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	<title>School Library Journal&#187; Adult Books 4 Teens</title>
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	<description>The world&#039;s largest reviewer of books, multimedia, and technology for children and teens</description>
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		<title>Book/Multimedia Review Stars &#124; September 2013</title>
		<link>http://www.slj.com/2013/08/books-media/reviews/bookmultimedia-review-stars-september-2013/</link>
		<comments>http://www.slj.com/2013/08/books-media/reviews/bookmultimedia-review-stars-september-2013/#comments</comments>
		<pubDate>Fri, 30 Aug 2013 16:44:01 +0000</pubDate>
		<dc:creator>SLJ</dc:creator>
				<category><![CDATA[Adult Books 4 Teens]]></category>
		<category><![CDATA[Grades 5 & Up]]></category>
		<category><![CDATA[Grades 5-8]]></category>
		<category><![CDATA[Grades 9 & Up]]></category>
		<category><![CDATA[Graphic Novel Reviews]]></category>
		<category><![CDATA[Multimedia Reviews]]></category>
		<category><![CDATA[Nonfiction]]></category>
		<category><![CDATA[Preschool to Grade 4]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[SLJ_2013_Sep]]></category>
		<category><![CDATA[Stars List]]></category>

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		<description><![CDATA[About words and writing.]]></description>
			<content:encoded><![CDATA[<div class="k4reviewbox">
<p class="k4subhead"><img class="aligncenter size-full wp-image-58813" title="SLJ1309w_BK_Star_best" src="http://www.slj.com/wp-content/uploads/2013/08/SLJ1309w_BK_Star_best.jpg" alt="SLJ1309w BK Star best Book/Multimedia Review Stars | September 2013" width="600" height="466" /></p>
<p class="k4subhead">Fiction</p>
<p class="k4biblio"><span class="k4creatorlast">BĂDESCU, </span><span class="k4creatorfirst">Ramona. </span><span class="k4productname">Pomelo’s Opposites. </span>tr. from French by Claudia Zoe Bedrick. illus. by Benjamin Chaud. (Pomelo the Garden Elephant Series). Enchanted Lion. p. 112.</p>
<p class="k4biblio"><span class="k4creatorlast">BEST</span><span class="k4creatorfirst">, Cari. </span><span class="k4productname">Beatrice Spells Some Lulus and Learns to Write a Letter. </span>illus. by Giselle Potter. Farrar/Margaret Ferguson. p. 114.</p>
<p class="k4biblio"><span class="k4creatorlast">GRAHAM</span><span class="k4creatorfirst">, Bob. </span><span class="k4productname">The Silver Button. </span>illus. by author. Candlewick. Oct. p. 120.</p>
<p class="k4biblio"><span class="k4creatorlast">HOLUB,</span> <span class="k4creatorfirst">Joan</span>. <span class="k4productname">Little Red Writing</span>. illus. by Melissa Sweet. Chronicle. Oct. p. 122.</p>
<p class="k4biblio"><span class="k4creatorlast">KNOWLES</span><span class="k4creatorfirst">, Jo. </span><span class="k4productname">Living with Jackie Chan. </span>Candlewick. Sept. p. 160.</p>
<p class="k4biblio"><span class="k4creatorlast">LAFLEUR</span><span class="k4creatorfirst">, Suzanne. </span><span class="k4productname">Listening for Lucca. </span>Random/Wendy Lamb. p. 146.</p>
<p class="k4biblio"><span class="k4creatorlast">LAKE</span><span class="k4creatorfirst">, Nick. </span><span class="k4productname">Hostage Three. </span>Bloomsbury. Oct. p. 160.</p>
<p class="k4biblio"><span class="k4creatorlast">LUDWIG</span><span class="k4creatorfirst">, Trudy. </span><span class="k4productname">The Invisible Boy. </span>illus. by Patrice Barton. Knopf. Oct. p. 125.</p>
<p class="k4biblio"><span class="k4creatorlast">MACLACHLAN</span><span class="k4creatorfirst">, Patricia. </span><span class="k4productname">Snowflakes Fall. </span>illus. by Steven Kellogg. Random. Oct. p. 126.</p>
<p class="k4biblio"><span class="k4creatorlast">NAKAWAKI</span><span class="k4creatorfirst">, Hatsue. </span><span class="k4productname">Wait! Wait! </span>tr. from Japanese by Yuki Kaneko. illus. by Komako Sakai. Enchanted Lion. p. 128.</p>
<p class="k4biblio"><span class="k4creatorlast">O’BRIEN</span><span class="k4creatorfirst">, Annemarie. </span><span class="k4productname">Lara’s Gift. </span>Knopf. p. 147.</p>
<p class="k4biblio"><span class="k4creatorlast">RASCHKA</span><span class="k4creatorfirst">, Chris. </span><span class="k4productname">Daisy Gets Lost. </span>illus. by author. Random/Schwartz &amp; Wade. Oct. p. 129.</p>
<p class="k4biblio"><span class="k4creatorlast">SALERNI</span><span class="k4creatorfirst">, Dianne K. </span><span class="k4productname">The Caged Graves. </span>Clarion. p. 164.</p>
<p class="k4biblio"><span class="k4creatorlast">SLOAN</span><span class="k4creatorfirst">, Holly Goldberg. </span><span class="k4productname">Counting by 7s. </span>Dial. p. 148.</p>
<p class="k4biblio"><span class="k4creatorlast">WIESNER, </span><span class="k4creatorfirst">David.</span><span class="k4productname"> Mr. Wuffles!</span> illus. by author. Clarion. Oct. p. 135.</p>
<p class="k4subhead">Graphic Novels</p>
<p class="k4biblio"><span class="k4creatorlast">LEWIS,</span> <span class="k4creatorfirst">John &amp; Andrew Aydin.</span><span class="k4productname"> March. </span>Bk. 1. illus. by Nate Powell. (March Series). Top Shelf. p. 171.</p>
<p class="k4subhead">Nonfiction</p>
<p class="k4biblio"><span class="k4creatorlast">BUTTERWORTH</span><span class="k4creatorfirst">, Chris. </span><span class="k4productname">See What a Seal Can Do. </span>illus. by Kate Nelms. Candlewick. p. 174.</p>
<p class="k4biblio"><span class="k4creatorlast">FREEDMAN</span><span class="k4creatorfirst">, Russell. </span><span class="k4productname">Angel Island. </span>Clarion. Oct. p. 182.</p>
<p class="k4biblio"><span class="k4creatorlast">GREENBERG</span><span class="k4creatorfirst">, Jan &amp; Sandra </span><span class="k4creatorlast">Jordan. </span><span class="k4productname">The Mad Potter: George E. Ohr, Eccentric Genius. </span>Roaring Brook/Neal Porter. Oct. p. 184.</p>
<p class="k4biblio"><span class="k4creatorlast">GUIBERSON</span><span class="k4creatorfirst">, Brenda Z. </span><span class="k4productname">The Greatest Dinosaur Ever. </span>illus. by Gennady Spirin. Holt. Oct. p. 176.</p>
<p class="k4biblio"><span class="k4creatorlast">LEWIS</span><span class="k4creatorfirst">, Catherine. </span><span class="k4productname">Thrice Told Tales: Three Mice Full of Writing Advice. </span>illus. by Joost Swarte. S &amp; S/Atheneum. p. 185.</p>
<p class="k4biblio"><span class="k4creatorlast">MARKLE</span><span class="k4creatorfirst">, Sandra. </span><span class="k4productname">The Case of the Vanishing Honeybees. </span>Millbrook. Oct. p. 186.</p>
<p class="k4biblio"><span class="k4creatorlast">MONTGOMERY</span><span class="k4creatorfirst">, Sy. </span><span class="k4productname">The Tapir Scientist. </span>photos by Nic Bishop. (Scientists in the Field Series). Houghton Harcourt. p. 188.</p>
<p class="k4biblio"><span class="k4creatorlast">PINKNEY</span><span class="k4creatorfirst">, Jerry. </span><span class="k4productname">The Tortoise &amp; the Hare. </span>illus. by author. Little, Brown. Oct. p. 178.</p>
<p class="k4subhead">From the Adult Books 4 Teens blog</p>
<p class="k4biblio"><span class="k4creatorlast">LBARRY, </span><span class="k4creatorfirst">Max. </span>Lexicon. Penguin. (July 17 post)</p>
<p class="k4biblio"><span class="k4creatorlast">FAGAN,</span> <span class="k4creatorfirst">Jenni. </span><span class="k4productname">The Panopticon.</span> Hogarth/Crown. (July 25 post)</p>
<p class="k4biblio"><span class="k4creatorlast">ZAMBRANO,</span> <span class="k4creatorfirst">Mario Alberto. </span><span class="k4productname">Lotería.</span> HarperCollins. (July 25 post)</p>
<p class="k4subhead">DVD</p>
<p class="k4biblio"><span class="k4productname">Constitution USA with Peter Sagal. </span>PBS Dist. p. 63.</p>
<p class="k4biblio"><span class="k4productname">Nelson Mandela. </span>Weston Woods. p. 63.</p>
<p class="k4subhead">Audio</p>
<p class="k4biblio"><span class="k4productname">Hero on a Bicycle. </span>By Shirley Hughes. Brilliance Audio. p. 69.</p>
<p class="k4biblio"><span class="k4productname">Oblivion. </span>By Anthony Horowitz. Recorded Books. p. 71.</p>
<p class="k4biblio"><span class="k4productname">Out of This Place. </span>By Emma Cameron. Brilliance Audio. p. 71.</p>
<p class="k4biblio"><span class="k4productname">Recess. </span>Performed by Justin Roberts. Justinroberts.org. p. 76.</p>
<p class="k4biblio"><span class="k4productname">Shadow and Bone. </span>By Leigh Bardugo. Brilliance Audio. p. 72.</p>
<p class="k4biblio"><span class="k4productname">Twelve Kinds of Ice. </span>By Ellen Bryan Obed. Recorded Books. p. 74.</p>
</div>
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		</item>
		<item>
		<title>Book/Multimedia Review Stars List &#124; July 2013</title>
		<link>http://www.slj.com/2013/07/books-media/reviews/bookmultimedia-review-stars-list-july-2013/</link>
		<comments>http://www.slj.com/2013/07/books-media/reviews/bookmultimedia-review-stars-list-july-2013/#comments</comments>
		<pubDate>Mon, 01 Jul 2013 10:39:13 +0000</pubDate>
		<dc:creator>SLJ</dc:creator>
				<category><![CDATA[Adult Books 4 Teens]]></category>
		<category><![CDATA[Fiction]]></category>
		<category><![CDATA[Grades 5 & Up]]></category>
		<category><![CDATA[Graphic Novel Reviews]]></category>
		<category><![CDATA[Multimedia Reviews]]></category>
		<category><![CDATA[Preschool to Grade 4]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[July 2013 Print]]></category>
		<category><![CDATA[Stars List]]></category>

		<guid isPermaLink="false">http://www.slj.com/?p=51057</guid>
		<description><![CDATA[Drew Daywalt on crayons, graphic novels by Gene Luen Yang, and much more...]]></description>
			<content:encoded><![CDATA[<div class="Basic-Text-Frame">
<p class="Subhead para-style-override-1"><img class="aligncenter size-full wp-image-51058" title="SLJ1307w_BK_Stars_Daywalt" src="http://www.slj.com/wp-content/uploads/2013/07/SLJ1307w_BK_Stars_Daywalt.jpg" alt="SLJ1307w BK Stars Daywalt Book/Multimedia Review Stars List | July 2013" width="383" height="397" /></p>
<p class="Subhead para-style-override-1">Fiction</p>
<p class="Biblio-StarPage"><span class="ProductCreatorLast">APPELT</span><span>, </span><span class="ProductCreatorFirst">Kathi. </span><span class="ProductName">The True Blue Scouts of Sugar Man Swamp. </span><span>illus. by Jennifer Bricking. S &amp; S/Atheneum. July 2013. p. 76.</span></p>
<p class="Biblio-StarPage"><span class="ProductCreatorLast">BECKER,</span> <span class="ProductCreatorFirst">Aaron. </span><span class="ProductName">Journey.</span> illus. by author. Candlewick. July 2013. p. 55.</p>
<p class="Biblio-StarPage"><span class="ProductCreatorLast">CLEMENT-MOORE,</span><span class="ProductCreatorFirst"> Rosemary. </span><span class="ProductName">Spirit and Dust. </span>Delacorte. p. 90.</p>
<p class="Biblio-StarPage"><span class="ProductCreatorLast">DAYWALT, </span><span class="ProductCreatorFirst">Drew.</span> <span class="ProductName">The Day the Crayons Quit. </span>illus. by Oliver Jeffers. Philomel. July 2013. p. 59.</p>
<p class="Biblio-StarPage"><span class="ProductCreatorLast">HENKES,</span><span class="ProductCreatorFirst"> Kevin. </span><span class="ProductName">The Year of Billy Miller. </span>illus. by author. HarperCollins/Greenwillow. Sept. 2013. p. 63.</p>
<p class="Biblio-StarPage"><span class="ProductCreatorLast">HERRICK,</span> <span class="ProductCreatorFirst">Amy. </span><span class="ProductName">The Time Fetch.</span> Algonquin. Aug. 2013. p. 82.</p>
<p class="Biblio-StarPage"><span class="ProductCreatorLast">KELLER,</span><span class="ProductCreatorFirst"> Laurie. </span><span class="ProductName">Bowling Alley Bandit.</span> illus. by author. (The Adventures of Arnie the Doughnut). Holt/Christy Ottaviano. p. 64.</p>
<p class="Biblio-StarPage"><span class="ProductCreatorLast">LAFEVERS, </span><span class="ProductCreatorFirst">Robin. </span><span class="ProductName">Dark Triumph. </span>Bk. 2. (His Fair Assassin Series). Houghton Harcourt. p. 95.</p>
<p class="Biblio-StarPage"><span class="ProductCreatorLast">MADISON,</span><span class="ProductCreatorFirst"> Bennett.</span><span class="ProductName">September Girls. </span><span>HarperCollins/HarperTeen. p. 96.</span></p>
<p class="Biblio-StarPage"><span class="ProductCreatorLast">MILLER, </span><span class="ProductCreatorFirst">Pat Zietlow. </span><span class="ProductName">Sophie’s Squash</span>. illus. by Anne Wilsdorf. Random/Schwartz &amp; Wade. Aug. 2013. p. 67.</p>
<p class="Biblio-StarPage"><span class="ProductCreatorLast">PECK,</span><span class="ProductCreatorFirst"> Richard. </span><span class="ProductName">The Mouse with the Question Mark Tail. </span>illus. by Kelly Murphy. Dial. July 2013. p. 84.</p>
<p class="Biblio-StarPage"><span class="ProductCreatorLast">SEEGER,</span> <span class="ProductCreatorFirst">Laura Vaccaro.</span> <span class="ProductName">Bully.</span> illus. by author. Roaring Brook/Neal Porter. Aug. 2013. p. 70.</p>
<p class="Biblio-StarPage"><span class="ProductCreatorLast">SULLIVAN, </span><span class="ProductCreatorFirst">Tara. </span><span class="ProductName">Golden Boy.</span> Putnam. p. 102.</p>
<p class="Biblio-StarPage"><span class="ProductCreatorLast">TUCHOLKE, </span><span class="ProductCreatorFirst">April Genevieve.</span> <span class="ProductName">Between the Devil and the Deep Blue Sea.</span> Dial. Aug. 2013. p. 102.</p>
<p class="Biblio-StarPage"><span class="ProductCreatorLast">WASSERMAN, </span><span class="ProductCreatorFirst">Robin. </span><span class="ProductName">The Waking Dark. </span>Knopf. Sept. 2013. p. 102.</p>
<p class="Biblio-StarPage"><span class="ProductCreatorLast">WISSINGER, </span><span class="ProductCreatorFirst">Tamera Will. </span><span class="ProductName">Gone Fishing. </span>illus. by Matthew Cordell. Houghton Harcourt. p. 74.</p>
<p class="Biblio-StarPage"><span class="ProductCreatorLast">WOODSON,</span><span class="ProductCreatorFirst">Jacqueline. </span><span class="ProductName">This Is the Rope: A Story from the Great Migration.</span><span> illus. by James Ransome. Penguin/Nancy Paulsen Bks. Aug. 2013. p. 75.</span></p>
<p class="Subhead para-style-override-1">Graphic Novels</p>
<p class="Biblio-StarPage para-style-override-2"><span class="ProductCreatorLast">PHELAN,</span><span class="ProductCreatorFirst">Matt. </span><span class="ProductName">Bluffton. </span><span>illus. by author. Candlewick. July 2013. p. 104.</span></p>
<p class="Biblio-StarPage para-style-override-2"><span class="ProductCreatorLast">SHEN, </span><span class="ProductCreatorFirst">Prudence &amp; Faith Erin Hicks. </span><span class="ProductName">Nothing Can Possibly Go Wrong. </span>illus. by Faith Erin Hicks. First Second. p. 105.</p>
<p class="Biblio-StarPage para-style-override-4"><span class="ProductCreatorLast">YANG</span><span class="ProductCreatorFirst">, Gene Luen. </span><span class="ProductName">Boxers.</span><span>pap. $18.99.</span><span class="Four-En-Dashes"><br />
––––.</span><span class="ProductName">Saints.</span><span> pap. $15.99.<br />
ea vol: illus. by author. (Boxers &amp; Saints Series). </span><span>First Second. Oct. 2013. </span></p>
<p class="Subhead para-style-override-1">Nonfiction</p>
<p class="Biblio-StarPage para-style-override-2"><span class="ProductCreatorLast">FLOCA,</span><span class="ProductCreatorFirst">Brian.</span><span class="ProductName">Locomotive. </span><span>illus. by author. S &amp; S/Atheneum/Richard Jackson Bks. Sept. 2013. p. 108.</span></p>
<p class="Biblio-StarPage para-style-override-2"><span class="ProductCreatorLast">HOYT, </span><span class="ProductCreatorFirst">Erich.</span> <span class="ProductName">Weird Sea Creatures. </span>Firefly. July 2013. p. 116.</p>
<p class="Biblio-StarPage para-style-override-2"><span class="ProductCreatorLast">PINKNEY,</span> <span class="ProductCreatorFirst">Andrea Davis.</span> <span class="ProductName">Martin &amp; Mahalia. </span>illus. by Brian Pinkney. Little, Brown. Aug. 2013. p. 110.</p>
<p class="Biblio-StarPage para-style-override-2"><span class="ProductCreatorLast">VESTERGAARD, </span><span class="ProductCreatorFirst">Hope.</span> <span class="ProductName">Digger, Dozer, Dumper.</span> illus. by David Slonim. Candlewick. Aug. 2013. p. 112.</p>
<p class="No-Paragraph-Style para-style-override-6 Subhead">From the Adult Books 4 Teens blog</p>
<p class="Biblio-StarPage para-style-override-7"><span class="ProductCreatorLast">WOLITZER, </span><span class="ProductCreatorFirst">Meg. </span><span class="ProductName">The Interestings. </span><span>Penguin Group. (May 13 post)</span></p>
<p class="Biblio-StarPage para-style-override-7"><span class="ProductCreatorLast">CORVINO, </span><span class="ProductCreatorFirst">John. </span><span class="ProductName">What’s Wrong with Homosexuality?.</span><span> Oxford Univ. (May 29 post) </span></p>
<p class="Biblio-StarPage para-style-override-7"><span class="ProductCreatorLast">MILLAY,</span><span class="ProductCreatorFirst">Katja. </span><span class="ProductName">The Sea of Tranquility.</span><span> Atria. (June 5 post)</span></p>
<p class="Subhead para-style-override-1">DVD</p>
<p class="Biblio-StarPage para-style-override-2"><span class="ProductName">Amazing Science! Volume 1.</span> AV Café.p. 43.</p>
<p class="Biblio-StarPage para-style-override-2"><span class="ProductName">Central Park Five. </span>PBS Dist. p. 45.</p>
<p class="Biblio-StarPage para-style-override-2"><span class="ProductName">Fun Foundations for Handwriting. </span>The TV Teacher. p. 41.</p>
<p class="Biblio-StarPage para-style-override-2"><span class="ProductName">Les Misérables. </span>Entertainment One Home Video. p. 43.</p>
<p class="Biblio-StarPage para-style-override-1"><span class="ProductName">YERT: Your Environmental Road Trip. </span>First Run Features.p. 44.</p>
<p class="Subhead para-style-override-1">Audio</p>
<p class="Biblio-StarPage para-style-override-2"><span class="ProductName">Bomb. </span><span>By Steven Sheinkin. Listening Library. p. 52.</span></p>
<p class="Biblio-StarPage para-style-override-2"><span class="ProductName">Code Name Verity.</span><span>By Elizabeth Wein. Brilliance Audio. p. 48.</span></p>
<p class="Biblio-StarPage para-style-override-2"><span class="ProductName">Fox Forever.</span><span> By Mary E. Pearson. Macmillan Audio. p. 48.</span></p>
<p class="Biblio-StarPage para-style-override-2"><span class="ProductName">Mojo. </span><span>By Tim Tharp. Listening Library. p. 49.</span></p>
<p class="Biblio-StarPage para-style-override-2"><span class="ProductName">Mountains Beyond Mountains. </span><span>By Tracy Kidder and Michael French. Listening Library. p. 52.</span></p>
<p class="Biblio-StarPage para-style-override-2"><span class="ProductName">Requiem: Delirium, Book 3. </span><span>By Lauren Oliver. Listening Library. p. 50.</span></p>
<p class="Biblio-StarPage para-style-override-2"><span class="ProductName">Scowler.</span><span> By Daniel Draus. Listening Library. p. 50.</span></p>
<p class="Biblio-StarPage para-style-override-2"><span class="ProductName">Sha Doo Be Doop.</span><span>Performed by Miss Nina. Little Monster Records. p. 52.</span></p>
</div>
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		<title>Book/Multimedia Review Stars List &#124; June 2013</title>
		<link>http://www.slj.com/2013/06/books-media/reviews/bookmultimedia-review-stars-list-june-2013/</link>
		<comments>http://www.slj.com/2013/06/books-media/reviews/bookmultimedia-review-stars-list-june-2013/#comments</comments>
		<pubDate>Sat, 01 Jun 2013 16:31:28 +0000</pubDate>
		<dc:creator>SLJ</dc:creator>
				<category><![CDATA[Adult Books 4 Teens]]></category>
		<category><![CDATA[Grades 5 & Up]]></category>
		<category><![CDATA[Multimedia Reviews]]></category>
		<category><![CDATA[Preschool to Grade 4]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[June 2013 Print]]></category>
		<category><![CDATA[starred reviews]]></category>

		<guid isPermaLink="false">http://www.slj.com/?p=46629</guid>
		<description><![CDATA[Novels by Holly Black, Cynthia Kadohata, Rita Williams-Garcia, and others.]]></description>
			<content:encoded><![CDATA[<div id="attachment_47699" class="wp-caption aligncenter" style="width: 610px"><img class="size-full wp-image-47699" title="SLJ1306w_Star_boyd" src="http://www.slj.com/wp-content/uploads/2013/05/SLJ1306w_Star_boyd.jpg" alt="SLJ1306w Star boyd Book/Multimedia Review Stars List | June 2013" width="600" height="596" /><p class="wp-caption-text"><strong>Inside Outside (Boyd)</strong><br />©2013 by Lizi Boyd</p></div>
<p class="Subhead">Preschool to Grade 4</p>
<p class="Biblio"><span class="ProductCreatorLast">BOYD</span><span class="ProductCreatorFirst">, Lizi. </span><span class="ProductName">Inside Outside.</span> <span class="ProductCreatorFirst">illus. by author. Chronicle. </span><span class="ISBN">p. 76</span> <span class="ISBN">.</span></p>
<p class="Biblio"><span class="ProductCreatorLast">CHENG</span><span class="ProductCreatorFirst">, Andrea. </span><span class="ProductName">The Year of the Baby.</span> <span class="ProductCreatorFirst">illus. by Patrice Barton. Houghton Harcourt. p. 78.</span></p>
<p class="Biblio"><span class="ProductCreatorLast">ELLIOT</span><span class="ProductCreatorFirst">, David. </span><span class="ProductName">Henry’s Map</span> <span class="ProductCreatorFirst">. illus. by author. Philomel. June 2013. p. 82.</span></p>
<p class="Biblio"><span class="ProductCreatorLast">FOGLIANO</span><span class="ProductCreatorFirst">, Julie. </span><span class="ProductName">If You Want to See a Whale</span> <span class="ProductCreatorFirst">. illus. by Erin E. Stead. Roaring Brook/Neal Porter. p. 84.</span></p>
<p class="Biblio"><span class="ProductCreatorLast">GREY</span><span class="ProductCreatorFirst">, Mini. </span><span class="ProductName">Toys in Space.</span> <span class="ProductCreatorFirst">illus. by author. Knopf. p. 86.</span></p>
<p class="Biblio"><span class="ProductCreatorLast">RAPOSO</span><span class="ProductCreatorFirst">, Joe. </span><span class="ProductName">Sing. </span><span class="ProductCreatorFirst">illus. by Tom Lichtenheld. Holt/Christy Ottaviano. p. 107.</span></p>
<p class="Biblio"><span class="ProductCreatorLast">RINKER,</span> <span class="ProductCreatorFirst">Sherri Duskey. </span><span class="ProductName">Steam Train, Dream Train</span> <span class="ProductCreatorFirst">. illus. by Tom Lichtenheld. Chronicle. p. 97.</span></p>
<p class="Subhead">GRADES 5 &amp; UP</p>
<p class="Biblio"><span class="ProductCreatorLast">BEATY</span><span class="ProductCreatorFirst">, Andrea. </span><span class="ProductName">Dorko the Magnificent. </span><span class="ProductCreatorFirst">illus. by Nathan Hale. Abrams/Amulet. p. 110.</span></p>
<p class="Biblio"><span class="ProductCreatorLast">BLACK</span><span class="ProductCreatorFirst">, Holly. </span><span class="ProductName">Doll Bones</span> <span class="ProductCreatorFirst">. illus. by Eliza Wheeler. S &amp; S/McElderry. p. 112.</span></p>
<p class="Biblio"><span class="ProductCreatorLast">GOODMAN</span><span class="ProductCreatorFirst">, Shawn. </span><span class="ProductName">Kindness for Weakness</span> <span class="ProductCreatorFirst">. Delacorte. p. 124.</span></p>
<p class="Biblio"><span class="ProductCreatorLast">KADOHATA</span><span class="ProductCreatorFirst">, Cynthia. </span><span class="ProductName">The Thing About Luck</span> <span class="ProductCreatorFirst">. illus. by Julia Kuo. S &amp; S/Atheneum. June 2013. p. 128.</span></p>
<p class="Biblio"><span class="ProductCreatorLast">KENNEDY</span><span class="ProductCreatorFirst">, Caroline, sel. </span><span class="ProductName">Poems to Learn by Heart</span> <span class="ProductCreatorFirst">. illus. by Jon J. Muth. Hyperion/Disney. p. 150.</span></p>
<p class="Biblio"><span class="ProductCreatorLast">LEE</span><span class="ProductCreatorFirst">, Jenny. </span><span class="ProductName">Elvis and the Underdogs.</span> <span class="ProductCreatorFirst">illus. by Kelly Light. HarperCollins/Balzer &amp; Bray. p. 131.</span></p>
<p class="Biblio"><span class="ProductCreatorLast">MCNEAL</span><span class="ProductCreatorFirst">, Tom. </span><span class="ProductName">Far Far Away.</span> <span class="ProductCreatorFirst">Knopf. June 2013. p. 133.</span></p>
<p class="Biblio"><span class="ProductCreatorLast">WILLIAMS-GARCIA</span><span class="ProductCreatorFirst">, Rita. </span><span class="ProductName">P.S. Be Eleven</span> <span class="ProductCreatorFirst">. HarperCollins/Amistad. June 2013. p. 146.</span></p>
<p class="Biblio"><span class="ProductCreatorLast">WINTERS</span><span class="ProductCreatorFirst">, Cat. </span><span class="ProductName">In the Shadow of Blackbirds.</span> <span class="ProductCreatorFirst">Abrams/Amulet. p. 146.</span></p>
<p class="Subhead">Adult Books 4 Teens Blog</p>
<p class="Biblio"><span class="ProductCreatorLast">HILL</span><span class="ProductCreatorFirst">, Joe. </span><span class="ProductName">NOS4A2</span> <span class="ProductCreatorFirst">. Morrow. (May 1, 2013, post)</span></p>
<p class="Biblio"><span class="ProductCreatorLast">WECKER</span><span class="ProductCreatorFirst">, Helene. </span><span class="ProductName">The Golem and the Jinni.</span> <span class="ProductCreatorFirst">Harper-Collins. (May 1, 2013, post)</span></p>
<p class="Biblio"><span class="ProductCreatorLast">JOHNSON</span><span class="ProductCreatorFirst">, Scott C. </span><span class="ProductName">The Wolf and the Watchman: A Father, a Son, and the CIA.</span> <span class="ProductCreatorFirst">Norton. (May 6, 2013, post)</span></p>
<p class="Biblio"><span class="ProductCreatorLast">ZUCKOFF</span><span class="ProductCreatorFirst">, Mitchell. </span><span class="ProductName">Frozen in Time: An Epic Story of Survival and a Modern Quest for Lost Heroes of World War II.</span> <span class="ProductCreatorFirst">HarperCollins. (May 6, 2013, post)</span></p>
<p class="Subhead">DVD</p>
<p class="Biblio"><span class="ProductName">Deep Down: A Story from the Heart of Coal Country.</span> New Day Films. p. 53.</p>
<p class="Biblio"><span class="ProductName">My Garden.</span> DVD. Weston Woods. p. 52.</p>
<p class="Biblio"><span class="ProductName">Silicon Valley.</span> DVD. PBS Dist. p. 54.</p>
<p class="Subhead">AUDIO</p>
<p class="Biblio"><span class="ProductName">Home of Song.</span> Performed by Paul Spring. CDBaby.com. p. 63.</p>
<p class="Biblio"><span class="ProductName">Marvelous Land of Oz.</span> By Frank L. Baum. Dreamscape Media. p. 59.</p>
<p class="Biblio"><span class="ProductName">Never Forgotten.</span> By Patricia McKissack. Recorded Books. p. 59.</p>
<p class="Biblio"><span class="ProductName">One and Only Ivan.</span> By Katherine Applegate. Recorded Books. p. 59.</p>
<p class="Biblio"><span class="ProductName">Orangutan Van.</span> Performed by Mr. Steve. CD. SteveSongs.com. p. 63.</p>
<p class="Biblio"><span class="ProductName">When Life Gives You O.J.</span> By Erica S. Perl. Listening Library. p. 61.</p>
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		<title>Adult Books 4 Teens &#124; June 2013</title>
		<link>http://www.slj.com/2013/06/books-media/reviews/adult-books-4-teens/adult-books-4-teens-june-2013/</link>
		<comments>http://www.slj.com/2013/06/books-media/reviews/adult-books-4-teens/adult-books-4-teens-june-2013/#comments</comments>
		<pubDate>Sat, 01 Jun 2013 05:00:57 +0000</pubDate>
		<dc:creator>SLJ</dc:creator>
				<category><![CDATA[Adult Books 4 Teens]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[adult books 4 teens]]></category>
		<category><![CDATA[ya]]></category>

