The film remarkably retains the book’s essence, even though the main character is a few years older on screen, as played by Canadian actress Sophie Nélisse.
At first glance, the pairing of Ransom Riggs’s macabre 2011 coming-of-age novel Miss Peregrine’s Home for Peculiar Children and director Tim Burton would seem like a match made in movieland heaven.
This is a quietly triumphant adaptation of Tim Crothers’s nonfiction account of a Ugandan teenage girl from the slums who becomes an international chess champion.
In two high-profile releases, J.K. Rowling pens her first screenplay and director Tim Burton meets his match, Ransom Riggs’s Miss Peregrine.
Direct from Cannes, our in-house film reviewer, Kent Turner, sizes up Steven Spielberg’s latest, based on Roald Dahl’s 1982 novel of the same name.
Of more than a dozen films previewed at the Tribeca Film Festival, two works in particular stand out for teen and young adult viewers and as potential additions to media collections.
Disney’s new version of Rudyard Kipling’s 1894 classic returns to the murky and mysterious Indian jungle.
After the world-building in the first two movies of “The Divergent Series,” the emphasis shifts toward straight-on action. Fans of the books will be able to keep up with the intrigues and conspiracies, but those now jumping into the saga will be left behind.
The New York International Children’s Film Festival (NYICFF), the largest such event for kids and teens in North America, runs this year from February 26 through March 20. Think of the NYICFF as the movie equivalent of the Bologna Children’s Book Fair.
Kent Turner, SLJ’s DVD editor, hand-picked these top-shelf productions that offer educational—as well as entertainment—value.
This article was published in School Library Journal's December 2015 issue. Subscribe today and save up to 35% off the regular subscription rate.
Katniss Everdeen brandishes her lethal bow and makes her final bow in the film finale of Suzanne Collins’s “Hunger Games” trilogy.
The box office success and the generally well received critical response of the first film adaptation of a John Green novel, The Fault in Our Stars, provides ample evidence that there is an audience to be found for somber, darker YA subject matter that has nothing to do with lottery killings or armed insurrections. Although the filmmakers of the new Paper Towns, based on Green’s third novel […]
Author Jesse Andrews judiciously prunes and adds some quirk to the smirk in his screen adaptation of his 2012 debut novel. The result is an amicable, lively enhancement of his book, which in numerous ways it surpasses.
After the heavy plot lifting in the first film based on Veronica Roth’s “Divergent” trilogy (HarperCollins) viewers are in for a smoother ride in the adaptation of her second installment, Insurgent. It speeds past intricate intrigues and sketchy characterizations, moving like a sleek roller coaster ride, free from clunky exposition.
Like a magic potion, the big budget, special effects extravaganza Seventh Son, based on Joseph Delaney’s The Last Apprentice takes a dash of this and a pinch of that for a concoction that’s more mild than potent. It’s the perfect formula for a B-movie on a wintry afternoon.
Perhaps it’s not a coincidence that this frisky and good-natured take on Michael Bond’s beloved bear was produced by David Heyman of the “Harry Potter” film series. Both adaptations plant a big wet kiss on bustling, inclusive London.