land anywhere on Earth thanks to Nick Crane’s BAREFOOT WORLD ATLAS (Barefoot Books/Touch Press). Then it’s a quick jump to another region, country, landmark, or activity of their choice. Narrated bits, delightful animations, background music, and real-time data inform viewers about the amazing range of traditions, cultures, geographical features, and animals found on our globe. This is one trip kids won’t want to end.

4. Looking for a healthy dose of interactivity? Try Jamie Lee Curtis’s whimsical picture book Where Do Balloons Go? (HarperCollins/Auryn, Inc.), with vibrant illustrations by Laura Cornell. Among the splendid features that await those who tap, tilt, pinch, and swipe their way through this rhyming story are musical interludes, animated vignettes, theater-to-showcase user-created videos, and, oh yes, an opportunity to record your own squeaky, helium-induced voice. With its unique features, this app offers hours of fun.

5. Artists who are grappling with the best way to bring comic books to the tablet can take some tips from Ryan Woodward’s BOTTOM OF THE NINTH (Ryan Woodward Art & Animation). Sepia panels incorporating baseball memorabilia and splashes of color are enhanced with the sights and sounds of America’s favorite pastime as Candy Cunningham takes to the pitcher’s mound to play “New Baseball,” 200 years in the future. With touch-triggered dialogue balloons, piped-in radio commentary, and dazzling animation, this one hits it out of the park.

6. If you’re not yet convinced that Moonbot Studios’ creative team is pure genius, take a look at THE NUMBERLYS, an app inspired by Fritz Lang’s 1927 film Metropolis. In The Numberlys’s grey futuristic world, letters don’t exist—until five roly-poly factory workers sporting puffball hairdos hammer, bend, and forge their way through the alphabet with the help of viewers. As the narrator says, at first the laborers’ efforts were “awful. Then at last… artful.” Indeed.

7. Somewhere beyond this double, double toil and trouble, Shakespeare must be smiling. With extensive notes and commentary, videos of famed actors performing each of the Bard’s 154 sonnets, a facsimile of the 1609 Quarto, and other noteworthy highlights, THE SONNETS BY WILLIAM SHAKESPEARE (Touch Press) offers a stunning look at the playwright’s work. Really, who needs a classroom when you can watch and listen to actress Fiona Shaw recite Shakespeare at home?

8. Breathtaking visuals, a concise text, and a narrated tour of some of our nation’s most spectacular natural sites make Michael Collier’s WONDERS OF GEOLOGY (Mikaya Press/Tasa Graphic Arts) a contender for the Eighth Wonder of the World. Close-up views, animated diagrams, and arrows that point to the geographic features under discussion transform basic science concepts into fascinating brain food. Throw in flawless navigation, and this app is a secondary student’s go-to text.

9.Based on a folk song by Gilles Vigneault, SUNDAY IN KYOTO (Les Productions Folle Avoine/The Secret Mountain) tells the story of an ensemble of musicians (who play koto, guitar, piano, shamisen, bouzouki, banjo, and harp) that was organized by one Cajun Joe. Amusing details, subtle animations, a toe-tapping tune, and a few Zen-like moments (including a bronze Buddha that claps and a discreet mouse that emerges for a bow at the performance’s finale) make this performance absolutely irresistible.

10. In FRAGILE EARTH (HarperCollins/Aimer Media), 170 pairs of captioned, before-and-after photos, taken on the ground or by satellite, reveal the often-devastating effects of hurricanes, tsunamis, and other natural phenomena on our vulnerable planet—as well as the harmful consequences of urbanization, mining, and global warming. In one horrifying sequence, 15 minutes separate two black-and-white photos taken before and after a violent dust storm engulfed a Kansas town. These and other images are enlightening, and often, alarming.

Photo by Pixland

The Global Education Conference, held around the clock November 12–16, offered a wide range of sessions by and for educators worldwide. A highlight: “Apps Galore: Top Tools for Global Collaboration (iPad),” in which teachers Ruth Metka, Fran Siracusa, and Jennifer Williams at Country Day School in Largo, FL, recommended apps for school use. The educators incorporated these apps as a part of a Flat Classroom Project—a student-centered, multimodal learning environment—during which their school connected with schools in China, Turkey, and Minnesota.