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		<description><![CDATA[Among the Stars: Historical fantasy fiction; World War II heroes; a memoir by a son about his CIA father ]]></description>
			<content:encoded><![CDATA[<div id="ya-june">
<div class="story">
<p class="subheadbk Subhead">Fiction</p>
<p class="review"><span class="productcreatorlast">AMSTERDAM</span><span class="productcreatorfirst">, Steven. </span><span class="productname">What the Family Needed. </span>272p. <span class="productpublisher">Riverhead. </span>Mar. 2013. <span class="isbn">Tr $26.95. ISBN 978-1-59448-639-5. </span><span class="productlcc">LC 2012029651.</span><span class="productgradelevel"><br />
Adult/High School</span>–During a crisis, 15-year-old Giordana’s young cousin Alek asks whether she’d rather fly or be invisible. Giordana chooses invisibility, and Amsterdam’s novel follows her family through a lifetime of magic whenever they need it most–during times of sadness, confusion, or strife. At the center of this family epic is Alek. As the family members tell their stories about experiencing a superpower, their meditations inevitably come back to Alek as he progresses from being a precocious boy to a troubled teen and, later, into an inscrutable man. Once it is their turn to be gifted with something extraordinary when they need it most, they must ask themselves if everything they knew about Alek, madness, and magic is correct. Like Aimee Bender’s <span class="ital1">The Particular Sadness of Lemon Cake </span>(Knopf, 2010), Giordana and her family revolve around someone who is both extraordinary and frightening, someone obviously struggling with living in the regular world. The characters’ individual experiences with a special gift strip away their attempts at being “normal” and offer a glimpse into what it’s like to be Alek–burdened with the ability to help, saddled with the others’ secret thoughts, and tasked with balancing magic and madness. Readers who like to delve into magical realism will be fascinated as this family’s saga unfolds and the price of superpowers is paid.–<span class="ital1">Meghan Cirrito, </span>formerly at Queens Borough Public Library, Jamaica, NY</p>
<p class="review"><span class="productcreatorlast">BOGDAN</span><span class="productcreatorfirst">, D. L. </span><span class="productname">The Forgotten Queen. </span>384p. bibliog. <span class="productpublisher">Kensington. </span>Jan. 2013. <span class="isbn">pap. $15.00. ISBN 978-0-7582-7138-9.</span><span class="productgradelevel"><br />
Adult/High School</span>–Born to King Henry VII and Queen Elizabeth of York, Margaret is the sister of Arthur and Henry. With the Tudors now firmly established on the throne of England, much depends on the alliances they can make. When Margaret learns that she is to marry King James IV of Scotland, her sense of duty is put to the test because she must leave England to live among the “wild Scots.”  But Margaret falls in love with her new husband, and with the birth of her son Jamie, she claims Scotland as her home. When King James dies, leaving Margaret as the Regent for her son (now King James V), she must keep Jamie safe from warring clans as well as intervention from France and England. As he lay dying, James warned Margaret to think only of her child and his ascent to the throne, but Margaret is unable to resist the charms of handsome Archibald Douglas, leader of the influential Douglas clan. With her brother Henry now on the throne of England, Margaret faces the conflicts of warring nations and family ties. Teens will learn much about the culture of Tudor England and Stewart Scotland while also observing this entitled young woman make mistake after mistake because of her inability to see past her family ties or her own needs. Offer this to fans of historical fiction who love reading about the many Tudors of the 15th and 16th centuries. Margaret’s story is an important one because her marriages, first to James, then to Douglas, begat children who, in succeeding generations, ultimately completed the Tudor goal of uniting England and Scotland.–<span class="ital1">Connie Williams, Petaluma High School, CA</span></p>
<p class="biblio"><span class="productcreatorlast"><img src="http://reviews.libraryjournal.com/wp-content/uploads/2012/06/redstar.jpg" alt="redstar Adult Books 4 Teens | June 2013" width="16" height="16" border="0" title="Adult Books 4 Teens | June 2013" /> HILL</span><span class="productcreatorfirst">, Joe. </span><span class="productname">NOS4A2. </span>704p. <span class="productpublisher">Morrow. </span>Apr. 2013. <span class="isbn">Tr $28.99. ISBN 9780062200570. </span></p>
<p class="review"><span class="productgradelevel">Adult/High School</span>–Vic McQueen is nine-years-old in 1986, the first time she rides through the Shorter Way Bridge  behind her family’s house in rural Massachusetts on her Raleigh Tough Burner bike to find something that has been lost. By 1991, and many trips later, Vic is desperate to find someone to tell her she’s not crazy. A ride through the Bridge takes her to Cedar Rapids, Iowa, and Maggie, a librarian whose scrabble tiles tell her things. This time they tell Maggie that Vic could use her bike to find The Wraith. Vic has never heard of it, but Maggie knows about the man who drives the 1938 black Rolls-Royce Wraith, license plate NOS4A2, kidnapping children and using them up. She knows all about Charlie Manx, that he takes the children to Christmasland, from which they never return. Maggie begs Vic not to pursue Manx, but years later, after a terrible fight with her mother, Vic runs away from home looking for trouble. The Shorter Way delivers her straight to Manx’s house. After a horrible confrontation during which she tries to rescue Manx’s latest young victim, she escapes. Years later, it is only to save her son that Vic confronts Charlie Manx one more time in Christmasland itself. This is Hill’s best novel yet, perfectly paced and tailor-made for teens. Its courageous, rebellious heroine devotes herself to ridding the world of a terrifying monster, using a power that slowly erodes her sanity. <span class="ital1">NOS4A2</span> is as much dark fantasy and thriller as horror, and the genre blend will appeal to fans of all.–<span class="ital1">Angela Carstensen, Convent of the Sacred Heart, New York City</span></p>
<p class="biblio"><span class="productcreatorlast">HOPKINSON</span><span class="productcreatorfirst">, Nalo. </span><span class="productname">Sister Mine. </span>320p. <span class="productpublisher">Grand Central. </span>Mar. 2013. <span class="isbn">Tr $23.99. ISBN 9780446576925. </span></p>
<p class="review"><span class="productgradelevel">Adult/High School</span>–Born conjoined, Abby and Makeda are twin children of a celestial demigod and a human woman. Their separation left Abby with mojo like her celestial relatives, and Makeda without, just like the regular “claypicken” humans with whom she goes to live. Their parents were harshly punished for daring to bring them into the world: their mother was turned into a creature and banished; their father had his mojo torn from his soul, then the two pieces were hidden. When Abby and Makeda’s celestial cousins accidentally release their father’s soul, it inhabits a kudzu plant and goes in search of his mojo. The twins reunite–squabbling all the way–to find and save their father. In the process of hunting him, Makeda learns the truth about her birth, her father’s punishment, and the price she may have to pay to help him reconnect with his mojo. The comingling of the fantastical and the real world in this urban fantasy is seamless and surprisingly credible. One element that ties the mystical so tightly with the real is family drama: intriguing even with regular humans, but this family drama is ratcheted up by curses, shape-shifting spies, and relatives who can use the elements of life itself to bring comfort or misery. The complex relationships and knotty family ties, all with a tasty supernatural flavor, will appeal to a wide range of teen readers.–<span class="ital1">Carla Riemer, Claremont Middle School, CA</span></p>
<p class="biblio"><span class="productcreatorlast">KLINE</span><span class="productcreatorfirst">, Christina Baker. </span><span class="productname">Orphan Train. </span>288p. <span class="productpublisher">Morrow. </span>Apr. 2013. <span class="isbn">pap. $14.99. ISBN 9780061950728. </span></p>
<p class="review"><span class="productgradelevel">Adult/High School</span>–Ninety-year-old Vivian has an attic full of memories. Seventeen-year-old Molly has nothing but a potential stint in juvie for stealing <span class="ital1">Jane Eyre</span> from the library, a bad attitude, and foster parents who don’t want her. The two meet when Molly chooses the community-service assignment of helping Vivian clean her attic. Molly assumes that working for this “rich old lady” will be just a quick in-and-out job to clean up her record. Instead, Molly and Vivian open trunks full of history.  Vivian, born into grueling poverty in Ireland, arrived in America only to have her family perish in a fire. In 1929 the Orphan Train sent orphaned children from New York to Minnesota to find jobs and a home. What Vivian found was further poverty and humiliating living conditions. Through the kindness of her teacher, she finally found a safe home. As Vivian’s story unfolds, Molly discovers that she wants to help Vivian meet her past, all the while unknowingly helping herself in the process. Both women must come to terms with the choices they’ve made, and can still make, in their lives. Vivian still has opportunities to open her heart. Molly, on the brink of rolling out of a “system” that, like Vivian’s orphan-train experience, gave her few opportunities, discovers that she, too, can determine her own future. Many teens will like this story for its juxtaposition of eras: Molly’s story is contemporary and realistic, Vivian’s reflects a past time and culture. This novel will leave readers wanting to know more, yet satisfied that it ends in just the right way.–<span class="ital1">Connie Williams, Petaluma High School, CA</span></p>
<p class="biblio"><span class="productcreatorlast">KRICORIAN</span><span class="productcreatorfirst">, Nancy. </span><span class="productname">All the Light There Was. </span>288p. <span class="productpublisher">Houghton Harcourt. </span>Mar. 2013. <span class="isbn">Tr $24. ISBN 9780547939940. </span></p>
<p class="review"><span class="productgradelevel">Adult/High School</span>–For Maral and her older brother, Missak, Paris is home; they know little of the terrors their parents endured when they were forced to leave their homeland of Armenia.  Fourteen year-old Maral is nearly top in her class. Her secret love is Missak’s best friend, Zaven, and she is thrilled to discover that Zaven also has feelings for her, but this happy first love is tarnished when the German army marches into Paris. At first, a resistance activity such as distributing pamphlets seems a lark, a secret outing to hide from the parents. But as Jewish friends disappear, and young activists are arrested and sent to work camps, the sense of foreboding increases. Zaven and Maral pledge themselves to each other even as they fear their romance may have no future. Indeed, the war lasts much longer and is far more ruthless than their young minds could have anticipated. Maral, who narrates the story, never sees a battlefield, but her life is completely fractured by the war: some of her friends die, while others return broken. Readers should be intrigued by the many teen characters, striving to be as brave and dutiful as circumstances demand. Like the teen characters in Elizabeth Wein’s <span class="ital1">Code Name Verity</span> (Hyperion, 2012) or Chris Bohjalian’s <span class="ital1">Skeletons at the Feast</span> (Shaye Areheart, 2008), dreams of high school proms are pushed aside by the will to survive.–<span class="ital1">Diane Colson, Formerly at Palm Harbor Library, FL</span></p>
<p class="biblio"><span class="productcreatorlast">LEGANSKI</span><span class="productcreatorfirst">, Rita. </span><span class="productname">The Silence of Bonaventure Arrow. </span>400p. <span class="productpublisher">HarperCollins/Harper. </span>Feb. 2013. <span class="isbn">pap. $14.99. ISBN 978-0-06-211376-4. </span></p>
<p class="review"><span class="productgradelevel">Adult/High School</span>–While young Bonaventure Arrow has never uttered a sound, he <span class="ital1">hears</span> everything, from the colors of the balloons on his first birthday to the ocean waves that emanate from a jar of sand to the voice of his dead father, whom he never met. Clearly, Bonaventure is a special child, and he has a destiny to fulfill. William Arrow was murdered in a New Orleans supermarket just before Christmas by a mentally disturbed war veteran, a mysterious man known as The Wanderer. William’s spirit is restless, and he stays close to his family, communicating only with his gifted son and agonizing over the grief felt by both his widow and mother. Told in the omniscient third person, the rich narration has a lyrical storytelling quality, capable of transporting readers to a faraway place a long time ago–in this case, New Orleans in the 1950s. The boy’s fate is entwined with that of the hoodoo practitioner Trinidad Prefontaine, a woman who sells baked goods with a side of gris-gris–magical charms. Secrets abound in this multigenerational tale that combines the mystical and the spiritual with strong themes of love and letting go, and of acceptance and forgiveness. Teens will be drawn in by the magical realism that suffuses Leganski’s novel, which also manages to touch on issues of race and social class. Teens who enjoyed the movie version of <span class="ital1">The Curious Case of Benjamin Button</span> will find much to like here in a novel also reminiscent of Sue Monk Kidd’s <span class="ital1">The Secret Life of Bees.</span>–<span class="ital1">Paula Gallagher, Baltimore County Public Library, MD</span></p>
<p class="biblio"><span class="productcreatorlast">LITTLEFIELD</span><span class="productcreatorfirst">, Sophie. </span><span class="productname">Garden of Stones. </span>320p. <span class="productpublisher">Harlequin. </span>Mar. 2013. <span class="isbn">pap. $14.95. ISBN 9780778313526. </span></p>
<p class="review"><span class="productgradelevel">Adult/High School</span>–In June, 1978, sitting at his desk in the dank San Francisco basement of Reg’s Gym, Reg is murdered. Hours later, Patty Takeda listens as police question her mother, Lucy, about her whereabouts at the time of the crime. Puzzled that her mother knows this man, Patty investigates. Seeking information about Reg at his apartment, she discovers a box labeled “Manzanar.” Once the box is opened, Lucy’s story is revealed through pictures and artifacts and later from Lucy herself. Growing up in Los Angeles as the beautiful daughter of wealthy Renjiro Takeda and stunning Miyako, 14-year-old Lucy’s life suddenly changed when her father died.  Soon after, Pearl Harbor was attacked, and within weeks the Japanese American community was herded into camps where they experienced the starkest privation and disorder. Lucy discovered that the corruption of the camp overseers surrounded her beautiful mother in a way that caused her to take the most drastic steps to keep Lucy safe. Counterpointing stories between Patty’s 1970’s investigation of her mother’s past and Lucy’s own story, <span class="ital1">Garden of Stones</span> takes readers into the internment camps and the horrendous decisions one must make when there are few options.  Teens will gain insight into the tragic decision that created these camps and will find much to think about.<span class="ital1">–Connie Williams, Petaluma High School, CA</span></p>
<p class="biblio"><span class="productcreatorlast">MCVEIGH</span><span class="productcreatorfirst">, Jennifer. </span><span class="productname">The Fever Tree. </span>432p. <span class="productpublisher">Amy Einhorn: Putnam. </span>Apr. 2013. <span class="isbn">Tr $25.95. ISBN 9780399158247. </span></p>
<p class="review"><span class="productgradelevel">Adult/High School</span>–<span class="ital1">The Fever Tree</span> starts with a troupe of historical romance: a respectable young woman of considerable wealth and a bright future is plunged into destitution with a father’s bad investments and unexpected death. Frances Irvine is faced with two equally undesirable prospects: be nursemaid to her aunt’s young children or marry an awkward doctor and move to South Africa. With her choice made, she leaves England behind, and her adventure begins. Soon, a love triangle emerges as Frances must choose between the dashing rebel of questionable morals and the obsessed, goody-two-shoes doctor: the age-old Darcy versus Willoughby played out in the dusty plains of Africa. The novel moves beyond its genre trappings with its palpable setting and sure characters. McVeigh has penned a story where the place, in this case South Africa, is a central character. At the same time the characters evolve from their clichéd introductions. Teens will experience both exasperation and empathy toward Frances<span class="ital1">.</span> The novel underscores, as historical novels often do, the limited choices available to women, and elements about African colonization, the ethics surrounding diamond mining and trading, as well as a small-pox outbreak provide further depth to this coming-of-age tale. The romance propels the story, but it is an old-fashioned saga at heart. Readers watch Frances grow up, hoping she will make decisions that lead to her own happiness.–<span class="ital1">Karen Keys, Queens Library, Jamaica, NY</span></p>
<p class="biblio"><span class="productcreatorlast">WEBB</span><span class="productcreatorfirst">, Wendy. </span><span class="productname">The Fate of Mercy Alban. </span>344p. <span class="productpublisher">Hyperion. </span>2013. <span class="isbn">pap. $15.99. ISBN 978-1-4013-4193-0. </span><span class="productlcc">LC 2012027376. </span></p>
<p class="review"><span class="productgradelevel">Adult/High School</span>–Even for a rich family, the Albans of Minnesota are a bit different–their mansion is made from imported Irish stone; there are altogether too many deaths for there <span class="ital1">not</span> to be a family curse; and the women are all named after some attribute (Grace, Amity, Charity, Fate). Twenty years ago, Grace left town, escaping not only her family, but the repercussions of surviving a storm that led to her brothers’ drownings and father’s suicide. When her mother dies, Grace returns for the funeral, bringing her daughter Amity with her. While looking through her mother’s room she finds letters from David Colville, a reporter who committed suicide on the grounds of Alban House in the summer of 1956, just before Aunt Fate disappeared–one of which discusses a novel based on the history of the Albans. Then at the funeral reception who should appear but Aunt Fate. Where has she been? In Switzerland, in a private “institution” named Mercy House, which is actually a home for the criminally insane. Indeed, Aunt Fate is really Aunt Mercy, Fate’s supposedly dead twin, and she’s not just insane, she’s psychotic, locking Grace (and hunky Reverend Matthew Parker) in the church vault when they find the missing Colville manuscript. Gothic novels rarely have happy endings, but they do have satisfying ones and <span class="ital1">The Fate of Mercy Alban</span> definitely satisfies. This novel is for fans of Victoria Holt, Daphne Du Maurier (think <span class="ital1">Jamaica Inn</span> not <span class="ital1">Rebecca</span>), and a good introduction to adult gothic for fans of Joan Aiken and Billingsley’s <span class="ital1">Chime</span> (Dial, 2011).–<span class="ital1">Laura Pearle, Center for Fiction, New York City</span></p>
<p class="biblio"><img src="http://reviews.libraryjournal.com/wp-content/uploads/2012/06/redstar.jpg" alt="redstar Adult Books 4 Teens | June 2013" width="16" height="16" border="0" title="Adult Books 4 Teens | June 2013" /> <span class="productcreatorlast">WECKER</span><span class="productcreatorfirst">, Helene. </span><span class="productname">The Golem and the Jinni. </span>496p. <span class="productpublisher">HarperCollins. </span>May. 2013. <span class="isbn">Tr $$27.99. ISBN 9780062110831. </span></p>
<p class="review"><span class="productgradelevel">Adult/High School</span>–As a new century looms in the autumn of 1899, a most mysterious pair of immigrants appears in New York. Chava is a golem conjured as a wife for an immigrant who died en route to America and Ahmad is a jinni freed from centuries-long captivity by a tinsmith repairing an heirloom lamp. These treacherous creatures of Jewish and Arab myth possess supernatural powers that they can’t always control. The golem, an obedient servant made from earth, has prodigious physical strength and can hear the thoughts of those around her. The jinni, made from fire, appears human, yet is indifferent to human restraint. Within their respective immigrant neighborhoods, each is considered an outsider–secretive and strange, unlike any other. They meet to form an unusual and touching friendship as they navigate the challenges of a new world and battle the dabbler in the dark arts who knows their origins and yearns to use them in order to gain his own immortality. Filled with memorable characters and a backstory that spans a millennium, <span class="ital1">The Golem and the Jinni</span> is a historical novel imbued with the kind of folk-tale sensibilities that make the fantastical seem not only plausible, but commonplace. That is to say, it is difficult to categorize. Teens will discover a book unlike any they’ve read and will readily empathize with its central characters struggling to create an identity, fit in, and belong. Fans of Erin Morgenstern’s <span class="ital1">The Night Circus</span> (Doubleday, 2010) and those undaunted by epic tales will be thrilled with this ingeniously conceived novel.–<span class="ital1">John Sexton, Greenburgh Public Library, NY</span></p>
<p class="subheadbk">Nonfiction</p>
<p class="biblio"><span class="productcreatorlast">BALL</span><span class="productcreatorfirst">, Edward. </span><span class="productname">The Inventor and the Tycoon: A Gilded Age Murder and the Birth of Moving Pictures. </span>464p. bibliog. index. photogs. <span class="productpublisher">Doubleday. </span>Jan. 2013. <span class="isbn">Tr $29.95. ISBN 9780385525756. </span></p>
<p class="review"><span class="productgradelevel">Adult/High School</span>–Ball takes a look at two very different men whose paths crossed in the late 19th century. The tycoon of the title is Leland Stanford: grocer, railroad magnate, Governor of California, U.S. Senator, founder of Stanford University. The inventor is Edward Muybridge, an inventor, a bookseller, photographer, adventurer, self-promoter, and murderer. The author weaves their stories together, moving back and forth through time and around the world. Muybridge (born Muggeridge, but fond of changing his name as he changed jobs or locations) is best known as a photographer–he took some of the earliest and most daring photographs of Yosemite–and when he met up with Stanford, he photographed Stanford’s horses in an attempt to prove that “during a gallop, horses at some point in their stride lift all four hooves off the ground.” As he refined his approach, he used multiple cameras to catch ever-smaller increments of movement and invented a device to project the results onto a screen for viewers to watch. Ball brings to life the two men, each eccentric in his own way. The murder is a fascinating sidelight–Muybridge killed his wife’s lover but was acquitted on the grounds of justifiable homicide–that gives some insight into the rough-and-tumble California life of the 1870s. Teens with an interest in history, photography, or film will be fascinated by this exploration into the relationship of money, patronage, and publicity to the creation of art.–<span class="ital1">Sarah Flowers, formerly of Santa Clara County Library</span>, <span class="ital1">CA</span></p>
<p class="biblio"><span class="productcreatorlast">BERGER</span><span class="productcreatorfirst">, Jonah. </span><span class="productname">Contagious : Why Things Catch On. </span>224p. photos. <span class="productpublisher">S &amp; S. </span>Mar. 2013. <span class="isbn">Tr $26. ISBN 9781476711683. </span></p>
<p class="review"><span class="productgradelevel">Adult/High School</span>–Livestrong yellow wristbands, Rebecca Black’s “Friday” video, and Vietnamese manicurists all have something in common. They went viral, rapidly escalating in popularity until virtually everyone has experienced or at least become aware of their existence. Taking a style cue from other popularly accessible authors such as Daniel Pink and Malcolm Gladwell, Berger presents his hypothesis for why certain things catch on. His STEPPS theory asserts that the six principles–social currency, triggers, emotion, public, practical value, and storie–must work in some combination to ensure that an idea or product goes viral. Deconstructing numerous examples to illustrate his points, the author walks readers through each element in a conversational style, distilling his main ideas in pithy statements. (To illustrate the importance of emotion, remember “When we care, we share.”) Berger’s audience is marketing professionals or those with a product to promote, and he presents his points through that lens. Still, anyone interested in social theories will find his studies intriguing and be tempted to apply their conclusions to more recent viral occurrences. While teens might not be familiar with all the examples, somewhat undermining how successful the technique is, they will easily understand the thought behind them. Marketing students are a perfect fit for this exploration, and marketing teachers would do well to include Berger’s theory and writing in their curriculum. Just as Levitt and Dubner’s <span class="ital1">Freakonomics </span>(Morrow, 2005) found a broader teen audience, so may <span class="ital1">Contagious.</span>–<span class="ital1">Priscille Dando, Fairfax County Public Schools, VA</span></p>
<p class="biblio"><span class="productcreatorlast">DOUGLAS</span><span class="productcreatorfirst">, Mitchell L.h. </span><span class="productname">\blak\ \al-fe bet\: Poems. </span>1. 80p. <span class="productpublisher">Persea. </span>Feb. 2013. <span class="isbn">pap. $15.00. ISBN 9780892554218. </span></p>
<p class="review"><span class="productgradelevel">Adult/High School</span>–Given the title and Douglas’s claim to have invented a new verse form called a “fret”, readers may be forgiven for expecting a more formally adventurous collection. Instead, the fret turns out to be a fairly simple acrostic–using the notes of the six guitar strings as each line’s first letter, with a simple vertical caesura to denote the guitar’s frets–and in the end Douglas only supplies three examples. Nevertheless, the poet has no need to resort to formal tricks when he has such a rich topic and strong command of his free verse. He sets out to tell the stories of his sharecropping grandparents, in four sections. The first and last sections act as brackets, telling the story more-or-less straight. The third section, meanwhile, directly confronts the collection’s place within Black literature, citing contemporaries such as Debra Kang Dean and Marilyn Nelson. But it is in the crucial second section that Douglas truly shines, as he builds on the story’s musical references (in the author’s note he mentions sharecropping blues guitarists like Son House), creating “alternate takes” and variations, larding his vocabulary with musical terms and introducing the fret. He prepares for these musical musings in the title and opening lines (and, indeed, the collections best lines) to the first section’s penultimate poem: “Al Green Was a Preacher/before he was a pastor–/let me explain. If you can’t find/a sermon in ‘Love &amp; Happiness,’/something’s wrong.” And if you can’t find the music in Douglas’s sermons, something’s equally wrong.–<span class="ital1">Mark Flowers, John F. Kennedy Library, Vallejo, CA</span></p>
<p class="biblio"><span class="productcreatorlast">KIRSCH</span><span class="productcreatorfirst">, Jonathan. </span><span class="productname">The Short, Strange Life of Herschel Grynszpan. </span>352p. bibliog. chron. index. notes. <span class="productpublisher">Liveright Publishing Corporation. </span>May. 2013. <span class="isbn">Tr $27.95. ISBN 9780871404527. </span></p>
<p class="review"><span class="productgradelevel">Adult/High School</span>–On November 7, 1938, a 17-year-old Polish Jew named Herschel Grynszpan entered the German Embassy in Paris and shot and killed a low-level diplomat named Ernst vom Rath. Within days, in an incredibly convoluted knot of conspiracy and counter-conspiracy theories, Grynszpan’s act was variously portrayed as the heroic action of a lone Jew outraged at Nazi atrocities; a crime of passion wrought of a failed homosexual affair; a set-up by the Nazis who supposedly wished to do away with a less-than-enthusiastic party member; and, most ominously of all, proof of the Nazi’s belief in the “International Jewish Conspiracy” and an excuse for the notorious events of Kristallnacht two days later.  Kirsch deftly cuts through these layers of interpretation to provide readers with an account of Grynszpan’s brief life–first in Hanover, then in Paris–his incarcerations in Paris and Berlin, and the vast array of meanings with which his life has been invested.  In the process, the author offers a unique perspective on the crucial period between the Nazi Party’s rise to power in 1933 and its decision to introduce the Final Solution sometime in 1941. Ultimately, Kirsch argues that Grynszpan should be seen as a tragically unsung hero of the Jewish resistance. Whether readers agree with Kirsch or not, the questions raised make this book essential reading for lovers of history, and the figure of the misunderstood adolescent hero should resonate with teens.–<span class="ital1">Mark Flowers, John F. Kennedy Library, Vallejo, CA</span> <span class="authname">–IBRW ADMINISTRATOR</span></p>
<p class="biblio"><span class="productcreatorlast">ROACH</span><span class="productcreatorfirst">, Mary. </span><span class="productname">Gulp: Adventures on the Alimentary Canal. </span>336p. bibliog. <span class="productpublisher">Norton. </span>Apr. 2013. <span class="isbn">Tr $26.95. ISBN 9780393081572. </span></p>
<p class="review"><span class="productgradelevel">Young Adult/High School</span>–Roach is back with her fifth funny, irreverent, and wonderfully informative book of scientific investigative journalism. Here she explores the digestive tract from top to bottom. Readers learn about human taste testers who help create new pet foods, whether a man can survive in a whale’s stomach, the phenomenon of extreme chewing, the science of eating contests, and the reason crispy foods are so appealing. With her trademark glee, Roach addresses several taboo subjects, such as drug mules, just how imprisoned convicts smuggle contraband, and the flammability of flatulence. She relishes the opportunity to go to the most gross-out extremes in her research. Just as fascinating as the scientific facts she uncovers are the people she meets. Many of the scientists Roach introduces, either still alive or from the past, are incredible characters. As she says, “I think it’s fair to say that some degree of obsession is a requisite for good science, and certainly for scientific breakthrough.” Roach’s conversational writing style, especially the incorporation of clever, punning one-liners, particularly within the footnotes, is tailor-made for teens. They might not even notice how much they are learning about research, as the author mentions reading historic documents, interviewing the experts, and witnessing and even taking part in the occasional experiment. While they might not want to read <span class="ital1">Gulp</span> during lunch, readers will happily follow Roach down the digestive path.–<span class="ital1">Angela Carstensen, Convent of the Sacred Heart, New York City</span></p>
<p class="biblio"><span class="productcreatorlast">STERN</span><span class="productcreatorfirst">, Gerald. </span><span class="productname">In Beauty Bright. </span>128p. <span class="productpublisher">W.W. Norton. </span>2012. <span class="isbn">Tr $25.95. ISBN 9780393086447. </span></p>
<p class="review"><span class="productgradelevel">Adult/High School</span>–The 18th collection of Stern’s work is entertaining, easily read, and puzzling. One can sense a rascal with a good sense of humor behind the artful words on the page. Some of the poems are set in New York City, where he lived in his 20s, and some in Pittsburgh, where he grew up the son of Eastern European immigrants. In “Kafeteria,” Stern remembers the New York of his youth, “I touched everything touchable and stopped/in front of a dummy I had fallen in love with/and kried myself silly over her helplessness/an hour or so before my maiden speech/just north of Fourth where through the books I wandered/.” The narratives of his poems are not complete, but most readers will follow the stories and enjoy being confused and wonder why he selected the topic he did. Some are surrealistic but somehow one understands. In “Lowness,” he writes about a car: “It was me who took a small white Fiat/out of my briefcase to let it breathe and after/a second started it by gathering speed/with my left foot and hopping into the seat and/ giving it gas, as I remember.”–<span class="ital1">Karlan Sick, Library Consultant, New York City</span></p>
<p class="biblio"><img src="http://reviews.libraryjournal.com/wp-content/uploads/2012/06/redstar.jpg" alt="redstar Adult Books 4 Teens | June 2013" width="16" height="16" border="0" title="Adult Books 4 Teens | June 2013" /> <span class="productcreatorlast">ZUCKOFF</span><span class="productcreatorfirst">, Mitchell. </span><span class="productname">Frozen in Time: An Epic Story of Survival and a Modern Quest for Lost Heroes of World War II. </span>400p. bibliog. illus. index. notes. <span class="productpublisher">Harper . </span>May. 2013. <span class="isbn">Tr $28.99. ISBN 9780062133434. </span></p>
<p class="review"><span class="productgradelevel">Adult/High School</span>–This gripping page-turner tells two stories, one historical and one modern. In the historical part, three military planes went down on the Greenland icecap in late 1942. The first was a cargo plane, the second a B-17 bomber that was searching for the first, and the third a Coast Guard amphibious plane that was attempting to rescue the B-17’s crew. Greenland can be harsh and unforgiving, especially during the winter months and Zuckoff details how the B-17’s crew survived for nearly five months, and how seven of the nine airmen eventually made it home. Their survival was due in part to their own determination and ingenuity, but also to the perseverance of the Coast Guard, who never gave up on them. The modern story is about a group, including Zuckoff, who made an expedition to Greenland in the summer of 2012 in an attempt to find the Coast Guard plane and its long-dead crew. This is a fine example of narrative nonfiction, as Zuckoff moves the events of both stories forward while focusing on the people involved. Teens who like survival and adventure stories, such as Jon Krakauer’s <span class="ital1">Into Thin Air</span> (1997) and <span class="ital1">Into the Wild</span> (1996, both Villard) will be quickly drawn into the tale of these young airmen–mostly in their early 20s–who went through unimaginable physical and emotional trials. At the same time, they will be fascinated by what is essentially a modern-day treasure hunt, conducted not only with elaborate imaging technology but also with good old-fashioned research, guesswork, and luck.<span class="ital1">–Sarah Flowers, formerly of Santa Clara County Librar, CA</span></p>
<p class="review"><img src="http://reviews.libraryjournal.com/wp-content/uploads/2012/06/redstar.jpg" alt="redstar Adult Books 4 Teens | June 2013" width="16" height="16" border="0" title="Adult Books 4 Teens | June 2013" /> <span class="productcreatorlast">JOHNSON</span><span class="productcreatorfirst">, Scott. </span><span class="productname">The Wolf and the Watchman: A Father, a Son, and the CIA. </span>320p. <span class="productpublisher">Norton. </span>May. 2013. <span class="isbn">Tr $26.95. ISBN 978-0-393-23980-5.</span><span class="productgradelevel"><br />
Adult/High School</span>–Johnson was a preteen before he saw that his father had two driver’s licenses with different names and different pictures, but things had always been a little strange in his upbringing as they circled the globe after his depressed mother left. Johnson adored and idolized his father, but by the time he was an adult and knew at least an outline of the truth, that his father was a spy, he had begun to question what all the lies and secrets really hid, and what the lasting effect had been on him and his relationships generally, and with his father, specifically. This book is not the expected thriller about the clandestine operations of the CIA, about murder and intrigue, war and death. That’s all there, and that will be the hook that attracts teen boys to this book, but once inside they will be inspired and moved by a truly honest and introspective memoir. This book covers the less-explored nature of the relationship between sons and fathers. It starts a little slowly but becomes addictive, and the action and tense life-and-death moments and unflinching look at espionage and war are expertly interspersed with more thoughtful passages; the moral lessons of both are powerful. Pair this book with the television series <span class="ital1">Band of Brothers</span> and anything by Sebastian Junger.–<span class="ital1">Jake Pettit,  American School Foundation</span>, <span class="ital1"> Mexico City</span></p>
<p class="biblio"><span class="productcreatorlast">TOOMEY</span><span class="productcreatorfirst">, David. </span><span class="productname">Weird Life: The Search for Life That Is Very, Very Different from Our Own. </span>288p. index. <span class="productpublisher">Norton. </span>Feb. 2013. <span class="isbn">Tr $$25.95. ISBN 9780393071580. </span></p>
<p class="review"><span class="productgradelevel">Adult/High School</span>–How is life defined? Is it by creatures that breathe oxygen and drink water, as we define life on Earth? Or is it possible that life can survive on ammonia, or silicon, or some other element? And when does a robot or some other artificial intelligence become life? Might we someday be dominated by our machines? And given the vastness of the universe, how likely is it that life elsewhere is looking for us in the same way we are looking for it? These are but a few of the questions brought up in Toomey’s mind-expanding book. In nine independent but interrelated chapters, the author first shares the “weirdest” life we’ve found, extremophiles, which live on Earth in either hotter or colder temperatures than life was originally believed to be sustainable. However, just because we haven’t discovered life on other planets yet doesn’t mean it’s not there–as one scientist puts it, “Absence of evidence is not evidence of absence.” The book ends with a mindblowing chapter about life in the multiverse. Who is to say that our universe is the only one? Maybe there’s another universe on the other side of us, and another one and another one, to infinity and beyond. These kinds of scientific and philosophical conundrums are what give this book appeal beyond the standard science book.–<span class="ital1">Jamie Watson, Baltimore County Public Library, MD</span></p>
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		<title>Adult Books 4 Teens &#124; May 2013</title>
		<link>http://www.slj.com/2013/05/books-media/reviews/adult-books-4-teens/adult-books-4-teens-may-2013/</link>
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		<pubDate>Wed, 01 May 2013 19:37:05 +0000</pubDate>
		<dc:creator>SLJ</dc:creator>
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<p class="subhead-bk Subhead">Fiction</p>
<p class="review">BAGGOTT, Julianna. Fuse. 416p. Grand Central. Feb. 2013. Tr $25.99. ISBN 9781455503087.
Adult/High School–After the final revelations in Pure (Grand Central, 2012), the mission to end the tyranny of the Dome becomes newly urgent for Pressia and Partridge. Along with Bradwell, Pressia unlocks the black box found in the charred remains of the farmhouse, which reveals more about the original Seven. This sets Pressia off on a quest to discover if there are other pockets of rebels in [...]]]></description>
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<p class="subhead-bk Subhead">Fiction</p>
<p class="review"><span class="productcreatorlast">BAGGOTT</span><span class="productcreatorfirst">, Julianna. </span><span class="productname">Fuse. </span>416p. <span class="productpublisher">Grand Central. </span>Feb. 2013. <span class="isbn">Tr $25.99. ISBN 9781455503087.</span><span class="productgradelevel"><br />
Adult/High School</span>–After the final revelations in <span class="ital1">Pure </span>(Grand Central, 2012), the mission to end the tyranny of the Dome becomes newly urgent for Pressia and Partridge. Along with Bradwell, Pressia unlocks the black box found in the charred remains of the farmhouse, which reveals more about the original Seven. This sets Pressia off on a quest to discover if there are other pockets of rebels in the wastelands. For his part, Partridge is beginning to understand the power of the serum left to him by his mother. It will be the means by which he can destroy his father, now suffering from Rapid Cell Degeneration. Partridge’s task is to enter the Dome and get close to his father without becoming a victim of Special Forces. These wisps of plot carry the storyline, while the strangeness of life inside and outside the Dome continues to be the main interest. The jolting descriptions of children melded to their mothers’ bodies carry less punch in this volume, since such horrors are now anticipated. Likewise, the passion between Pressia and Bradwell that smoldered throughout <span class="ital1">Pure</span> is iced for most of this book, while Partridge and Lyda have a bewildering mate and run encounter. There is a disjointed feel to the narration, like pieces of short stories interwoven in a single volume. Nevertheless, teens who were entranced by the atmospheric <span class="ital1">Pure</span> will no doubt want to re-enter that macabre world again. Readers new to the world will want to begin with the first of the trilogy.–<span class="ital1">Diane Colson, Palm Harbor Library, FL</span></p>
<p class="review"><span class="productcreatorlast">BALLANTYNE</span><span class="productcreatorfirst">, Lisa. </span><span class="productname">The Guilty One. </span>480p. <span class="productpublisher">Morrow. </span>Mar. 2013. <span class="isbn">pap. $14.99. ISBN 9780062195517.</span><span class="productgradelevel"><br />
Adult/High School</span>–This is the story of two very similar boys, both from difficult homes, both with sometimes uncontrollable tempers, and of their very different paths. Daniel is the product of a single, drug-addicted mother whom he adores; when he runs away from his foster placements, he always runs back to her. Placement with Maddie is his last stop before reform school, and–after a runaway attempt and several temper tantrums–he finally settles in and allows her to adopt him. He goes to university and reads law, eventually becoming a solicitor in London. Sebastian is one of Daniel’s clients, accused of murdering a younger child in the neighborhood. Something in Seb appeals to Daniel, perhaps a vision of his former self, and as readers learn more about each young man, it’s obvious that Daniel could have ended up in Seb’s place but for Maddie’s influence. As the trial progresses, questions are raised: how much does environment influence behavior; how culpable can an 11-year-old be in a murder case (the age for being tried as an adult is 10 in the U.K.); and is a diagnosis of PDD-NOS the equivalent of a diagnosis of Asperger’s or autism? The criminal trial’s give-and-take between the lawyers and witnesses will appeal to viewers of “Law &amp; Order” and the psychological background on Daniel, as well as the question of whether or not Seb is guilty, will appeal to those who enjoyed Lionel Shriver’s <span class="ital1">We Need To Talk About Kevin</span> (Counterpoint, 2003).–<span class="ital1">Laura Pearle, the Center for Fiction, New York City</span></p>
<p class="review"><span class="productcreatorlast">DUE</span><span class="productcreatorfirst">, Tananarive &amp; Steve </span><span class="productcreatorlast">Barnes. </span><span class="productname">Domino Falls. </span>384p. <span class="productpublisher">Atria: S &amp; S. </span>Feb. 2013. <span class="isbn">pap. $15. ISBN 9781451617023; ebook ISBN 9781451617030.</span><span class="productgradelevel"><br />
Adult/High School</span>–This sharp sequel to <span class="ital1">Devil’s Wake</span> (Atria, 2012) moves further away from traditional zombie novels, focusing on the roots of the plague and the implications for humankind rather than battles and brain munching. Kendra, Terry, and the rest of the group are making their way down the California coast in their bullet-hole-laden bus, having just outrun a vicious pirate attack. They take a detour  to the safe haven of Devil’s Wake and stop in Domino Falls, now called Threadville. They have heard the radio broadcasts of Josey Wales, the self-proclaimed preacher who rules over the encampment, promising it to be a secure, civilized community. Exhausted, the group approaches, passes muster, and is allowed in. They soon discover the secrets behind Threadville and its depraved link to the beginnings–and spread–of the zombie plague. Kendra is able to make radio contact with relatives in Devil’s Wake and confirms that the sanctuary there is real. Now they must decide if they are willing to take the risks and make the sacrifices necessary to escape Threadville. While moving a bit slower and more predictably than <span class="ital1">Devil’s Wake</span>, <span class="ital1">Domino Falls</span> does advance the plot, offers some surprises about the characters and their choices, and, not surprisingly, ends with a dramatic cliffhanger. Despite being a sequel, it reads well as a standalone. The diverse cast of young adult protagonists will appeal to teen fans of paranormal thrillers, especially those who favor more plot and less gore.–<span class="ital1">Carla Riemer, Claremont Middle School, CA</span></p>
<p class="review"><span class="productcreatorlast">ELLIS</span><span class="productcreatorfirst">, Warren. </span><span class="productname">Gun Machine: A Novel. </span>320p. <span class="productpublisher">Mulholland: Little, Brown. </span>Jan. 2013. <span class="isbn">Tr $25.99. ISBN 9780316187404.</span><span class="productgradelevel"><br />
Adult/High School</span>–In the aftermath of a shooting that ends with his partner murdered, Manhattan Detective John Tallow comes across an apartment filled with hundreds of guns, all of which turn out to have been used in an unsolved homicide in the last few decades. As punishment for reopening so many cases, Tallow is given no leave to recuperate from his partner’s death and is put on the case with only the help of two low-level Crime Scene Unit techs. While Tallow and the CSUs try to unravel the case, Ellis gives readers glimpses of the man at the heart of the mystery, a man who calls himself “the hunter” and seems to have some mystical, possibly supernatural, connection with the American Indians who originally inhabited the island of Mannahatta. As Tallow begins to realize that the guns have a ritualistic significance to the killer–each having been chosen carefully for its intended victim–readers realize that the hunter will stop at nothing to retrieve his guns, starting with murdering Tallow. Meanwhile, the threads of the crimes begin to coalesce around three very influential men. Ellis’s powerful prose–particularly his descriptions of the hunter’s killings–and propulsive storytelling keep this novel moving at full speed. Meanwhile, his characterizations are strong and accurate, even leaving a certain level of sympathy for the villain. And the hunter’s peculiar connection with ancient American Indians is more than enough to separate this novel from the overcrowded market of well-written police procedurals.–<span class="ital1">Mark Flowers, John F. Kennedy Library, Vallejo, CA</span></p>
<p class="review"><span class="productcreatorlast">EPSTEIN</span><span class="productcreatorfirst">, Jennifer Cody. </span><span class="productname">The Gods of Heavenly Punishment. </span>320p. <span class="productpublisher">Norton. </span>Mar. 2013. <span class="isbn">pap. $14.95. ISBN 9780393335316.</span><span class="productgradelevel"><br />
Adult/High School</span>–In 1945 war torn Tokyo, 15-year-old Yoshi ignores the air-raid warnings yet again. But ignoring them this time means that Yoshi is there as American airplanes fly over, dropping napalm fire onto the city. Devastation is complete and life for Yoshi–and Japan–changes forever. The story alternates among characters from both sides of the war. In the United States, Cam, a young pilot. overcomes a debilitating stutter and gains the confidence to join up, only to have his disability reappear to devastating effect. Lacy, his wife, awaits his return. Anton, an American architect, and his photography-loving son living in Japan before the war must leave when it becomes apparent that war is imminent. In Japan, Hana, Yoshi’s mother, raised in England and summoned home to marry, is determined to raise her daughter to find the freedom that eludes her within her traditional Japanese life. Yoshi’s father is a builder whose brutal actions set the stage for Yoshi to bind these characters together into one story. Describing family life in pre-war Japan and the United States through the 1960’s, Jones shows the horror of war and the complete devastation of a city and its culture at the mercy of incredible firepower. Yet while this is a novel of war, it is equally about the relationships of family, culture, survival, forgiveness, and hope. It is a complicated story that not all teens will gravitate to, but mature, well-read young adults who know and like history should be introduced to this book.–<span class="ital1">Connie Williams, Petaluma High School, CA</span></p>
<p class="review"><span class="productcreatorlast">FOWLER</span><span class="productcreatorfirst">, Therese Anne. </span><span class="productname">Z: A Novel of Zelda Fitzgerald. </span>352p. <span class="productpublisher">St. Martin’s. </span>Mar. 2013. <span class="isbn">Tr $24.99. ISBN 9781250028655; ebook ISBN 9781250028648.</span><span class="productgradelevel"><br />
Adult/High School</span>–Zelda Sayre Fitzgerald was the prototypical Jazz Age woman–married to the author F. Scott, childhood pals with “Tallu” Bankhead, friendly with Picasso and Porter (and not so friendly with Hemingway). Flitting between  Alabama, Paris, Antibes, and New York, she lived an enviable life. Or was it? Writers tend to have money problems thanks to their sporadic income, and the Fitzgeralds were no different; add to that Scott’s drinking and Z’s growing dissatisfaction with their life and you have a recipe for marital disaster. And then there’s Zelda’s mental problems (possibly schizophrenia, possibly manic-depression, no one knows for sure; whatever the problem was, she was mistreated). Fowler does a wonderful job of marrying fact and fiction, blending the Fitzgeralds’ “Midnight in Paris”esque lives with the realities of being on the verge of poverty at a time when the world’s financial structure was shaky at best. Readers will be surprised to learn that Zelda was an author (albeit one frequently robbed of full credit by her husband’s insistence that he was the author/brand) and a talented ballet dancer. Her evolution from southern belle to flapper to dancer to mental patient is brought to life in a way that will interest those seeking to learn more about this era, F.Scott Fitzgerald’s life, or women writers.–<span class="ital1">Laura Pearle, the Center for Fiction, New York City</span></p>
<p class="review"><span class="productcreatorlast">KEANE</span><span class="productcreatorfirst">, Mary Beth. </span><span class="productname">Fever. </span>320p. <span class="productpublisher">Scribner. </span>Mar. 2013. <span class="isbn">Tr $26. ISBN 9781451693416.</span><span class="productgradelevel"><br />
Adult/High School</span>–In 1907, Doctor Soper, a physician from the New York City Department of Health, using emerging discoveries about contagion, determines that Mary Mallon, a 38 year-old Irish immigrant cook, is a rare “asymptomatic carrier” of typhoid disease. Under his orders,  Mary is dragged from her home, her job, and from Alfred, the love of her life, to live out her days in isolation in a small cabin on an island outside of New York City. She is given no explanation, and is expected to submit to humiliating blood drawing and examination. There is no trial, nor is she ever charged of a crime, but she is detained, alone, frightened, and angry. While Mary waits for her lawyer to gain her release, she reflects on her past: her hard-scrapple life in Ireland, her immigration to America, her love of drunken Alfred, and how she discovered a talent for cooking, working her way into the kitchens of the wealthy. Death stalks her whenever she cooks, and while Mary doesn’t make the connection, others do; she is forced to stop the one thing she loves doing most because it carries the disease to others. This well-written novel brings to life the smells, dirt, crowds, joys, and tragedies that made up early 20th century New York City. Being a poor, uneducated woman leaves Mary vulnerable to manipulation from those around her, but her fiery nature and good heart prevent them from keeping her down. This is an excellent read for lovers of historical fiction and brings to life a woman who is destined to go down in history as “Typhoid Mary.”–<span class="ital1">Connie Williams, Petaluma High School, CA</span></p>
<p class="review"><span class="productcreatorlast">KIRK</span><span class="productcreatorfirst">, David. </span><span class="productname">Child of Vengeance. </span>336p. <span class="productpublisher">Doubleday. </span>Mar. 2013. <span class="isbn">Tr $25.95. ISBN 9780385536639; ebook $25.95. ISBN 9780385536646.</span><span class="productgradelevel"><br />
Adult/High School</span>–Bennosuke, a boy destined to become the legendary Mushashi Miyamoto, is the samurai hero of Kirk’s debut novel. Bennosuke is an insecure, weak and scared kid whose future seems anything but heroic. His samurai father, Munisai Shinmen, abandoned his son at age five on the night of his mother’s tragic death in a village fire. When the novel opens eight years later, Bennosuke is working with his uncle in the village temple. Munisai’s return changes everything. Not only is Bennosuke expected to become samurai despite his youth and awkwardness, but halso learns the secret about his mother’s death. After intensive training with his father, he is sent to work in a nearby town where his temper leads him to chop off the arm of the heir of the Lord Nakata, a family enemy. Bennosuke is expected to commit seppuku to redeem his honor, but his father offers his own, more valuable life in exchange. Lord Nakata and his retinue shame Munisai during the ritual; thus begins Bennosuke’s quest for vengeance. In this world, vengeance is “a holy moral duty, and anything can be forgiven in its name–so long as you are prepared to give everything for it. This is being samurai.” Years of wandering in poverty end with the battle of Sekigahara, in which Bennosuke makes his name at 16. The brutal violence of this life is described in almost loving detail, yet escapes being gratuitous because it is prescribed by the culture in which readers are immersed.–<span class="ital1">Angela Carstensen, Convent of the Sacred Heart, New York City</span></p>
<p class="review"><span class="starred" style="color: #ff0000;">★</span><span class="productcreatorlast">KRUEGER,</span><span class="productcreatorfirst"> William Kent. </span><span class="productname">Ordinary Grace. </span>306p. <span class="productpublisher">Atria: S. &amp; S. </span>Mar. 2013. <span class="isbn">Tr $24.99. ISBN 9781451645828.</span><span class="productgradelevel"><br />
Adult/High School</span>–For Frank Drum, 13, and his brother Jake, 11, the neighborhoods of New Bremen, Minnesota–The Flats, snug along the Minnesota River and The Heights, rising above–are extensions of their own backyard. Nowhere could be safer or more intriguing for these two sons of the town’s Methodist minister. It is the summer of 1961, and while America is on the cusp of social upheaval, no one could anticipate the violence that would accompany change. Neither is Frank prepared for the death that will visit his town in the form of murder, suicide, and accident. It begins with the death of a young boy hit by a train on the trestle over the river. There is suspicion of foul play, but no proof. When the boys later find a vagrant dead beside the river, local police begin to link the two deaths with a Native American drifter. Frank protects the suspect from a manhunt and is then devastated by guilt when his older sister goes missing. The mysteries deepen as entangled relationships are exposed, often through Frank’s Hardy-Boy-like eavesdropping. Frank feels compelled to prove that he is adult enough to fix what is wrong with his community and his family, yet too naïve to comprehend the consequences of his choices. Only through the graceful insights of his younger brother do he and his family find peace. The page-turning urgency of this mystery will engage teens who will also appreciate the array of small-town characters struggling with incomprehensible tragedy.–<span class="ital1">John Sexton, Greenburgh Public Library, NY</span></p>
<p class="review"><span class="productcreatorlast">LOCKE</span><span class="productcreatorfirst">, Kate. </span><span class="productname">The Queen Is Dead. </span>352p. <span class="productpublisher">Orbit: Hachette. </span>Feb. 2013. <span class="isbn">Tr $16.99. ISBN 9780316196130; Audio $24.98. ISBN 9781619693333.</span><span class="productgradelevel"><br />
Adult/High School</span>–This follow up to <span class="ital1">God Save the Queen</span> (Orbit, 2102), is set in a future Great Britain where a plague has turned the ruling classes (“aristos”) into werewolves or vampires who dominate humans physically as well as politically. At the start of the book, Xandra Vardan’s world is in chaos. She is still reeling from uncovering the lies she’d been fed by the people she trusted most and is trying to cope with the resulting violence. She must come to terms with the fact that not only is she a goblin (half werewolf, half vampire), but she is also  the goblin queen. Humans, who have steered clear of aristos after staging a bloody revolution many years ago, are starting to get more aggressive; they are making moves to overthrow aristos and take their society back. With another human uprising on the horizon, Xandra is being pressured by multiple factions, each wanting to be chosen sole ally to the powerful goblins. On top of all of this, her beloved brother has been abducted and it is up to her to find him. Xandra’s impatience, anger, and fear have her bouncing around emotionally, but her headstrong ways and commitment to doing whatever it takes to solve her problems serve her well. The action and drama in this paranormal/mystery mashup will appeal teen fans of the genres, but they will likely engage on a deeper level with the issues of shifting identity, loyalty and trust. To fully enjoy this, read <span class="ital1">God Save the Queen</span> first<span class="ital1">.–Carla Riemer, Claremont Middle School, CA</span></p>
<p class="review"><span class="productcreatorlast">LYTAL</span><span class="productcreatorfirst">, Benjamin. </span><span class="productname">A Map of Tulsa. </span>256p. <span class="productpublisher">Penguin. </span>Mar. 2013. <span class="isbn">pap. $15.. ISBN 978-0-14-242259-5.</span><span class="productgradelevel"><br />
Adult/High School</span>–Lytal’s story about the transitional period of life after high school will resonate with certain older teens. Jim Praley has returned to his hometown of Tulsa after his first year of college where he becomes involved with exotic, artistic, and somewhat wild Adrienne. Though readers can see that Jim and Adrienne are a terrible match, Jim views her as opening a new chapter of his life, one where he sees the city through wonderful, sophisticated eyes. During that summer, Jim struggles to reconcile his high-school personality with the new one he believes he is creating (new Jim is wild, hangs out with society, and  takes drugs). In Part II, a few years have passed and a tragic accident brings Jim back to Adrienne and Tulsa. Once again he experiences conflict between an old and a new life and is drawn to staying in Tulsa. Slow paced and lyrical, this book will probably not have broad YA appeal, but its themes will certainly speak to teens on the brink of college and leaving home. The exploration of how one views one’s friends, parents, and town after being away on one’s own will be appreciated by thoughtful readers, and possibly to those who are worried about moving into adulthood.–<span class="ital1">Sarah Debraski, formerly of Somerset County Library, NJ</span></p>
<p class="review"><span class="productcreatorlast">MANSBACH</span><span class="productcreatorfirst">, Adam. </span><span class="productname">Rage Is Back. </span>304p. <span class="productpublisher">Viking. </span>Jan. 2013. <span class="isbn">Tr $25.95. ISBN 9780670026128.</span><span class="productgradelevel"><br />
Adult/High School</span>–In 1987, at the height of hip-hop and graffiti culture’s popularity in New York City, Billy Rage and his Immortal Five graffiti crew go out and tag the town in celebration of the birth of his son Dondi. The crew gets caught and one member is killed by Anastacio Bracken, the toughest man on the NYPD Vandal Squad. In revenge, Rage goes on a tagging spree, leaving his message on buildings, subway cars, and zoo animals. He then goes underground, resurfacing after having spent 18 years in the jungle apprenticed to local shamans. During this time Bracken has worked his way up the political ladder and is now running for mayor. He hears of Rage’s return and is still determined to destroy him and what remains of the crew. Dondi convinces Rage to fight back using the tools he knows best. This book is a wild ride, immersing readers in old-school hip-hop mentality while providing education on graffiti styles and culture, flavored with copious drug use and a little magical realism. The story is told from Dondi’s point of view, making it accessible to teens. They will also be drawn in by observing Dondi’s tumultuous relationship with his parents and the other adults in his life, framed by the colorful exploration of the roots of graffiti and hip-hop culture.–<span class="ital1">Carla Riemer, Claremont Middle School, CA</span></p>
<p class="review"><span class="productcreatorlast">MCCREIGHT</span><span class="productcreatorfirst">, Kimberly. </span><span class="productname">Reconstructing Amelia. </span>400p. <span class="productpublisher">HarperCollins. </span>Apr. 2013. <span class="isbn">Tr $25.99. ISBN 978-006-222-5436.</span><span class="productgradelevel"><br />
Adult/High School</span>–This fast-paced and suspenseful debut novel revolves around the fact that even the closest parents and children keep secrets from one another. Kate is a high-powered litigation attorney in Manhattan. She lives in Park Slope, Brooklyn, with her 15-year-old daughter, Amelia, who attends the prestigious Grace Hall School. Kate is called to the school to pick up Amelia, who has been found cheating, but by the time she arrives, Amelia is lying dead on the ground, presumably having jumped from the school’s roof. The police and the school are eager to call it a suicide and move on, but Kate isn’t ready to believe it yet, especially after she receives an anonymous text that says “Amelia didn’t jump.” The story is told in alternating voices, both Kate’s and Amelia’s, as well as with text messages and Facebook and blog posts. The tension ratchets up as it becomes clear that Amelia was involved with a secret club at Grace Hall, and that she was receiving anonymous texts of her own. Meanwhile, she was also falling in love for the first time, trying to maintain her loyalty to her oldest friend, and developing a relationship with a new friend. Kate struggles to reconstruct the last weeks of Amelia’s life, and her efforts reveal that Amelia was searching for her own answers about Kate’s past. This a page-turning mystery and thriller will appeal to teen fans of Jodi Picoult.–<span class="ital1">Sarah Flowers, formerly of Santa Clara County Library</span>, CA</p>
<p class="review"><span class="productcreatorlast">MCMAHON</span><span class="productcreatorfirst">, Jennifer. </span><span class="productname">The One I left Behind. </span>422p. <span class="productpublisher">Morrow. </span>Jan. 2013. <span class="isbn">Tr $14.99. ISBN 978-0-06-212255-1.</span><span class="productgradelevel"><br />
Adult/High School</span>–When Reggie was 13, her mother was assumed to be the fourth and final victim of a serial killer, but her body was never found. Twenty-five years later, Vera shows up in a homeless shelter, and Reggie returns to Brighton Falls to care for her. Old friends reappear, old wounds are opened, and the serial killer takes a new victim. Much of the novel’s considerable suspense is exaggerated by the book’s structure–alternating chapters set in 1985, when Reggie was a teen and the serial killer was first active with those set in the present. At the same time, McMahon convincingly portrays every primary character–all introduced early in the novel–as a potential killer. And she never wastes a plot point, as nearly everything falls into place by the conclusion. Serial-killer stories always have appeal to certain teens, and this one manages to have a gory plotline (the murderer cuts off his victims’ right hand and drops it off in town before killing the person a few days later) while describing very little actual gore or violence. Great characters and great suspense make this a page turner. –<span class="ital1">Jamie Watson, Baltimore County Public Library, MD</span></p>
<p class="review"><span class="productcreatorlast">O’DONNELL</span><span class="productcreatorfirst">, Lisa. </span><span class="productname">The Death of Bees. </span>320p. <span class="productpublisher">HarperCollins. </span>Jan. 2013. <span class="isbn">Tr $25.99. ISBN 9780062209849.</span><span class="productgradelevel"><br />
Adult/High School</span>–A functioning family, regular meals, and a safe home are possibilities for sisters Nelly and Marnie only after they bury the bodies of both of their parents under backyard lavender. Each thinks the other smothered their father with a pillow in response to years of abuse. Their alcoholic mother hung herself in the shed soon after, and the sisters can only think to pretend that their parents have gone on an extended trip to Turkey. Letting outsiders discover their circumstances will lead them to separate foster homes. If they  can make it undiscovered for one year, Marnie will turn 16 and be considered an adult in Glasgow. Their plan seems too desperate to succeed until they make the acquaintance of their elderly neighbor Lennie. He has no one in his life after his partner passed away and has become isolated since his arrest for soliciting a minor in the local park. Nelly, Marnie, and Lennie narrate the progression of their relationship in brief, alternating chapters. Together all three have forged the loving family they’ve always deserved, but the outside world cannot help but interfere. This novel is remarkable for evocative writing that is grim and painfully poignant. A quick but often uncomfortable read, the story has an underlying sweetness that contrasts with its disturbing events. Teens will respond strongly to this engrossing exploration of relationships, and especially to Marnie, whose authentically rough and vulnerable voice lingers with readers long after the final page.–<span class="ital1">Priscille Dando, Fairfax County Public Schools, VA</span></p>
<p class="review"><span class="starred" style="color: #ff0000;">★</span><span class="productcreatorlast">OZEKI</span><span class="productcreatorfirst">, Ruth. </span><span class="productname">A Tale for the Time Being. </span>432p. <span class="productpublisher">Viking. </span>Mar. 2013. <span class="isbn">Tr $27.95. ISBN 9780670026630.</span><span class="productgradelevel"><br />
Adult/High School</span>–At first there are two stories. Nao, a 15-year-old Japanese girl, is writing a diary entry that speaks directly to readers: “Hi! My name is Nao, and I am a time being. Do you know what a time being is? Well, if you give me a moment, I will tell you.” Across the Pacific, a novelist named Ruth finds a barnacle-encrusted plastic bag. Inside this bag is a Hello Kitty lunchbox, which in turn holds a few items. One of them is Nao’s diary. Ruth is fascinated to the point of obsession with Nao’s writing, which describes the teen’s close relationship to her Zen Master great-grandmother, whom Nao texts constantly; Nao’s suicidal father; and the vicious bullying Nao endures at her school. Ruth launches an investigation into the whereabouts of Nao. As the novel progresses, the distinction between the two stories blurs. Ozeki brilliantly manages the intersection of the two worlds. Time is presented as both an unyielding barrier and an unceasing flow of possibilities. Ozeki’s writing includes a surprise at every turn. Like a Zen koan, or possibly like quantum mechanics, all that is possible is present.  Teens will find Nao’s quirky narration irresistible, and the inclusion of topics as diverse as kamikaze plane fighters, Schrödinger’s cat, and Pacific currents are bonuses for inquisitive readers. This is the kind of book that invites immediate re-reading to fully appreciate the concurrent themes and sly foreshadowing.–<span class="ital1">Diane Colson, formerly at Palm Harbor Public Library, FL</span></p>
<p class="review"><span class="productcreatorlast">PLANCK</span><span class="productcreatorfirst">, M. C. </span><span class="productname">The Kassa Gambit. </span>288p. <span class="productpublisher">Tor. </span>Jan. 2013. <span class="isbn">Tr $24.99. ISBN 978-0-7653-3092-5. </span><span class="productlcc">LC 2012026480.</span><span class="productgradelevel"><br />
Adult/High School</span>–Prudence Falling, captain of the tramp freighter <span class="ital1">Ulysses</span>, drops out of node-space on a routine run to the remote farming planet of Kassa, only to discover that there is something seriously wrong. Despite the fact that everyone knows, after centuries of space travel, that humans are the only sentient beings in the universe, it appears that Kassa has been attacked by aliens. Meanwhile, when League police officer Kyle Daspar arrives, Prudence assumes he knows more than he’s telling, and Kyle (who is actually a double agent) assumes Prudence has been sent to kill him. When a Fleet ship shows up unexpectedly, both of them are suspicious. Kyle and Prudence–separately at first, and then together–attempt to find out what happened on Kassa, and who is responsible. As they hop from planet to planet, a conspiracy of epic proportions begins to be revealed, and Kyle and Pru are right in the middle of the action. Planck’s debut novel is a fast-moving tale of political intrigue and social commentary (with a little romance thrown in), told in the context of a classic space opera. The writing is awkward at times, especially in the dialogue between Pru and Kyle, but the plot carries the day. Fans of David Weber’s “Honor Harrington” series (Baen) or Lois McMaster Bujold’s “Miles Vorkosigan” books (Baen) might enjoy this quick and fun read.–<span class="ital1">Sarah Flowers, formerly of Santa Clara County Library</span>,<span class="ital1"> CA</span></p>
<p class="review"><span class="productcreatorlast">PYPER</span><span class="productcreatorfirst">, Andrew. </span><span class="productname">The Demonologist. </span>304p. <span class="productpublisher">S &amp; S. </span>Mar. 2013. <span class="isbn">pap. $$25. ISBN 9781451697414.</span><span class="productgradelevel"><br />
Adult/High School</span>–Angels and demons have fascinated readers throughout history, and today’s teens are far from immune. David Ullman is an English professor at Columbia University, “an atheist biblical scholar; a demon expert who believes evil to be a manmade invention,” whose specialty is Milton’s <span class="ital1">Paradise Lost</span>. One afternoon, a woman comes to his office and offers him a trip to Venice and a large sum of money to observe a “phenomenon” for her employer. He decides to take his young teenage daughter Tess along and enjoy the change of scene. In Venice he goes to the address he has been given where he observes a fellow scholar, in chains, who appears to be possessed. After he returns, deeply disturbed, to the hotel, Tess throws herself off the roof and disappears into the canals. David knows that she has been taken in order to manipulate him into…what? He launches a search for his daughter and the creature who holds her. He follows clues from his own tragic family history, quotes from <span class="ital1">Paradise Lost</span> shared by the demon or its victims, and some from his daughter’s diary, which reveals her interpretation of the melancholy and loneliness that has plagued them both as a stalking evil presence. Now that presence wants the world’s attention, and believes an academic “demonologist” would make the perfect ambassador. This horror novel is recommended for teens who enjoy intelligent, literary puzzles. Although the suspense peters out before the end, David’s encounters with the demon are genuinely scary and unexpected. Those looking for a thriller with the pace of a Dan Brown novel should look elsewhere.<span class="ital1">–Angela Carstensen, Convent of the Sacred Heart, New York City</span></p>
<p class="review"><span class="productcreatorlast">ROLLINS</span><span class="productcreatorfirst">, James &amp; Rebecca </span><span class="productcreatorlast">Cantrell. </span><span class="productname">The Blood Gospel</span>. 496p. (Order of the Sanguines Series). <span class="productpublisher">Morrow. </span>Jan. 2013. <span class="isbn">Tr $27.99. ISBN 9780061991042; ebook ISBN 9780062235756.</span><span class="productgradelevel"><br />
Adult/High School</span>–In the beginning, there were the <span class="ital1">strigoi</span> (vampires). Lazarus is one, but by the grace of Christ’s blood he becomes the first Sanguinist, leading an order dedicated to living a life of devotion and celibacy, with the hope that if death is honorable, their souls will be returned. Flash forward to modern-day Caesarea, Israel, and an archaeological dig that might prove the truth of the Slaughter of the Innocents unleashed by Herod (only–oddly–there are human bite marks on the bones). Suddenly, an army helicopter appears, kidnapping Dr. Erin Granger and taking her to Masada, where an earthquake has unleashed a toxic gas and opened a route to a formerly hidden temple.  She’s accompanied by Sgt. Jordan Stone and Fr. Rhun Korza, and together they may fulfill an ancient prophecy that will open the Blood Gospel–written by Christ, in His blood. Thus starts a journey that takes the trio to Nazi hideouts in Germany, a modern-day meeting with Rasputin in St. Petersburg, and, finally, to the Vatican, all while outrunning Bathory, a follower of the demon Belial and in control of several <span class="ital1">strigoi</span> and <span class="ital1">blaphsemere</span>s (vampiric beasts). This is the book that readers of Anne Rice, Dan Brown, and Toyne’s “Sanctus” trilogy have been waiting for: the suspense is ratcheted up by the use of a timeline/clock at the start of each segment; the cast of characters is continually a surprise (Judas–check. Lazarus–check. Elizabeth Bathory–check.); and a cliffhanger ending will leave readers eager for Book Two.–<span class="ital1">Laura Pearle, the Center for Fiction, New York City</span></p>
<p class="subhead-bk Subhead">Nonfiction</p>
<p class="review"><span class="productcreatorlast">DAILY</span><span class="productcreatorfirst">, James &amp; Ryan </span><span class="productcreatorlast">Davidson. </span><span class="productname">The Law of Superheroes. </span>320p. reprods. <span class="productpublisher">Gotham. </span>2012. <span class="isbn">Tr $26. ISBN 978-1-592-40726-2. </span><span class="productlcc">LC 2012014370.</span><span class="productgradelevel"><br />
Adult/High School</span>–Fans of television’s <span class="ital1">The Big Bang Theory</span> often see the characters arguing about superheroes–for example, which Robin should take over from Batman, or which mode of transportation is coolest. <span class="ital1">The Law of Superheroes</span> takes these arguments to the next level, as two lawyers (and comic-book fans) look at the hard questions. Questions like, do superheroes have to file flight plans? (answer: Batman yes, Superman no); or, is Martian Manhunter possibly protected by the Endangered Species Act? And then there’s advice for regular folks, who may be wondering if a homeowner gets an insurance payout when say, the Hulk smashes their home. What about the Sixth Amendment’s Confrontation Clause, guaranteeing the right to face your accuser? If that accuser is a masked superhero, how can the guy in the Batman mask prove he’s really Batman and not some imposter? While the language does get technical and the footnotes are often case citations, this is a fascinating look at the possible legal consequences and responsibilities faced by those who inhabit the DC and Marvel universes/multiverses/alternate universes. Even Neil Gaiman’s Hob Gadling gets a mention (How do immortals keep their money safe over several lifetimes? Can they?). While it helps to have knowledge of the various heroes and villains, it’s not necessary. This book will appeal to comic-loving geeks as much as to those considering pre-law and trivia lovers. The one caveat is that the illustrations (reprints from various strips over the past 30 years) are all in black-and-white; teens may miss the color of the originals.–<span class="ital1">Laura Pearle, the Center for Fiction, New York City</span></p>
<p class="review"><span class="productcreatorlast">ELLSWORTH-JONES</span><span class="productcreatorfirst">, Will. </span><span class="productname">Bansky: The Man Behind the Wall. </span>336p. <span class="productpublisher">St. Martin. </span>Feb. 2013. <span class="isbn">Tr $27.99. ISBN 9781250025739.</span><span class="productgradelevel"><br />
Adult/High School</span>–For many, graffiti is urban blight: something to be eradicated quickly. For some, it’s art. For others, it’s a way of expressing themselves. For Banksy, it’s a living. Who is Banksy? He’s possibly one of the most famous “street artists” out there, but also one of that world’s biggest ciphers. In this completely unauthorized biography , Ellsworth-Jones focuses on the rise of street art in the world in general, in Bristol, England specifically, and Banksy’s role in that rise. Is his art really graffiti? His use of stencils suggests not, and several other graffiti icons have feuded with him over his work and style. He’s famously private, yet was nominated for an Oscar for the documentary <span class="ital1">Exit Through the Gift Shop</span>, and did the artwork for a Blur album. The biggest question about his art is how he’s making money from it–how do you sell a building wall? What really is a “Banksy,” since authenticating that wall’s art could lead to legal problems? Given the ephemeral nature of street art, should Banksy’s work be preserved? If yes, what about that of other street artists? Or is it all vandalism of public property and should be destroyed? This book raises those questions and more as the Ellsworth-Jones explores her subject’s  life and world. Casual readers will learn more about graffiti as an art form–perhaps appreciating what they see when they see it–while Banksy fans and artists in all genres will learn more about this enigmatic figure and his work. A comprehensive bibliography includes links to many websites about street art.–<span class="ital1">Laura Pearle, the Center for Fiction</span>, <span class="ital1">New York City</span></p>
<p class="review"><span class="productcreatorlast">RAJAMANI</span><span class="productcreatorfirst">, Ashok. </span><span class="productname">The Day My Brain Exploded. </span>253p. <span class="productpublisher">Algonquin. </span>2013. <span class="isbn">pap. $13.95. ISBN 978-1-56512-997-9. </span><span class="productlcc">LC 2012035412.</span><span class="productgradelevel"><br />
Adult/High School</span>–Rajamani was masturbating a few hours before his older brother’s wedding ceremony when, literally, his brain exploded. He was blind, he could not move, and he knew he was dying, but somehow he managed to call the desk clerk and say “ambulance” as well as put on his shorts. Thus begins this hilarious, irreverent, fascinating Holden Caulfield-esque story of a 25-year-old “brain-damaged, Indian American redneck.” Growing up in the Bible Belt, he writes that he “never felt attractive, or even human for that matter,” as his family had the only brown faces he ever saw. Rajamani characterizes himself–his fears, his foibles, his world, and the people in it–with perfect sarcastic humor. For example, after he relearns how to walk, he describes himself as “a blind supermodel walking down an oil-slicked catwalk.” A leading eye surgeon is described as Mr. Magoo, a “short white man with glasses whose lenses seemed thicker than his legs.” Less than 1/10th of 1 percent of the population in the entire world are born with the congenital birth defect that caused his brain to explode and, amazingly, Rajamani runs into several of them randomly. The author’s account is brilliant, engaging, informative, and full of teen appeal as Rajamani navigates his recovery from one of the biggest side effects of all traumatic brain injury– “total isolation and disappearance of socialization”–into a world of independence.–<span class="ital1">Amy Cheney, Alameda County Library, Juvenile Hall, CA</span></p>
<p class="review"><span class="productcreatorlast">SOTOMAYOR</span><span class="productcreatorfirst">, Sonia. </span><span class="productname">My Beloved World. </span>320p. photos. <span class="productpublisher">Knopf. </span>Jan. 2013. <span class="isbn">Tr $27.95. ISBN 9780307594884.</span><span class="productgradelevel"><br />
Adult/High School</span>–In this fresh and exciting autobiography, Sotomayor relates her rise from humble beginnings in the South Bronx to become the first Hispanic Justice of the Supreme Court. Diagnosed with diabetes at age seven, she learned to give herself insulin injections because her father was shaky from drinking and her mother was always at work. After their father died, Sotomayor and her brother often depended on neighbors and their beloved grandmother. Sotomayor was proud of her Puerto Rican heritage and cognizant of the importance of family. Education was a priority–her mother was poor, but she paid for Catholic school. Sotomayor competed on high school debate and forensics teams where she learned to form an argument. She countered the culture shock of Princeton by joining Acción Puertorriqueña, a Latino student group that fulfilled her desire to help people. She wanted to be a lawyer from a young age because she believes in “law as a force for good, for protecting the community.” It was years before she could voice her true goal–to be a judge. In clear-eyed, heartfelt prose, Sotomayor writes again and again about the importance of learning from everyone she encounters– friends, colleagues, and mentors. She reveals her struggle between career and motherhood, her divorce, and the effects of affirmative action. For young adults with aspirations in the field of the law, a better role model and guide is hard to imagine.–<span class="ital1">Angela Carstensen, Convent of the Sacred Heart, New York City</span></p>
<p class="review">Graphic Novel</p>
<p class="review"><span class="starred" style="color: #ff0000;">★</span><span class="productcreatorlast">MODAN,</span><span class="productcreatorfirst"> Rutu. </span><span class="productname">The Property. </span>tr. from Hebrew by Jessica Chen. 232p. illus. notes. <span class="productpublisher">Drawn &amp; Quarterly. </span>June 2013. <span class="isbn">Tr $24.95. ISBN 978-1-77046-115-4.</span><span class="productgradelevel"><br />
Adult/High School</span>–Soon after her father dies of cancer, Mica accompanies her grandmother to Warsaw, the city the older woman escaped, unmarried and pregnant, in 1940. While the trip is ostensibly to investigate how they will repossess family property lost during the war, each woman manages to combine that effort with a personal exploration and discoveries of her own. From the time they board the jet in Tel Aviv, however, their paths are unwelcomingly crossed and recrossed by duplicitous Avram Yagodnik, a family “friend.” Modan’s beautiful, clear-line artwork shows off both the old and new Warsaws, the elderly woman’s careful makeup that cannot hide her wrinkles, and all of the details that pull readers so fully into the story as to remove the distance between observing the shown and seeing it for oneself. Mica meets a Polish cartoonist whom she can’t quite bring herself to trust while her grandmother manages to find the love of her life, Roman, the father of the baby who would become Mica’s father. Yagodnik isn’t satisfied with hovering and eavesdropping in the background, but pushes his sweaty bulk into the women’s moments of discovery, bent on subverting any inheritance toward another family member. Typeface choices show how the events here occur multi-lingually, as various characters rely on Hebrew, Polish, English, and Russian both to pass secrets to and to maintain secrets from each other. The images, too, communicate elements of the story that go otherwise unspoken, making this a tightly crafted, accessible family story in which history and the present inform each other, as well as Mica and her grandmother.–<span class="ital1">Francisca Goldsmith, Infopeople Project, CA</span></p>
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		<title>Book/Multimedia Review Stars List &#124; May 2013</title>
		<link>http://www.slj.com/2013/05/books-media/best-of/bookmultimedia-review-stars-list-may-2013/</link>
		<comments>http://www.slj.com/2013/05/books-media/best-of/bookmultimedia-review-stars-list-may-2013/#comments</comments>
		<pubDate>Wed, 01 May 2013 15:00:53 +0000</pubDate>
		<dc:creator>SLJ</dc:creator>
				<category><![CDATA[Adult Books 4 Teens]]></category>
		<category><![CDATA[Best of]]></category>
		<category><![CDATA[Collective Book List]]></category>
		<category><![CDATA[Grades 5 & Up]]></category>
		<category><![CDATA[Graphic Novel Reviews]]></category>
		<category><![CDATA[Multimedia Reviews]]></category>
		<category><![CDATA[Preschool to Grade 4]]></category>
		<category><![CDATA[May 2013 Print]]></category>
		<category><![CDATA[starred reviews]]></category>

