In a Kindle forum post dated July 29, Amazon reveals specific details of its sticking points with Hachette Publishing Group over profit-share and ebook pricing—and in doing so, doesn’t do Hachette any favors.
Describing the service as a potentially “disruptive challenge to libraries,” Jamie LaRue, principal of LaRue and Associates Consulting, told LJ that “even in rural areas now, a lot of folks have ereaders, and find that they prefer ebooks. This kind of service, at that price point, will probably result in another market shift. $9.99 is a pretty good deal.”
BiblioBoard® and Library Journal (LJ) have partnered to launch SELF-e™, an ebook discovery service connecting self-published authors with public libraries and their patrons.
The #1 Apple iBookstore top seller ebook Windows to the Teenage Soul, a poetry anthology ebook created by high school freshmen in Los Gatos, California, started as the brainchild of Los Gatos town librarian, Henry Bankhead, and Smashwords CEO and founder Mark Coker.
SLJ previews the upcoming fall 2014 titles from Egmont USA, which include stories about bullies, a zombie hamster, and a guinea pig that behaves like a dog, as well as a book based on the immensely popular Temple Run app and which were presented on April 3 at Sarabeth’s restaurant in New York City.
The majority of students 13 and under are picking up e-readers to enjoy their favorite reads—with 92 percent doing so at least once a week—reveals the report “Exploring the E-Reading Habits of Children.”
Following a controlled study conducted by the University of Auckland, Booktrack has released a free global education tool that synchronizes a soundtrack to stories, which study shows increases reading comprehension and reader engagement.
On March 27, Sesame Workshop launches Sesame Street S’More, a new digital publication for families and Sesame Workshop’s first digital magazine optimized for iPad and available on iTunes.
How would you use $2500 to give your school a makeover? Random House Children’s Books and Dr. Seuss Enterprises, L.P. have established the first annual Lorax Spruce Up Your School Grant Program to provide necessary funds to school employees to beautify their surroundings.
In a lively ALA Midwinter panel moderated by Scholastic editor Cheryl Klein, three children’s book editors, one librarian and the Children’s Book Council’s Diversity Group discussed ways to promote diversity in the content of books for young people.
Brigid Alverson, the editor of SLJ‘s Good Comics for Kids blog, curates a list of must-read graphic novels set to publish in Spring 2014. From a slice-of-life drama, teenage wastelands, a trek across the Antarctic, and crazy shoujo manga goodness, these reads make great picks for teens.
Here are our latest briefs on a digital publishing mini-MOOC, free Mackin ebook bundles, Qlovi’s Common Core platform, an archived copyright tweetchat, Multicultural Children’s Book Day, Philadelphia’s Year of the Bard, the E-Rate filing window, and the NAACP Image Awards.
We do run the gamut here at AB4T. Quite a variety to introduce today, but all three fall under the broad category of speculative fiction.
Readers reply to Nina Lindsay’s question: What qualities make a book a good one for kids? A school librarian challenges major publishers to stop ghettoizing “diverse” and “multicultural” children’s books.
This article was published in School Library Journal's December 2013 issue. Subscribe today and save up to 35% off the regular subscription rate.
Curriculet (formerly Gobstopper), a digital reading platform designed for teachers and stocked with interactive educational and social media features, has teamed up with HarperCollins to offer a flexible book buying program for schools.
For those who can’t wait two more weeks to see Catching Fire, relief is at hand. The taut How I Live Now offers a slimmed down dystopian world at its most bucolic—a survival tale meets hot-and-heavy first love with a punkish swagger. The screenwriters have tweaked the snarky-but-soft-hearted narration of Meg Rosoff’s absorbing novel (Random, 2004), but given the heroine a still-defiant voice.