The trio emphasized that the best way to successfully use apps with young children is to pair a virtual activity with a concrete one. For example, their students mailed painted handprints to other schools, but also used apps to create a videos, maps and presentations to send electronically.

The Tripline app lets kids share animated maps to show and narrate their (virtual) travels by pinning pictures, and adding background music or recordings to the map. Combine with any basic weather app to really let kids feel their destination.

For a really fun video-making experience, they suggested the Puppet Pals app. Kids cut out a picture of themselves using a finger on the iPad, then digitally manipulate the puppet on a background of their choice to create scenes. Try taking pictures of your school, then letting puppet-students give a tour.

The Country Day School teachers recommend two educationally-focused social networking apps with Web 2.0 components, which they felt encouraged participation, offered good teacher control, and were generally safe for classroom use. Neither tool requires kids to have an email address to register. The Edmodo app allows teachers to create groups (for example, for same-age classes at schools in different locations). Schoology is a lot like Edmodo, and kids like it because the interface is  similar to Facebook.

Nearpod gives teachers control over the pacing of presentations viewed on the iPad. Slides appear on students’ devices simultaneously, and multimedia and interactive elements keep kids from getting bored with their synchronized viewing experience.

Don’t forget that sometimes the most familiar apps are the most effective, they advised. Skype is a wonderfully versatile tool for connecting live. Just be sure you make clear rules about who gets to talk when — maybe pass around a special “talking stick.” And if you do carry out a global project in your school, be sure to blog about it.

Globaledcon sessions are archived online and can be viewed at anytime—check out presentations on themes ranging from “Expand online professional development for educators with mobile learning” to “The Connected Middle School Student: Fostering Global Collaborations through International Projects.” Presentations on language learning and environmental issues are especially well-represented.

Interior of ‘Ladybug at Orchard Avenue’ (Oceanhouse) Buchs

With a clear, informative text and colorful illustrations, Kathleen Weidner Zoehfeld’s Ladybug at Orchard Avenue (Oceanhouse Media/Soundprints; $2.99; PreS-Gr 2) explores the dangers a beetle encounters foraging for food as winter approaches: “The bristly jaws of an ant gape over Ladybug’s head like a giant pair of pliers.” The descriptive text notes the protective body parts and defensive mechanisms that the creature has at its disposal, from rigid forewings to malodorous secretions that ooze from its leg-joints. A final section provides information about ladybug development and hibernation.

Throughout, sounds of crickets, birds, and flapping wings can be heard. There’s no animation, but the story progresses smoothly as panning and zooming effectively focus viewers’ attention on the action.

The clear illustrations by Thomas Buchs offer great text support for new readers. In addition, in the “Read to Me” and “Autoplay” modes, words are highlighted along with the narration. In the “Read it Myself” option, children can tap a word to hear it read aloud. When a particular image is touched, a label zooms to the forefront of the screen and the word is spoken. In some cases, the specific animal parts named in the story, such as the ant’s jaws, are identified as such, but too often it’s generic term— and a missed opportunity to deliver the information that kids deserve in an informational text.—Mary Ann Scheuer, Great Kid Books

Hibernation is also on the mind of one Franklin Frog  (Nosy Crow, PreS-Gr 2; $4.99) in Barry and Emma Tranter’s interactive, animated introduction to the habits and life cycle of this amphibian. Users meet the mature fellow resting on a lily pad. From there they direct him through his habitat and day as he hops to land, snares a tasty snail and worm, and swims in a pond, carefully avoiding predators. As time passes and seasons change, the frog hibernates (viewers help locate a likely spot), awakens in the spring, and eventually finds a mate. From one of the eggs laid by the female, a frogspawn hatches and the story begins anew—now focused on the tadpole. With its simple activities and circular format, this colorful app is bound to keep young children engaged through several frog generations.