		<guid isPermaLink="false">http://www.slj.com/?p=42476</guid>
		<description><![CDATA[May, a month of “ducky” stars.]]></description>
			<content:encoded><![CDATA[<div id="attachment_42501" class="wp-caption aligncenter" style="width: 610px"><img class="size-full wp-image-42501" title="SLJ1305w_Stars_Castellucc" src="http://www.slj.com/wp-content/uploads/2013/04/SLJ1305w_Stars_Castellucc.jpg" alt="SLJ1305w Stars Castellucc Book/Multimedia Review Stars List | May 2013" width="600" height="410" /><p class="wp-caption-text"><em>Odd Duck</em> (Castellucci). ©2013 by Sara Varon</p></div>
<p class="Subhead"><span class="ProductCreatorFirst">Preschool to Grade 4</span></p>
<p class="Biblio"><span class="ProductCreatorLast">ARNOSKY</span><span class="productcreatorfirst">, Jim. </span><span class="ProductName">Shimmer &amp; Splash. </span>illus. by author. Sterling. p. 90.</p>
<p class="Biblio"><span class="ProductCreatorLast">CASTELLUCCI</span><span class="productcreatorfirst">, Cecil. </span><span class="ProductName">Odd Duck. </span>illus. by Sara Varon. <span class="ProductPublisher">First Second. </span>May 2013. p. <span class="isbn">68</span><span class="productcreatorfirst">. </span></p>
<p class="Biblio"><span class="ProductCreatorLast">COUDRAY</span><span class="productcreatorfirst">, Philippe. </span><span class="ProductName">Benjamin Bear in Bright Ideas! </span>illus. by author. <span class="ProductPublisher">Toon Bks. </span>p. 138.</p>
<p class="Biblio"><span class="ProductCreatorLast">FLEMING</span><span class="productcreatorfirst">, Candace. </span><span class="ProductName">Papa’s Mechanical Fish. </span>illus. byBoris Kulikov. <span class="ProductPublisher">Farrar/Margaret Ferguson. </span>June 2013. p. 72.</p>
<p class="Biblio"><span class="ProductCreatorLast">LOOK</span><span class="productcreatorfirst">, Lenore. </span><span class="ProductName">Brush of the Gods. </span>illus. by Meilo So. <span class="ProductPublisher">Random/Schwartz &amp; Wade. </span>June 2013. <span class="isbn">p. 80.</span></p>
<p class="Biblio"><span class="ProductCreatorLast">MCGINTY</span><span class="productcreatorfirst">, Alice B. </span><span class="ProductName">Gandhi. </span>illus. by Thomas Gonzalez. <span class="ProductPublisher">Amazon. </span>p<span class="productcreatorfirst">. 92.</span></p>
<p class="Biblio"><span class="ProductCreatorLast">MORSTAD</span><span class="productcreatorfirst">, Julie. </span><span class="ProductName">How To. </span>illus. by author. <span class="ProductPublisher">Simply Read Books. </span>May 2013. p. 83.</p>
<p class="Biblio"><span class="ProductCreatorLast">PIZZOLI, </span><span class="productcreatorfirst">Greg. </span><span class="ProductName">The Watermelon Seed.</span><span class="productcreatorfirst"> illus. by author. Hyperion/Disney. May 2013. p. 84.</span></p>
<p class="Biblio"><span class="ProductCreatorLast">STRINGER</span><span class="productcreatorfirst">, Lauren. </span><span class="ProductName">When Stravinsky Met Nijinsky. </span>illus. by author. <span class="ProductPublisher">Houghton Harcourt. </span>p. 96.</p>
<p class="Subhead"><span class="ProductCreatorFirst">GRADES 5 &amp; UP</span></p>
<p class="Biblio"><span class="ProductCreatorLast">ANGUS</span><span class="productcreatorfirst">, Sam. </span><span class="ProductName">Soldier Dog. </span><span class="ProductPublisher">Feiwel &amp; Friends. p. 100.</span></p>
<p class="Biblio"><span class="ProductCreatorLast">CHARLTON-TRUJILLO</span><span class="productcreatorfirst">, e.E. </span><span class="ProductName">Fat Angie. </span><span class="ProductPublisher">Candlewick. p. 104.</span></p>
<p class="Biblio"><span class="ProductCreatorLast">CRUMP</span><span class="productcreatorfirst">, Marty. </span><span class="ProductName">The Mystery of Darwin’s Frog. </span>illus. by Steve Jenkins. <span class="ProductPublisher">Boyds Mills. p. 133.</span></p>
<p class="Biblio"><span class="ProductCreatorLast">FREEDMAN</span><span class="productcreatorfirst">, Russell.</span><span class="ProductName">Becoming Ben Franklin.</span><span class="productcreatorfirst">Holiday House. p. 133.</span></p>
<p class="Biblio"><span class="ProductCreatorLast">GEWIRTZ</span><span class="productcreatorfirst">, Adina Rishe. </span><span class="ProductName">Zebra Forest. </span><span class="ProductPublisher">Candlewick. p. 110.</span></p>
<p class="Biblio"><span class="ProductCreatorLast">LA VALLEY</span><span class="productcreatorfirst">, Josanne. </span><span class="ProductName">The Vine Basket. </span><span class="ProductPublisher">Clarion. p. 115.</span></p>
<p class="Biblio"><span class="ProductCreatorLast">LYNCH</span><span class="productcreatorfirst">, Chris. </span><span class="ProductName">Pieces. </span><span class="ProductPublisher">S &amp; S. </span>p. 118.</p>
<p class="Biblio"><span class="ProductCreatorLast">MARINO</span><span class="productcreatorfirst">, Nan. </span><span class="ProductName">Hiding Out at the Pancake Palace. </span><span class="ProductPublisher">Roaring Brook. p. 120. </span></p>
<p class="Biblio"><span class="ProductCreatorLast">MORIARTY</span><span class="productcreatorfirst">, Jaclyn. </span><span class="ProductName">A Corner of White. </span>Bk. 1. (The Colors of Madeleine Series). <span class="ProductPublisher">Scholastic/Arthur A. Levine. </span>p. 120.</p>
<p class="Biblio"><span class="ProductCreatorLast">PAXMANN</span><span class="productcreatorfirst">, Christine. </span><span class="ProductName">From Mud Huts to Skyscrapers. </span>tr. from German by Cynthia Hall. illus. by Anne Ibelings. <span class="ProductPublisher">Prestel. </span>p<span class="productcreatorfirst">. 136.</span></p>
<p class="Biblio"><span class="ProductCreatorLast">RUBIN</span><span class="productcreatorfirst">, Susan Goldman. </span><span class="ProductName">Diego Rivera. </span><span class="ProductPublisher">Abrams. </span>p. 137.</p>
<p class="Biblio"><span class="ProductCreatorLast">TREVAYNE</span><span class="productcreatorfirst">, Emma. </span><span class="ProductName">Coda. </span><span class="ProductPublisher">Running Pr. Teens. </span>May 2013. <span class="isbn">p. 129.</span></p>
<p class="Subhead"><span class="ProductCreatorFirst">ADULT BOOKS 4 TEENS BLOG</span></p>
<p class="Biblio"><span class="ProductCreatorLast">MODAN</span><span class="ProductCreatorFirst">, Rutu. </span><span class="ProductName">The Property.</span><span class="ProductCreatorFirst"> tr. from Hebrew by Jessica Chen. Drawn &amp; Quarterly. June 2013. (Mar. 20, 2013, post)</span></p>
<p class="Biblio"><span class="ProductCreatorLast">KRUEGER</span><span class="ProductCreatorFirst">, William Kent. </span><span class="ProductName">Ordinary Grace. </span><span class="ProductCreatorFirst">S &amp; S/Atria. (Mar. 21, 2013, post)</span></p>
<p class="Biblio"><span class="ProductCreatorLast">OZEKI</span><span class="ProductCreatorFirst">, Ruth. </span><span class="ProductName">A Tale for the Time Being</span><span class="ProductCreatorFirst">. Viking. (Apr. 8, 2013, post)</span></p>
<p class="Biblio">
<h3>Multimedia</h3>
<p class="Subhead">DVD</p>
<p class="Biblio"><span class="ProductName">Julian Bond: Reflections from the Frontlines of the Civil Rights Movement.</span> Filmakers Library. p. 51.</p>
<p class="Biblio"><span class="ProductName">An Original DUCKumentary (Nature Series).</span> PBS Dist. p.50.</p>
<p class="Subhead">AUDIO</p>
<p class="Biblio"><span class="ProductName">Last Dragonslayer: The Chronicles of Kazam, Book 1.</span> By Jasper Fforde. Brilliance Audio. p.53.</p>
<p class="Biblio"><span class="ProductName">Maggot Moon.</span> By Sally Gardner. Brilliance Audio. p. 54.</p>
<p class="Biblio"><span class="ProductName">Shadow on the Mountain.</span> By Margi Preus. Recorded Books. p. 56.</p>
<p class="Biblio"><span class="ProductName">What Came from the Stars.</span> By Gary Schmidt. Recorded Books. p. 58.</p>
<p class="Biblio"><span class="ProductName">Yellow Star.</span> By Jennifer Roy. Brilliance Audio. p. 58.</p>
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		<title>The Debut: Kimberly McCreight, &#8216;Reconstructing Amelia&#8217;</title>
		<link>http://www.slj.com/2013/04/books-media/author-interview/the-debut-kimberly-mccreight-reconstructing-amelia/</link>
		<comments>http://www.slj.com/2013/04/books-media/author-interview/the-debut-kimberly-mccreight-reconstructing-amelia/#comments</comments>
		<pubDate>Tue, 16 Apr 2013 16:46:01 +0000</pubDate>
		<dc:creator>Angela Carstensen</dc:creator>
				<category><![CDATA[Adult Books 4 Teens]]></category>
		<category><![CDATA[Author Interview]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Teens & YA]]></category>
		<category><![CDATA[YA reviews]]></category>
		<category><![CDATA[SLJTeen]]></category>

		<guid isPermaLink="false">http://www.slj.com/?p=39236</guid>
		<description><![CDATA[On October 24, Kate, a hard-working attorney and single mother, is called away in the middle of a crucial meeting to pick up her 15 year-old daughter at her fancy private school in Brooklyn. Amelia has been suspended for plagiarizing an English paper. When Kate arrives at Grace Hall she learns that Amelia has jumped from the roof, committing suicide.  Adult Books 4 Teens blogger Angela Carstensen recently talked with debut author Kimberly McCreight about her debut novel, Reconstructing Amelia.]]></description>
			<content:encoded><![CDATA[<p>On October 24, Kate, a hard-working attorney and single mother, is called away in the middle of a crucial meeting to pick up her 15 year-old daughter at her fancy private school in Brooklyn. Amelia has been suspended for plagiarizing an English paper. When Kate arrives at Grace Hall, she learns that Amelia has jumped from the roof, committing suicide.</p>
<p>The story backs up to the beginning of September and switches to Amelia’s point of view. Her narration is interspersed with text messages, Facebook posts, and excerpts from a gossip blog. Readers learn about Amelia and her best friend, Sylvia; Amelia’s invitation to join a Grace Hall secret society, the Magpies; and the shocking lengths to which she goes to prove herself to the leaders of the “Maggies.”</p>
<p>Weeks after Sylvia’s death, Kate receives an anonymous text message, stating, simply, “Amelia didn’t jump.” From there the story accelerates, moving back and forth in time, between Kate’s investigation and Amelia’s last weeks. Many twists and turns follow, and readers won’t want to put this book down until they know just what happened on that roof, and why. Adult Books 4 Teens blogger Angela Carstensen talked with debut author Kimberly McCreight about <em>Reconstructing Amelia</em> (Harper, 2013).</p>
<p><strong>The mixture of narrative voices and styles, including text messages and blog posts, is perhaps this novel’s greatest strength. Did you plan this from the beginning, or did your method of telling the story change as your worked progressed?</strong></p>
<p><img class="alignleft  wp-image-39238" title="41713reconstructingamelia" src="http://www.slj.com/wp-content/uploads/2013/04/41713reconstructingamelia.jpg" alt="41713reconstructingamelia The Debut: Kimberly McCreight, Reconstructing Amelia" width="125" height="178" />Every [unpublished] book I’ve ever written has been from multiple points of view and shifting time frames. There’s just something about that kind of storytelling that I find appealing. For me, this orchestral approach to narrative most accurately reflects how people experience situations and relationships. It’s never linear—not the events, not the memories, and certainly not the emotions.</p>
<p>The multimedia elements flowed from Amelia’s point of view. Once I was writing from the perspective of a teenage girl in 2013, it was only natural that she communicate in these various mediums and that they be as important sometimes as her face-to-face interactions. Moreover, to truly understand either a friendship built on texts or an electronic assault that can come at any hour, it helps to actually experience it that way as a reader. Plus, I just loved the idea of someone as bright and articulate as Amelia using her Facebook status updates to show her literary flourish. I like to imagine I might have done that if Facebook had been around when I was her age, but I’m not sure I’d have been that clever.</p>
<p><strong>How did you work to differentiate Kate and Amelia’s voices?</strong></p>
<p>Writing Kate in third person and Amelia in first helped to naturally distinguish them. I decided to put Amelia in first person to give her story greater immediacy. With Kate, I honestly wasn’t sure—as a mother—that I could handle writing about her grief in the first person. A little narrative distance seemed critical to doing justice to that kind of loss.</p>
<p>Beyond that, the voices simply came out very differently as I lived inside the two characters. I also edited the two threads separately. Once the first draft was finished, I worked on one voice at a time from beginning to end, starting with Kate then Amelia. And then, of course, I had to be on the lookout for the odd slip—like Kate saying “whatever.” It did happen occasionally in early drafts, but luckily it tended to jump off the page.</p>
<p><strong>Why did you set the novel in a New York City private school? Did you attend a private school? If not, how did you go about researching that world?</strong></p>
<p><img class="alignright size-full wp-image-39237" title="mccreight" src="http://www.slj.com/wp-content/uploads/2013/04/mccreight.jpg" alt="mccreight The Debut: Kimberly McCreight, Reconstructing Amelia" width="154" height="249" />Those decisions didn’t feel like choices so much as the way things already were. I often feel when I’m writing that I’m recording something that has already happened. That said, I did go to private school—a boarding school in Princeton, New Jersey—for high school. Even though it wasn’t an exact fit, I probably did feel a little more equipped to write about that kind of setting.</p>
<p>But so much of the novel is also informed by my experiences as a mother, and that has been shaped in large part by Park Slope, the Brooklyn neighborhood where I have raised both my daughters. I know what it feels like to be walking down a sidewalk and to hope that the ambulance that has just sped by isn’t racing to your child’s school. In the writing, it absolutely made everything feel more real to me, having it set here in Brooklyn.</p>
<p>I also did a fair amount of research into teens, their lives online as well as in person, including bullying and sexuality. I spoke with local private school students as well to find out how they spent their time away from school, where they hung out, how they communicated—texts, Facebook, IM-ing—and what they talked about.</p>
<p><strong></strong><strong>Did you set out to write a book about bullying, or did you begin with the idea of writing a mystery about a teen suicide and the mother’s need to understand her daughter’s motivation?</strong></p>
<p>The bullying aspect of the book developed from the characters. Once I was living inside Amelia’s skin and had developed the secondary characters, the rest of the story played out in its own, tragically inevitable way.</p>
<p>But you’re exactly right that I was first motivated by the notion of a mother trying to understand the profound loss of a child through a supposed suicide. As my children get older and are off on their own more in the world, I’m increasingly aware of how little I know about what goes on in their lives. And they’re still so young and they tell me a lot. Sometimes, I can’t get them to stop talking.</p>
<p>Yet, they leave things out. Not even on purpose, but occasionally, they’ll just say something innocently that hints at some larger narrative. I’ll find myself saying, “wait, back up, tell me more about that.” Next thing you know a whole story unfolds that I might not have otherwise known anything about if I’d been distracted for that split-second, which—believe me—happens all the time. They are young still, so these dramas are mostly innocuous, but already I can see how it would be so easy not to know things. Even when you’re trying so hard to know everything.</p>
<p>The reality is that as much as our children feel like they are part of us, they aren’t. Every day they chart their own little course in this world. They must, and it’s our job to help them do it. That’s awe-inspiring and beautiful—and utterly terrifying. <strong></strong></p>
<p><strong> </strong><strong>Was there ever a point when you considered publishing this novel for the young adult market? </strong></p>
<p>I do remember having coffee with a good writer friend after I was finished and telling her that I thought I might have written an adult-YA crossover. “Is there such a thing?” I remember asking. I wasn’t even sure. I never made a conscious decision to go for one market or another, I just wrote the book I had to write.</p>
<p><strong></strong><strong>Would you consider secrets to be a central theme of the novel? I was struck by the number of secrets being kept by both adults and teens, from secrets of parentage to secrets of sexual orientation. And, of course, the secret society at the center of it all.</strong></p>
<p>Secrets and their potentially toxic consequences are absolutely a central theme of <em>Reconstructing Amelia</em>. The best protection for children—whether it’s from bullying, or drugs, or depression—is a honest, trusting relationship with a parent or someone they’ll speak to when things go off the rails or reach out to before they go over that fateful ledge.</p>
<p>For me, that openness is a two-way street. For children to be willing to share the things they’re ashamed of—and often that includes being bullied or even being the bullier—they have to know that we won’t judge them, that our love is unconditional. That’s easier said than done, I know. Because words so often aren’t enough.</p>
<p>But I think it helps for them to know that we’re not perfect either. That we’ve made mistakes—loved the wrong person, been unkind to a friend, lied when we shouldn’t have, trusted when we knew better—but that we survived. And that they will too.</p>
<p><em>Please see the </em>SLJ<em> review of </em>Reconstructing Amelia<em>, published on the <strong>Adult Books 4 Teens</strong> blog at <a href="http://blogs.slj.com/adult4teen/2013/04/03/weekly-reviews-debut-novels/">http://blogs.slj.com/adult4teen/2013/04/03/weekly-reviews-debut-novels/</a></em>.</p>
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		<title>Adult Books 4 Teens &#124; April 2013</title>
		<link>http://www.slj.com/2013/04/books-media/reviews/adult-books-4-teens/adult-books-4-teens-april-2013/</link>
		<comments>http://www.slj.com/2013/04/books-media/reviews/adult-books-4-teens/adult-books-4-teens-april-2013/#comments</comments>
		<pubDate>Tue, 02 Apr 2013 18:38:28 +0000</pubDate>
		<dc:creator>Angela Carstensen</dc:creator>
				<category><![CDATA[Adult Books 4 Teens]]></category>
		<category><![CDATA[Books & Media]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[Adult fiction for Teens]]></category>
		<category><![CDATA[April 2013]]></category>

		<guid isPermaLink="false">http://www.slj.com/?p=38522</guid>
		<description><![CDATA[Get read for summer reading with three mysteries by popular writers: Mary Jane Clark’s <em>Footprints in the Sand: A Piper Donovan Mystery</em>, Frances Brody’s <em>A Medal for Murder: A Kate Shackleton Mystery</em>, and Alan Bradley’s <em>Speaking from Among the Bones: A Flavia de Luce Novel</em>.]]></description>
			<content:encoded><![CDATA[<p class="SubheadBK Subhead">Fiction</p>
<p class="Review"><span class="Starred"><img src="http://reviews.libraryjournal.com/wp-content/uploads/2012/06/redstar.jpg" alt="redstar Adult Books 4 Teens | April 2013" width="16" height="16" border="0" title="Adult Books 4 Teens | April 2013" /></span> <span class="ProductCreatorLast">BEAUMAN</span> <span class="ProductCreatorFirst">, Ned. </span> <span class="ProductName">The Teleportation Accident. </span>357p. <span class="ProductPublisher">Bloomsbury. </span>Feb. 2013. <span class="ISBN">Tr $25. ISBN 978-1-62040-022-7. </span> <span class="ProductLCC">LC 2012038374.</span><span class="ProductGradeLevel"><br />
Adult/High School</span>–Beauman’s deliriously complex, tremendously funny second novel follows the travails of Egon Loeser (looks like “loser”; sounds like “lesser”) as he chases a girl named Adele Hitler from Berlin to Paris to Los Angeles. That he is leaving Berlin just as that other A. Hitler is coming to power means nothing to the staunchly (naively, frustratingly) apolitical Loeser, who is much more concerned with mounting a stage production about a 17th-century set designer. Lavicini’s most famous creation was the Teleportation Device, which rearranged sets with frightening speed before ultimately causing an explosion that may or may not have killed Lavicini and several dozen audience members. Loeser wants to re-create Lavicini’s machine for his play, only to find, when he moves to Los Angeles, a physicist there who thinks Lavicini may have actually invented teleportation and wants to re-create <span class="ital1">that</span>. This fixation on doubling, re-creation, and representation drives the heart of the novel, as Beauman over and over again probes the boundary, and the direction of causation, between signifier and signified. At the same time, Beauman keeps his character’s and his novel’s self-importance in check by constantly confronting them with the specter of politics, in the form of the Nazis and the resolutely unmentioned Holocaust. This is a challenging, thought-provoking, sometimes mind-bending novel, but it is also a hilarious one, and it should be recommended to any teen who can make it through Thomas Pynchon’s <span class="ital1">The Crying of Lot 49 (</span>Harper Perennial, 2006).–<span class="AuthName">Mark Flowers, John F. Kennedy Library, Vallejo, CA</span></p>
<p class="Review"><span class="ProductCreatorLast">BENJAMIN</span> <span class="ProductCreatorFirst">, Melanie. </span> <span class="ProductName">The Aviator’s Wife: A Novel. </span>402p. <span class="ProductPublisher">Delacorte. </span>Feb. 2013. <span class="ISBN">Tr $26.. ISBN 9780345528674.</span><span class="ProductGradeLevel"><br />
Adult/High School</span>–It is 1927, and Anne is home for the holidays in Mexico where her father is the U.S. Ambassador, expecting to relax. But dashing Charles Lindbergh is also visiting. Everyone worships him, Anne included. All of the Morrows expect Anne’s beautiful older sister to interest him, but it is Anne who catches his attention. The two bond during a late night flight and long car rides; it isn’t long before he asks her to marry him. They are revered as “the couple” to follow. They fly airplanes all over the world and have fabulous adventures. Everywhere they go they are courted and admired. The birth of their son, Charles, caps their popularity until one day, at 18 months of age, he is kidnapped, only to be found dead weeks later. Their blessed life is shattered. Searching for solitude, they head to Europe where they meet with world leaders. Examining the growing German air force, Charles becomes enamored with Hitler, until his aggression becomes clearly apparent. Anne and Charles return home determined to serve their country against this threat. But as Charles finds solace in activity, Anne searches inward and devotes herself to raising their children, and to writing. Time, separation, and Charles’s obsessive nature strain their marriage. Told as flashbacks in the style of a memoir, <span class="ital1">The Aviator’s Wife</span> is a compelling read. Given its memoir format, it is also a challenge to know what is truth and what is fiction. This is the story of a marriage, and teens will gain insight not only into a slice of American history, but also inside the world of two incredibly fascinating people.–<span class="AuthName">Connie Williams, Petaluma High School, CA</span></p>
<p class="Review"><span class="ProductCreatorLast">BRADLEY</span> <span class="ProductCreatorFirst">, Alan. </span> <span class="ProductName">Speaking from Among the Bones: A Flavia de Luce Novel. </span>400p. <span class="ProductPublisher">Delacorte. </span>Jan. 2013. <span class="ISBN">Tr $24. ISBN 978-0-385-34403-6.</span><span class="ProductGradeLevel"><br />
Adult/High School</span>–Flavia de Luce, the brilliant and fearless 11-year-old detective first introduced in  <span class="ital1">Sweetness at the Bottom of the Pie</span> (Delacorte, 2009), stars in her fifth novel set in 1950s England. Each novel can stand alone, but Flavia fans will savor new details revealed about her family. The de Luce family lives in a rambling but shabby estate that soon may be lost due to Father’s continued financial woes. Flavia’s incredible sleuthing skills and her vast knowledge of chemistry are put to the test once again as she discovers the dead body of the missing church organist. So begins the mystery that involves a diamond, an impressive cast of eccentric characters, and the exhumation of the patron saint of the church. Flavia feels “torn apart from the inside” with the changes that happen to her family and is emotionally confused by the sporadic closeness she feels with her sisters. Bradley’s knack for period detail, his plot twists and turns, and his great humor will charm Flavia fans, mystery readers, and those who love an endearing and cunning heroine. The stunning ending leaves readers wanting more.–<span class="AuthName">Jane Ritter, Mill Valley School District, CA</span></p>
<p class="Review"><span class="Starred"><img src="http://reviews.libraryjournal.com/wp-content/uploads/2012/06/redstar.jpg" alt="redstar Adult Books 4 Teens | April 2013" width="16" height="16" border="0" title="Adult Books 4 Teens | April 2013" /></span> <span class="ProductCreatorLast">BRODY</span> <span class="ProductCreatorFirst">, Frances. </span> <span class="ProductName">A Medal for Murder: A Kate Shackleton Mystery. </span>432p. <span class="ProductPublisher">Minotaur. </span>Feb. 2013. <span class="ISBN">Tr $25.99. ISBN 9780312622404.</span><span class="ProductGradeLevel"><br />
Adult/High School</span>–Desperate for cases for her fledgling investigating firm, Kate Shackleton takes on an innocuous job involving a fairly petty theft. It takes her to the wealthy community of Harrogate where she stumbles across two more crimes, a murder and a missing person, which–in a neat change-up for the genre–may have <span class="ital1">less</span> to do with each other than first appears. What all three eventually prove to have in common is a connection with three retired soldiers from the Second Boer War, one of whom has been dead for 20 years, another of whom is the murder victim. Though initially reluctant, Shackleton eventually gets involved in all three cases, with some time set aside for romance with a detective from Scotland Yard. Brody breaks from Shackleton’s first-person narrative to give readers just enough information so as not to fall into the common trap of overwhelming the novel’s ending with exposition. And these separate perspectives help highlight the sensitive portrayal of the devastation of the Boer Wars, and the class and ethnic conflicts it caused both in South Africa and back home in England. With its post-World War I setting and its heroine a former nurse with a lost love, the novel’s similarities to  Winspear’s “Maisie Dobbs” books may be a bit too close for comfort for some readers. But more forgiving readers should realize that the period and themes in question are rich enough to fill several series, and Brody’s elegant prose and attention to gently pushing back at genre conventions make this novel (and series) a more than welcome entry.–<span class="AuthName">Mark Flowers, John F. Kennedy Library, Vallejo, CA</span></p>
<p class="Review"><span class="Starred"><img src="http://reviews.libraryjournal.com/wp-content/uploads/2012/06/redstar.jpg" alt="redstar Adult Books 4 Teens | April 2013" width="16" height="16" border="0" title="Adult Books 4 Teens | April 2013" /></span> <span class="ProductCreatorLast">BUCHANAN</span> <span class="ProductCreatorFirst">, Cathy Marie. </span> <span class="ProductName">The Painted Girls. </span>368p. <span class="ProductPublisher">Riverhead . </span>Jan. 2013. <span class="ISBN">Tr $26.95. ISBN 978-1-59448-624-1. </span> <span class="ProductLCC">LC 2012038433.</span><span class="ProductGradeLevel"><br />
Adult/High School</span>–Told in alternating chapters, beginning in 1878, this is the story of two sisters who are a part of the Paris Opera Ballet. Based on known facts of the van Goethem sisters’ early lives, the novel spans four years, beginning when Antoinette is 17 and Marie is 13. Living in abject poverty with a mother who is never without her bottle of absinthe, Antoinette acts the mother to her sisters (there’s also Charlotte, not yet 8); she longs to be the “shield that keeps them from the harshness of the world.” Things begin to unravel when Antoinette falls for Emile, a hustler and thief who ultimately goes on trial for two murders. Marie, working her way up the ballet ranks, catches not only the eye of Edgar Degas, who hires her as a model for many years, but also a wealthy ballet patron who uses her for his sexual pleasures. The gulf between the sisters grows, and it is after Antoinette’s arrest for theft and during her sentence that she transforms her life and knows she must save Marie, who has stepped through a door to a “ruined life.” The end skips ahead 14 years, and one is left with a lasting impression of sisterly love and redemption. This is a beautifully told and utterly captivating story replete with historical detail, primary-source material, and distinctly drawn characters that will transport readers to Paris in the late 1800s.–<span class="AuthName">Jane Ritter, Mill Valley School District, CA</span></p>
<p class="Biblio"><span class="ProductCreatorLast">CELONA</span> <span class="ProductCreatorFirst">, Marjorie. </span> <span class="ProductName">Y. </span>272p. <span class="ProductPublisher">Free Pr. </span>Jan. 2013. <span class="ISBN">Tr $24.99. ISBN 9781451674385. </span></p>
<p class="Review"><span class="ProductGradeLevel">Adult/High School</span>–This moving debut novel is narrated by Shannon, who was left at the front door of the YMCA in Victoria, B. C., when she was just a few days old. She spends the first five years of her life with various foster families, and then is adopted by a single woman with a daughter about Shannon’s age. As she moves into her teenage years, she finds herself wondering why? Why was she abandoned? Why can’t she quite fit in anywhere? Why does she have crazy blond curls and a lazy eye? Why did one of her foster fathers physically abuse her? Why does her adopted sister ignore her? Shannon’s story is interspersed with the story of another teenager, her mother, Yula, whose life was falling apart just at the moment that Shannon was born. Their stories converge, as Shannon learns the truth, finally meets both of her birth parents, and comes to realize that her own life is not as desperate as she might once have thought. Teens will be drawn into this story of two girls: one who is determined and resourceful, who makes mistakes but never abandons the sense of self that sits at her core; the other who means well but can’t manage to control her own life and allows events to overtake her, resulting in tragedy.–<span class="AuthName">Sarah Flowers, formerly of Santa Clara County Library, CA</span></p>
<p class="Review"><span class="ProductCreatorLast">CLARK</span> <span class="ProductCreatorFirst">, Mary Jane. </span> <span class="ProductName">Footprints in the Sand: A Piper Donovan Mystery. </span>372p. <span class="ProductPublisher">Morrow. </span>Jan. 2013. <span class="ISBN">Tr $25.99. ISBN 9780062135445. </span> <span class="ProductLCC">LC 2012041240.</span><span class="ProductGradeLevel"><br />
Adult/High School</span>–Piper Donovan is back to solve another murder with a fabulously implausible connection to a wedding. This time she is the maid of honor at her cousin’s wedding in Florida when one of the bridesmaids turns up dead, followed shortly by an attempted murder on a potential witness, another possibly related murder, and a mysterious suicide. Piper’s attention is divided among her role in the wedding, supporting her cousin; the ever increasing body count; and the impending meeting between her parents and her new boyfriend (conveniently an FBI agent). As in the other Piper Donovan mysteries, Clark keeps the pace lightning fast and the suspense high through exceedingly brief chapters that change perspective among all the major players, including the murderer (though his identity is kept safely secret). Though Clark’s prose can be too utilitarian, with dialogue tending to the expositional, the clockwork precision of her plot can only be admired, and her characters, particularly Piper’s parents, shine through. Clark is not the equal of, say, Alan Bradley, but this novel and the previous one in the series are still excellent recommendations for teen fans of cozy mysteries.–<span class="AuthName">Mark Flowers, John F. Kennedy Library, Vallejo, CA</span></p>
<p class="Review"><span class="ProductCreatorLast">COADY</span> <span class="ProductCreatorFirst">, Lynn. </span> <span class="ProductName">The Antagonist. </span>304p. <span class="ProductPublisher">Knopf. </span>Jan. 2013. <span class="ISBN">Tr $25.95. ISBN 9780307961358.</span><span class="ProductGradeLevel"><br />
Adult/High School</span>–Finding himself portrayed as a character in a college friend’s novel and feeling deeply misrepresented, Gordon Rankin begins sending Adam a flurry of emails to set the record straight. In order to do so, he must tell the story of his teens, from when puberty turned him into a six-foot-four bruiser at 14 to the incident from college which Adam has written about. Rank’s story, bracketed as it is by two moments of heartbreakingly accidental violence, is one of a man-boy who cannot be comfortable in his oversized body. While this affecting story makes up the primary plot, Coady keeps a tight grip on the frame story, so that the 40-year-old Rank and Adam’s novel are as present as the teenaged Rank and Adam. Many thoughtful writers have pondered the relationship between their fictional characters and the real people upon whom they are based, but Coady stands out for the multiple layers of truth she is able to make evident: even as Rank’s understanding of the complexities of Adam’s position as novelist grows, readers begin to see the holes and omissions in Rank’s own account. Teens will be easily drawn into Rank’s story of drugs, violence, and hormones, but they may come away with much more to think about.–<span class="AuthName">Mark Flowers, John F. Kennedy, Vallejo, CA</span></p>
<p class="Review"><span class="Starred"><img src="http://reviews.libraryjournal.com/wp-content/uploads/2012/06/redstar.jpg" alt="redstar Adult Books 4 Teens | April 2013" width="16" height="16" border="0" title="Adult Books 4 Teens | April 2013" /></span> <span class="ProductCreatorLast">CONKLIN</span> <span class="ProductCreatorFirst">, Tara. </span> <span class="ProductName">The House Girl. </span>336p. <span class="ProductPublisher">Morrow. </span>Feb. 2013. <span class="ISBN">Tr $25.99. ISBN 9780062207395; ebook ISBN 9780062207524.</span><span class="ProductGradeLevel"><br />
Adult/High School</span>–Lina Sparrow,  an ambitious young attorney assigned to a slavery reparations case, is tasked with finding the right lead plaintiff to bring action against corporations that benefitted from slave labor. Lina’s artist father points out a possibility rooted in a controversy currently brewing in the art world: many art historians believe a house slave named Josephine is really responsible for the beautiful, sensitive portraits of slaves that have been credited to Lu Anne Bell, Josephine’s “missus.” A descendant of Josephine’s could be the person the lawsuit needs to demonstrate the lasting negative effects of past wrongs. Told in sections alternating between Lina’s and Josephine’s stories, Conklin does a brilliant job of crafting the plot, artfully building links between Lina’s case and Josephine’s life. Her description of Lina’s work to build the case examines the long-term harm of slavery in a fresh and analytical way. She uses a critical eye in examining self service disguised as public service and handles complex issues of race deftly. Although there is no fair comparison between the lives of a well-paid attorney and a house slave, Lina’s growth in the face of uncovered deception in her own life in some ways parallels Josephine’s heroic decisions, limited as her options may have been. Teens will be drawn in by the exploration of familial relationships, questionable decisions made in the interest of self protection, and facing the difference between wanting the truth and accepting the truth.–<span class="AuthName">Carla Riemer, Claremont Middle School, CA</span></p>
<p class="Review"><span class="ProductCreatorLast">DJANIKIAN</span> <span class="ProductCreatorFirst">, Ariel. </span> <span class="ProductName">The Office of Mercy. </span>320p. <span class="ProductPublisher">Viking. </span>Feb. 2013. <span class="ISBN">Hardcover $26.95. ISBN 9780670025862.</span><span class="ProductGradeLevel"><br />
Adult/High School</span>–In this coming-of-age-after-the apocalypse story, it has been 305 years since the Alphas took control of a deteriorating world by eliminating most of its 59 billion citizens and starting over in high-tech domed underground cities. Natasha lives in America-Five, where she works in the Office of Mercy. Her job is to watch the monitors that scan the Outside and put into practice the values of her society: World Peace, Eternal Life, and All Suffering Ended. To these ends, when the Office of Mercy discovers tribes living outside&#8211;remnants of the extra-settlement survivors of what the Alphas call “the Storm”–they grant them mercy by “sweeping” them in order to end their inevitable suffering. The problem is that Natasha has a hard time maintaining the necessary “Wall” in her mind that prevents her from having “Misplaced Empathy” with the tribespeople who are swept. Then one day she is assigned to a team to go Outside to mop up the stragglers from the last sweep. While there, she has an encounter with tribespeople that changes her life and her perceptions about what is true and what is right. Teens will be drawn to this compelling story that goes beyond the typical dystopia by creating a world in which there are no clear distinctions between good and evil. It is a tightly written piece of speculative fiction that poses–but doesn’t answer–questions about the ethics of survival and the far-reaching consequences that one person’s actions can have.–<span class="AuthName">Sarah Flowers, formerly at Santa Clara County Library, CA</span></p>
<p class="Review"><span class="ProductCreatorLast">DOBYNS</span> <span class="ProductCreatorFirst">, Stephen. </span> <span class="ProductName">The Burn Palace. </span>480p. <span class="ProductPublisher">Blue Rider Press. </span>Feb. 2013. <span class="ISBN">Tr $$26.95. ISBN 9780399160875.</span><span class="ProductGradeLevel"><br />
Adult/High School</span>–Brewster, RI, is a small, sleepy town until a baby is stolen from the neonatal unit and replaced with a corn snake. Then a visiting insurance investigator is stabbed and scalped. Soon there are competing police jurisdictions and several widely divergent lines of inquiry, at the heart of which are state troopers Woody and Bobby. How these mysteries are related to “The Burn Palace”–the nickname one of the workers gives to the local crematorium–is only revealed at the end of this wonderfully written book. The characters are well drawn, from Hercel and his “magic tricks” to Baldo and his penchant for practical jokes; from Carl Krause, suffering from lycanthropic schizophrenia, to Nurse Spandex and the many others that Dobyns introduces  as the various, seemingly disparate problems plaguing Brewster start to intertwine. As the two strongest characters, Woody and Bobby, are drawn deeper into the lives of the townspeople, their investigation encompasses the differences between coyotes and coywolves, Wicca and Satanism, and how body parts are harvested. It’s the last that leads to the thread that unravels the entire mystery. Especially interesting is the writing style, which ranges from suspenseful “you are there” passages to chapters reminiscent of the narrator from <span class="ital1">Our Town</span>’s remote tone. <span class="ital1">The Burn Palace</span> is a horror/mystery, blending the best of both genres and a perfect read for a dark winter evening.–<span class="AuthName">Laura Pearle, Center for Fiction, New York City</span></p>
<p class="Review"><span class="Starred"><img src="http://reviews.libraryjournal.com/wp-content/uploads/2012/06/redstar.jpg" alt="redstar Adult Books 4 Teens | April 2013" width="16" height="16" border="0" title="Adult Books 4 Teens | April 2013" /></span> <span class="ProductCreatorLast">MOYES</span> <span class="ProductCreatorFirst">, Jojo. </span> <span class="ProductName">Me Before You. </span>369p. <span class="ProductPublisher">Pamela Dorman: Viking. </span>Dec. 2012. <span class="ISBN">Tr $27.95. ISBN 9780670026609.</span><span class="ProductGradeLevel"><br />
Adult/High School</span>–Louisa Clark, 26,  lives a sheltered life in a small English village. She still lives with her working-class family in a cramped house. She’s had the same mundane job for six years, and mediocre boyfriend for seven. But when the tea shop she works at abruptly shutters, Lou’s comfortable routine is gone, along with the earnings her family depends on. Applying for a position as a caregiver for a disabled man, she expects an elderly patient. What she finds instead is handsome, 30-something Will Traynor, former firm partner, world traveler, and bon vivant, left a wheelchair-bound quadriplegic following a devastating accident. Sarcastic and indifferent, Will has little interest in spending time with talkative, earnest Lou. He’s trapped inside a body that requires constant, intrusive medical care just to keep him alive. And at this point, he’s convinced that it’s not a life worth living. Lou’s broken in a different way, psychologically scarred by an event she’s never discussed. Moyes does a masterful job at slowly building a relationship between Will and Lou that transcends that of caretaker and patient,as the two get to know and appreciate one another, each expanding the other’s world. As they begin to fall in love, Lou becomes ever more determined to give Will reason to embrace life as it is. <span class="ital1">Me Before You</span> is a spectacular, unconventional love story to savor, with well-developed, relatable characters. Give this dialogue-driven tearjerker to teens who enjoyed John Green’s <span class="ital1">The Fault in Our Stars</span> (Dutton, 2012) or Matthew Quick’s <span class="ital1">The Silver Linings Playbook </span>(Farrar, 2008).–<span class="AuthName">Paula J. Gallagher, Baltimore County Public Library, MD</span></p>
<p class="Review"><span class="ProductCreatorLast">SHORT</span> <span class="ProductCreatorFirst">, Sharon. </span> <span class="ProductName">My One Square Inch of Alaska. </span>336p. <span class="ProductPublisher">Plume: Penguin Group (USA). </span>Feb. 2013. <span class="ISBN">pap. $16. ISBN 9780452298767.</span><span class="ProductGradeLevel"><br />
Adult/High School</span>–In September 1953, Donna Lane has little idea of the twists and turns her senior year will hold. She’s been doing her best to take care of her 10-year-old brother Will, working to help support her family, and put a little away so she can move to New York after graduation. Their mother died of cancer several years before, and their father is largely absent or drinking. Will is a good kid whose goal in life is to finish 10 boxes of Marvel Puffs cereal so he can enter and win the contest for a deed to “One Square Inch of Alaska.” But, as elderly MayJune says, “the biggest turns in life come when you’re paying the least attention, making small choices you don’t yet know will change everything.” Donna allows her brother to take breakfast leftovers to Trusty, an abused dog chained up across town. She agrees to skip school with her best friend, Babs, thereby meeting Jimmy–the wealthy son of the town’s mill owner. And she applies to sit as a model for her art teacher to earn extra money. What begins as a rather lighthearted, straightforward coming-of-age novel gains a deeper edge when Donna realizes that she has the talent to pursue fashion design, hears the surprising truth about her mother, and learns that Will’s fainting spells are due to more than poor nutrition. Will kidnaps Trusty following a particularly brutal beating, which sets off a cross-country journey that turns increasingly perilous. One can only wonder why this novel was not published as young adult. An affecting read, appropriate for even the youngest high school audiences.–<span class="AuthName">Angela Carstensen, Convent of the Sacred Heart, New York City</span></p>
<p class="Review"><span class="ProductCreatorLast">PERRY</span> <span class="ProductCreatorFirst">, Thomas. </span> <span class="ProductName">The Boyfriend. </span>288p. <span class="ProductPublisher">Mysterious Pr.: Grove/Atlantic. </span>Mar. 2013. <span class="ISBN">Tr $25. ISBN 9780802126061.</span><span class="ProductGradeLevel"><br />
Adult/High School</span>–Perry’s latest novel begins as a fairly typical PI-procedural, with ex-police officer Jack Till searching for the killer of a high-end escort.  But as Till quickly realizes that the murder is just one in a series, and just as quickly deduces the reasoning behind the killings, the narrative abruptly switches to the killer himself, where Perry relates not only his identity but much more about his background and psychology than readers ever learn about Till.  From this point, the narrative becomes a cat-and-mouse game between the two as Till chases the killer throughout the country, getting ever closer to him.  Perry’s take on the killer’s perspective is hardly unique, but it is still impressive how much sympathy he is able to generate for a man who is essentially a sociopath.  And though Perry never explicitly endorses a moral equivalence between the two antagonists, readers cannot help but notice certain similarities in their thinking, and especially in their detailed knowledge and love of firearms.  With its casual murder and sex, and hard-boiled take on police work and death, this is a book that evokes some of the grittier Coen Brothers films–a nearly existentialist style that many teens will love.–<span class="AuthName">Mark Flowers, John F. Kennedy Library, Vallejo, CA</span></p>
<p class="Review"><span class="ProductCreatorLast">ST. JAMES</span> <span class="ProductCreatorFirst">, Simone. </span> <span class="ProductName">An Inquiry into Love and Death. </span>336p. <span class="ProductPublisher">NAL. </span>Mar. 2013. <span class="ISBN">pap. $14.00. ISBN 978-0-451-23925-9. </span> <span class="ProductLCC">LC 2012027265.</span><span class="ProductGradeLevel"><br />
Adult/High School</span>–St. James, author of  <span class="ital1">The Haunting of Maddy Clare</span> (NAL, 2012), returns to that novel’s 1920s ghost-hunting world with a new cast of characters. Jillian Leigh is summoned to a tiny village in Devonshire to identify the body and collect the belongings of her ghost-hunting Uncle Toby, who has died in a seeming accident. She quickly makes the acquaintance of a dashing Scotland Yard detective and together they decide that Toby was murdered and that the ghost he was hunting, the spirit of a centuries-old bootlegger, is real. As Jillian digs deeper, she realizes that she may be at the heart of at least one of these mysteries herself. St. James’s prose can be maddeningly uneven, veering from gorgeous to awkward far too frequently, and her mystery falters a bit near the end, failing to cohere the way readers might hope. Nevertheless, with its historical mystery, romance, cursed ghost, and crumbling vicarage, the novel brings to mind some of the best elements of Elizabeth Fama’s <span class="ital1">Monstrous Beauty</span> (Farrar, 2012), without the mermaids. And while St. James cannot match Fama’s prose or deftly constructed mystery, her fans should find more than enough to love in this novel.–<span class="AuthName">Mark Flowers, John F. Kennedy Library, Vallejo, CA</span></p>
<p class="Review"><span class="ProductCreatorLast">WINSPEAR</span> <span class="ProductCreatorFirst">, Jacqueline. </span> <span class="ProductName">Leaving Everything Most Loved. </span>352p. (Maisie Dobbs Series). <span class="ProductPublisher">Harper . </span>Mar. 2013. <span class="ISBN">Tr $26.99. ISBN 9780062049605; ebook ISBN 9780062049629. </span> <span class="ProductLCC">LC 2013000915.</span><span class="ProductGradeLevel"><br />
Adult/High School</span>–Still reeling from the horrible attack on her assistant Billy and her inability to bring a murderer to justice in <span class="ital1">Elegy for Eddie</span> (HarperCollins, 2012), and unsure of her relationship with too-wealthy James Compton, private investigator Maisie Dobbs wants nothing more than to travel the world and take stock of her life. But when Scotland Yard brings her the case of a murdered Indian governess, whose race and class seem to have caused her case to be mishandled, Maisie must see that justice is done. Meanwhile, as Billy’s head-injury leaves him more and more confused, Maisie also takes on his work, tracking down a missing teen. Against all odds, the cases seem to be connected, and Maisie soon finds herself entangled in loose ends and too many suspects. Winspear handles the intertwined mysteries with all of the grace her fans have come to expect, but the real attraction here is the sensitive portrayal of immigrant life in London in the 1930s. Maisie becomes entranced by the victim and her community and neither she nor  readers can help but contrast them with Maisie’s boyfriend and his powerful business partner, who Maisie knows has gotten away with murder. Though this is the 10th in the “Maisie Dobbs” series, it requires no knowledge of the prior volumes, and indeed Winspear’s fantastically light touch with exposition is one of the novel’s many strengths.–<span class="AuthName">Mark Flowers, John F. Kennedy Library, Vallejo, CA</span></p>
<p class="SubheadBK Subhead">Nonfiction</p>
<p class="Review"><span class="ProductCreatorLast">FU</span> <span class="ProductCreatorFirst">, Ping &amp; Mei </span> <span class="ProductCreatorLast">Mei Fox. </span> <span class="ProductName">Bend, Not Break: A Life in Two Worlds. </span>288p. <span class="ProductPublisher">Portfolio Press. </span>Dec. 2012. <span class="ISBN">Tr $27.95. ISBN 978-1-591-84552-2. </span> <span class="ProductLCC">LC 2012035389.</span><span class="ProductGradeLevel"><br />
Adult/High School</span>–Exiled from her homeland, China, Fu was 25 years old when she landed at a New Mexico airport with no money or connections and nowhere to go. Kidnapped and held hostage in a home with two children whom she is supposed to take care of, she only knew three English words. She yelled one of them–Help!–which brought police to her rescue. At 8, Fu lived a beautiful life in Shanghai until Mao’s Cultural Revolution labeled her family an enemy of the state and she was forcibly taken to live in a trash filled dorm room with a little sister she barely knew. After years of abuse, including a gang rape at age 10 and factory work at age 15, the Revolution wound down and she was able to pursue more independent interests. Her research and writing about China’s One Child policy landed her 4 black marks, which effectively sealed her fate as an enemy of the state. Fu ultimately became highly successful in America; she was part of the team that created Netscape and CEO of her own company. The book alternates chapters about her childhood in China with those about her time in America, using clean, clear, action filled prose, which will keep teens interested. She later focuses more on her startup business. Teens interested in entrepreneurship, international business and technology, and already hooked into the narrative of her life and resilience, will keep reading to the end, where more is revealed, including the fact that a bureaucrat risked her own life to assist Fu in escaping to America.–<span class="AuthName">Amy Cheney, Alameda County Library, Juvenile Hall, CA</span></p>
<p class="Review"><span class="ProductCreatorLast">LAPSLEY</span> <span class="ProductCreatorFirst">, Phil. </span> <span class="ProductName">Exploding the Phone: The Untold Story of the Teenagers and Outlaws Who Hacked Ma Bell. </span>416p. index. <span class="ProductPublisher">Grove. </span>Feb. 2013. <span class="ISBN">Tr $25.00. ISBN 978-0-8021-2061-8. </span> <span class="ProductLCC">LC 2012041240.</span><span class="ProductGradeLevel"><br />
Adult/High School</span>–In 1955, when AT&amp;T was essentially the only phone company in America, a teenager in Knoxville, TN discovered that if he played a certain tone into his telephone at the right moment he could have virtually unlimited access to AT&amp;T’s phone network, including the ability to place free long-distance calls. It was a bug that was rediscovered again and again by techie teens over the next 20 years, teens who eventually became known as “phone phreaks.” In almost every case their motivation was essentially curiosity–they very rarely had real calls to make; rather, they were interested in how the phone system worked and what they could do with it, much like the majority of computer hackers of today. Nevertheless, as AT&amp;T became aware of the increasing numbers of phone phreaks, phreaking slowly shifted from a fun, harmless hobby into a torturous cat-and-mouse game with AT&amp;T, often ending in prosecutions and jail time. Lapsley more than ably conveys the nuances of this fascinating slice of technological history, even if he sometimes lapses into a too-cute phrase or two. And his enlightening new interviews with most of the major phreaks as well as AT&amp;T security officers form one of the most significant levels of his tremendous research. Fans of Brian Falkner’s <span class="ital1">Brain Jack</span> (Random, 2009), Ernest Cline’s <span class="ital1">Ready Player One</span> (Crown 2011), and other hacker tales, along with anyone who’s ever tried to liberate their iPhone, should be fascinated even before Steve Jobs and Steve Wozniak show up to bridge the transition from phone phreaks to computer geeks.–<span class="AuthName">Mark Flowers, John F. Kennedy Library, Vallejo, CA</span></p>
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		<title>Book/Multimedia Review Stars List &#124; April 2013</title>
		<link>http://www.slj.com/2013/04/books-media/reviews/bookmultimedia-review-stars-list-april-2013/</link>
		<comments>http://www.slj.com/2013/04/books-media/reviews/bookmultimedia-review-stars-list-april-2013/#comments</comments>
		<pubDate>Tue, 02 Apr 2013 14:28:25 +0000</pubDate>
		<dc:creator>SLJ</dc:creator>
				<category><![CDATA[Adult Books 4 Teens]]></category>
		<category><![CDATA[Grades 5 & Up]]></category>
		<category><![CDATA[Multimedia]]></category>
		<category><![CDATA[Preschool to Grade 4]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[April 2013 Print]]></category>
		<category><![CDATA[starred reviews]]></category>
		<category><![CDATA[Stars]]></category>