Children can read the story independently or listen to a winning child narrator. There are occasional verbal and visual (glowing dots, blinking arrows) prompts. The background music is soothing and the sounds of pond life, realistic. Franklin Frog strikes a delightful balance between educational and entertaining.—Amy Shepherd, St. Anne’s Episcopal School, Middletown, DE

After discovering a bone in the sand a young girl ponders what life might have been life for a pterosaur in Claire Ewart’s Fossil (Auracle, $2.99; PreS-Gr 2) Rich, watercolor illustrations add to the informative rhyming text that traces the creature’s millennium-long path from flight to fossilization.

Along with the clear narration, children can tap scenery and animals to listen to labels and learn a few words not found in the text. Readers have the added option of personalizing the book by scripting their own story or recording their own audio. The original text can be reset at any time.

An added feature is a bibliography that can be accessed from the home screen. To note: the most recent date on any listing is 2002, while most hover around 1989. Appended to the poem is an article on fossil evidence and theories about prehistoric life. Young dino fans and those looking for an introduction to fossils won’t be disappointed.—Wayne R. Cherry, Jr., First Baptist Academy, Houston, TX

Let’s face it. Who hasn’t struggled with Shakespeare? Sourcebooks’ “Shakesperience” iBooks, which build on their earlier print plus CD series, are designed to remedy this problem by helping readers connect with the playwright’s texts more easily and more deeply. Othello (Sourcebooks, 2012; Gr 9 Up; $5.99) catapults users from a colorful book cover image directly into act 1, scene I on a screen designed to look like the double-page spread of an open book. Indexes and navigation icons are hidden until the top of the screen is touched.

The text drives the iPad experience: behind words and phrases highlighted in blue are explanatory notes, and by the second page turn, users will discover audio scene introductions by the renowned Shakespearian actor Sir Derek Jacobi, and short, read-along audio recordings by notable stage and film actors. Comparative audio renditions of actors performing carefully selected classic lines (Paul Robeson, John Kani, and Hugh Quarshie as Othello and Emma Fielding and Uta Hagen as Desdemona, etc.), bonus archival recordings by F. Scott Fitzgerald and Edwin Booth, and video clips from live performances will enhance viewers’ engagement with the play.

Additional layers of information include galleries of captioned stage black-and-white and full-color photographs; costume and set renderings; production notes; authoritative articles providing historical context; and interviews with actors, directors, and a voice coach. Tools for note-taking, highlighting, and bookmarking are available, as are embedded definitions and a searchable glossary of more than 1400 terms. A table of contents aids access. For teachers and students, as well as all of those who missed the brilliance of Shakespeare the first time around, The Shakesperience: Othello, is a dream come true.—Kathleen Wilson, New York University, NY, NY

In an app that will appeal to even the most reluctant of students, Touch Press has assembled a brilliant team of scholars and actors to produce the equivalent of an undergraduate course in Shakespeare’s sonnets. Each of the 154 selections in The Sonnets by William Shakespeare (also by Illuminations, The Arden Shakespeare, Faber and Faber Ltd; 2012; Gr 11Up; $13.99) begins with a video recording of an actor’s recitation of the work delivered by Stephen Fry, Patrick Stewart, Fiona Shaw, or another noted performer. As the verse is presented, users can choose to view the performance full-screen, or read the work as the corresponding text is highlighted. Additional notes analyze individual lines.

Don Paterson provides commentary for each sonnet, and contributes to the fascinating section titled, “Perspectives.” Here students will gain a better understanding of Shakespeare’s contribution to the form, discover speculative theory about his sexuality, and learn the origins of original pronunciation. Cicely Berry shares thoughts on how academics have “stolen the sound of Shakespeare from us” in that people feel they “must” study him to appreciate the language of his work. Author Katherine Duncan-Jones considers the use of the sonnet to explore private emotions without the use of puns and wit. There are also a few discussions about the true authorship of the verses.

Every “Perspectives” entry is composed of text and a corresponding video. These unpretentious, you-are-there conversations allow users to feel connected to the sonnet as a form, and illuminate the meaning and intent of the works. Shakespeare’s narrative poem, “A Lover’s Complaint” is also given attention. The app includes a text-only category of notes from The Arden Shakespeare offering information on context and illusion and the reception and criticism of the selections, but that section and the facsimile of the 1609 edition of the Sonnets pale in comparison to the video-rich resources.