		<guid isPermaLink="false">http://www.slj.com/?p=37466</guid>
		<description><![CDATA[This month's star listings include <em>That is Not a Good Idea</em> by Mo Willems, among others.]]></description>
			<content:encoded><![CDATA[<div id="attachment_38495" class="wp-caption aligncenter" style="width: 610px"><img class="size-full wp-image-38495" title="SLJ1304w_Stars_Willems" src="http://www.slj.com/wp-content/uploads/2013/03/SLJ1304w_Stars_Willems.jpg" alt="SLJ1304w Stars Willems Book/Multimedia Review Stars List | April 2013" width="600" height="318" /><p class="wp-caption-text"><strong><em>That Is Not a Good Idea!</em> (Willems) ©2013 by Mo Willems.</strong></p></div>
<p class="Subhead"><span class="ProductLCC">Preschool to Grade 4</span></p>
<p class="Biblio"><span class="ProductCreatorLast">BERNE</span> <span class="ProductCreatorFirst">, Jennifer. </span> <span class="ProductName">On a Beam of Light: A Story of Albert Einstein.</span> <span class="ProductCreatorFirst"> illus. by Vladimir Radunsky. Chronicle. May 2013. p. 147. </span></p>
<p class="Biblio"><span class="ProductCreatorLast">IDLE</span> <span class="ProductCreatorFirst">, Molly. </span> <span class="ProductName">Flora and the Flamingo.</span> <span class="ProductCreatorFirst"> illus. by author. Chronicle. p. 132. </span></p>
<p class="Biblio"><span class="ProductCreatorLast">KLAUSMEIER</span> <span class="ProductCreatorFirst">, Jesse. </span> <span class="ProductName">Open This Little Book. </span> <span class="ProductCreatorFirst">illus. by Suzy Lee. Chronicle. p. 134. </span></p>
<p class="Biblio"><span class="ProductCreatorLast">MCCLURE</span> <span class="ProductCreatorFirst">, Nikki. </span> <span class="ProductName">How to Be a Cat.</span> <span class="ProductCreatorFirst"> illus. by author. Abrams/Appleseed. p. 136. </span></p>
<p class="Biblio"><span class="ProductCreatorLast">OLSHAN</span> <span class="ProductCreatorFirst">, Matthew. </span> <span class="ProductName">The Mighty Lalouche.</span> <span class="ProductCreatorFirst"> illus. by Sophie Blackall. Random/Schwartz &amp; Wade. May 2013. p. 138. </span></p>
<p class="Biblio"><span class="ProductCreatorLast">SNICKET</span> <span class="ProductCreatorFirst">, Lemony. </span> <span class="ProductName">The Dark.</span> <span class="ProductCreatorFirst"> illus. by Jon Klassen. Little, Brown. Apr. 2013. p. 144. </span></p>
<p class="Biblio"><span class="ProductCreatorLast">THONG</span> <span class="ProductCreatorFirst">, Roseanne Greenfield. </span> <span class="ProductName">Round Is a Tortilla.</span> <span class="ProductCreatorFirst"> illus. by John Parra. Chronicle. Apr. 2013. p. 152. </span></p>
<p class="Biblio"><span class="ProductCreatorLast">VIVA</span> <span class="ProductCreatorFirst">, Frank. </span> <span class="ProductName">A Long Way Away.</span> <span class="ProductCreatorFirst"> illus. by author. Little, Brown. Apr. 2013. p. 146. </span></p>
<p class="Biblio"><span class="ProductCreatorLast">WILLEMS</span> <span class="ProductCreatorFirst">, Mo. </span> <span class="ProductName">That Is Not a Good Idea! </span> <span class="ProductCreatorFirst">illus. by author. HarperCollins/Balzer &amp; Bray. May 2013. p. 146.</span></p>
<p class="Subhead"><span class="ProductLCC">GRADES 5 &amp; UP</span></p>
<p class="Biblio"><span class="ProductCreatorLast">BALLIETT</span> <span class="ProductCreatorFirst">, Blue. </span> <span class="ProductName">Hold Fast.</span> <span class="ProductCreatorFirst"> Scholastic. p. 156. </span></p>
<p class="Biblio"><span class="ProductCreatorLast">BARON</span> <span class="ProductCreatorFirst">, Jeff. </span> <span class="ProductName">I Represent Sean Rosen.</span> <span class="ProductCreatorFirst"> HarperCollins/Greenwillow. p. 156. </span></p>
<p class="Biblio"><span class="ProductCreatorLast">BLAGDEN</span> <span class="ProductCreatorFirst">, Scott. </span> <span class="ProductName">Dear Life, You Suck.</span> <span class="ProductCreatorFirst"> Houghton Harcourt. p. 158. </span></p>
<p class="Biblio"><span class="ProductCreatorLast">MEDINA</span> <span class="ProductCreatorFirst">, Meg. </span> <span class="ProductName">Yaqui Delgado Wants to Kick Your Ass. </span> <span class="ProductCreatorFirst">Candlewick. p. 168.</span></p>
<p class="Biblio"><span class="ProductCreatorLast">SAUNDERS</span> <span class="ProductCreatorFirst">, Kate. </span> <span class="ProductName">Magicalamity. </span> <span class="ProductPublisher">Delacorte. </span>2012. p. 170.</p>
<p class="Biblio"><span class="ProductCreatorLast">THOMPSON</span> <span class="ProductCreatorFirst">, Holly. </span> <span class="ProductName">The Language Inside.</span> <span class="ProductCreatorFirst"> Delacorte. May 2013. p. 173. </span></p>
<p class="Biblio"><span class="ProductCreatorLast">VAUGHN</span> <span class="ProductCreatorFirst">, Lauren Roedy. </span> <span class="ProductName">OCD, the Dude, and Me</span> <span class="ProductCreatorFirst">. Dial. p. 174. </span></p>
<p class="Biblio"><span class="ProductCreatorLast">ZARR</span> <span class="ProductCreatorFirst">, Sara. </span> <span class="ProductName">The Lucy Variations. </span> <span class="ProductCreatorFirst">Little, Brown. May 2013. p. 175. </span></p>
<p class="Subhead"><span class="ProductLCC">Adult Books 4 Teens BLOG</span></p>
<p class="Biblio"><span class="ProductCreatorLast">BUCHANAN</span> <span class="ProductCreatorFirst">, Cathy Marie. </span> <span class="ProductName">The Painted Girls.</span> <span class="ProductCreatorFirst"> Riverhead. (Feb. 11, 2013, post) </span></p>
<p class="Biblio"><span class="ProductCreatorLast">BRODY</span> <span class="ProductCreatorFirst">, Frances. </span> <span class="ProductName">A Medal for Murder.</span> <span class="ProductCreatorFirst"> Minotaur. (Feb. 18, 2013, post) </span></p>
<p class="Biblio"><span class="ProductCreatorLast">MOYES</span> <span class="ProductCreatorFirst">, Jojo. </span> <span class="ProductName">Me Before You.</span> <span class="ProductCreatorFirst"> Pamela Dorman Books. (Feb. 20, 2013, post) </span></p>
<p class="Biblio"><span class="ProductCreatorLast">CONKLIN</span> <span class="ProductCreatorFirst">, Tara. </span> <span class="ProductName">The House Girl.</span> <span class="ProductCreatorFirst"> Morrow. (Mar. 5, 2013, post) </span></p>
<p class="Biblio"><span class="ProductCreatorLast">BEAUMAN</span> <span class="ProductCreatorFirst">, Ned. </span> <span class="ProductName">The Teleportation Accident.</span> <span class="ProductCreatorFirst"> Bloomsbury. </span> <span class="ProductCreatorFirst">(Mar. 7, 2013, post) </span></p>
<p class="Subhead"><span class="ProductLCC">DVD</span></p>
<p class="Biblio"><span class="ProductName">Abolitionists.</span> PBS Dist. p. 52.</p>
<p class="Biblio"><span class="ProductName">Bone Wind Fire.</span> National Film Board of Canada. p. 48.</p>
<p class="Biblio"><span class="ProductName">Death and the Civil War.</span> PBS Dist. p. 52.</p>
<p class="Biblio"><span class="ProductName">Getting to Know the World’s Greatest Artists: Faith Ringgold. </span>Getting to Know. p. 48.</p>
<p class="Biblio"><span class="ProductName">You’re Not a Little Kid Anymore! Personal Hygiene. </span>MarshMedia. p. 49.</p>
<p class="Subhead"><span class="ProductLCC">AUDIO</span></p>
<p class="Biblio"><span class="ProductName">Courage Has No Color.</span> By Tanya Lee Stone. Brilliance Audio. p. 63.</p>
<p class="Biblio"><span class="ProductName">Got a Minute?</span> CDBaby.com. p. 60.</p>
<p class="Biblio"><span class="ProductName">Growing Up in Coal Country.</span> By Susan Campbell Bartoletti. Brilliance Audio. p. 63.</p>
<p class="Biblio"><span class="ProductName">Ready Set Go.</span> The Happy Racers. p. 62.</p>
<p class="Biblio"><span class="ProductName">Uses for Boys.</span> By Erica Lorraine Scheidt. Brilliance Audio. p. 59.</p>
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		<title>The Debut: R.S. Belcher, The Six-Gun Tarot</title>
		<link>http://www.slj.com/2013/02/books-media/author-interview/the-debut-r-s-belcher-the-six-gun-tarot/</link>
		<comments>http://www.slj.com/2013/02/books-media/author-interview/the-debut-r-s-belcher-the-six-gun-tarot/#comments</comments>
		<pubDate>Wed, 20 Feb 2013 12:26:47 +0000</pubDate>
		<dc:creator>Angela Carstensen</dc:creator>
				<category><![CDATA[Adult Books 4 Teens]]></category>
		<category><![CDATA[Author Interview]]></category>
		<category><![CDATA[Teens & YA]]></category>
		<category><![CDATA[SLJTeen]]></category>

		<guid isPermaLink="false">http://www.slj.com/?p=31725</guid>
		<description><![CDATA[It’s Nevada, 1869, and 15-year-old Jim and his injured horse, Promise, are struggling to make it across the 40-Mile Desert. They're rescued by Mutt, Golgotha’s Native American deputy, who encourages Jim to settle in his town. And it’s a good thing he agrees, because along with the sheriff and a few other key residents, they are about to fight a great battle to save the Earth, heaven, and hell—one whose seeds were planted when the world was first created.]]></description>
			<content:encoded><![CDATA[<p>It’s Nevada, 1869, and 15-year-old Jim and his injured horse, Promise, are struggling to make it across the 40-Mile Desert. They&#8217;re rescued by Mutt, Golgotha’s Native American deputy, who encourages Jim to settle in his town. And it’s a good thing he agrees, because along with the sheriff and a few other key residents, they are about to fight a great battle to save the Earth, heaven, and hell—one whose seeds were planted when the world was first created.</p>
<p>Rod Belcher has written a completely entertaining (and teen-friendly) genre-blending combination of Western, horror, fantasy, and good old coming-of-age (not to mention a nice dose of humor).</p>
<p>And it seems we haven’t heard the last of Golgotha.</p>
<p><img class="alignright size-full wp-image-31775" title="22013sixgun" src="http://www.slj.com/wp-content/uploads/2013/02/22013sixgun.jpg" alt="22013sixgun The Debut: R.S. Belcher, The Six Gun Tarot" width="109" height="166" /><strong>Why did you use 15-year-old Jim as the entry-point for your novel?</strong></p>
<p>The original idea was to use the sheriff as my main character and have him cross the 40-Mile on his way to Golgotha—it was kind of his origin story and his introduction to Golgotha. The chapters I tried like that really didn’t work out well and didn’t flow. So I scrapped that idea. When I began working on the novel again, I came up with the idea of Jim Negrey and his father’s eye and how that related to the bigger story. Jim started off as much less of a developed character and ended up becoming the kind of glue that helps make all these disparate characters and plots come together. I have a 16-year-old son and an 11-year-old daughter, and I see a lot of them both in Jim Negrey—they are amazing people and I see so many great life-affirming qualities in them, and I tried to give those youthful eyes to Jim. Jim sees the world with fresh eyes, and he is basically the kind of person I think most of us would like to be like—trusting, kind, loyal, and brave. When I see those qualities in my children, I am so very proud of them.</p>
<p><strong>In this novel, you combine many different creation myths, as well as religious and folklore traditions—Chinese, Native American, Mormon, Lilith, and Biblical among them.  Why creation mythology?<br />
</strong></p>
<p>The Big Bad in Golgotha has an origin that is intrinsically connected with creation mythology. I think it’s strange that I’ve had a few folks seemingly hung up on me using Christian imagery. Each mythology that is explored in <em>Six-Gun</em> has its own take on what the Wurm is, where it comes from, and what it represents.Death and cessation of being are universal concepts—all things tend to entropy. I think it’s fascinating to see how similar the fundamental principles of human existence are, regardless of the trappings or the cultural bias. It is the unique variations on the same universal stories (creation, end of the world, the great flood myths, etc.) that make them so vibrant and fascinating.</p>
<p><strong>One of the things about this novel that will appeal to teens is the clever combination of genres. What inspired this mash-up? What do you count as some of your most important influences, or favorite titles or authors? </strong></p>
<p>I love Grant Morrison, a Scottish author who does a lot with comics. He has a massive imagination full of amazing ideas. He is a huge influence on me. I enjoy Roger Zelazny very much—I’d LOVE to play in his <em>Amber</em> universe. By the way<strong>, </strong><em>The Chronicles of Amber</em> would make an amazing film series, and I have had an idea for years of how to do a YA version of <em>Amber</em>. I’d say a few other influences on <em>Six-Gun</em> include Robert Parker, Ambrose Bierce (who may make an appearance in a future Golgotha novel), Larry McMurtry, Tony Hillerman, Mary Shelley, Stephen King, and Alan Moore.</p>
<p>The mash-up is really just kind of how I think and write. I write what I think of as fun or cool. If I get an idea and it comes from two very different places, I see no problem with putting those things side by side, regardless of their genre. I guess I’m just lucky that style seems to work for me! I think humor is a natural offshoot of horror, a natural defense against it. What happens in any scary movie after the moment of shock or terror? Laughter rolls through the theater. Humor is mankind’s greatest defense against the terrors the universe shows us.</p>
<p><strong>Why did you set the story in the Wild West? </strong></p>
<p>I loved cowboys as a kid. I used to play at being them all the time. I wanted to be Jim West on <em>The Wild, Wild West</em>, and I wanted to be the Rifleman. I think the Western embodies the human desire for freedom and self-determination, to shake off the yoke of oppressive society and rules and regulations.  We secretly yearn for a little barbarism—just a little, not anarchy and the terror it embraces, but just a way of life where you control your own destiny and you don’t always have someone looking over your shoulder. I chose the Wild West because I loved the idea of the incongruity of all this insane stuff happening in this kind of cliché-filled traditional Western setting. It makes for humor, and it also makes for seeing something old in a new way, and that is at the heart of good writing, in my opinion.</p>
<p><strong>I found the way you managed the large battle scenes in the last quarter of the book particularly interesting, with the action shifting abruptly from character to character or confrontation to confrontation.<br />
</strong></p>
<p>I tend to “see” things very visually as I write. I try to convey what I see to my readers. I have heard that I produce very vivid pictures for the reader, and I’m very glad I can do that for some folks. I see the action like a movie or a play. The real challenge is to not get too bogged down in the details of the description, because I am not working in a visual medium—I’m working with telepathy, of a sort, and I need to balance my view of what I see with the pacing and rhythm of the words to make it accurate, vivid, and exciting to the reader. It helps to try to see the story as music and be mindful of the beat, the pacing, and the emotional impact the ‘song&#8217; you are writing has on the listener (reader).</p>
<p><strong>You once ran a comics bookstore. Have you considered featuring Golgotha and its inhabitants in a graphic novel format? Or are you considering a sequel to <em>The Six-Gun Tarot</em>?</strong></p>
<div id="attachment_31776" class="wp-caption alignright" style="width: 131px"><img class="size-full wp-image-31776" title="22013belcher" src="http://www.slj.com/wp-content/uploads/2013/02/22013belcher.jpg" alt="22013belcher The Debut: R.S. Belcher, The Six Gun Tarot" width="121" height="166" /><p class="wp-caption-text">(c) David Hungate of Dominion Images</p></div>
<p>I have had a few people tell me they could see the novel as a graphic novel. That gets back to the level of description I try to provide, I think. I’d love to see that happen—I‘d love to write comics. If I had my choice of artists for <em>The Six-Gun Tarot</em>, it would be Ben Templesmith. I love his work.</p>
<p>I am at work on a sequel to <em>The Six-Gun Tarot</em>. I have a lot of tales I could still write in the Golgotha universe, and I hope I get chance to tell them. The working title of the new Golgotha book I’m working on is <em>The 32 Killers of Golgotha</em>. It is full of the weird and the cool.</p>
<p><strong>See the <em>SLJ</em> review at <a href="http://blogs.slj.com/adult4teen/2013/01/25/the-six-gun-tarot/" target="_blank"><em>Adult Books 4 Teens</em></a>.</strong></p>
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		<title>Adult Books 4 Teens: February 2013</title>
		<link>http://www.slj.com/2013/02/books-media/reviews/adult-books-4-teens/adult-books-4-teens-frebruary-2013/</link>
		<comments>http://www.slj.com/2013/02/books-media/reviews/adult-books-4-teens/adult-books-4-teens-frebruary-2013/#comments</comments>
		<pubDate>Fri, 01 Feb 2013 19:07:29 +0000</pubDate>
		<dc:creator>SLJ</dc:creator>
				<category><![CDATA[Adult Books 4 Teens]]></category>
		<category><![CDATA[Books & Media]]></category>
		<category><![CDATA[adult books 4 teens]]></category>
		<category><![CDATA[February 2013]]></category>
		<category><![CDATA[Teens]]></category>
		<category><![CDATA[ya]]></category>

		<guid isPermaLink="false">http://www.slj.com/?p=30245</guid>
		<description><![CDATA[<p class="Subhead"><strong>FICTION</strong></p>
<p><strong>BLOCK,</strong> Francesca Lia. The Elementals. 320p. St. Martin&#8217;s. 2012. Tr $24.99. ISBN 978-1-250-00549-6. LC 2012028277.
<strong>Adult/High School</strong>–Block’s latest is a perfect example of the “new adult” trend. While she is best known for <em>Weetzie Bat </em>(Harper, 1989) and its sequels, which won her the Margaret A. Edwards award, she has also written adult novels throughout her career, and this book straddles both age groups. Ariel and her friend Jeni had planed on attending UC Berkeley together, but when Ariel can’t [...]]]></description>
			<content:encoded><![CDATA[<p class="Subhead"><strong>FICTION</strong></p>
<p><strong>BLOCK,</strong> Francesca Lia. <span class="ProductName">The Elementals. </span>320p. St. Martin&#8217;s. 2012. Tr $24.99. ISBN 978-1-250-00549-6. LC 2012028277.<br />
<strong>Adult/High School</strong>–Block’s latest is a perfect example of the “new adult” trend. While she is best known for <em>Weetzie Bat </em>(Harper, 1989) and its sequels, which won her the Margaret A. Edwards award, she has also written adult novels throughout her career, and this book straddles both age groups. Ariel and her friend Jeni had planed on attending UC Berkeley together, but when Ariel can’t go on a college visit due to her mother’s illness, Jeni goes without her and promptly disappears. Ariel decides to head to Berkeley anyway, as much to locate Jeni as to further her education. Once there, her search for her friend at first overtakes her life but then leads her to a beautiful mansion and the three older students who live there. Despite warnings from classmates and her own conscience, she can’t seem to stay away. Many of Block’s common themes are present–California as a place of ethereal mystery, damaged girls, slightly magical creatures, and unusual familial arrangements, complete with a baby. Most of the book reads very much like a young adult novel, and there are just a few instances of erotic sex that probably pushed the publication from teen to adult.–<em>Jamie Watson, Baltimore County Public Library, MD</em></p>
<p><strong><em> </em>DEBORDE,</strong> Rob. <span class="ProductName">Portlandtown: A Tale of Oregon Wyldes. </span>384p. Griffin: St. Martin’s. 2012. pap. $15.99. ISBN 978-1-250-00664-6.<br />
<strong>Adult/High School</strong>–This paranormal Western features an undead man searching for his gun, a book of spells whose author is trying to retrieve it, the possessor of the book who is gradually succumbing to its power, a marshal who is digging up graves but can&#8217;t remember why, and the psychically skilled Wylde family. These characters come together in a story that is as creepy as it is enjoyable. The Hanged Man is an outlaw who was hung for his crimes and buried, but he didn&#8217;t die thanks to a curse from the wayward spell book.  With the assistance of a man also bound by the curse, he makes his way out of the grave. They head to Portland, determined to retrieve the Hanged Man&#8217;s legendary gun that never misses and never needs reloading. This sets in motion a series of paranormal events coinciding with the Portland rain festival, which is relying on some otherworldly elements of its own. The rain festival turns into something bigger, wetter and more terrifying than anyone could have imagined; the dead are rising as quickly as the waters. This skillful blend of Old West, mystical activity, and other disparate elements works well. Though the ending leaves open the possibility of a sequel, this is still a satisfying novel. Fans of paranormal fiction will appreciate <em>Portlandtown</em>&#8216;s innovative storytelling, a refreshing change  in a genre that often lacks originality.–<em>Carla Riemer, Claremont Middle School, CA</em></p>
<p><strong>GREAVES,</strong> C. Joseph. <span class="ProductName">Hard Twisted. </span>304p. Bloomsbury. 2012. Tr $25. ISBN 978-1-608-19855-9.<br />
<strong>Adult/High School</strong>–Lottie Garrett, 13, is not ignorant of the ways of the world as she has been hoboing around  dustbowl era Texas with her alcoholic father, but certainly by today’s standards she is naïve and an innocent when she meets Clint Palmer, who is in his late 30s. Lottie is forced via coercion or rape into Clint’s web, his bed, and ultimately his murderous crime spree. The remarkably accurate historical voice, including trial excerpts that start each chapter, will draw teens into this beautifully written fictionalized account of real western murders. Readers will hunger to know more of Lottie’s motives and thoughts as she seems relegated to the background of her own story, which seems appropriate to the ways in which girls and women were seen at the time. So, too, will the use of racial slurs jolt at first, but ultimately the language enriches the feeling of being there, in the West of the 1930s. The story crosses from Texas and Oklahoma to New Mexico and Utah. Lottie becomes pregnant and loses a baby, and Clint goes from somewhat charming to ever more scary and dangerous, and readers will hang on to the bitter end, trying to figure out exactly what happened and what will become of Lottie.–<em>Jake Pettit, American School Foundation, Mexico City</em></p>
<p><strong>MCEWAN,</strong> Ian. <span class="ProductName">Sweet Tooth. </span>304p. Nan A. Talese. 2012. Tr $26.95. ISBN 978-0-385-53682-0.<br />
<strong>Adult/High School</strong>–In 1972, young English women had restricted opportunities in the professional world. Thus 22-year-old Serena Frome, a new MI5 recruit, is intrigued when she is plucked from lower-level clerical work for a role in a secret operation. Serena has three important qualifications for the job: She is beautiful, intelligent, and a voracious reader. Her role is to find a promising young writer and offer a fake grant from a fake foundation that will allow the writer to concentrate on producing a book. The underlying intention of the operation is to sway popular culture away from communist influences, still a vital threat in the continuing Cold War. Serena selects writer Tom Haley as her mark, after obsessing over his wonderful and strange short stories. Their first meeting ends in Serena’s bed, beginning a passionate love affair always overshadowed by the truth of Serena’s covert mission. McEwan immerses readers in this bleak era of English history, replete with its inherent anxiety over Cold War fears, the stubborn oil crisis, and escalating violence in Northern Ireland. His extraordinary storytelling, nuanced with secrets and twists aplenty, blends wit and literary allusions without pomposity, making it accessible to readers of all backgrounds. Although the espionage element makes this novel an excellent recommendation for Tom Clancy fans, there are also strong currents of mystery, historical fiction, and romance. Offer this one to sophisticated teens looking for an absorbing, literary novel.–<em>Diane Colson, Palm Harbor Library, FL</em></p>
<p><strong>MATHIS,</strong> Ayana. <span class="ProductName">The Twelve Tribes of Hattie. </span>243p. Knopf.  2012. Tr $24.95. ISBN 978-0-385-35028-0. LC 2012010779.<br />
<strong>Adult/High School</strong>–In 1925, Hattie, 17-years-old and newly transplanted from rural Georgia to Philadelphia, loses her babies, twins, to pneumonia. This early tragedy combined with her disappointing marriage to August, the country boy she only dated to spite her mother, changes Hattie. The remaining chronological chapters read like connected short stories, each one introducing one or two of Hattie’s nine living children, all touched by her anger and distance. Floyd, a trumpeter, fears his homosexual tendencies when he sees the vicious treatment others receive. Six, physically scarred by a fire, becomes a tent preacher after he is sent south at age 15 to escape prosecution for almost killing another boy. The focus never shifts far from Hattie. In one chapter, she finds love with another man, and tries to run away with him. Bell, a teenager scarred by knowledge of her mother’s affair, later exacts a revenge that doubles back and almost kills her. In the next chapter, Hattie prepares for the ultimate sacrifice–giving her youngest daughter away to her sister Pearl and a more comfortable life down south. Although most of her children’s issues originate in their youth, in reaction to their mother’s harsh treatment, their concerns are largely adult. However, even as adults they struggle to find their way. Each chapter focuses on moments of transition, momentous decisions, or actions that determine their ultimate fate. This book is recommended to teens for its accessible writing, the author’s skill at juggling multiple dramatic stories and characters within a transparent structure, and for what these (never didactic or cliché) stories reveal of growing up poor and African American in 20th century America.–<em>Angela Carstensen, Convent of the Sacred Heart, New York City</em></p>
<p><strong>ROORBACH,</strong> Bill. <span class="ProductName">Life Among Giants. </span>333p. Algonquin. 2012. Tr $24.95. ISBN 978-1-616-20076-3. LC 2012016965.<br />
<strong>Adult/High School</strong>–When 17-year-old David “Lizard” Hochmeyer’s parents are gunned down in front of him, it is only one link in a chain that connects his family with that of the neighbors across the way in the palatial “High Side”: a famous (now-dead) rock star named Dabney and his ballerina wife, Sylphide. Moving back and forth between his teenage years in 1970s suburban Connecticut, his stint as a professional quarterback, and his post-football career as a restaurateur, Lizard narrates this tale of con artists, greed, love affairs, insanity, revenge, and exquisite cooking. Both Lizard’s and his sister Kate’s lives are dominated by the fact of their parents’ deaths, and by their respective obsessions with the residents of High Side. Lizard finds it difficult to have a permanent relationship because he is still fixated on Sylphide. Kate is certain that she knows the truth of a conspiracy behind their parents’ and Dabney’s deaths; Lizard is less certain, until the day his father’s former boss and the man Lizard recognizes as the shooter walk into Lizard’s restaurant together. When he discovers that the shooter is connected with Dabney and Sylphide, he ecomes involved in a scheme to get revenge and find out the full truth about his father’s life and death. Full of memorable characters, this is an intriguing mystery as well as a moving coming-of-age story, comically absurd at times and touchingly tragic at others. Recommend it to older teens who like John Irving or Richard Russo or are just looking for a well-written, character-driven novel.–<em>Sarah Flowers, formerly at Santa Clara County Library, CA</em></p>
<p><strong>VILLALOBOS,</strong> Juan Pablo. <span class="ProductName">Down the Rabbit Hole. </span>tr. from Spanish by Rosalind Harvey. 75p. Farrar. 2012. pap. $12. ISBN 978-0-374-14335-0. LC 2011048052.<br />
<strong>Adult/High School</strong>–Tochtli is the motherless child of a Mexican drug lord.  Because his life is circumscribed by the walls and guarded gates of a villa compound in the mountains, he has met few people and has no friends. He spends his time almost entirely on his obsessions: a collection of hats, the honor of Samurai warriors, his dictionary, the Liberian pygmy hippopotamus he wants for his zoo, and the ways bodies become corpses.  He is also a keen observer of his father, Yolcaut, and the henchmen, prostitutes, and corrupt politicians who populate his home.  A precocious innocent coming of age is insulated within a world of violence, corruption, wealth and death, and Tochli remains unaware of the psychopathy that envelops him.  He only knows that certain words from his dictionary fit his experience: &#8220;pathetic,&#8221; &#8220;disastrous,&#8221; &#8220;sordid,&#8221; &#8220;devastating.&#8221; While this novella details the illegal procurement of hippos for Tochtli’s exotic zoo, it is also an allegory about the impact of the drug war and its public violence on Mexico–the names of the characters derive from Mexico’s indigenous language, Nahuatl (Tochtli means ‘rabbit’ and Yolcaut means ‘rattlesnake’).  Villalobos dispatches simple words with the precision of a marksman to create a powerfully disturbing novella that teens will find accessible, dark, humorous, and provocative.  Teachers will discover a literary tool that expands the discussions of perception versus reality in the context of the drug war that continues to plague Mexico and its people.–<em>John Sexton, Greenburgh Public Library, NY</em></p>
<p><strong>WRIGHT,</strong> Camron. <span class="ProductName">The Rent Collector. </span>288p. Shadow Mountain. 2012. Tr $22.99. ISBN 978-1-60907-122-6.<br />
<strong>Adult/High School</strong>–In a contemporary story of hardship and hope, guilt and forgiveness, 29-year-old Sang Ly lives with her devoted husband, Ki, and her sickly baby, Nisay, at Stung Meanchey, an enormous municipal waste dump in Phnom Penh, Cambodia.  Sang Ly and Ki are trash pickers, eeking out an existence by salvaging recyclables.  The couple dreads the monthly visit of Sopeap Sin, the drunken, ill-tempered rent collector.  But when Sang Ly discovers that Sopeap can read, she asks to learn and a tenuous friendship develops. Hoping to give her son a better life, she studies her lessons intently. As she works with her unpredictable but motivating teacher, Sang Ly uncovers Sopeap’s improbable past as a teacher and lover of literature and as a traumatized victim of the Khmer Rouge 1970&#8242;s reign of terror.  When Sopeap disappears, Sang Ly’s understanding of Sopeap enables her to find the dying rent collector and to help her find redemption. Metaphoric dreams, fables, proverbs, and literary references are effectively woven into Sang Ly and Sopeap’s dual stories of salvation.  Sopeap opens Sang Ly’s eyes to the heroes and positive aspects of her wasteland home. And, Sang Ly brings Sopeap face to face with a family that has haunted her life. Inspired by the lives of real people living in Stung Meanchey, Wright infuses this story with cultural nuance and authenticity.  Initially, Sang Ly’s eloquent narration seems inconsistent with the limited realities of her life, but her engaging voice gains credibility as her compassionate, literary relationship with Sopeap unfolds. Through Sang Ly and the rent collector, readers will discover a wealth of insights:  the lingering ravages of war, the common bonds of humanity, and the uplifting power of literature.–<em>Gerry Larson, formerly at Durham School of the Arts,  NC</em></p>
<p class="Subhead"><strong>NONFICTION</strong></p>
<p><strong>LE GUIN,</strong> Ursula K. <span class="ProductName">Finding My Elegy: New and Selected Poems. </span>196p. Houghton. 2012. Tr $22. ISBN 978-0-547-85820-3. LC 2012016363.<br />
<strong>Adult/High School</strong>–The author of the &#8220;Earthsea Cycle&#8221; and of highly regarded works of science fiction began publishing poetry in 1959. This volume collects 70 selections from 6 earlier books and provides 77 new ones, including the title poem. Many teens should appreciate these sentiments: “My elegy, your clothes are out of fashion./I see you walking past me on a country road/ in a worn cloak. Your steps are slow, along/a way that grows obscure as it leads back and back./In dusk some stars shine small and clear as tears/on a dark face that is not human. I will follow you.” The poems about nature are sure to please observant readers. Anyone who has been lucky enough to watch pelicans diving will especially appreciate &#8220;Pelicans.&#8221; “They’re awkward, angular, abstruse,/the great beak on a head so narrow,/a kind of weird Jurassic goose/lurching into the modern era./But the blue arc of sky lets loose–/ look, now!–the brown, unerring arrow!/ and see how beautiful, how grave,/the steady wings along the wave.” Unfortunately, the poems written about war seem timeless. The Curse of the Prophetess begins, “Hear my curse on the nation of Israel and the nation of Palestine/ May the generals of your armies/ be little, heavy-burdened donkeys,/ and your leaders be patient, old sheep.”  And continues, “Let the day come, let it come now,/when the name warrior will be a name of folly/and the word victory mean a vain thing.” Young adults will discover beauty and creativity in the poetry of an author whom they may already admire.–<em>Karlan Sick, formerly at New York Public Library</em></p>
<p><strong>PULLMAN,</strong> Philip. <span class="ProductName">Fairy Tales from the Brothers Grimm</span>. 405p. bibliog. Viking. 2012. Tr $27.95. ISBN 978-0-670-02497-1. LC 2012027181.<br />
<strong>Adult/High School</strong>–In his introduction, Pullman describes some of the essential characteristics of fairy tales: they contain “conventional stock figures” with “little interior life”; they are fast-paced; there is practically “no imagery”; and the tone is “serene and anonymous.” So it is somewhat strange to find that almost all of the changes Pullman introduces to the tales (and he introduces many) move them away from these characteristics, creating motivations and inner lives, adding color to the imagery and tone, and generally slowing the pace. But of course Pullman is following in the footsteps of no less a forebear than Wilhelm Grimm himself, who immediately began making the stories more literary, starting with the second edition of 1819 and running through the final and most familiar seventh edition of 1857. In fact, Pullman’s changes–which include adding dialogue, re-arranging events, and even finishing incomplete tales–are so extensive that this volume should not truly be seen as a new translation at all; it is closer to an eighth edition, expanding on Wilhelm’s project. What readers make of these changes depends on their attitude toward the original 1812 tales and their need (or lack thereof) for a strict translation of the Grimms, for which readers should always turn to Jack Zipes’s <em>The Complete Fairy Tales of the Brothers Grimm</em> (Bantam, 2003). Setting that question aside, though, readers are left with what is certainly the most accessible, best-written version of Grimm available. Add to that Pullman’s indispensable notes on each tale and this is surely an edition that lovers of fairy tales everywhere should read.–<em>Mark Flowers, John F. Kennedy Library, Vallejo, CA</em></p>
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		<title>Adult Books 4 Teens: January 2013</title>
		<link>http://www.slj.com/2013/01/books-media/reviews/adult-books-4-teens/adult-books-4-teens-january-2013/</link>
		<comments>http://www.slj.com/2013/01/books-media/reviews/adult-books-4-teens/adult-books-4-teens-january-2013/#comments</comments>
		<pubDate>Tue, 01 Jan 2013 17:00:52 +0000</pubDate>
		<dc:creator>SLJ</dc:creator>
				<category><![CDATA[Adult Books 4 Teens]]></category>
		<category><![CDATA[January 2013]]></category>

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		<description><![CDATA[<p class="Biblio"> HAYES , Nick. The Rime of the Modern Mariner. illus. by author. Viking. 2012. Tr $32.. ISBN 978-0-670-02580-0.</p>
<p class="Review">Adult/High School–In cleverly constructed verse that echoes (without mimicking) Coleridge, Hayes presents the tale of a 21st-century explorer who has ridden the high seas in search of (illegally hunted) whale bone for scrimshaw. He has been sucked into the swirling mass of garbage in the north Pacific (see Rachel Hope Allison’s I Am Not a Plastic Bag by [Archaia 2012]) and eventually comes to a London park bench to [...]]]></description>
			<content:encoded><![CDATA[<p class="Biblio"><img src="http://reviews.libraryjournal.com/wp-content/uploads/2012/06/redstar.jpg" alt="redstar Adult Books 4 Teens: January 2013" width="16" height="16" border="0" title="Adult Books 4 Teens: January 2013" /> <span class="ProductCreatorLast">HAYES</span> <span class="ProductCreatorFirst">, Nick. </span><span class="ProductName">The Rime of the Modern Mariner. </span>illus. by author. <span class="ProductPublisher">Viking. </span>2012. <span class="ISBN">Tr $32.. ISBN 978-0-670-02580-0.</span></p>
<p class="Review"><span class="ProductGradeLevel">Adult/High School</span>–In cleverly constructed verse that echoes (without mimicking) Coleridge, Hayes presents the tale of a 21st-century explorer who has ridden the high seas in search of (illegally hunted) whale bone for scrimshaw. He has been sucked into the swirling mass of garbage in the north Pacific (see Rachel Hope Allison’s <span class="ital1">I Am Not a Plastic Bag</span> by [Archaia 2012]) and eventually comes to a London park bench to regale a businessman who has just signed his own divorce papers and will not be swayed to consider any concern beyond his own polished life’s. Faux block print style artwork abounds with textures–the tangles of old fishing nets, the plaids of shirts, the curly head of the mariner, the woodsy grotto where he is nursed to health–all washed in a gentle blue. With just a line or two on most full-page spreads, some passages are told only visually; Hayes has plotted the panels and isolated full-page moments in elegant harmony with the rhyme itself. This is stellar sequential art, offering the juxtaposition of human greed that has remained a species-signature across the centuries with the environmental mess this greed and selfishness has wrought. It also offers access to Coleridge’s original by showing the bones of symbolism he employed.–<span class="ital1">Francisca Goldsmith, Infopeople Project, CA</span> <span class="AuthName">.</span></p>
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<p><span style="font-size: 14px;"><strong>The following titles are reviewed in the January 1 print issue. Visit <a href="http://www.bookverdict.com/advanced.xqy">Book Verdict</a> for the full reviews.</strong></span></p>
<p class="Subhead">Fiction</p>
<p class="Biblio"><span class="ProductCreatorLast">ALEXIE</span> <span class="ProductCreatorFirst">, Sherman. </span><span class="ProductName">Blasphemy: New and Selected Stories. </span>480p. <span class="ProductPublisher">Grove. </span>2012. <span class="ISBN">Tr $27.00. ISBN 978-0-8021-2039-7.</span></p>
<p class="Biblio"><span class="ProductCreatorLast">ATWELL</span> <span class="ProductCreatorFirst">, Mary Stewart. </span><span class="ProductName">Wild Girls. </span>288p. <span class="ProductPublisher">Scribner. </span>2012. <span class="ISBN">Hardcover $25. ISBN 9781451683271.</span></p>
<p class="Biblio"><span class="ProductCreatorLast">DRAKE</span> <span class="ProductCreatorFirst">, Jocelynn. </span><span class="ProductName">Angel’s Ink. </span>1. 352p. (The Asylum Tales Series). <span class="ProductPublisher">Harper Voyager. </span>2012. <span class="ISBN">pap. $14.99. ISBN 9780062117854.</span></p>
<p class="Biblio"><span class="ProductCreatorLast">ERDRICH</span> <span class="ProductCreatorFirst">, Louise. </span><span class="ProductName">The Round House. </span>336p. <span class="ProductPublisher">HarperCollins/Harper. </span>2012. <span class="ISBN">Tr $27.99. ISBN 978-0-06-206524-7. </span><span class="ProductLCC">LC 2012005381.</span></p>
<p class="Biblio"><span class="ProductCreatorLast">MCKILLIP</span> <span class="ProductCreatorFirst">, Patricia A. </span><span class="ProductName">Wonders of the Invisible World. </span>288p. <span class="ProductPublisher">Tachyon, dist. by IPG. </span>2012. <span class="ISBN">pap. $14.95. ISBN 9781616960872.</span></p>
<p class="Biblio"><span class="ProductCreatorLast">MORTON</span> <span class="ProductCreatorFirst">, Kate. </span><span class="ProductName">The Secret Keeper: A Novel. </span>463p. <span class="ProductPublisher">Atria:S.&amp; S. </span>2012. <span class="ISBN">pap. $26.99. ISBN 9781439152805.</span></p>
<p class="Biblio"><span class="ProductCreatorLast">OTTO</span> <span class="ProductCreatorFirst">, Whitney. </span><span class="ProductName">Eight Girls Taking Pictures. </span>352p. photogs. <span class="ProductPublisher">Scribner. </span>Nov. 2012. <span class="ISBN">Hardcover $25. ISBN 9781451682694.</span></p>
<p class="Subhead">Nonfiction</p>
<p class="Biblio"><span class="ProductCreatorLast">AL-MARIA</span> <span class="ProductCreatorFirst">, Sophia. </span><span class="ProductName">The Girl Who Fell to Earth: A Memoir. </span>288p. <span class="ProductPublisher">HarperPerennial: HarperCollins. </span>2012. <span class="ISBN">pap. $14.99. ISBN 978-0-06-199975-8.</span></p>
<p class="Biblio"><span class="ProductCreatorLast">CAHALAN</span> <span class="ProductCreatorFirst">, Susannah. </span><span class="ProductName">Brain on Fire: My Month of Madness. </span>288p. <span class="ProductPublisher">Free Pr. </span>2012. <span class="ISBN">Tr $25.. ISBN 9781451621372.</span></p>
<p class="Biblio"><span class="ProductCreatorLast">CROTHERS</span> <span class="ProductCreatorFirst">, Tim. </span><span class="ProductName">The Queen of Katwe: A Story of Life, Chess, and One Extraordinary Girl’s Dream of Becoming a Grandmaster.</span> 224p. photogs. <span class="ProductPublisher">Scribner. </span>2012. <span class="ISBN">Tr $26.. ISBN 9781451657814.</span></p>
<p class="Subhead">Graphic Novels</p>
<p class="Biblio"><span class="ProductCreatorLast">PHAM</span> <span class="ProductCreatorFirst">, Thien. </span><span class="ProductName">Sumo. </span>105p. <span class="ProductPublisher">First Second. </span>2012. <span class="ISBN">pap. $14.99. ISBN 978-1-59643-581-0.</span></p>
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		<title>Book/Multimedia Review Stars List: January 2013</title>
		<link>http://www.slj.com/2013/01/books-media/reviews/bookmultimedia-review-stars-list-january-2013/</link>
		<comments>http://www.slj.com/2013/01/books-media/reviews/bookmultimedia-review-stars-list-january-2013/#comments</comments>
		<pubDate>Tue, 01 Jan 2013 17:00:34 +0000</pubDate>
		<dc:creator>SLJ</dc:creator>
				<category><![CDATA[Adult Books 4 Teens]]></category>
		<category><![CDATA[Grades 5 & Up]]></category>
		<category><![CDATA[Multimedia Reviews]]></category>
		<category><![CDATA[Preschool to Grade 4]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[January 2013]]></category>
		<category><![CDATA[Starred Books]]></category>
		<category><![CDATA[starred reviews]]></category>

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		<description><![CDATA[<p class="wp-caption-text"><em>Henry and the Cannons</em> (Brown), ©2013 illustration by Don Brown</p>
<p class="Subhead">Preschool to Grade 4</p>
<p class="Biblio">AHLBERG , Allan. The Goldilocks Variations . illus. by Jessica Ahlberg. Candlewick. p. 74.</p>
<p class="Biblio">BROWN , Don. Henry and the Cannons . illus. by author. Roaring Brook. Jan. 2013. p. 89.</p>
<p class="Biblio">BRYANT , Jen. A Splash of Red . illus. by Melissa Sweet. Knopf. Jan. 2013. p. 89.</p>
<p class="Biblio">HALPERIN , Wendy Anderson. Peace. illus. by author. S &#38; S/Atheneum. Jan. 2013. p. 92.</p>
<p class="Biblio">HELQUIST , Brett. Grumpy Goat. illus. by author. HarperCollins/Harper. Jan. 2013. p. 78.</p>
<p class="Biblio">JEFFERS , Oliver. This Moose Belongs [...]]]></description>
			<content:encoded><![CDATA[<div id="attachment_25188" class="wp-caption aligncenter" style="width: 610px"><img class="size-full wp-image-25188" title="SLJ1301w_Stars_BrownA" src="http://www.slj.com/wp-content/uploads/2013/01/SLJ1301w_Stars_BrownA.jpg" alt="SLJ1301w Stars BrownA Book/Multimedia Review Stars List: January 2013" width="600" height="243" /><p class="wp-caption-text"><em>Henry and the Cannons</em> (Brown), ©2013 illustration by Don Brown</p></div>
<p class="Subhead"><span class="ProductLCC">Preschool to Grade 4</span></p>
<p class="Biblio"><span class="ProductCreatorLast">AHLBERG</span> <span class="ProductLCC">, Allan. </span><span class="ProductName">The Goldilocks Variations</span> <span class="ProductLCC">. illus. by Jessica Ahlberg. Candlewick. p. 74.</span></p>
<p class="Biblio"><span class="ProductCreatorLast">BROWN</span> <span class="ProductLCC">, Don. </span><span class="ProductName">Henry and the Cannons</span> <span class="ProductLCC">. illus. by author. Roaring Brook. Jan. 2013. p. 89.</span></p>
<p class="Biblio"><span class="ProductCreatorLast">BRYANT</span> <span class="ProductLCC">, Jen. </span><span class="ProductName">A Splash of Red</span> <span class="ProductLCC">. illus. by Melissa Sweet. Knopf. Jan. 2013. p. 89.</span></p>
<p class="Biblio"><span class="ProductCreatorLast">HALPERIN</span> <span class="ProductLCC">, Wendy Anderson. </span><span class="ProductName">Peace.</span> <span class="ProductLCC">illus. by author. S &amp; S/Atheneum. Jan. 2013. p. 92.</span></p>
<p class="Biblio"><span class="ProductCreatorLast">HELQUIST</span> <span class="ProductLCC">, Brett. </span><span class="ProductName">Grumpy Goat.</span> <span class="ProductLCC">illus. by author. HarperCollins/Harper. Jan. 2013. p. 78.</span></p>
<p class="Biblio"><span class="ProductCreatorLast">JEFFERS</span> <span class="ProductLCC">, Oliver. </span><span class="ProductName">This Moose Belongs to Me.</span> <span class="ProductLCC">illus. by author. Philomel. p. 80.</span></p>
<p class="Biblio"><span class="ProductCreatorLast">JENKINS</span> <span class="ProductLCC">, Steve &amp; Robin Page. </span><span class="ProductName">My First Day.</span> <span class="ProductLCC">illus. by Steve Jenkins. Houghton Harcourt. Jan. 2013. p. 92.</span></p>
<p class="Biblio"><span class="ProductCreatorLast">MARKEL</span> <span class="ProductLCC">, Michelle. </span><span class="ProductName">Brave Girl.</span> <span class="ProductLCC">illus. by Melissa Sweet. HarperCollins/Balzer &amp; Bray. Feb. 2013. p. 93.</span></p>
<p class="Biblio"><span class="ProductCreatorLast">MERCHANT</span> <span class="ProductLCC">, Natalie, adapt. </span><span class="ProductName">Leave Your Sleep.</span> <span class="ProductLCC">illus. by Barbara McClintock. Farrar/Frances Foster. p. 94.</span></p>
<p class="Biblio"><span class="ProductCreatorLast">MOORE</span> <span class="ProductLCC">, Eva. </span><span class="ProductName">Lucky Ducklings.</span> <span class="ProductLCC">illus. by Nancy Carpenter. Scholastic/Orchard. Feb. 2013. p. 82.</span></p>
<p class="Biblio"><span class="ProductCreatorLast">VIVA</span> <span class="ProductLCC">, Frank. </span><span class="ProductName">A Trip to the Bottom of the World with Mouse.</span> <span class="ProductLCC">illus. by author. Toon Bks. p. 87.</span></p>
<p class="Biblio"><span class="ProductCreatorLast">WERNER</span> <span class="ProductLCC">, Sharon &amp; Sarah Forss. </span><span class="ProductName">Alphasaurs and Other Prehistoric Types.</span> <span class="ProductLCC">illus. by authors. Blue Apple. p. 96.</span></p>
<p class="Biblio">
<p class="Subhead"><span class="ProductLCC">GRADES 5 &amp; UP</span></p>
<p class="Biblio"><span class="ProductCreatorLast">BLACKWOOD</span> <span class="ProductLCC">, Sage. </span><span class="ProductName">Jinx</span> <span class="ProductLCC">. HarperCollins/Harper. Jan. 2013. p. 101.</span></p>
<p class="Biblio"><span class="ProductCreatorLast">BOLDEN</span> <span class="ProductLCC">, Tonya. </span><span class="ProductName">Emancipation Proclamation</span> <span class="ProductLCC">. Abrams. Jan. 2013. p. 130.</span></p>
<p class="Biblio"><span class="ProductCreatorLast">CHADDA</span> <span class="ProductLCC">, Sarwat. </span><span class="ProductName">The Savage Fortress</span> <span class="ProductLCC">. Scholastic/Arthur A. Levine. p. 102.</span></p>
<p class="Biblio"><span class="ProductCreatorLast">FRADIN</span> <span class="ProductLCC">, Judith Bloom &amp; Dennis Brindell Fradin. </span><span class="ProductName">The Price of Freedom</span> <span class="ProductLCC">. illus. by Eric Velasquez. Walker. Jan. 2013. p. 132.</span></p>
<p class="Biblio"><span class="ProductCreatorLast">HALLIDAY</span> <span class="ProductLCC">, Ayun. </span><span class="ProductName">Peanut</span> <span class="ProductLCC">. illus. by Paul Hoppe. Random/Schwartz and Wade. Jan. 2013. p. 137.</span></p>
<p class="Biblio"><span class="ProductCreatorLast">NIELSEN</span> <span class="ProductLCC">, Susin. </span><span class="ProductName">The Reluctant Journal of Henry K. Larsen. </span><span class="ProductLCC">Tundra. p. 122.</span></p>
<p class="Biblio"><span class="ProductCreatorLast">ROSEN</span> <span class="ProductLCC">, Michael J. </span><span class="ProductName">Sailing the Unknown.</span> <span class="ProductLCC">illus. by Maria Cristina Pritelli. Creative Editions. p. 124.</span></p>
<p class="Biblio"><span class="ProductCreatorLast">SPINELLI</span> <span class="ProductLCC">, Jerry. </span><span class="ProductName">Hokey Pokey.</span> <span class="ProductLCC">Knopf. Jan. 2013. p. 126.</span></p>
<p class="Biblio"><span class="ProductCreatorLast">STONE</span> <span class="ProductLCC">, Tanya Lee. </span><span class="ProductName">Courage Has No Color.</span> <span class="ProductLCC">Candlewick. Jan. 2013. p. 134.</span></p>
<p class="Biblio"><span class="ProductCreatorLast">TIMBERLAKE</span> <span class="ProductLCC">, Amy. </span><span class="ProductName">One Came Home.</span> <span class="ProductLCC">Knopf. Jan. 2013. p. 128.</span></p>
<p class="Biblio">
<p class="Subhead"><span class="ProductLCC">Adult Books 4 Teens Blog</span></p>
<p class="Biblio"><span class="ProductCreatorLast">HAYES</span> <span class="ProductLCC">, Nick.</span> <span class="ProductName">The Rime of the Modern Mariner</span> <span class="ProductLCC">. illus. by author. Viking. (Nov. 21, 2012, post)</span></p>
<p class="Subhead">
<p class="Subhead">Multimedia</p>
<p class="Subhead">DVD</p>
<p><span class="ProductName">The Dustbowl.</span> PBS Dist. p. 58.<br />
<span class="ProductName">Henry Clay and the Struggle for the Union.</span> TMW Media. p. 58.<br />
<span class="ProductName">Planet Dinosaur.</span> Warner Home Video. p. 57.</p>
<p class="Subhead">AUDIO</p>
<p><span class="ProductName">Anna Hibiscus.</span> By Atinuke. Recorded Books. p. 60.<br />
<span class="ProductName">The Fire Chronicle: The Books of Beginning, Book 2.</span> By John Stephens. Listening Library. p. 61.<br />
<span class="ProductName">The Mighty Sky.</span> NewSound Kids. p. 68.<br />
<span class="ProductName">The Monster’s Valentine Ball.</span> Family Arts Theater. p. 68.<br />
<span class="ProductName">Pete Remembers Woody.</span> CDBaby.com. p. 69.<br />
<span class="ProductName">Son.</span> By Lois Lowry. Listening Library. p. 65.<br />
<span class="ProductName">Splendors &amp; Glooms.</span> By Laura Amy Schlitz. Recorded Books. p. 66.<br />
<span class="ProductName">The Wolves of Willoughby Chase: The Wolves Chronicles.</span> By Joan Aiken. Listening Library. p. 67.<br />
<span class="ProductName">Zero the Hero.</span> By Joan Holub. Spoken Arts. p. 67.</p>
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		<title>Best Adult Books 4 Teens 2012</title>
		<link>http://www.slj.com/2012/11/books-media/reviews/adult-books-4-teens/best-adult-books-4-teens-2012/</link>
		<comments>http://www.slj.com/2012/11/books-media/reviews/adult-books-4-teens/best-adult-books-4-teens-2012/#comments</comments>
		<pubDate>Thu, 29 Nov 2012 17:00:57 +0000</pubDate>
		<dc:creator>Angela Carstensen</dc:creator>
				<category><![CDATA[Adult Books 4 Teens]]></category>
		<category><![CDATA[Best of]]></category>
		<category><![CDATA[Books & Media]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[December 2012 Feature]]></category>

		<guid isPermaLink="false">http://www.slj.com/?p=21312</guid>
		<description><![CDATA[<p style="text-align: center;"></p>



More  Bests


Best Books 2012



<p class="NormalParagraphStyle">Bringing together the best reading of the year among 17 book reviewers resulted in a wonderfully varied group of titles that combines excellence and appeal to young adults. All of these books were originally reviewed on SLJ’s Adult Books 4 Teens blog, which can be found at blog.schoollibraryjournal.com/adult4teen.
There were a few trends in addition to the plentiful coming-of-age fiction and nonfiction memoirs. We ended up with three powerful debut novels about modern war–The Yellow Birds, Billy [...]]]></description>
			<content:encoded><![CDATA[<p style="text-align: center;"><img class="aligncenter size-full wp-image-21461" title="SLJ1212w_BYA_1" src="http://www.slj.com/wp-content/uploads/2012/11/SLJ1212w_BYA_1.jpg" alt="SLJ1212w BYA 1 Best Adult Books 4 Teens 2012" width="600" height="204" /></p>
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<td style="font-size: 16px; color: #000066; font-weight: bold; text-align: center;">More  Bests</td>
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<td><a href="http://www.slj.com/2012/11/featured/best-books-2012">Best Books 2012</a></td>
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<p class="NormalParagraphStyle">Bringing together the best reading of the year among 17 book reviewers resulted in a wonderfully varied group of titles that combines excellence and appeal to young adults. All of these books were originally reviewed on<span class="ital1"> SLJ’</span>s Adult Books 4 Teens blog, which can be found at <a href="http://blog.schoollibraryjournal.com/adult4teen/">blog.schoollibraryjournal.com/adult4teen</a>.<br />
There were a few trends in addition to the plentiful coming-of-age fiction and nonfiction memoirs. We ended up with three powerful debut novels about modern war–<span class="ital1">The Yellow Birds</span>, <span class="ital1">Billy Lynn’s Long Halftime Walk</span>, and<span class="ital1">The Book of Jonas</span>–and three titles that use the western canon as a basis–<span class="ital1">The Song of Achilles </span>(The Iliad),<span class="ital1">Goliath </span>(The Bible) and <span class="ital1">Dotter of Her Father’s Eyes </span>(the works of James Joyce). It was exciting to find a trio of important global nonfiction titles here: <span class="ital1">Behind the Beautiful Forevers</span> (India), <span class="ital1">Escape from Camp 14 </span>(North Korea) and <span class="ital1">The Distance Between Us </span>(Mexico). Surprisingly, <span class="ital1">The Age of Miracles </span>is the only dystopian novel (might the tide be turning?).<br />
Many thanks to reviewers Amy Cheney, Diane Colson, Priscille Dando, Vicki Emery, Mark Flowers, Sarah Flowers, Paula Gallagher, Francisca Goldsmith, Charli Osborne, Laura Pearle, Carla Riemer, Jane Ritter, John Sexton, Karlan Sick, Jamie Watson, and Connie Williams.</p>
<p class="Subhead">Fiction</p>
<p class="Biblio"><span class="ProductCreatorLast">ABBOTT</span>, Megan. <span class="ProductName">Dare Me</span>. Little, Brown. Tr $24.99. ISBN 978-0-316-09777-2.<br />
This brilliant thriller tackles the mythology of high school cheerleading. Squad captain, Beth, loses her power when a new coach arrives, until a suspicious death renews her opportunity for dominance. (<a href="http://ow.ly/fpKiL">ow.ly/fpKiL</a>)</p>
<p class="Biblio"><span class="ProductCreatorLast">BRUNT</span>, Carol Rifka. <span class="ProductName">Tell the Wolves I’m Home</span>. Dial. Tr $26. ISBN 978-0-679-64419-4.<br />
June, 14, is devastated when her uncle Finn, a famous artist, dies of AIDS. Then Finn’s longtime secret partner, Toby, approaches her, with an offer of friendship. (<a href="http://ow.ly/fpPIf">ow.ly/fpPIf</a>)</p>
<p class="Biblio"><span class="ProductCreatorLast">DAU</span>, Stephen. <span class="ProductName">The Book of Jonas</span>. Blue Rider. Tr $24.95. ISBN 978-0399158452.<br />
Jonas, a 15-year-old boy rescued by an American soldier in an unidentified Muslim country and taken to the Pittsburgh area as a war refugee, is overwhelmed by the guilt of what it took to survive the war that claimed his family and his home. (<a href="http://ow.ly/fpKKC">ow.ly/fpKKC</a>)</p>
<p class="Biblio"><span class="ProductCreatorLast">DOIG</span>, Ivan. <span class="ProductName">The Bartender’s Tale</span>. Riverhead. Tr $27.95. ISBN 978-1-59448-735-4.<br />
Rusty and his single father, Tom, “the best bartender who ever lived,” reside in companionable contentment in their rural Montana town until “that year of everything, 1960,” when Zoe, the daughter of the new café owners, and Proxy, an unsavory “friend” of Tom’s from the old days, arrive in town. (<a href="http://ow.ly/fpKZK">ow.ly/fpKZK</a>)</p>
<p class="Biblio"><span class="ProductCreatorLast">FOUNTAIN</span>, Ben. <span class="ProductName">Billy Lynn’s Long Halftime Walk</span>. Ecco. Tr $25.99. ISBN 978-0-06-088559-5.<br />
It is surreal to go from a firefight in Iraq to the 50-yard line at Cowboy Stadium in Dallas, making it difficult for Billy Lynn to feel like the hero that he is acclaimed to be in this satire of war. (<a href="http://ow.ly/fpLab">ow.ly/fpLab</a>)</p>
<p class="Biblio"><span class="ProductCreatorLast">GAULD</span>, Tom. <span class="ProductName">Goliath</span>. Drawn &amp; Quarterly. Tr $19.95. ISBN 978-1-77046-065-2.<br />
In this graphic novel, the Biblical David and Goliath story is told from the giant’s point of view with humor and good will. (<a href="http://ow.ly/fpLqk">ow.ly/fpLqk</a>)</p>
<p class="Biblio"><span class="ProductCreatorLast">KEESEY</span>, Anna. <span class="ProductName">Little Century</span>. Farrar. Tr $26. ISBN 978-0-374-19204-4.<br />
Orphaned at 18, Esther moves from Chicago to Oregon and takes up homesteading. She finds herself in the middle of a feud between an idealistic sheepherder and her cousin, an established cattleman. (<a href="http://ow.ly/fpLEh">ow.ly/fpLEh</a>)</p>
<p class="Biblio"><span class="ProductCreatorLast"><img class="aligncenter size-full wp-image-21462" title="SLJ1212w_BYA_2" src="http://www.slj.com/wp-content/uploads/2012/11/SLJ1212w_BYA_2.jpg" alt="SLJ1212w BYA 2 Best Adult Books 4 Teens 2012" width="600" height="204" />MCCLEEN</span>, Grace. <span class="ProductName">The Land of Decoration</span>. Holt. Tr $25. ISBN 978-0-8050-9494-7.<br />
Judith McPherson, 10, and her widower father John are mercilessly bullied as they fervently try to adhere to their apocalyptic religious beliefs in this debut novel about faith and imagination. (<a href="http://ow.ly/fpLNU">ow.ly/fpLNU</a>)</p>
<p class="Biblio"><span class="ProductCreatorLast">MCCULLOCH</span>, Derek. <span class="ProductName">Gone to Amerikay</span>. illus. by Colleen Doran and José Villarrubia. Vertigo. Tr $24.99. ISBN 978-1-4012-2351-9.<br />
Three intertwined stories reveal both individual and generational experiences by disparate immigrants to New York City from Ireland, in 1870, 1960, and 2010. Doran and Villarrubia’s images provide views of tenement housing, thieves’ dens, an unsettled ghost, and modern jet-set trappings. (<a href="http://ow.ly/fpM1d">ow.ly/fpM1d</a>)</p>
<p class="Biblio"><span class="ProductCreatorLast">MILLER</span>, Madeline. <span class="ProductName">The Song of Achilles</span>. Ecco. Tr $25.99. ISBN 9787-0-06-206061-7.<br />
Patroclus retells the events of <span class="ProductName">The Iliad, </span>focusing on the all-too-short life of his companion, Achilles. By concentrating on these two young men and their tragic lives and love, the author rejuvenates the epic legend for a contemporary audience. (<a href="http://ow.ly/fpMcc">ow.ly/fpMcc</a>)</p>
<p class="Biblio"><span class="ProductCreatorLast">O’MALLEY</span>, Daniel. <span class="ProductName">The Rook</span>. Little, Brown. Tr $25.99. ISBN 978-0-316-09879-3.<br />
In this funny, cool, inventive speculative fiction, Myfanwy Thomas wakes up in a body and a life she doesn’t recognize and assumes the job of protecting England from bizarre supernatural manifestations while trying to find the traitor who stole her (host body’s) identity. (<a href="http://ow.ly/fpMmw">ow.ly/fpMmw</a>)</p>
<p class="Biblio"><span class="ProductCreatorLast">POWERS</span>, Kevin. <span class="ProductName">The Yellow Birds</span>. Little, Brown. Tr $24.99. ISBN 978-0-316-21936.<br />
Private John Bartle’s attempt to honor his promise to bring his combat buddy Murph home safely leads him to commit and cover-up a crime in this powerful novel that alternates between the war in Iraq and Bartle’s homecoming. (<a href="http://ow.ly/fpMt4">ow.ly/fpMt4</a>)</p>
<p class="Biblio"><span class="ProductCreatorLast">RASH</span>, Ron. <span class="ProductName">The Cove</span>. Ecco. Tr. $26.99. ISBN 978-0-06-180419-9.<br />
Living deep in the isolated mountains of Appalachia just after World War I, Laurel believes her loneliness may be finally over when a mute young man suddenly appears in their dark, secluded cove. (<a href="http://ow.ly/fpMDD">ow.ly/fpMDD</a>)</p>
<p class="Biblio"><span class="ProductCreatorLast">SIEGEL</span>, Mark. <span class="ProductName">Sailor Twain: Or the Mermaid in the Hudson</span>. illus by author. First Second. Tr $24.99. ISBN 978-1-59643-636-7.<br />
In 1887 Captain Twain is in charge of a steam vessel plying New York’s Hudson River when he rescues a wounded mermaid. Their story in this graphic novel collides with those of a reclusive British author and the shipbuilder’s lothario brother in a fantasy combining history, geography, mythology, and the timeless human concerns with love. (<a href="http://ow.ly/fpMOS">ow.ly/fpMOS</a>)</p>
<p class="Biblio"><span class="ProductCreatorLast">WALKER</span>, Karen Thompson. <span class="ProductName">The Age of Miracles</span>. Random. Tr $27. ISBN 978-0-8129-9297-7.<br />
Just before Julia’s 12th birthday, scientists announce that the Earth’s rotation is slowing. The unraveling of life on the planet is told from the perspective of one girl living in an ordinary California neighborhood. (<a href="http://ow.ly/fpN2f">ow.ly/fpN2f</a>)</p>
<p class="Biblio"><span class="ProductCreatorLast">WILSON</span>, G. Willow. <span class="ProductName">Alif the Unseen</span>. Grove. Tr $25. ISBN 978-0-8021-2020-5.<br />
Alif is a hacker whose exploits are guided by an ethical dedication to a greater good. His ex-girlfriend’s new boyfriend, the all-powerful head of state security, is fiercely determined to destroy him. Alif’s narrow escapes are a romp through the contemporary, historic, and mythical Islamic world. (<a href="http://ow.ly/fpNfx">ow.ly/fpNfx</a>)</p>
<p class="Subhead">Nonfiction</p>
<p class="Biblio"><span class="ProductCreatorLast">BOO</span>, Katherine. <span class="ProductName">Behind the Beautiful Forevers: Life, Death and Hope in a Mumbai Undercity</span>. Random. Tr $28. ISBN 978-1-4000-6755-8.<br />
Abdul, 16, has been accused of driving his neighbor to suicide. Abdul and a one-legged woman are just two of the many people readers meet in the Annawadi slum behind the Mumbai airport and hotel district where 3000 squatters live with poverty and corruption. (<a href="http://ow.ly/fpNpc">ow.ly/fpNpc</a>)</p>
<p class="Biblio"><span class="ProductCreatorLast"><img class="aligncenter size-full wp-image-21463" title="SLJ1212w_BYA_3" src="http://www.slj.com/wp-content/uploads/2012/11/SLJ1212w_BYA_3.jpg" alt="SLJ1212w BYA 3 Best Adult Books 4 Teens 2012" width="600" height="204" />GRANDE</span>. Reyna. <span class="ProductName">The Distance Between Us: A Memoir</span>. Atria. Tr $25. ISBN 978-1-4516-6177-4.<br />
After losing their parents to “El Otro Lado”–the United States–Grande and her siblings lived in grinding poverty with their hateful grandmother. Finally their father took them to Los Angeles with the help of a Coyote, where they began new lives, and Grande became the first college graduate in her family. (<a href="http://ow.ly/fpNBK">ow.ly/fpNBK</a>)</p>
<p class="Biblio"><span class="ProductCreatorLast">HARDEN</span>, Blaine. <span class="ProductName">Escape from Camp 14: One Man’s Remarkable Odyssey from North Korea to Freedom in the West</span>. Viking. Tr $26.95. ISBN 978-0-670-02332-5.<br />
In North Korea, more than 100,000 people are held in prison labor camps. Shin Dong-hyuk was born in one. This is the account of his life in the camp and his escape into China at age 23. (<a href="http://ow.ly/fpPTi">ow.ly/fpPTi</a>)</p>
<p class="Biblio"><span class="ProductCreatorLast">IVERSEN</span>, Kristen. <span class="ProductName">Full Body Burden:</span> <span class="ProductName">Growing Up in the Nuclear Shadow of Rocky Flats</span>. Crown. Tr $25. ISBN 978-0-307-95563-0.<br />
Iversen’s memoir combines life within a dysfunctional family and the investigation of a nuclear weapons program cover-up that took place in her own backyard. (<a href="http://ow.ly/fpOdR">ow.ly/fpOdR</a>)</p>
<p class="Biblio"><span class="ProductCreatorLast">KLEON</span>, Austin. <span class="ProductName">Steal Like an Artist: 10 Things Nobody Told you about Being Creative</span>. Workman. pap. $10.95. ISBN 978-0-7611-6925-3.<br />
Kleon offers engaging, inspiring and practical advice on becoming a successful artist, beginning with the premise that “nothing is original.” He encourages readers to study what they love and embrace outside influences. (<a href="http://ow.ly/fpOtX">ow.ly/fpOtX</a>)</p>
<p class="Biblio"><span class="ProductCreatorLast">MCGILL</span>, Jerry. <span class="ProductName">Dear Marcus: A Letter to the Man Who Shot Me</span>. Spiegel &amp; Grau. Tr $22. ISBN 978-0-8129-9307-3.<br />
The author was 13, living in the inner-city, when he was shot in the back while walking home late on New Year’s Eve. What happened to him after that unfolds in letters to his assailant, who was never found. (<a href="http://ow.ly/fpOKQ">ow.ly/fpOKQ</a>)</p>
<p class="Biblio"><span class="ProductCreatorLast">PHELPS</span>, Carissa. <span class="ProductName">Runaway Girl: Escaping Life on the Street, One Helping Hand at a Time. </span>Viking. Tr $26.95. ISBN 978-0-670-02372-1.<br />
Preferring the freedom of the streets to a life with her family, 12-year-old Carissa was taken in by a pimp, and eventually landed in a detention center. She turned it around with the help of mentors, education, and work as a youth advocate. This memoir shines a personal light on the issue of sex trafficking. (<a href="http://ow.ly/fpOXi">ow.ly/fpOXi</a>)</p>
<p class="Biblio"><span class="ProductCreatorLast">ROSS</span>, Richard. <span class="ProductName">Juvenile in Justice</span>. Richard Ross. Tr $29.95. ISBN 978-0-9855106-0-2.<br />
Photographer Ross spent more than 5 years speaking with 1000 youth confined in juvenile detention facilities in 31 states. The result is a profound visual narrative, accompanied by provocative quotes and statistics. (<a href="http://ow.ly/fpP78">ow.ly/fpP78</a>)</p>
<p class="Biblio"><span class="ProductCreatorLast">STRAYED</span>, Cheryl. <span class="ProductName">Wild: From Lost to Found on the Pacific Crest Trail</span>. Knopf. Tr $25.95. ISBN 978-0-307-59273-6.<br />
With her life out of control and burdened with the unresolved grief of losing her mother to cancer, the author writes of her solo journey on the Pacific Crest Trail in this searingly honest and brilliantly humorous memoir. (<a href="http://ow.ly/fpPgH">ow.ly/fpPgH</a>)</p>
<p class="Biblio"><span class="bold1">TALBOT</span>, Mary M. <span class="ProductName">Dotter of Her Father’s Eyes</span>. illus. by Bryan Talbot. Dark Horse. Tr $14.99. ISBN 978-1-59582-850-7.<br />
The Talbots collaborated on this graphic dual biography of James Joyce’s daughter, Lucia, and Mary Talbot herself, whose father was a Joyce scholar. Both daughters suffered their fathers’ disappointment, one destroyed by it, the other ultimately triumphant. (<a href="http://ow.ly/fpPp6">ow.ly/fpPp6</a>)</p>
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		<title>The Debut: The Yellow Birds, Kevin Powers</title>
		<link>http://www.slj.com/2012/10/books-media/author-interview/the-debut-the-yellow-birds-kevin-powers/</link>
		<comments>http://www.slj.com/2012/10/books-media/author-interview/the-debut-the-yellow-birds-kevin-powers/#comments</comments>
		<pubDate>Wed, 17 Oct 2012 12:39:40 +0000</pubDate>
		<dc:creator>SLJ</dc:creator>
				<category><![CDATA[Adult Books 4 Teens]]></category>
		<category><![CDATA[Author Interview]]></category>
		<category><![CDATA[Teens & YA]]></category>
		<category><![CDATA[SLJTeen]]></category>

		<guid isPermaLink="false">http://www.slj.com/?p=17411</guid>
		<description><![CDATA[In his debut novel, The Yellow Birds, Kevin Powers draws on his own experience of combat in Iraq to tell the story of Private John Bartle and his attempts to honor a promise to bring his friend Murph home safely from the war.  Told in chapters which alternate between a brief two-month stretch of the war, and the much longer period of Bartle’s homecoming and adjustment to civilian life, The Yellow Birds is a rich, powerfully felt addition to the ranks of American war literature. Powers’s novel was recently named a National Book Award finalist.]]></description>
			<content:encoded><![CDATA[<p><strong><img class="alignleft  wp-image-17686" title="101712kevinpowers" src="http://www.slj.com/wp-content/uploads/2012/10/101712kevinpowers.jpg" alt="101712kevinpowers The Debut: The Yellow Birds, Kevin Powers" width="102" height="156" /></strong>In his debut novel, <em>The Yellow Birds</em>, Kevin Powers draws on his own experience of combat in Iraq to tell the story of Private John Bartle and his attempts to honor a promise to bring his friend Murph home safely from the war.  Told in chapters which alternate between a brief two-month stretch of the war, and the much longer period of Bartle’s homecoming and adjustment to civilian life, <em>The Yellow Birds</em> is a rich, powerfully felt addition to the ranks of American war literature. Powers&#8217;s novel was recently named a National Book Award finalist. To read a review of it, visit <em>SLJ</em>’s <a href="http://blog.schoollibraryjournal.com/adult4teen/2012/09/10/the-yellow-birds/">&#8220;Adult Books for Teens&#8221; blog </a><a href="http://blog.schoollibraryjournal.com/adult4teen/2012/09/10/the-yellow-birds/">for September 10</a>.</p>
<p><strong>Since you fought in Iraq, is your novel semiautobiographical?</strong></p>
<p>The autobiographical elements are primarily internal. While observations of the landscape and some of the sensations of the combat scenes come from experience, the actual events of the book are all invented. But I identified very strongly with Bartle’s emotional life. What he feels and thinks, his tendency toward obsessive reflection, these are things that felt true to my memories of what it felt like to be at war and then come home baffled by it all, though with varying degrees of intensity and emerging from different specific circumstances.</p>
<p><strong>Have you read much classic war literature, and were you intimidated to add your voice to this distinguished group? Are there any particular writers you tried to emulate?</strong></p>
<p>I wasn’t really intimidated. I think that would have required a presumption that what I was doing would be added to the group you mentioned. To be honest, that simply never occurred to me. I wasn’t sure if it would get published, let alone read, so I didn’t worry about whether there was a place for my voice. And while I had read a lot of war literature when I was younger, I never consciously separated it into another category. <em>A Farewell to Arms</em> was and continues to be a favorite of mine, but I just thought of it as a book I loved that happened to be about war in the same way that <em>Look Homeward Angel</em> was a book I loved that happened to be about growing up in the South or <em>Blood Meridian</em> was a book I loved about the West and the violent making of America. It wasn’t until I got back from overseas that I started to seek out books about war, not as a writer but as a confused kid who’d always felt that I best understood the world through the lens of stories and poems. So I read Tim O’Brien and Yusef Komunyakaa and Stephen Wright and reread things that I’d read when I was younger like <em>Red Badge of Courage</em>. I’m sure all of the books I’ve just mentioned influenced me as a writer, because I know they influenced me as a human being, but I could not say exactly how in either case.</p>
<p><strong>What I read the 600-plus-word sentence in which Bartle lays bare all of his emotions about returning to the States, I knew I was reading a soon-to-be classic.  Why did you decide to concentrate so much of Bartle’s emotions into that one sentence?<br />
</strong></p>
<p>My intention was that that sentence would be the hinge on which the whole book swung. Because so much of the book involves Bartle trying to lay out the terms of his confrontation with his memories and experience, locating them in space and time, trying to order and control his brief moments of recognition, I felt that the event that would determine his fate would involve an inability to keep those things at bay. The flood of it nearly kills him. But because he survives that moment of surrender to everything he had previously fought, he begins to recognize, very slowly, that he can survive and can continue to survive.</p>
<p><strong>I was very impressed by the way you altered the style of your prose between the sections in Iraq and those in the States—was it tough to achieve that balance?</strong></p>
<p>It was difficult to achieve balance for several reasons. One of them was trying to make sure there was variation between the immediacy of his memories of Iraq and those of his confusing homecoming. I also had to contend with the fact that the story is told entirely through memory and a lot of time has passed. And because the book is somewhat fragmented in its structure, I thought that I had to consider the dramatic elements, how to keep the reader interested in the specifics of Murph’s death, how to pull back in some moments so the violence and difficulty of the material wouldn’t become so unbearable as to make a reader turn away. I hoped that some combination of the structure of the book and the variation of the prose, the movement up and down through registers, would lead to a challenging but coherent reading experience.</p>
<p><strong>Did you write the novel with any particular audience in mind?  Did you ever consider teens as part of its potential readership?</strong></p>
<p><img class="alignright size-full wp-image-17413" title="101712yellowbirds" src="http://www.slj.com/wp-content/uploads/2012/10/101712yellowbirds.jpg" alt="101712yellowbirds The Debut: The Yellow Birds, Kevin Powers" width="151" height="228" />I began to write <em>The Yellow Birds</em> because I had questions. Some of them were related to my own service. Others were larger questions about the war or just being a person in the world. What does it mean to try to be good and fail? How can any of us really be responsible to another human being? Are we defined by the things we’ve done or is there room to change as we make new choices? I am certainly not the first person to have asked these questions, and I figured that other people must have them too. I suppose I hoped by that writing this book and having other people read it we might be able to ask them together. As to your last question, I’ve never thought about the age of readers. People, young or old, should read what they are interested in, they should try to find what moves them and makes them think about the world in a new way. I don’t think that age makes much difference in that.</p>
<p><em>Mark Flowers is a teen librarian at the John F. Kennedy Library in Vallejo, CA.  He contributes to a variety of library journals and blogs, and maintains his own blog on YA literature and librarianship at <a href="http://crossreferencing.wordpress.com/" target="_blank">crossreferencing.wordpress.com</a>.</em></p>
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		<title>Adult Books 4 Teens: October 2012 Reviews</title>
		<link>http://www.slj.com/2012/10/books-media/reviews/adult-books-4-teens/adult-books-4-teens-october-2012/</link>
		<comments>http://www.slj.com/2012/10/books-media/reviews/adult-books-4-teens/adult-books-4-teens-october-2012/#comments</comments>
		<pubDate>Mon, 01 Oct 2012 05:01:30 +0000</pubDate>
		<dc:creator>SLJ</dc:creator>
				<category><![CDATA[Adult Books 4 Teens]]></category>