Large buttons on the home page link each section, and sonnets can be accessed by actor or number. A scroll feature on a top menu bar allows users to move through a list of the poems. Students and teachers will want to watch the videos multiple times, in English classes, as well as theater class for its acting suggestions. An essential purchase for upper-level literature classes and anyone interested in Shakespeare performance.—Pamela Schembri, Newburgh Enlarged City Schools, Newburgh, NY

Sure, there are plenty of apps devoted to November’s election, there just aren’t that many that explain the process to those too young to cast a ballot. Those listed here should get the conversation rolling about how we elect a President and the men who have held that the office.

For older students look for apps produced by mainstream media outlets with a focus on election coverage. Start with the major newspapers. In addition to hourly news updates, The Washington Post’s  W P Politics  includes “campaign files,” an interactive polling map, and a fact checker that “accesses the veracity of candidates’ statements,” awarding “one to four Pinocchios” when deemed necessary. Viewers can also watch videos of candidate’s ads—these alone will generate some lively classroom conversations. It doesn’t get much better than this one, and it’s available for free.

The NY Times Election 2012  (The New York Times) app promises all readers access to a half dozen “top” news stories. However, only subscribers can view candidate pages and videos and photos from the campaign trail, read the latest polling news, and receive live election results. High school students who love politics are probably already following Mike Allen’s Politico Playbook  (Politico) on their iPhones or iPads. Right now the daily news from this Washington insider is full of election-related coverage, and it’s all for free.

To drive home discussions about the Electoral College consider downloading the Electoral-Vote.com (Dubbele.com; Gr 9 Up; Free) app, which will bring users to the website. The site, which has been tracking elections for a number of years, includes detailed maps and commentary (sometimes snarky) on the presidential and senate races. It includes current poll results, graphs, and news features, and links to articles from a range of periodicals and blogs. The 2012 Map: The Presidential Election App is a better choice for younger students (Cory Renzella; Gr 5-9; $1.99), and it’s available in 12 languages. The projected electoral map is easy-to-read and there are daily updates and brief notes on where current presidential polls are in place. Users can create maps with their own Electoral College projections and share them with friends via Facebook, Twitter, and email. As they scroll through the archive of electoral maps from 1789 through 2008 they’ll see the borders of the country change, watch as third parties pop up, discover the shrunken map of 1864, and read the embedded notes on each election. For a simple Electoral College map that can be manipulated for classroom use Election Map 2012  (Teq; Gr 4 Up; $1.99) will also work. A look at the last four election maps is included.

Most of the apps for younger students feature lists of the men who have held the office of Chief Executive and provide a few facts about each of them. U.S. Presidents  (Encyclopaedia Britannica/MEDL Mobile; Gr 3-6; $1.99) opens with a rendition of “Hail to the Chief” and a photo of President Barack Obama. Beyond this screen viewers can access a page of images of the presidents in chronological order. A tap to any portrait brings up information on the subject along with additional tabs leading to facts about that president’s vice president, First Lady, and birth date, and a bit of trivia. Information on national landmarks, and the lyrics of “Hail to the Chief” are also provided. After exploring the app viewers can take a quiz to test their knowledge of presidential facts answering such questions as “Who was the first U.S. president to be elected with no prior political experience?” and “Who was the only president to serve two terms that weren’t back to back?”

The “clear interface” of The American Presidents and First Ladies  (Multieducator, Inc.; Gr 4-8; $.99) allows users to sort the lists of leaders and their spouses either alphabetically or chronologically. Each entry includes personal facts, along with a page of information on the president’s early years, family, election, “presidential promises.” The full text of each man’s inaugural text is also included. Information on the First Ladies includes the years before and after each woman’s spouse was in office. Highlights of the app are the embedded videos, which include photos and audio clips. Unfortunately, some out-of-date information and typos mar the overall presentation.