		<guid isPermaLink="false">http://www.slj.com/?p=15949</guid>
		<description><![CDATA[<p class="SubheadBK">fiction </p>
<p class="Biblio">ABBOTT,  Megan.  Dare Me: A Novel. 304p. Little, Brown. 2012. Tr $24.99. ISBN 978-0-316-09777-2.  LC 2011051323. 
Adult/High School–Abbott takes the mythology of cheerleading and stands it on its sharpest edge. There’s not much bubbly or perky about these girls&#8211;they are hard in mind and body. Accustomed to the inherent privileges of being worshipped and feared from afar, the actual cheerleading has become incidental. For them, there hasn’t been much in life beyond practice, binge-drinking, [...]]]></description>
			<content:encoded><![CDATA[<p class="SubheadBK"><span class="ProductCreatorLast">fiction </span></p>
<p class="Biblio"><img src="http://reviews.libraryjournal.com/wp-content/uploads/2012/06/redstar.jpg" alt="redstar Adult Books 4 Teens: October 2012 Reviews" width="16" height="16" border="0" title="Adult Books 4 Teens: October 2012 Reviews" /><span class="ProductCreatorLast">ABBOTT, </span> <span class="ProductCreatorFirst">Megan. </span> <span class="ProductName">Dare Me: A Novel. </span>304p. <span class="ProductPublisher">Little, Brown. </span>2012. <span class="ISBN">Tr $24.99. ISBN 978-0-316-09777-2. </span> <span class="ProductLCC">LC 2011051323. </span><br />
<span class="ProductGradeLevel">Adult/High School</span>–Abbott takes the mythology of cheerleading and stands it on its sharpest edge. There’s not much bubbly or perky about these girls&#8211;they are hard in mind and body. Accustomed to the inherent privileges of being worshipped and feared from afar, the actual cheerleading has become incidental. For them, there hasn’t been much in life beyond practice, binge-drinking, hook-ups, and managing their eating disorders. Beth made the rules as captain, and the squad ruled the school. Then Coach arrives and brings with her a whole new Darwinian order. The unthinkable happens. Beth is no longer captain and her hold on the girls is gone. Her “lieutenant,” Addy, narrates the events. Coach brings discipline, integrity, and technique to the squad and in so doing becomes Addy’s obsession. She and the rest of the squad, in cultlike fashion, live for the smallest bit of attention from their leader. Coach lets the girls into her personal life while simmering in the background is Beth, and Addy knows Beth always gets the upper hand no matter the cost. A sudden, suspicious death brings with it Beth’s opportunity for dominance. The psychology of the relationships creates a singularly dark atmosphere that goes way beyond <span class="ital1">Mean Girls. </span>Brilliantly sharp writing raises this work to a level above typical expectations. Whether it’s the description of life-threatening stunts or the inner logic of a teen desperate for connection, Abbott’s prose creates a compelling and unsettling read for mature teens.–<span class="AuthName">Priscille Dando, Fairfax County Public Schools, VA</span></p>
<p class="Biblio"><span class="ProductCreatorLast">ANDERSON, </span> <span class="ProductCreatorFirst">Howard. </span> <span class="ProductName">Albert of Adelaide: A Novel. </span>225p. <span class="ProductPublisher">Twelve. </span>2012. <span class="ISBN">Tr $24.99. ISBN 978-1-4555-0962-1. </span> <span class="ProductLCC">LC 2011045203. </span><br />
<span class="ProductGradeLevel">Adult/High School</span>–One thing Albert knows for certain: Living encaged in a zoo is no life at all. He has heard rumors from other zoo animals of a place known as Old Australia, where things haven’t changed and animals still run free. So, like any platypus that yearns for the rush of river water and the company of mates, he quits the zoo, taking with him only a soda bottle filled with water. His journey soon becomes one of swashbuckling adventure, as Albert finds himself in the middle of turf wars and long-standing enmities amid the animals living in the Australian Outback. As distinctly drawn as Albert’s own earnest and brave character are those of his new friends, Jack the embittered wombat and American-born TJ, a thieving raccoon of honor and courage. While the arc of the story is simple–young platypus grows in self-understanding as he experiences the good and evil of the world–the setting is fabulously exotic. The landscape of the Northern Territory, and, more importantly, the extraordinary native animals, increase the book’s fantastical mystique. It’s tempting to compare this novel to others that feature talking animals, but it’s really more closely related to shoot-‘em-up-westerns or war stories. For most teens, this will be an out-of-the box recommendation. Adventurous readers will appreciate the quirky pretext for a hearty coming-of-age story Down Under.–<span class="AuthName">Diane Colson, Palm Harbor Library, FL</span></p>
<p class="Biblio"><span class="ProductCreatorLast">CHEN, </span> <span class="ProductCreatorFirst">Pauline A.. </span> <span class="ProductName">The Red Chamber. </span>400p. <span class="ProductPublisher">Knopf. </span>2012. <span class="ISBN">Tr $26.95. ISBN 978-0-307-70157-2. </span> <span class="ProductLCC">LC 2012005050. </span><br />
<span class="ProductGradeLevel">Adult/High School</span>–<span class="ital1"> The Red Chamber</span> follows the story of three members of the wealthy Jia family in 18th century Beijing. Daiyu, Xifeng, and Baochai live within a tightly knit closed society that allows them only limited access to life outside their splendid mansion. Their only power is contained within their closed chambers, and the story centers on their many complex relationships. Xifeng, the childless wife of the head of the family, rules with an iron fist over the other women. Daiyu, a young orphaned cousin newly arrived from the south, hopes to find comfort with her extended family but instead finds it difficult to enter their world. She befriends another young cousin, Baochai, but when they discover that they both love the same man, their friendship breaks down. Just as there are many servants, concubines, children, parents, and cousins living in household, there are many characters in this story and many side plot lines that create a unique view of life and politics in the Beijing of the 1700’s. The three women’s lives intersect not only within their chambers, but each must survive as the winds of politics change their sheltered lives. Inspired by a literary classic of the 18th century, this important piece of Chinese tradition gives Western readers insight into a fascinating culture. With so many characters and events, it’s difficult to follow at first but perseverance will open up this engaging story, and as each character unfolds, the story compels further reading. Recommend this to teens who love history, Asia, romance, and complex story lines.—<span class="ital1">Connie</span> <span class="ital1">Williams, Petaluma High School, CA </span></p>
<p class="Biblio"><span class="ProductCreatorLast"> FISHMAN, </span><span class="ProductCreatorFirst">Zoe. </span> <span class="ProductName">Saving Ruth. </span>304p. <span class="ProductPublisher">Morrow. </span>2012. <span class="ISBN">pap. $14.99. ISBN 978-0-06-205984-0. </span> <span class="ProductLCC">LC 2011275350. </span><br />
<span class="ProductGradeLevel">Adult/High School</span>–After her first year of college in Michigan, Ruth Wasserman returns home to Alabama 35 pounds lighter but still carrying around all her old insecurities about her looks. She is met at the airport by David, her athletic, smart older brother who evades her questions about his own life in college. As Ruth meets up with old friends, soothes her parents’ fears about her new ultra-skinny look, and starts dating David’s old best friend, Chris, she returns to work alongside David as a lifeguard at the local pool. When David gets high just before work one day and a young black girl slips underwater, it is up to Ruth to be clear-headed and save her. Ruth begins to realize that things are not as they seem. Not only do David’s lies about his soccer scholarship begin to unravel, but she suspects problems in her parents’ relationship. When she is hired to help a young girl lose weight, she finally confronts her own issues so that she can help her young charge avoid a similar path to an eating disorder. This is a well written, quick read with wide teen appeal. Ruth is believable, and her dialogue with David is in true sibling form. The characters are not stereotyped, and the complicated racial tensions, along with Ruth’s concern about beauty and conformity, convey the unique culture of one small southern town.–<span class="AuthName">Connie Williams, Petaluma High School, CA</span></p>
<p class="Biblio"><span class="ProductCreatorLast">GRANT, </span> <span class="ProductCreatorFirst">Mira. </span> <span class="ProductName">Blackout. </span>Bk. 3. 574p. (Newsflesh Trilogy). <span class="ProductPublisher">Orbit. </span>2012. <span class="ISBN">pap. $9.99. ISBN 978-1-84149-900-0. </span> <span class="ProductLCC">LC number unavailable. </span><br />
<span class="ProductGradeLevel">Adult/High School</span>–Readers who have followed this trilogy from the beginning will be relieved to find that Georgia Mason is 97% resurrected and back in action. In this final book, set in 2041, death by zombie is less a threat for the After the End Time bloggers than death by assassination by the Center for Disease Control. The pace picks up with Georgia and Shaun Mason alternating narration as each one uncovers parts of the horrific conspiracy that keeps the Kellis-Amberlee virus alive and deadly. In each of the three books, the tension has a different timbre: <span class="ital1">Feed</span> (2010) is bloody and edgy, while <span class="ital1">Deadline</span> (2011, both Orbit) is darkly taut. <span class="ital1">Blackout</span> has the spiraling, out-of-control terror of an impending collision. The “Newsflesh Trilogy” has tremendous appeal for older teens who enjoy a combination of science and action, with an overlay of forbidden romance throughout. It’s possible to start with the final volume, despite the many resolutions to the storyline. Most likely it will whet readers’ appetites for more. Fortunately for fans, Grant published a prequel novella, <span class="ital1">Countdown (</span>2011). It takes readers back in time to the earliest developments that led to the virus and introduces characters who figure largely in the trilogy. There is always the chance that more bits of the story will yet emerge from Grant, as readers will certainly wonder what happens to these familiar characters next.–<span class="AuthName">Diane Colson, Palm Harbor Library, FL </span></p>
<p class="Biblio"><span class="ProductCreatorLast">GREENSLADE, </span> <span class="ProductCreatorFirst">Frances. </span> <span class="ProductName">Shelter. </span>400p. <span class="ProductPublisher">Free Pr. </span>2012. <span class="ISBN">pap. $15. ISBN 978-1-4516-6110-1. </span> <span class="ProductLCC">LC 2011028539. </span><br />
<span class="ProductGradeLevel">Adult/High School</span>–Maggie and Jenny are living in rural British Columbia in the 1970s. They are 10- and 12-years-old when their father dies, and not much older when their mother leaves them at the home of an older couple they barely know. For a few years, they hear from her occasionally, but eventually she disappears forever. Maggie narrates the story, struggling to understand something about who her parents were, why her mother left, and why she and Jenny didn’t try to find her. Maggie is bright, thoughtful, and independent, while Jenny is charming and outgoing like her mother. Maggie, more cautious like her father, approaches life warily, albeit with great resourcefulness. When Jenny becomes pregnant, Maggie decides that she must find out what happened to their mother. Not a lot goes on in this novel, but readers are nevertheless drawn inexorably forward by Maggie’s longing for a real family, by her loyalty to Jenny, and by her few close friendships. The setting is so clearly drawn as to be almost a character in its own right. This is a quiet but deeply felt book, for readers who liked Bobbie Ann Mason’s <span class="ital1">In Country</span> (Harper, 1985) or Kent Haruf’s <span class="ital1">Plainsong</span> (Knopf, 1999).–<span class="AuthName">Sarah Flowers, formerly at Santa Clara County Library, CA </span></p>
<p class="Biblio"><img src="http://reviews.libraryjournal.com/wp-content/uploads/2012/06/redstar.jpg" alt="redstar Adult Books 4 Teens: October 2012 Reviews" width="16" height="16" border="0" title="Adult Books 4 Teens: October 2012 Reviews" /><span class="ProductCreatorLast">KEESEY, </span> <span class="ProductCreatorFirst">Anna. </span> <span class="ProductName">Little Century. </span>336p. <span class="ProductPublisher">Farrar. </span>2012. <span class="ISBN">Tr $26. ISBN 978-0-374-19204-4. </span> <span class="ProductLCC">LC 2011046308. </span><br />
<span class="ProductGradeLevel">Adult/High School</span>–Newly orphaned following the death of her mother, 18-year-old Esther Chambers lands in Century, Oregon with few options. Her only remaining relative, distant cousin Pick, has offered to set her up as a homesteader on land adjoining his ranch. But what does a girl from Chicago know about frontier living? Esther must learn to farm, care for her horse, and, most importantly, become a part of the community. The cattlemen of Two Forks Ranch are at odds with the sheepherders over grazing rights on parched, arid land. Esther finds herself making alliances on both sides as she struggles to understand a feud rife with unconscionable behavior. To complicate matters, she finds herself with a pair of suitors&#8211;handsome and established cattleman Pick, and magnetic Ben Cruff, an idealistic young sheepherder. Esther’s choice and its consequences will keep readers transfixed. Teens will be drawn in by an intelligent and independent heroine who follows both her head and heart as she comes of age and takes charge of her life. Compelling and engaging, <span class="ital1">Little Century</span> explores the everyday struggles of pioneers in an approachable context. Keesey does a superb job fleshing out the secondary characters who populate Century, including an eccentric shopkeeper with a lending library and a love of nature, and the fiery, welcoming schoolteacher who teaches Esther to split her skirts to make more practical riding attire. Fans of Laura Ingalls Wilder’s prairie tales will happily fall into this page-turner.–<span class="AuthName">Paula Gallagher, Baltimore County Public Library, MD</span></p>
<p class="Biblio"><span class="ProductCreatorLast">LOCKE, </span> <span class="ProductCreatorFirst">Kate. </span> <span class="ProductName">God Save the Queen. </span>368p. maps. glossary. <span class="ProductPublisher">Orbit. </span>2012. <span class="ISBN">Tr $16.99. ISBN 978-0-316-19612-3. </span> <span class="ProductLCC">LC number unavailable. </span><br />
<span class="ProductGradeLevel">Adult/High School</span>–In a reimagined Great Britain, a mutated form of the bubonic plague has taken root among the nation’s royalty, causing the infected to acquire certain abilities and sensitivities. The plague first appeared in the 1700’s; by the time of this story, Queen Victoria, an immortal vampire, is 175 years into her reign and the aristocracy consists solely of vampires and werewolves. The rest of the population consists of halvies, the offspring of vampire “aristo’s” and human courtesans; goblins, the greatly feared offspring of one were and one vampire parent; and humans, who don’t hide their hatred of the other groups, and are generally kept at a distance. In this first volume of the Immortal Empire series, readers meet Alexandra Vardan, daughter of an aristo vampire and a human mother. As a member of the Queen’s Royal Guard, Xandra is completely loyal to the crown and is indeed sworn to protect it. But a search for her missing sister changes everything. It starts with a trip underground to meet with the goblin prince and ends up with everything Xandra believes about her family, England’s social structure, and even herself being turned upside down. Locke’s rich detail draws readers into this fascinating world, making the journey with Xandra thrilling, frightening, and shocking. Her romance with a sexy aristo werewolf adds spice but never detracts from the action. This paranormal/political thriller mash-up (with a light sprinkling of steampunk) is sure to engage teens who enjoy exciting, genre-blurring stories.–<span class="AuthName">Carla Riemer, Claremont Middle School, CA</span></p>
<p class="Biblio"><img src="http://reviews.libraryjournal.com/wp-content/uploads/2012/06/redstar.jpg" alt="redstar Adult Books 4 Teens: October 2012 Reviews" width="16" height="16" border="0" title="Adult Books 4 Teens: October 2012 Reviews" /><span class="ProductCreatorLast">RATNER, </span> <span class="ProductCreatorFirst">Vaddey. </span> <span class="ProductName">In the Shadow of the Banyan. </span>336p. <span class="ProductPublisher">S &amp; S. </span>2012. <span class="ISBN">Tr $25. ISBN 978-1-4516-5770-8. </span> <span class="ProductLCC">LC 2011033320. </span><br />
<span class="ProductGradeLevel">Adult/High School</span>–Seven year-old Raami’s world is forever changed when the Khmer Rouge drive her family from their home. Her father is a Cambodian prince, her grandmother a queen, but in the eyes of the black-clad young soldiers, they are merely citizens to be rounded up in the name of the revolution. Forced to flee with little more than the clothes on their backs, they have nothing but one another. But no one can foresee the events to come, as one by one those closest to Raami are taken from her. Ratner’s evocative, lyrical prose transports readers to the Cambodia of her childhood, a land of contemplative Buddhist temples abruptly outlawed and jewel-toned clothing forcibly dyed black. The novel is an utterly engaging portrait of familial love and sacrifice, a bleak story that manages to retain a sense of warmth and optimism through the eyes of precocious young Raami. Teens who enjoy dystopian fiction may be surprised to find a historical novel with familiar themes of violence, destruction, and cruelty in the name of a so-called better society. The Organization promises to provide and take care of its citizens, but it does not. Survival depends on the kindness of strangers. The author carefully balances harsh realities with the touchstones of hope that Raami holds near. Traditional stories of the Buddha comfort her, and her beloved father, she believes, watches over her in the form of the moon. Accessible and profoundly moving, <span class="ital1">In the Shadow of the Banyan</span> is destined to become a classic.–<span class="AuthName">Paula Gallagher, Baltimore County Public Library, MD</span></p>
<p class="Biblio"><span class="ProductCreatorLast">SCALZI, </span> <span class="ProductCreatorFirst">John. </span> <span class="ProductName">Redshirts: A Novel with Three Codas. </span>320p. <span class="ProductPublisher">Tor. </span>2012. <span class="ISBN">Tr $24.99. ISBN 978-0765316998; spiral $11.99. ISBN 978-1429963602. </span> <span class="ProductLCC">LC 201009383. </span><br />
<span class="ProductGradeLevel">Adult/High School</span>–As even casual fans <span class="ital1">of Star Trek</span> know, any time redshirt-wearing extras go off the ship with Kirk, Spock, McCoy, or one of the other big stars, they don’t come back alive. Scalzi’s latest novel takes that idea and runs with it wildly and hilariously, adding the metafictional conceit that the characters of the book are the real-life counterparts of characters on a poorly written basic-cable TV show from some 400 years earlier, and that whatever happens on the show happens to them. A new group of ensigns on the Universal Union (“Dub U”) flagship <span class="ital1">Intrepid</span> begins to notice odd things: new crew members have a very high mortality rate; whenever Captain Abernathy or Science Officer Q’eeng appears, the rest of the crew mysteriously disappear to fetch coffee, inventory the stock room, or go on an urgent errand; a mysterious “box” comes up with solutions to problems just in the nick of time; and a strange bearded guy who seems to know something about what he calls “the Narrative” lurks in the maintenance tunnels. Ensign Andy Dahl and his friends set out to figure out how they can use the Narrative to keep themselves from being killed off, and their discussions along the way are, as the characters themselves note, as existential and metaphysical (and funny) as late-night dorm-room conversations. Fans of Jasper Fforde’s “Thursday Next” novels and those who enjoyed Ernest Cline’s <span class="ital1">Ready Player One</span> (Crown, 2011) are natural audiences for this one.–<span class="AuthName">Sarah Flowers, formerly of Santa Clara County Library, CA</span></p>
<p class="Biblio"><span class="ProductCreatorLast">SEMPLE, </span> <span class="ProductCreatorFirst">Maria. </span> <span class="ProductName">Where’d You Go, Bernadette. </span>336p. <span class="ProductPublisher">Little, Brown. </span>2012. <span class="ISBN">Tr $25.99. ISBN 978-0-316-20427-9. </span> <span class="ProductLCC">LC 2011040639. </span><br />
<span class="ProductGradeLevel">Adult/High School</span>–Bee Branch’s eighth-grade Galer Street School report card describes her as a pure delight, and the same can be said for Semple’s smart, funny novel. As a reward for years of perfect grades, Bee’s parents grant her request for a family trip to Antarctica over the Christmas vacation. Unfortunately, her mother, Bernadette, disappears two days before their scheduled departure. Bee’s narrative of events is interspersed with letters and e-mails between various players–of special note, Bernadette’s correspondence with Manjula Kapour, her too-good-to-be-true virtual assistant in India, who arranges the trip to Antarctica, reservations for Thanksgiving dinner, and anything else Bernadette requires, all for seventy-five cents an hour, and the exchanges between two Galer Street mothers (Bernadette calls them The Gnats) who share their horror and frustration at Bernadette’s lifestyle and choices. A portrait of Bernadette slowly emerges as a recluse who rarely leaves the house. She is devoted to her daughter, dismissive of life in Seattle (which she skewers mercilessly), and increasingly distant from her superstar workaholic Microsoft executive husband, Elgin. When Bernadette gets wind of Elgin’s plan to have her committed, she flees. In the aftermath of her disappearance, readers learn of Bernadette’s surprising, hidden past. It all comes together when Elgin and Bee travel to Antarctica alone, where Bee is stubbornly certain she will find her mother. The denouement is both wacky and moving. Part witty social satire, part family drama, part warning against the perils of stifled creativity, this novel is highly recommended. Even though she mostly addresses adult concerns, Semple’s humor and humanity-filled storytelling will appeal to young adult readers, too.–<span class="AuthName">Angela Carstensen, Convent of the Sacred Heart, New York City</span></p>
<p class="SubheadBK">NONFICTION</p>
<p class="Biblio"><span class="ProductCreatorLast"> GRANDE, </span><span class="ProductCreatorFirst">Reyna. </span> <span class="ProductName">The Distance Between Us: A Memoir. </span>336p. photos. <span class="ProductPublisher">Atria. </span>2012. <span class="ISBN">Tr $25. ISBN 978-1-4516-6177-4. </span> <span class="ProductLCC">LC 2012001634. </span><br />
<span class="ProductGradeLevel">Adult/High School</span>–When Grande was two years old, her father left her family in Mexico to go to “El Otro Lado,” the United States, where he could find work and send money back home. Two years later, El Otro Lado took her mother also; and the author, her sister Mago and her brother Carlos were sent to their grandmother, Abuela Evila. Her abuse and neglect, along with grinding poverty brought near starvation, deprivation, and little love to the children. With no electricity, no running water, no source of healthy food, they lived in Cinderella fashion while their grandmother took the money from their father and bestowed it on her cousin. When news reached them that their parents had a new baby, Grande was certain that they were forgotten. Soon their mother returned with news of her divorce and told them that their father had a new American wife. When their father briefly returned, they begged to go back with him. He grudgingly agreed and they traveled to Los Angeles with the help of a Coyote, enrolled in school and began new lives striving to become American citizens. It wasn’t easy but Grande stuck with it to become the first college graduate in her family. She never flinches in describing her surroundings and feelings, while her resilience and ability to empathize allow her to look back with a compassion that makes this story one that everyone should read.–<span class="AuthName">Connie Williams, Petaluma High School, CA</span></p>
<p class="Biblio"><img src="http://reviews.libraryjournal.com/wp-content/uploads/2012/06/redstar.jpg" alt="redstar Adult Books 4 Teens: October 2012 Reviews" width="16" height="16" border="0" title="Adult Books 4 Teens: October 2012 Reviews" /><span class="ProductCreatorLast">ROSS, </span> <span class="ProductCreatorFirst">Richard. </span> <span class="ProductName">Juvenile in Justice. </span>photos by author. 98p. photos. notes. 2012. <span class="ISBN">Tr $29.95. ISBN 978-0-9855106-0-2. </span> <span class="ProductLCC">LC number unavailable. </span><br />
<span class="ProductGradeLevel">Adult/High School</span>–Award winning photographer Ross spent more than 5 years speaking with 1000 youth confined in more than 200 juvenile detention facilities in 31 states. The result is a profound and provocative visual narrative, accompanied by stark facts. Portraits are accompanied by a quote from the youth or staff or a short narrative explanation. Each young person (anonymous for legal reasons) is captured in haunting and thought provoking ways. Statistics such as “Nearly 3 of every 4 youth confined … are not in for a serious violent felony crime” or “Black youth are 9 times as likely to be sentenced to adult prisons as white youth” are presented one to a page. The ironies and contradictions inherent in the system unfold perfectly with the visuals of facilities and accompanying text. For example, “The state of California spends $224,712 annually to house a juvenile in the new “green” Oakland facility. Oakland spent $4,945 on the education of a child in the Oakland public school system” is accompanied by a sign proclaiming the use of pepper spray (not exactly “green”). Montages of themed images such as food trays, “time out” rooms, and restraining devices tell the story in a way nothing else can. Considering that over 70,000 youth spend the night in lockdown facilities across the country every night, this book is of intense interest to teens. Reluctant readers will be jostling each other to get a glimpse, drawn into the visual story, and motivated to read for a deeper understanding. The preface, forward, afterword, and notes provide additional insight and empowerment for all teen readers.–<span class="AuthName">Amy Cheney, Alameda County Library, Juvenile Hall, CA </span></p>
<p class="Biblio"><span class="ProductCreatorLast">WEDDAY, </span> <span class="ProductCreatorFirst">Nasser, ed &amp; Sohrab Ahmari. </span> <span class="ProductName">Arab Spring Dreams: The Next Generation Speaks Out for Freedom and Justice from North Arica to Iran. </span>235p. <span class="ProductPublisher">Palgrave Macmillan. </span>2012. <span class="ISBN">pap. $17. ISBN 978-0-230-11592-7. </span> <span class="ProductLCC">LC 2011040448. </span><br />
<span class="ProductGradeLevel">Adult/High School</span>– Since 2005, the American Islamic Congress has sponsored an essay contest for young writers living in Arab nations. The entrants can select from a variety of questions, and write in English, French or Arabic; more recent contests also include a video option. Compiled here are some of the best essays from the last several years of the contest. By nature of the contest and the AIC, the essays support a basic political ideology – that of more civil rights in their region. To assist readers unfamiliar with the political nuances and history of the Arab nations, each essay has an introduction that sets the stage. The essays often echo Civil Rights struggles familiar to Westerners. Gay rights: the first entry in the book is a fictionalized account, written by an Egyptian woman, of a gay man trying to meet other men online; Women’s rights: “A Persian Grandmother in Tokyo” is by a young Iranian woman who witnessed the world through the eyes of her grandmother when they visited Japan together; Religious rights: “The Shredded Exam Card,” also from Iran, is about the fierce persecution against those of the Bahai faith, who are not even allowed to attend college. There are also essays regarding race discrimination, whether between Arabs and black Africans, or Arabs of different descent. Many of the entries were submitted anonymously, out of fear of persecution. However, some are not, including the Egyptian Dalia Ziada, who now runs the AIC office in Cairo which sponsors the Cairo Human Rights Film Festival. These essays make an excellent real-life companion to current Arab studies.–<span class="AuthName">Jamie Watson, Baltimore County Public Library, MD</span></p>
<p class="SubheadBK"><span class="ProductCreatorLast">GRAPHIc NOVELS </span></p>
<p class="Biblio"><span class="ProductCreatorLast">DE HEER, </span> <span class="ProductCreatorFirst">Margreet. </span> <span class="ProductName">Philosophy: A Discovery in Comics. </span>tr. by Emma Ringelberg and Dan Schiff from Dutch. illus. by author. 119p. <span class="ProductPublisher">NBM. </span>2012. <span class="ISBN">Tr $16.99. ISBN 978-1-56163-698-3. </span> <span class="ProductLCC">LC 2012938931. </span><br />
Adult/High School&#8211;Colorful, clever, and bouncy cartoons provide an educated philosophy scholar-cartoonist with the method for engaging and informing casual readers about the why and how of Western philosophy’s foundations and development.  De Heer opens the discussion by providing an admirably direct and charming exploration of her own philosophical mind, from preschool aged wonders and questions, through her journey through academia and into the comics field. While brevity of panel count forces her to hit only the highest highlights of the likes of Aristotle and Spinozaa&#8211;along with the other dozen or so specific “big names” she treats&#8211;the narrative frame she uses allows readers to understand that there are reasons for these particular individual thinkers to be called out as important and where to look for more by any one of them.  Book colorist Yiri Kohl stands as his wife’s interlocutor during the narrative, suggesting where her first run at an explanation needs help and demonstrating how discussion aids clarity of thought. A final section offers the personal philosophies of four of de Heer’s friends, an added invitation to readers to think on their own. The panels throughout, besides being beautifully watercolored, are full of movement and energy as their enclosed concepts unfold and cycle from and around other aspects of philosophy’s history. All in all, this is an accessible and fun primer on a topic that too often is considered to be musty and shrouded in academic argot.&#8211;<span class="ital1">Francisca Goldsmith, Infopeople Project, CA </span></p>
<p class="Biblio"><span class="ProductCreatorLast">GERALD, </span> <span class="ProductCreatorFirst">Kelly, ed. </span> <span class="ProductName">Flannery O’Connor: The Cartoons. </span>illus. by Flannery O’Connor. 141p. illus. notes. <span class="ProductPublisher">Fantagraphics. </span>2012. <span class="ISBN">Tr $22.99. ISBN 978-1-60699-479-5. </span> <span class="ProductLCC">LC number unavailable. </span><br />
<span class="ProductGradeLevel">Adult/High School</span>–Best known for her highly ironic and iconic short stories, O’Connor began her creative life when she was a preschooler; during her youth and college years she developed increasingly in the visual arts, rather than through writing. This beautifully produced retrospective of her linoleum block cartoons, along with some sketches and drawings, shows the incisive, witty and genuinely original “voice” of an excellent observer, just as her later fiction (<span class="ital1">A Good Man Is Hard to Find</span>, <span class="ital1">Wise Blood</span>) demonstrates. Moser’s brief introduction gives readers unfamiliar with block-print techniques enough information to understand the flexible attitudes of O’Connor’s chosen printing medium, while Kelly Gerald’s essay and captioning serves as eloquent and substantive discussion of the artist’s interests as expressed in these cartoons. O’Connor’s viewpoint as a college student during the early years of World War II at an all-female Southern institution adds another layer of texture, too, for contemporary teen artists and observers of places and situations that fall outside popular media’s scope.–<span class="AuthName">Francisca Goldsmith, Infopeople Project, CA</span></p>
<p class="Biblio"><span class="ProductCreatorLast">MCCOOL, </span> <span class="ProductCreatorFirst">Ben. </span> <span class="ProductName">Nevsky: A Hero of the People. </span>illus. by Mario Guevara. 128p. illus. appendix. <span class="ProductPublisher">IDW Pub. </span>2012. <span class="ISBN">Tr $24.99. ISBN 978-1613771815. </span> <span class="ProductLCC">LC number unavailable. </span><br />
Adult/High School&#8211;Alexander Nevsky is a legendary figure informing Russian identity, holding a role not dissimilar from that of Robert the Bruce for the Scots or Hercules for the ancient Greeks. When Soviet Russian film writer and director Sergei Eisenstein created his 1938 masterpiece <span class="ital1">Ilya Muromets</span>,based on this 13th-century hero, he used the epic cinematography then in vogue to display artfully and artistically foreshadowing of the rise of the Third Reich without letting the modern encroachment of the Germans compromise the sanctity of a legend of Nevsky as Russia’s saving warrior. McCool and Guevara have united in this retelling to capture a coherent and exciting narrative of Nevsky’s triumph against the invaders with beautifully colored and richly detailed spreads that echo Eisenstein’s cinematography. Character development&#8211;including that of a Russian queen, a Teutonic spy, and a brave peasant girl warrior, as well as Nevsky, of course&#8211;is rendered quickly and solidly. All manner of political realities can be identified in the tale, from those of the 13th and 20th centuries to the role a true hero could take as a model today. Much added matter in the volume makes this a viable text for students interested in aspects of European history, military science, and legends as ripe for presentation through a variety of media, including film and comics.&#8211; <span class="ital1">Francisca Goldsmith, Infopeople Project, CA</span></p>
<p class="Biblio"><span class="ProductCreatorLast">YORFUJI, </span> <span class="ProductCreatorFirst">Bunpei. tr. from Japanese by Fredrik Lindh. </span> <span class="ProductName">Wonderful Life with the Elements: The Periodic Table Personified. </span>illus. by author. 208p. charts. diags. illus. index. <span class="ProductPublisher">No Starch. </span>2012. <span class="ISBN">Tr $17.95. ISBN 978-1-59327-423-8. </span> <span class="ProductLCC">LC number unavailable. </span><br />
<span class="ProductGradeLevel">Adult/High School</span>–This clever and effective little book could have the power to make chemistry literates of students, and their parents. While curriculum design in history has moved away from brute memorization of the raw material of dates and place names, the entryway to learning the Periodic Table continues to be, for most, learning the printed pattern and what the various Latin abbreviations and corners of each element block signify, rather than what any of this means. The unique, humorous and diligently complete treatment found here, however, turns that flat code collection into meaningful properties, attributes, and connections. Each element is depicted with a particular hairstyle, body type and clothing type–not chosen at random, but as representative of stability, weight, and usage in our daily lives. Each element is then treated to a page of depiction, references through smaller drawings to everyday items in which it occurs, and a paragraph of discussion that provides up-to-date context such as Vanadium’s possible contribution to lowering blood pressure and Tantelum’s use in mobile phone technology. Additional chapters discuss the elements related to diet, human anatomy, and current depletion due to modern mining and production of modern material culture. The art is both sweet and clear, with brown and yellow cartoons on uncluttered pages that pack a wallop of information which, indeed, brings the Periodic Table to life and meaningfulness.–<span class="AuthName">Francisca Goldsmith, Infopeople Project, CA</span></p>
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		<title>October 2012 Reviews: Stars List</title>
		<link>http://www.slj.com/2012/10/books-media/reviews/october-2012-reviews-stars-list/</link>
		<comments>http://www.slj.com/2012/10/books-media/reviews/october-2012-reviews-stars-list/#comments</comments>
		<pubDate>Mon, 01 Oct 2012 05:01:22 +0000</pubDate>
		<dc:creator>SLJ</dc:creator>
				<category><![CDATA[Adult Books 4 Teens]]></category>
		<category><![CDATA[Books & Media]]></category>
		<category><![CDATA[Grades 5 & Up]]></category>
		<category><![CDATA[Preschool to Grade 4]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[starred reviews]]></category>

		<guid isPermaLink="false">http://www.slj.com/?p=15937</guid>
		<description><![CDATA[<p class="wp-caption-text">The Monsters’ Monster (McDonnell)Illustration by Patrick McDonnell.</p>
<p class="Subhead">Preschool to Grade 4 </p>
<p class="Biblio">ASIM,  Jabari.  Fifty Cents and a Dream. illus. by Bryan Collier. Little, Brown. Dec. 2012. p. 110.</p>
<p>ASTON,  Dianna Hutts.  A Rock Is Lively.  illus. by Sylvia Long. Chronicle. p. 111. </p>
<p class="Biblio">BANKS,  Kate.  The Bear in the Book.  illus. by Greg Hallensleben. Farrar/Frances Foster. Oct. 2012. p. 88. </p>
<p class="Biblio">BARRETT, Judi. Santa from Cincinnati. illus. by Kevin Hawkes. S [...]]]></description>
			<content:encoded><![CDATA[<div id="attachment_16221" class="wp-caption aligncenter" style="width: 610px"><img class="size-full wp-image-16221" title="SLJ1210w_Star_McDonnell" src="http://www.slj.com/wp-content/uploads/2012/09/SLJ1210w_Star_McDonnell.jpg" alt="SLJ1210w Star McDonnell October 2012 Reviews: Stars List" width="600" height="305" /><p class="wp-caption-text">The Monsters’ Monster (McDonnell)<br />Illustration by Patrick McDonnell.</p></div>
<p class="Subhead"><span class="ProductLCC">Preschool to Grade 4 </span></p>
<p class="Biblio"><span class="ProductCreatorLast">ASIM,</span> <span class="ProductCreator First"> Jabari. </span> <span class="ProductName">Fifty Cents and a Dream.</span> illus. by Bryan Collier. Little, Brown. Dec. 2012. p. 110.</p>
<p><span class="ProductCreatorLast">ASTON,</span> <span class="ProductName"> Dianna Hutts.</span> <span class="ProductName"> A Rock Is Lively. </span> <span class="ProductName">illus. by Sylvia Long. Chronicle.</span> <span class="ProductName">p. 111</span><span class="ProductName">. </span></p>
<p class="Biblio"><span class="ProductCreatorLast">BANKS,</span> <span class="ProductName"> Kate. </span> <span class="ProductName">The Bear in the Book. </span> <span class="ProductName">illus. by Greg Hallensleben. Farrar/Frances Foster. Oct. 2012. p. 88. </span></p>
<p class="Biblio"><span class="ProductCreatorLast">BARRETT,</span> Judi. Santa from Cincinnati. illus. by Kevin Hawkes. S &amp; S/Atheneum. Oct. 2012. <span class="ISBN">p. 78.</span></p>
<p class="Biblio"><span class="ProductCreatorLast">BISHOP,</span> <span class="ProductCreator First">Nic. </span> <span class="ProductName">Nic Bishop Snakes.</span> <span class="ProductCreator First"> photos by author. Scholastic. Oct. 2012. p. 112. </span></p>
<p class="Biblio"><span class="ProductCreatorLast">BOYNTON,</span> <span class="ProductCreator First"> Sandra. </span> <span class="ProductName">Christmas Parade. </span> <span class="ProductCreator First">illus. by author. S &amp; S/Little Simon. Oct. 2012. p. 79. </span></p>
<p class="Biblio"><span class="ProductCreatorLast">DORÉMUS,</span> Gaëtan. <span class="ProductName">Bear Despair.</span> tr. from French. illus. by author. (Stories Without Words Series). Enchanted Lion. <span class="ISBN">p. 94.</span></p>
<p class="Biblio"><span class="ProductCreatorLast">DUNREA,</span> <span class="ProductCreator First"> Olivier. </span> <span class="ProductName">Little Cub. illus.</span> <span class="ProductCreator First"> by author. Philomel. Nov. 2012. p. 100. </span></p>
<p class="Biblio"><span class="ProductCreatorLast">HENKES,</span> <span class="ProductName"> Kevin.</span> <span class="ProductName"> Penny and Her Doll. </span> <span class="ProductName">illus. by author. HarperCollins/Greenwillow. p. 96.</span></p>
<p class="Biblio"><span class="ProductCreatorLast">MCDONNELL,</span> <span class="ProductCreator First"> Patrick. </span> <span class="ProductName">The Monsters’ Monster.</span> <span class="ProductCreator First"> illus. by author. Little, Brown. p. 100. </span></p>
<p class="Biblio"><span class="ProductCreatorLast">WILLEMS,</span> <span class="ProductCreator First"> Mo.</span> <span class="ProductName"> Let’s Go For a Drive!</span> <span class="ProductCreator First"> illus. by author. (Elephant and Piggie Series). Hyperion/Disney. p. 110.</span></p>
<p class="Subhead"><span class="ProductLCC">GRADES 5 &amp; UP </span></p>
<p class="Biblio"><span class="ProductCreatorLast">AVI.</span> <span class="ProductName">Sophia’s War.</span> <span class="ProductLCC"> S &amp; S/Beach Lane. p. 123. </span></p>
<p class="Biblio"><span class="ProductCreatorLast">DOCTOROW</span> <span class="ProductCreatorLast">,</span> <span class="ProductLCC"> Cory. </span> <span class="ProductName">Pirate Cinema.</span> <span class="ProductLCC"> Tor. Oct. 2012. p. 130. </span></p>
<p class="Biblio"><span class="ProductCreatorLast">ELLIS,</span> <span class="ProductLCC"> Deborah. </span> <span class="ProductName">My Name Is Parvana.</span> <span class="ProductLCC"> (Breadwinner Series). Groundwood. Oct. 2012. p. 130. </span></p>
<p class="Biblio"><span class="ProductCreatorLast">GIDWITZ,</span> <span class="ProductLCC"> Adam. </span> <span class="ProductName">In a Glass Grimmly.</span> <span class="ProductLCC"> Dutton. p. 134. </span></p>
<p class="Biblio"><span class="ProductCreatorLast">GRIFFIN,</span> <span class="ProductLCC">Adele. </span> <span class="ProductName">All You Never Wanted.</span> <span class="ProductLCC">Knopf.</span>Oct. 2012. p. 134.</p>
<p class="Biblio"><span class="ProductCreatorLast">HOOSE,</span> <span class="ProductLCC"> Phillip. </span> <span class="ProductName">Moonbird.</span> <span class="ProductLCC"> Farrar. p. 157. </span></p>
<p class="Biblio"><span class="ProductCreatorLast">JOHNSON</span> <span class="ProductCreatorLast">,</span> <span class="ProductLCC"> Rebecca L. </span> <span class="ProductName">Zombie Makers.</span> <span class="ProductLCC"> Millbrook. Oct. 2012. p. 157. </span></p>
<p class="Biblio"><span class="ProductCreatorLast">KING,</span> <span class="ProductLCC"> A. S. </span> <span class="ProductName">Ask the Passengers. </span> <span class="ProductLCC">Little, Brown. Oct. 2012. p. 139. </span></p>
<p class="Biblio"><span class="ProductCreatorLast">LEAVITT</span> <span class="ProductLCC">, Martine. </span> <span class="ProductName">My Book of Life by Angel. </span> <span class="ProductLCC">Farrar/Margaret Ferguson. p. 140. </span></p>
<p class="Biblio"><span class="ProductCreatorLast">PREUS</span> <span class="ProductLCC">, Margi. </span> <span class="ProductName">Shadow on the Mountain.</span> <span class="ProductLCC"> Abrams/Amulet. p. 148. </span></p>
<p class="Biblio"><span class="ProductCreatorLast">SHEINKIN</span> <span class="ProductLCC">, Steve. </span> <span class="ProductName">Bomb: The Race to Build–and Steal–the World’s Most Dangerous Weapon</span> <span class="ProductLCC">.</span> <span class="ProductLCC"> Roaring Brook/Flash Point. p. 159. </span></p>
<p class="Biblio"><span class="ProductCreatorLast">STEPHENS</span> <span class="ProductLCC">, John. </span> <span class="ProductName">The Fire Chronicle.</span> <span class="ProductLCC"> Bk. 2. (The Books of Beginning Series). Knopf. Oct. 2012. p. 150. </span></p>
<p class="Biblio"><span class="ProductCreatorLast">STIEFVATER,</span> <span class="ProductLCC"> Maggie. </span> <span class="ProductName">The Raven Boys.</span> <span class="ProductLCC"> Bk. 1. (The Raven Cycle). Scholastic. p. 151. </span></p>
<p class="Biblio"><span class="ProductCreatorLast">WALKER,</span> <span class="ProductLCC"> Sally M. &amp; Douglas W. Owsley. </span> <span class="ProductName">Their Skeletons Speak.</span> <span class="ProductLCC"> Carolrhoda. Oct. 2012. p. 160.</span></p>
<p class="Subhead"><span class="ProductLCC">Adult Books 4 Teens Blog </span></p>
<p class="Biblio"><span class="ProductCreatorLast">ABBOTT,</span> <span class="ProductLCC"> Megan. </span> <span class="ProductName">Dare Me.</span> <span class="ProductLCC">Little, Brown. (Aug. 20 post) </span></p>
<p class="Biblio"><span class="ProductCreatorLast">KEESEY,</span> <span class="ProductLCC"> Anna. </span> <span class="ProductName">Little Century. </span> <span class="ProductLCC">Farrar. (Sept. 4 post) </span></p>
<p class="Biblio"><span class="ProductCreatorLast">RATNER,</span> <span class="ProductLCC"> Vaddey. </span> <span class="ProductName">In the Shadow of the Banyan. </span> <span class="ProductLCC">S &amp; S. (Aug. 27 post) </span></p>
<p class="Biblio"><span class="ProductCreatorLast">ROSS,</span> <span class="ProductLCC"> Richard. </span> <span class="ProductName">Juvenile in Justice. </span> <span class="ProductLCC">Richard Ross. (Aug. 13 post)</span></p>
<p class="Subhead">DVD</p>
<p class="Biblio"><span class="ProductName">Light Bulb Conspiracy.</span> Video Project. p. 55.</p>
<p class="Biblio"><span class="ProductName">Edwina, the Dinosaur Who Didn’t Know She Was Extinct. </span>Weston Woods. p. 56.</p>
<p class="Biblio"><span class="ProductName">Kuffle Bunny Free.</span> Weston Woods. p. 57.</p>
<p class="Biblio"><span class="ProductName">Fever of ’57</span>. Amazon.com. p. 58.</p>
<p class="Biblio"><span class="ProductName">Private Tutor: Your Complete SAT Critical Reading Prep Course.</span> Private Tutor SAT. p. 59.</p>
<p class="Subhead">AUDIO</p>
<p class="Biblio"><span class="ProductName">About Average.</span> By Andrew Clements. Recorded Books. p. 59.</p>
<p class="Biblio"><span class="ProductName">Dreamland Lullabies.</span> Lullaballads.com. p. 68.</p>
<p class="Biblio"><span class="ProductName">Little Pig Joins the Band. </span>Live Oak Media. p. 64.</p>
<p class="Biblio"><span class="ProductName">Make Believers.</span> AV Café. p. 69.</p>
<p class="Biblio"><span class="ProductName">Rapture: A Fallen Novel.</span> By Lauren Kate. Listening Library. p. 66.</p>
<p class="Biblio"><span class="ProductName">Seraphina.</span> By Rachel Hartman. Listening Library. p. 66.</p>
<p class="Biblio"><span class="ProductName">Three Times Lucky.</span> By Sheila Turnage. Penguin Audio. p. 67.</p>
<p class="Biblio"><span class="ProductName">Wonderful Wizard of Oz.</span> By L. Frank Baum. Listening Library. p. 68.</p>
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		<title>Adult Books 4 Teens: August 2012 Reviews</title>
		<link>http://www.slj.com/2012/09/books-media/reviews/adult-books-4-teens/adult-books-4-teens-august-2012/</link>
		<comments>http://www.slj.com/2012/09/books-media/reviews/adult-books-4-teens/adult-books-4-teens-august-2012/#comments</comments>
		<pubDate>Mon, 03 Sep 2012 16:00:02 +0000</pubDate>
		<dc:creator>SLJ</dc:creator>
				<category><![CDATA[Adult Books 4 Teens]]></category>
		<category><![CDATA[YA reviews]]></category>