What Does the President Look Like?  (Kane Miller; Gr 4-8; $2.99 ), based on the book by Jane Hampton Cook and illustrated by Adam Ziskie, takes a different approach to presidential history. It offers a visual survey of the men who have held that office, along the way providing “succinct history of visual media, from portrait making through digital imaging.” Here’s what our reviewer, Erin Sehorn, had to say about the app’s options: “The “timeline” chronicles major events in presidential history, as well as the technological evolution of photographs, movies, television, and the Internet. On each page, glowing stars allow users to learn more about the technological advances of presidential image making through pop-up pictures, early political cartoons, and newsreel footage. “Resources” links to the websites used as source material. There are a few glitches—for example, in the “Gallery” portraits appear only briefly, making it difficult to study an image. Overall, though, kids will enjoy this production.”

Our youngest students may not know the ins and outs of how someone makes it into the White House, but they do know that a visit to that famous abode is cause for excitement. While conversation of the election swirls around them, share Marc Brown’s Arthur Meets the President  (ScrollMotion, Inc.; $2.99), based on the author’s picture book. In this story, the aardvark’s essay on “How I Can Help Make America Great” wins him and his classmates a trip to the White House to meet the president. En route the characters (and viewers) see and learn about a few other famous Washington, DC landmarks, and perhaps, take a moment to ponder what their contribution to our country might be.

Eds. note: After a brief hiatus during the transition to our new website, our app reviews are back. —moving from School Library Journal’s blog roll into a column, and pushing out in our Extra Helping enewsletter. Archived reviews can be found on the SLJ website under “Blogs and Columns.” However, to ensure you receive all of our postings, be sure to add “Touch and Go” to your RSS feed.

We’ll continue to highlight our favorite apps in a monthly column in SLJ’s print issues, and “Best of the Year” selections each December. As before, our reviews offer critical look at a broad range of book and reference apps for children and teens produced by digital publishers both large and small. In the column, you’ll find thematic groupings of app releases, along with interviews with people in the field and commentary.

First, our 28 participants were asked to review three book-sharing sites—GoodReads, LibraryThing, and Shelfari—and vote for their favorite. They ended up choosing GoodReads, which has many strengths, including a strong online presence and an easy-to-use app for smartphones. Then, each class member was asked to create his own GoodReads account. Although I’ve had one for a little over a year, teaching this class really forced me to get to know the site much more thoroughly. I loved browsing through its book reviews, updating the titles I’d read, posting new reviews, and perusing recommendations by other visitors. After one marathon session, I was surprised to see I’d listed 87 books “To-Read.” I love how the app lets me view great selections and find out what my colleagues are reading. GoodReads turns out to be Facebook for booklovers!

In addition to sharing what they were reading on Goodreads, participants were required to blog twice about each title they’d read for the class and share a 250-word review of it. My district generously provides us with Blackboard, and blogging on this site allowed our teachers to see things more from our students’ perspectives, so we could be better bloggers. In fact, several teachers who had never used Blackboard before were so impressed with it that they’re planning to use it with their own classes.

Participants were also required to read education articles on literacy and blog about what they had learned. We also discussed how to get kids excited about reading by using graphic novels, allowing them to choose the books they wanted to read, and how looking at blogs and social-networking sites counts as “reading,” especially for kids who are reluctant readers. Thanks to one of the articles we read, we also had a lively discussion about a sure-fire way to kill the love of reading—by requiring every student in class to read the same novel.

Finally, our participants were asked to answer the question “How are you going to inspire your students and co-workers to read?” This is where my colleagues really inspired me. They talked of actively speaking to students about what they were reading now and what they’d read in the past. A math teacher wrote that he was planning to start a weekly booktalk session so his kids could share what they’ve been reading. One history teacher spoke about including excerpts from nonfiction books in his curriculum, including some from Laura Hillenbrand’s best-selling Unbroken, which he’d read this summer. Another math teacher told us he plans to set up a bulletin board in his class, where his students can post book reviews on 3 x 5 cards. Everyone in our group developed their own individual action plan to promote literacy and they all pledged to be ambassadors of the love of reading in our school. I truly believe that as a team, we can make reading—and talking about reading and writing about it—as popular as Facebook or World of Warcraft.