		<guid isPermaLink="false">http://www.slj.com/?p=13849</guid>
		<description><![CDATA[<p class="Subhead">Fiction</p>
<p><strong>BRUNT,</strong> Carol Rifka. <em>Tell the Wolves I&#8217;m Home</em>. 368p. Dial. 2012. Tr $26. ISBN 978-0-679-64419-4. LC 2011027932.
<strong>Adult/High School</strong>–June Elbus, 14, begins her story in late December 1986, as her mother drives her and her older sister, Greta, to their Uncle Finn’s Manhattan apartment so he can continue painting their portrait. Finn is a famous artist dying of AIDS, and June is in love with him. She treasures their every moment together, especially their trips to The Cloisters. He even [...]]]></description>
			<content:encoded><![CDATA[<p class="Subhead">Fiction</p>
<p><img src="http://reviews.libraryjournal.com/wp-content/uploads/2012/06/redstar.jpg" alt="redstar Adult Books 4 Teens: August 2012 Reviews" width="16" height="16" border="0" title="Adult Books 4 Teens: August 2012 Reviews" /><strong>BRUNT,</strong> Carol Rifka. <em>Tell the Wolves I&#8217;m Home</em>. 368p. Dial. 2012. Tr $26. ISBN 978-0-679-64419-4. LC 2011027932.<br />
<strong>Adult/High School</strong>–June Elbus, 14, begins her story in late December 1986, as her mother drives her and her older sister, Greta, to their Uncle Finn’s Manhattan apartment so he can continue painting their portrait. Finn is a famous artist dying of AIDS, and June is in love with him. She treasures their every moment together, especially their trips to The Cloisters. He even understands her favorite thing–walking deep into the woods, slipping on an old Gunne Sax dress and the boots he bought her at a medieval festival, and pretending she lives in the Middle Ages. After Finn dies, June is approached by Finn’s “special friend,” Toby. She never even knew he existed until the funeral, where her mother bitterly referred to him as the man who killed Finn. Now he wants to spend time with June. She is wary but cannot resist learning more about Finn’s life. Her parents are distracted by work and Greta is in rehearsals for the school musical, so June easily keeps their fragile friendship a secret. Much of this accessible, sensitively told, and heartbreaking story revolves around the jealousy inspired by the love between these characters, and the misunderstandings that result. Greta is jealous of June’s time with Finn. Their mother is jealous of Toby’s relationship with her brother. June is jealous of Toby’s relationship with Finn, and hurt that he hid so much from her. Teens will identify with June, her awkwardness and self-doubt, her need for escape, her conflicts with her sister and mother, and her sadness at losing the one adult who truly understood her.–Angela Carstensen, Convent of the Sacred Heart, New York City</p>
<p><strong>FORD</strong>, Richard. <em>Canada</em>. 432p. HarperCollins. 2012. Tr $26.99. ISBN 978-0-06-169204-8. LC 2012013939.<br />
<strong>Adult/High School</strong>–Ford’s quietly beautiful novel is structured around two life-changing events for Dell Parsons, the narrator. Although he mentions both in the first sentence, it takes him almost half of the novel to get around to recounting his parents’ robbery of a bank in small-town North Dakota, and most of the rest to describe the double murder he witnessed mere weeks later. Indeed, writing from the perspective of 50 years later, Dell approaches these events not with the drama and shock they seem to deserve but with contemplative dispassion as he attempts to understand how they affected the rest of his life. The question he struggles with most is whether or not criminals like his parents inevitably commit their crimes and can somehow be identified as criminals even before acting. And while Ford is fascinated by this question as well, he simultaneously asks the much deeper question of how a person is affected by obsessing over such a question for 50 years. With its narrator’s dual perspective as teen and old man and its focus on a single dramatic summer, <em>Canada</em> has much in common with Mal Peet’s<em> Life: An Exploded Diagram</em> (Candlewick, 2011) and David E. Hilton’s <em>Kings of Colorado</em> (S &amp; S, 2011). And though Ford’s novel is more contemplative and less immediate than either, teens who enjoyed those novels should find much to love here, especially since it compensates by being by far the most beautifully written of the three, particularly in Ford’s gorgeous descriptions of the barren landscape of the Northern U.S. and Saskatchewan.–<em>Mark Flowers, John F. Kennedy Library, Vallejo, CA</em></p>
<p>HOWREY, Meg. The Cranes Dance. 373. Vintage. 2012. pap. $14.95. ISBN 978-0-307-94982-0. LC 2012001331.<br />
Adult/High School–Kate Crane moved to New York City as a teenager to join a prestigious ballet company. The following year, her even-more-talented younger sister, Gwen, followed, and they have both moved steadily up the ranks ever since. Kate begins her story on the night she throws out her neck during a performance of <em>Swan</em><em> Lake</em>. In a tour-de-force introduction to her sense of humor, Kate breaks the fourth wall and addresses her reading audience, narrating the plot of the ballet in spectacular smartass fashion. Unfortunately, that night also begins her descent into Vicodin dependency. She starts using to control the pain, then to make it through performances, and eventually to avoid her feelings. Three weeks earlier, she had called her parents to take Gwen back to Michigan, fearing she would do herself harm. Only days later, Kate’s boyfriend asked her to move out. Now she’s living in Gwen’s apartment, living “with the knowledge of what she had done, what she allowed to happen. All alone.” And despite being cast in role after coveted role, Kate knows that her remaining seasons are numbered. Even her friends cannot convince her to look past her fear. What will she become when the strain on her body is finally too much? Days full of classes and rehearsals followed by evening performances, never eating enough, never getting enough sleep or enough emotional support–it all adds up until Kate seems to be following her sister’s self-destructive path. This novel will appeal particularly to readers interested in any type of high-performance art or athletics. Kate’s voice is one that teens will immediately identify with, as it wavers between hilarious and heart-breaking.–Angela Carstensen, Convent of the Sacred Heart, New York City</p>
<p><img src="http://reviews.libraryjournal.com/wp-content/uploads/2012/06/redstar.jpg" alt="redstar Adult Books 4 Teens: August 2012 Reviews" width="16" height="16" border="0" title="Adult Books 4 Teens: August 2012 Reviews" />KOSMATKA, Ted. The Games. 356p. Del Rey. 2012. Tr $25. ISBN 978-0-345-52661-8. LC 2011042718.<br />
Adult/High School–Kosmatka’s debut novel is a slow-building, technological thriller that revs up like a racecar with a dose of bad attitude and steadily creeping horror. In the future, the Olympic gladiator contest sets the bar for world technological domination. The competition has one rule: no human DNA is allowed in the creation of the gladiators. Evan Chandler, an emotionally barren spatial genius, has designed the Bannin, a computer so advanced that it only operates in VR. Tasked with creating the next U.S. gladiator, the computer’s single directive is that the gladiator “Survive the competition.” The creature is so alien that Silas Williams, the head of biodevelopment, is full of misgivings and completely in the dark about its capabilities. Told through multiple points of view and with a hefty dose of technical genetic jargon, this is speculative fiction at its best, reflecting moral, philosophical, and ethical questions, set in a highly politicized arena. It all comes down to money, sponsorships, and greed, encapsulated in a humanitarian “good for the future” mentality. At its heart, <em>The Games</em> is a cautionary tale of what happens when man oversteps his bounds and takes his chances at playing god. Kosmatka has left the ending wide open for a sequel. Teens who enjoy the karmic boomerang of authors like Michael Crichton or Preston and Child should eat this up.–Charli Osborne, Oxford Public Library, MI</p>
<p>MCKAY, Ami. The Virgin Cure. 336p. HarperCollins/Harper. 2012. Tr $25.99. ISBN 978-0-06-1140327. LC 2012015994.<br />
Adult/High School–“The Virgin Cure” refers to a popular myth of the late 1800s in which a man infected with disease could be cured by having intercourse with a virgin. This created a vast market in delivering young girls to wealthy “gentlemen” for deflowering. Escaping the cruelty of the gentlewoman to whom her mother sold her, 12-year-old Moth comes to the attention of Miss Everett, a Madame who specializes in creating young whores who could satisfy a gentleman’s lust for a young conquest. Unable to avoid what she assumes will be her fate, Moth joins Miss Everett’s band of girls. Miss Everett has strong rules and an eye to making money from these girls as she trains them. But Moth has an ally in Dr. Sadie, a doctor who dedicates her life to helping young women who fall prey to establishments of shaky repute. McKay brings 1871 New York’s Chrystie Street alive with all its chaos, smells, hunger, and neglect. Moth is filled with the desire to live a better life than she could reasonably expect. However, when an opportunity presents itself, she discovers that not only can she create her own future, but she also has friends who will help. Dr. Sadie is based on the author’s great-great grandmother, who worked to relieve the plight of women and children. Moth’s story exemplifies the few choices available to young women of poverty and the cruelty placed upon them by those with wealth. This is a terrific choice for teens interested in history; the rights of women; and a determined, feisty character.–Connie Williams, Petaluma High School, CA</p>
<p>OLMSTEAD, Robert. The Coldest Night. Bk. 3. 287p. (Coal Black Horse Trilogy). Algonquin. 2012. Tr $23.95. ISBN 978-1-61620-043-5. LC number unavailable.<br />
Adult/High School–Seventeen year-old Henry Childs is preceded by generations of courageous men. His great-grandfather, Robey, introduced in <em>Black Horse</em> <em>Coal</em> (2007) fought in the Civil War,  and his grandfather, Napoleon Childs, led a search to capture Pancho Villa in <em>Far Bright Star</em> (2009, both Algonquin). Henry is a solitary boy when Mercy, daughter of a local judge, bursts into his life with a fierce desire to make him her own. To escape her disapproving family, the pair runs off in a doomed effort to create a life together. After Mercy is violently reclaimed by her family, Henry joins the Marines, arriving in Korea just in time to take part in the terrible battle at the Chosin Reservoir. Olmstead writes with a distinct masculine voice, using terse dialogue and little overt emotional affect. Emotional tension, however, burns just beneath the surface. It is his descriptive writing that takes center stage, particularly during Henry’s time in Korea. The bloody fighting, set in the stark winter landscape, creates a searing visceral experience for readers. Teens who appreciate the sparse dialogue and vivid, violent images of Cormac McCarthy’s writing will find this novel compelling. The focus on the Korean War is a big draw for military history buffs as well. This final volume of the trilogy stands entirely on its own, although captivated readers will surely want to go back and pick up the first two books.–Diane Colson, Palm Harbor Library, FL</p>
<p>TOYNE, Simon. The Key. Bk. 2. 448p. (Ruin Trilogy). Morrow. 2012. Tr $25.99. ISBN 978-0-06-203833-3. LC 2012007666.<br />
Adult/High School–At the end of <em>Sanctus</em>, the Citadel of Ruin survived a bomb attack, the Sacrament was released from its prison, Kathryn Mann and Eve were in the hospital, and Gabriel Mann was in jail. This second book in the trilogy keeps the pace and action of the first and furthers readers’ knowledge of the Prophecy. With the Sacrament gone, the Sancti are dying and the internal rule of the Citadel of Ruin is in shambles and the remaining leadership is struggling to figure out how to assign control. Brother Athanasius hopes to modernize the Citadel, but his plans are derailed first by the emergence of a mysterious disease that destroys the Citadel’s garden and then by a flesh-eating bacteria that attacks those working there. The Vatican is concerned, particularly  Cardinal Clementi, the secretary to the Pope and manager of the Vatican’s bank, because disarray in Ruin could reveal hidden truths (like the Sacrament’s existence). The survivors of the bomb attack must be silenced. There’s a Mirror Prophecy that leads a reunited Gabriel and Liv from Ruin to New Jersey, back to Ruin, and then to Iraq in search of Eden (yes, the Eden of the Old Testament) even as they try to outrun the Vatican’s assassin. There’s also the mysterious Ghost who may or may not be working to help the Americans in their oil exploration and the Vatican in its search for ancient relics. The ending leaves readers wondering what can possibly happen next. <em>The Key</em> will appeal to teen fans of action-adventure and conspiracy books.–Laura Pearle, Venn Consultants, Mt. Carmel, NY</p>
<p><img src="http://reviews.libraryjournal.com/wp-content/uploads/2012/06/redstar.jpg" alt="redstar Adult Books 4 Teens: August 2012 Reviews" width="16" height="16" border="0" title="Adult Books 4 Teens: August 2012 Reviews" />WALKER, Karen Thompson. The Age of Miracles: A Novel. 269p. Random. 2012. Tr $27. ISBN 978-0-8129-9297-7. LC 2011040664.<br />
Adult/High School–Just before Julia’s 12th birthday, scientists announce that the Earth’s rotation is slowing. Bit by bit, the days and nights increase in length. Gravity takes a greater hold on the planet, making it hard to run, or kick a soccer ball. As this is happening, Julia struggles with the betrayal of her best friend, ominous cracks in her parents’ relationship, and Seth Moreno, a gorgeous yet distant boy in her math class. The enormous drama of Earth’s inexplicable behavior intrudes on every aspect of her young life, changing the way Julia and her peers think about their lives and their imaginable future. Like the adults, the sensation of impending doom casts a shadow of reckless abandon over ordinary events. When Julia falls in love, she falls completely. While the plot elements of the novel may seem familiar, particularly in light of the current flood of dystopian literature aimed at the young adult audience, readers will find themselves swept wholeheartedly into Julia’s story. The writing elegantly focuses on the unraveling of life on Earth from the perspective of one girl living in an ordinary, even tedious, cul-de-sac in a California neighborhood. But from this perspective, Walker portrays the horror and pain of an entire civilization facing extinction. Like Shirley Jackson, Walker blends the blandness of the everyday with the encroachment of something very terrible. Teen fans of dystopian literature should go for this one. However, the novel is multi-dimensional enough to appeal to readers of romance and mystery as well.–Diane Colson, Palm Harbor Library, FL</p>
<p>WILSON, Daniel. Amped: A Novel. 288p. Doubleday. 2012. Tr $25.95. ISBN 978-0-385-53515-1. LC 2011052318.<br />
Adult/High School–<em>Amped</em> touches on similar themes found in Wilson’s successful novel <em>Robopocalypse</em>, and will appeal to the same audience of teen readers. Advancements in medical technology mean that common conditions and accidents can be compensated for as easily as vaccines prevent disease today. Born in poverty or exhibiting a learning disability? A brain implant–identified by a temporal nub–boosts mental acuity. Damaged limbs are replaced by robotic prostheses. Soon implanted individuals, or “amps,” are outperforming unenhanced humans both intellectually and physically. Senator Joseph Vaughn begins a campaign of prejudice declaring that amps don’t deserve equal rights because they take away jobs from “real” humans. Meanwhile, 29-year-old Owen thought he had a medical implant to control seizures and is shocked to discover that his military-grade version makes him a Zenith, the most powerful soldier ever developed in a secret government program. He travels to small-town Oklahoma in search of answers, just as tensions between amps and humans boil over and rumblings of an insurgent amp uprising begin. Precisely choreographed action scenes bring the danger Owen faces to a pulse-tripping reality. Teens will respond to the socially conscious narrative of an everyman who finds himself at the center of chaos. Wilson’s vision of the consequences of unharnessed technology combined with politics and the desire for power will also resonate with readers. Those intrigued by Mary E. Pearson’s <em>The Adoration of Jenna Fox</em> (Holt, 2008) will appreciate exploring what it means to be human in the brutal future depicted here.–Priscille Dando, Robert E. Lee High School, Fairfax County, VA</p>
<p class="Subhead">Nonfiction</p>
<p>GRYLLS, Bear. Mud, Sweat, and Tears: The Autobiography. 416p. index. Morrow. 2012. Tr $26.99. ISBN 9780062124197. LC number unavailable.<br />
Adult/High School–Grylls’s love of nature and adventure to the max comes out full-force in this autobiography. The author is known to many through his television series <em>Man vs. Wild.</em> He grew up in a loving and supportive family with hardy and adventuresome role models, including his great-grandfather who was a British officer in World War I. He details the beginnings of his life in the wild when he and his father, a Royal Marine, went on high adventures together. He spends several chapters talking about surviving the grueling selection process for the British Army’s Special Air Services, which gave him the skills, confidence, and stamina to join an expedition to scale Mount Everest. As one of the youngest ever to accomplish that feat, he enjoyed a certain celebrity that led to commercial deals and, ultimately, his TV show. Grylls writes in a straightforward manner using short sentences and chapters to show his strong, engaging personality. He comes across as a regular person who figured out a long time ago that he was a risk-taker, but not a stupid one. He is all about careful preparation for his adventures. With each episode leading to one more exciting than the last, Grylls’s account will hook adventuresome readers as well as those whose idea of adventure is reading an exciting book.–Vicki Emery, Lake Braddock Secondary School, Fairfax County, VA</p>
<p>LEWIS, Ricki. The Forever Fix. 323p. photos. notes. St. Martin&#8217;s. 2012. Tr $25.99. ISBN 978-0-312-68190-6. LC 2011038193.<br />
Adult/High School–The history of gene therapy was littered with false steps and shattered hopes that threatened to keep this promising medical technology from becoming “the forever fix” for some of our most vexing genetic medical conditions–until the success in treating the hereditary eye disorder in Corey Haas. In 2008 the eight-year-old was the recipient of gene therapy in one eye that cured him of the disorder, enabled him to see, and obviated the need for additional treatment. It was a much needed success after a series of setbacks. The author explains in detail the science behind gene therapy, some of the problems that needed to be overcome, the heartbreaking failures, and where this medical cutting edge technology is headed. She also talks about the hard work of parents in raising funds and advocating for their children as well as some of the talented doctors and researchers who have worked on gene therapy for many years. Students today already learn about work leading up to it, such as DNA sequencing and genetic testing, which is necessary in identifying specific genes implicated in genetic diseases. This technology was the stuff of science fiction not too many years ago. This carefully researched and readable book will be interesting to teens who hear about these issues in the news or in their biology classes, and especially for those who may want to pursue a career in this field.–Vicki Emery, Lake Braddock Secondary School, Fairfax County, VA</p>
<p>PHELPS, Carissa &amp; Larkin Warren. Runaway Girl: Escaping Life on the Street, One Helping Hand at a Time…. 296p. Viking. 2012. Tr $26.95. ISBN 978-0-670-02372-1. LC 2011038441.<br />
Adult/High School–Phelps was 12 when her mother dropped her off in the lobby of the Fresno, CA, Juvenile Hall and told the man behind the counter that she couldn’t control her daughter. Her memoir touches on complex issues, including covert threats of sexual abuse, what it means to for a child to feel safe and cared for, and a bi-racial Latina identity that was not acknowledged. Like Rachel Lloyd’s <em>Girls Like Us</em> (HarperCollins, 2011) and Jaycee Dugard’s <em>A Stolen Life</em> (S &amp; S, 2011), <em>Runaway Girl</em> demonstrates a great amount of insight and maturity. Crisp writing and perfectly chosen events highlight the story of what happens to the majority of 12 year olds on the street–Phelps was picked up within 48 hours and sexually trafficked. Her book is unique in its details and her focus on both post traumatic stress and self-esteem issues. Her ability to connect with and reach out to strangers along the way&#8211;counselors, teachers, and a woman who was, for once, a selfless and caring person helping a child in need–saved her life. Each small yet steadfast act of kindness and encouragement made a difference. By the time the author turned 30, she had both a law degree and an MBA from UCLA. With not a trace of victimhood or unplaced drama, this is a terrific addition to all collections.–Amy Cheney, Alameda County Library, Juvenile Hall, CA</p>
<p>TERRY, Kayte. Paper Made!: 101 Exceptional Projects to Make Out of Everyday Paper. 288p. Workman. 2012. pap. $16.95. ISBN 978-0-7611-5997-1. LC number unavailable.<br />
Adult/High School–This visually appealing book offers 101 projects, with an emphasis on the use of recycled or repurposed scrap paper. Papers include newspaper, books past their prime, paint chips, cardboard, maps, and mail order catalogs. The first two chapters provide clear information on techniques, tools, and materials, including suppliers and blogs for inspiration. The following chapters present projects for home, fashion, wrapping and writing, and parties. Each project has a level of difficulty, from 1 to 5, as well as a list of materials needed. The clear directions are enhanced by photos and drawings. Clever titles and witty text make this a fun book to read and pore over. There is much to appeal to teens, including “Ring Around the Rosy Vase,” which uses rolled strips of magazine pages to cover a vase, “(Not Exactly a) Full Deck Lamp Shade” made of playing cards sewn together, “That’s a Wrap Bangle,” which is one of the easiest projects, a “Signed, Sealed, Delivered Accordion Book,” made of envelopes to create a scrapbook, and “Do Me a Favor Box.” The author is great at creating hip and attractive products. A welcome addition to any collection.–Jane Ritter, Mill Valley School District, CA</p>
<p class="Subhead">Graphic Novels</p>
<p>FETTER-VORM, Jonathan. Trinity: A Graphic History of the First Atomic Bomb. illus. by author. 154p. charts. diags. illus. map. bibliog. Hill &amp; Wang. 2012. LC number unavailable.</p>
<p>Adult/High School–Fetter-Vorm, in his debut sequential artwork, combines accessible atomic science with political, military, and science history. Using primary-source material from many of the players in the story of the development and deployment of the atomic bomb that putatively ended World War II, he has fashioned a clear narrative, using images to portray both scientific processes and the array of interpersonal relations among scientists and government officials as the bomb was conceived and then developed. The various personae, including the general in charge of the multi-location effort and the various scientists whose impetus for building the bomb centered more around discovery than weaponry, are distinguishable by face and posture; the words spoken by any of these historic individuals Fetter-Vorm has tried to document as accurate. The increasing tensions of both war and the scientists’ painful ambivalence about the destructive power of the bomb receive evenhanded treatment, making this small volume an excellent introduction to the many nuances of human ingenuity meeting up against military strategic planning. Teens interested in political history, as well as science, will find this insightful. The format evokes quick engagement with a complex piece of history.–Francisca Goldsmith, Infopeople Project, CA</p>
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		<title>Adult Books 4 Teens: September 2012 Reviews</title>
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		<pubDate>Sat, 01 Sep 2012 16:00:14 +0000</pubDate>
		<dc:creator>SLJ</dc:creator>
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		<category><![CDATA[Teens & YA]]></category>
		<category><![CDATA[YA reviews]]></category>

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		<description><![CDATA[<p class="Subhead">Fiction</p>
<p>ANGELELLA, J. R. Zombie. 352p. Soho. 2012. pap. $15. ISBN 978-1-61695-088-0. LC 2012003803.</p>
<p>Adult/High School–High school freshman Jeremy Barker lives his life according to the rules of survival he’s learned thanks to his obsession with zombie movies: avoid eye contact; keep quiet; forget the past; lock and load; and, most important, fight to survive. Whether dealing with the casual violence inflicted by bullies at his Catholic school, his father’s nightly disappearances, or his estranged mother’s addiction to painkillers, he always [...]]]></description>
			<content:encoded><![CDATA[<p class="Subhead">Fiction</p>
<p>ANGELELLA, J. R. Zombie. 352p. Soho. 2012. pap. $15. ISBN 978-1-61695-088-0. LC 2012003803.</p>
<p>Adult/High School–High school freshman Jeremy Barker lives his life according to the rules of survival he’s learned thanks to his obsession with zombie movies: avoid eye contact; keep quiet; forget the past; lock and load; and, most important, fight to survive. Whether dealing with the casual violence inflicted by bullies at his Catholic school, his father’s nightly disappearances, or his estranged mother’s addiction to painkillers, he always calls on his rules. During one of his father’s absences, Jeremy discovers a bizarre, disturbing video of a man being prepped for a strange ritual that looks a lot like surgery. Knowing about his father’s &#8220;work&#8221; in Vietnam as a torturer specializing in cutting out prisoners’ tongues, and knowing this video was given to his father by a priest from his school, Jeremy is compelled to investigate. He is drawn into situations in which his zombie survival code helps, but eventually it is not enough. <em>Zombie</em> is a brass-knuckle book, reminiscent in tone to Chuck Palahniuk’s <em>Fight Club</em> (Norton, 1996). Jeremy’s relationships with his friends and family are twisted and difficult, making this book disturbingly intriguing. The setting and social situations will resonate with many teens. <em>Zombie</em> is a great choice for readers who are excited by stories with offbeat characters and somewhat nonlinear plots. Jeremy’s list of top the zombie movies of all time, complete with production credits, is an added bonus.–Carla Riemer, Claremont Middle School, CA</p>
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<p>BARNES, Steven &amp; Tananarive Due. Devil&#8217;s Wake. 288p. Atria. 2012. Tr $15. ISBN 978-1-4516-1700-9. LC 2011033779.</p>
<p>Adult/High School–The zombie apocalypse is upon us, once again overwhelming society before anyone can figure out how to fight it. A teenager left alone after the rest of her family is picked off one by one, a group of teens from a juvenile detention camp, and a young national guardswoman are thrown together as they try to outrun the epidemic. Eventually all media goes down except for radio broadcasts by a self-proclaimed preacher who claims to have created a safe haven. As the teens try to reach it, their journey is peppered with zombie attacks and ambushes by pirates–feral people who are just as dangerous as the zombies. Barnes and Due bring a fresh approach to their take on the zombie apocalypse with a few interesting twists. First, the cause is known; people who&#8217;ve taken a new diet mushroom and gotten a specific type of flu shot are suddenly turning. Also, the zombies are not all the same. They vary in speed, level of hunger, and, most terrifying, in their ability to seem uninfected. Although this book is clearly laying the groundwork for a series, there is enough content, and the characters are well enough formed, to make this a satisfying story. There are also intriguing hints of what may happen in the upcoming volume. This book will speak to teens: the protagonists are young adults and the catastrophe is seen from their point of view. Diverse characters, often missing in this genre, add to the book&#8217;s appeal.–Carla Riemer, Claremont Middle School, CA</p>
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<p>BOCCACINO, Michael. Charlotte Markham and the House of Darkling. 320p. Morrow. 2012. pap. $14.99. ISBN 978-0-06-212261-2. LC number unavailable.</p>
<p>Adult/High School–Charlotte Markham has seen the Black Man all her life: at the death of her mother, the death of her father, and at the fiery death of her husband. So it’s no surprise to her when, in her new role as governess to the Darrow boys, the Black Man is seen at the gory death of the boys’ nanny. Charlotte takes over as nanny and continues the boys’ daily visits to their mother’s grave. One day on their way back home, they wander into a fog and emerge at a strange house, where their mother appears. At first horrified and then curious about this house, called Darkling; its owner, Mr. Whatley; and the world of The Ending, Charlotte agrees to continue to take the boys back to visit. Slowly, events turn more sinister and, in true gothic horror fashion, the boys are used as pawns in an internal The Ending war. There are keys and pictures that lead into other places and worlds, people who look human but clearly aren’t (and some who look nothing like humans), and a room with vials containing human deaths, all of which add to the atmosphere of Something Very Wrong in the House of Darkling. The bedtime stories Mrs. Darrow tells her sons will stick with readers long after the book ends. This is a perfect read for teens who enjoy gothic atmospheres, and a great companion to Bronte’s <em>Wuthering Heights</em> or the works of Victoria Holt and Daphne du Maurier.–Laura Pearle, Venn Consultants, Carmel, NY</p>
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<p>FERRARIS, Zoe. Kingdom of Strangers. 368p. Little, Brown. 2012. Tr $25.99. ISBN 978-0-316-074247. LC 2011046158.</p>
<p>Adult/High School–In this novel of secrets, Ferraris’s skillful pacing maintains an intense narrative as each character is forced to make life-changing decisions. The rules of decency in Saudi Arabia require extreme caution, and men and women risk public humiliation, torture, and even beheadings should they be found in violation of them. In the throes of a serial-killer investigation, Inspector Ibrahim Zahrani discovers that his lover, an underground activist for immigrant housemaids, has gone missing yet he cannot openly investigate as charges of adultery are a death sentence. He requires a surrogate and enlists Katya, a forensic lab technician, to gather evidence in exchange for including her in the case. Readers will remember Katya and her fiancé, Nayir, from previous books, and it’s when they become involved in the two investigations that the story becomes electric. <em>Kingdom of Strangers</em> is appealing to teens on several levels. There is the horrific discovery of the burial site of 19 murdered women, all with their hands missing, and the seemingly impossible task of bringing anyone to justice. There is the inside look at the investigative process and what it reveals about both the investigators and the suspects as pieces come together for a satisfying conclusion. Most of all teens, will be drawn to the unique constraints that are present in this setting, the depiction of life for women in this culture, and the agonizing choices facing each well-developed character.–Priscille Dando, Fairfax County Public Schools, VA</p>
<p>&nbsp;</p>
<p>GREY, Juliet. Days of Splendor, Days of Sorrow: A Novel of Marie Antoinette. 448p. bibliog. glossary. Ballantine. 2012. pap. $15. ISBN 978-0-345-52388-4. LC 2012009048.</p>
<p>Adult/High School–The bitterly cold weather in France has caused the river to freeze, stopping the shipment of grain. Without it, there is no bread and thousands of people are starving. The downfall of the French market causes unemployment to rise. Naïve and unable to grasp the reality of their populace, Marie Antoinette and King Louis XVI consistently make poor decisions in response to the grave problems facing their nation, giving the people cause to chant for liberty and equality. Marie’s story, begun in <em>Becoming Marie Antoinette</em> (Ballantine, 2011), continues here as she and her new husband ascend to the thrown in 1774, after the death of King Louis XV. As Queen, Marie’s job is to provide an heir, but Louis suffers from a medical condition that makes intercourse painful. Gossip and the extreme dictates of the French Court surround Marie until she feels compelled to always stay one step ahead regardless of the cost. She is kind and good hearted, with an overwhelming need and desire to please others, but her inability to see beyond her own pampered, regulated world sets the stage for her demise. Each action she takes in good faith is observed to be thoughtless, self-serving, and reckless. This book stands on its own, but teens may want to read Marie’s story from the beginning. Readers will shake their heads in disbelief at the excesses of the French Court even as they sympathize with the young royal. They will also fear for her, knowing that the fall of the Bastille spells the imminent collapse of all she has known.–Connie Williams, Petaluma High School, CA</p>
<p>&nbsp;</p>
<p>WILSON, G. Willow. Alif the Unseen. 320p. Grove. 2012. Tr $25. ISBN 978-0-8021-2020-5.</p>
<p>Adult/High School–Alif is a grey hat, the kind of hacker whose computer-coding exploits and manipulations, while often self-serving, are guided by an ethical dedication to a greater good. Anonymous online except for his screen name, Alif possesses a reputation as a genius at foiling state security and nimbly avoiding the surveillance of its all-powerful chief, known as The Hand. When his girlfriend leaves him for a wealthy new boyfriend, a jealous Alif hacks her computer and installs code that will track her online presence but mask his own from her.  He is unaware that her new boyfriend is none other than The Hand, who learns of Alif’s program and uses it to ferret out and imprison the hackers who threaten the stability of the emirate. The Hand is fiercely determined to find and destroy Alif. With the help of a chador-clad and devout Muslim friend, a formidably frightful djinn, and a wise but weary imam, Alif avoids his enemy. His narrow escapes are a sometimes manic romp through the contemporary, historical, and mythical Islamic world as he tries to solve the puzzle of an ancient mystical text he is sure will either save or destroy humanity. What he learns is that the answer to the puzzle lies in his clueless heart. In her first narrative novel, graphic novelist Wilson displays the world-building imagination of William Gibson and the creative whimsy of Neil Gaiman in a setting that evokes the Arab Spring. Teen readers will be captivated by this unique and rich novel.–John Sexton, Greenburgh Public Library, NY</p>
<p>&nbsp;</p>
<p>Nonfiction</p>
<p>&nbsp;</p>
<p>*  IVERSEN, Kristen. Full Body Burden: Growing Up in the Nuclear Shadow of Rocky Flats. 432p. Crown. 2012. Tr $25. ISBN 978-0-307-95563-0. LC 2011045902.</p>
<p>Adult/High School–National security has always trumped transparency, but Iversen’s well-researched, firsthand account of the effects of growing up a few miles from Rocky Flats near Denver is a bombshell. The author’s parents chose the subdivision of Bridledale as the perfect place to raise their family as did many others in the rapidly growing Denver suburbs in the 1950s and 1960s. Most had no idea that plutonium triggers for nuclear bombs were being made just a few miles away. They preferred to believe that the plant was making household cleaners. Besides, the plant was a source of many high-paying jobs for the area. How could it be bad? As Iversen grew up, her family became more and more dysfunctional, which she weaves in, out, and around her discoveries of what was really going on at Rocky Flats. Think Jeannette Walls’s <em>The Glass Castle</em> (Scribner, 2005) with massive nuclear contamination and government secrecy. Ultimately, Rocky Flats was closed but the land is so contaminated that parts of it will remain unusable forever. Following in the tradition of Rachel Carson in her <em>Silent Spring </em>(Houghton, 1962)<em>, </em>Iversen has bravely shown us things that we cannot ignore. Teens interested in environmental causes will be amazed at the enormity of this issue and its implications for the future.–<em>Vicki Emery, Lake Braddock Secondary School, Fairfax County, VA</em></p>
<p>&nbsp;</p>
<p>KEAN, Sam. The Violinist&#8217;s Thumb: An Other Lost Tales of Love, War, and Genius, as Written by Our Genetic Code. 416p. Little, Brown. 2012. Tr $25.99. ISBN 978-0-316-18231-7. LC 2012007029.</p>
<p>Adult/High School–Kean begins this fascinating, witty, informative book with a disclaimer: “This is a book a about DNA… and yes, I’m writing this book despite the fact that my father’s name is Gene. As is my mother’s name. Gene and Jean.” But genes have never been more fascinating than here, where the author gives the basics of genetic theory but spends most of the time telling stories. Readers learn about geneticists, from Gregor Mendel and Barbara McClintock to the “fly boys” who named fruit-fly genes for their characteristics, including names like <em>groucho</em>, <em>smurf</em>, <em>tribble</em>, <em>armadillo</em>, and <em>ken</em> and <em>barbie</em> (mutants with no genitalia). Readers also learn why not to eat polar-bear liver, how DNA permanently changed our view of Neanderthals, all about the Russian scientist who was convinced that he could breed chimps with humans and create humanzees, and why crazy cat ladies may in fact be hooked on a parasite that creates dopamine. Kean looks at “retrodiagnoses” from what caused the violinist Paganini’s super-flexible fingers, the artist Toulouse-Lautrec’s short stature, and John F. Kennedy’s tanned skin to the connection between porphyria and the Dracula legend. Any teen who has had basic biology will know enough science to follow Kean, and even those who still struggle with understanding DNA will find the stories worthwhile.–Sarah Flowers, formerly at Santa Clara County Library, CA</p>
<p>&nbsp;</p>
<p>Graphic Novels</p>
<p>&nbsp;</p>
<p>LEMIRE, Jeff. The Underwater Welder. 224p. Top  Shelf Productions. 2012. Tr $19.95. ISBN 978-1-60309-074-2. LC number unavailable.</p>
<p>Adult/High School–Lemire offers a tightly knit story with few, but deeply realized, characters. Jack, a father-to-be who lives in a Nova Scotian coastal village, becomes haunted by visions and memories of his own father, a drunken treasure hunter who drowned trying to recover a watch when Jack was 10.  His dedicated but anxious wife and his mother stand at the forefront. Shading and perspective are telling throughout, and many panels–even pages–neither have nor need additional words to express the adult Jack’s growing obsession and the boy Jack’s hopes turned to disappointment in the face of his father’s broken promises. Scenes are sketched loosely but evocatively so that readers grow familiar with Jack’s underwater experiences, his wife’s efforts to get their small cottage prepared for the baby’s arrival, his mother’s simple but tidy home, his father’s junk shop, the local bar, and the shoreline. Although Jack is in his early 30’s, his need to cope with both his past and his present will resonate with teens who are beginning to understand how imperfect families can both haunt them and be hurdles that can be bested.–Francisca Goldsmith, Infopeople Project, CA</p>
<p>&nbsp;</p>
<p>SKELLY, Katie. Nurse  Nurse. unpaged. Sparkplug. 2012. pap. $15. ISBN 978-0-9854150-0-6.</p>
<p>Adult/High School–In a future in which humans have inhabited other planets in the solar system, a nurse named Gemma finds herself bouncing around the galaxy where she is charged with caring for human colonizers suffering from contagious diseases, environmental ills, and injuries from battle. However, her story isn’t hardcore adventure or suspense, but rather a funny, sweet, and sly ramble expressively regaled in heavily inked black cartoon sketches and dialogue suited to a television sitcom. For example, contagious disease is the result of a freak butterfly experiment, while the battle injury suffered by a pirate leads him to kidnap Gemma because he needs extra help replacing his bionic leg. There are nasty girlfriends, households run by robots, and Gemma’s omnipresent, fresh-faced ingénue attitude. The story is paced just right for its wackiness and the story-within-a-story; the TV show “Nurse Nurse” adds one more layer of good-natured humor. A fun read that may inspire teens to try their own storytelling efforts on a book-length sequential art narrative.–Francisca Goldsmith, Infopeople Project, CA</p>
<p>&nbsp;</p>
<p>*  ZETTWOCH, D. Birdseye Bristoe. illus. by author. 64p. charts. diags. illus. maps. Drawn &amp; Quarterly. 2012. Tr $19.95. ISBN 978-1-77046-066-9. LC 2012452076.</p>
<p>Adult/High School–With surprising lyricism for a visual story about commercial corruption in a rural American community, Zettwoch immediately pulls readers into a richly plotted and subplotted story that features intriguing and mostly sympathetic characters and a fully detailed catalog of how a variety of mechanical structures actually work. The elderly fellow who gives his name to the book’s title is ostensibly just a live-bait farmer, circa 1998, hosting a summer vacation visit from his great grandniece and -nephew. Through the two teens’ eyes, readers move from observing the sublimely inventive homemade fixtures and appliances of the family homestead to the decidedly ominous meetings held to announce that a cell-phone tower project is in the works. Zettwoch, who has a proven talent for drawing detailed and accessible cartoons showing how various mechanical and natural structures work integrally, combines a rousing good tale of political shenanigans with provocative insights on what makes–and breaks–a community when the local porn shop (for truckers passing through on the highway, of course) is literally overshadowed by greedy outsiders. Far from being heavy-handed, this fully packed visual and narrative experience offers fresh air and a sardonic eye twinkle on its way to implosion. Zettwoch’s pages are packed with loopy black-ink cartoons on a yellowed newsprintlike ground, pencil-colored to highlight ice-cream soda mustaches, a light-bulb joke, and the settings of scenes depicted against floorboards or grass-mowing patterns.–Francisca Goldsmith, Infopeople Project, CA</p>
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		<title>The Debut: Tell the Wolves I’m Home by Carol Rifka Brunt</title>
		<link>http://www.slj.com/2012/08/books-media/author-interview/the-debut-tell-the-wolves-im-home-by-carol-rifka-brunt/</link>
		<comments>http://www.slj.com/2012/08/books-media/author-interview/the-debut-tell-the-wolves-im-home-by-carol-rifka-brunt/#comments</comments>
		<pubDate>Wed, 15 Aug 2012 11:55:42 +0000</pubDate>
		<dc:creator>Angela Carstensen</dc:creator>
				<category><![CDATA[Adult Books 4 Teens]]></category>
		<category><![CDATA[Author Interview]]></category>
		<category><![CDATA[Authors & Illustrators]]></category>
		<category><![CDATA[Teens & YA]]></category>
		<category><![CDATA[YA reviews]]></category>
		<category><![CDATA[SLJTeen]]></category>

		<guid isPermaLink="false">http://www.slj.com/?p=12311</guid>
		<description><![CDATA[In her first novel, Carol Rifka Brunt tells a story of love and loss, sibling rivalry, secrets, and jealousy. June Elbus is 14 when she finds out that her uncle Finn, the one person in the world who seems to understand her, is dying of AIDS. June is devastated when he dies, and wary when she's approached by Finn’s longtime partner, Toby.]]></description>
			<content:encoded><![CDATA[<p>In her first novel, Carol Rifka Brunt tells a story of love and loss, sibling rivalry, secrets, and jealousy.</p>
<p>J<img class="alignright size-full wp-image-12315" title="81512wolves" src="http://www.slj.com/wp-content/uploads/2012/08/81512wolves.jpg" alt="81512wolves The Debut: Tell the Wolves I’m Home by Carol Rifka Brunt" width="201" height="295" />une Elbus is 14 when she finds out that her uncle Finn, the one person in the world who seems to understand her, is dying of AIDS. June is devastated when he dies, and wary when she&#8217;s approached by Finn’s longtime partner, Toby. She&#8217;d never met Toby before—in fact, her mother had insisted that Finn keep him a secret. June and Toby’s new friendship is fragile, but one that leads to healing and understanding for each of them.<strong><br />
</strong></p>
<p><strong>Why did you set the story in 1987, a time when there was such a stigma surrounding AIDS? </strong></p>
<p>I’m not sure the &#8217;80s setting was really a choice. I started out with the idea of a dying uncle painting a final portrait of his niece. I didn’t know that the disease he had was AIDS until later on in the writing process. Once I understood that, it seemed natural that the story would take place in the &#8217;80s. Setting it at a time when so little was known about the disease and when fear was rampant seemed the most interesting way to approach it. Narrator June’s uncle Finn dies just before AZT—the first real treatment for AIDS— came along. The idea that you or your loved ones could just miss out lifesaving treatment seemed like a particularly cruel twist of fate and something I thought worth exploring.</p>
<p><strong>June is a perfectly realized teen character, vivid in her self-doubt, her uncertainty about her own nature and how the people in her life feel about her. How did you create such a touching, vulnerable teen character?</strong></p>
<p>Thank you! I’m so glad you connected with June. I think I might have an unusually strong memory of my feelings at June’s age. Her sense of not really belonging anywhere, not connecting with her peers, being an outsider, watching the action from a distance—all of that is how I remember feeling at her age.</p>
<p>I also wanted to get away from anything that felt stereotypically “teen.” As a writer, I’m always trying to understand a character as an individual rather than as part of a group. So, although June happens to be a teen, I hope she is also very much a unique person with a singular way of seeing the world.</p>
<p><strong>Did you anticipate that teens would read your book? Why did you choose to write a coming-of-age novel?</strong></p>
<p>I would love to think that teens could find something to connect with in <em>Tell the Wolves I’m Home</em>. When I first started writing it, I thought it could end up as either YA or adult. By the end, I felt pretty sure it was an adult novel. I wouldn’t say I set out to write a coming-of-age story exactly. I felt like I was writing a friendship story, but because of June’s age there’s an inevitable coming-of-age element to it. The events of the story will surely be life changing for June and make a huge mark on how she views the world.</p>
<p><strong>In this novel, love causes embarrassment, jealousy, and terrible vulnerability. Learning that, as Toby says, “Nobody can help what they feel,” is an important part of June’s coming-of-age experience. Do you think June moves on from the events of this story to trust herself and her feelings?</strong></p>
<p>You’re right, love is the source of most of the pain in this novel. I think Toby is trying so hard through the course of the story to give this gift to June—to make her understand that her feelings aren’t good or bad, that what you feel is not something you can control—and I think by the end she does understand that. I think she is so much stronger by the end of the story.</p>
<div id="attachment_12624" class="wp-caption alignleft" style="width: 167px"><img class=" wp-image-12624" title="Carol Rifka Brunt © Rose Cook" src="http://www.slj.com/wp-content/uploads/2012/08/Carol-Rifka-Brunt-©-Rose-Cook.jpg" alt="Carol Rifka Brunt © Rose Cook The Debut: Tell the Wolves I’m Home by Carol Rifka Brunt" width="157" height="236" /><p class="wp-caption-text">Photo by Rose Cook</p></div>
<p><strong>Like your protagonist, I understand you grew up in Westchester County, New York. Are there autobiographical aspects to the story? What was your inspiration for the novel?<br />
</strong></p>
<p>The setting isn’t Pleasantville, exactly, but a sort of amalgam of elements from a few towns I remember. Same with the woods. There weren’t woods behind my school, but I do remember parties in woods around the town.</p>
<p>I did give June a lot of my way of thinking at her age. I also lumbered her with some of my own geeky teenage interests—an overly romantic view of medieval times, the escapism of movies set in the past, <em>Choose Your <strong></strong>Own Adventure </em>books, and a love of the Cloisters, to name a few.  That’s where the autobiography ends, really. I don’t have a charismatic Finn-like uncle. My relationship with my own sister isn’t like June and Greta’s. My parents are very different from the Elbus’s.</p>
<p>When I was in eighth grade, my English teacher was an exchange teacher from London. We all liked him. He’d often share English music with us and generally had a good sense of humor. At the end of the year, he left. A few months later, we were told that he’d died. This alone was quite shocking. He was only in his 30s. Not long after that we found out that he’d had AIDS. Living in the suburbs, I think we all felt very distant from AIDS. It was a scary thought, but that’s what it remained for most of us—a thing we heard about but never saw, something unrelated to our lives. Here it had come right into our midst. Without being aware of it, that experience had stayed with me all these years. Writing often works this way for me. Rather than taking something from life and working with it, I write and write until finally I see where the material has come from. It’s those wonderful little moments of revelation that make the whole thing worthwhile.</p>
<p>Check out the <a href="http://blog.schoollibraryjournal.com/adult4teen/2012/07/04/tell-the-wolves-im-home/">starred<em> School Library Journal</em> review</a> on the <em>Adult Books 4 Teens</em> blog.</p>
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