Tales of the Heart

BURKS, James. Bird & Squirrel on the Run! illus. by author. Scholastic/Graphix. 2012. pap. $8.99. ISBN 978-0-545-31283-7.
Gr 2-6–Stalked by a ferocious feline, two critters with polar-opposite personalities–carefree Bird and scared-of-everything Squirrel–flee together south toward safety, and their hair-raising, humor-filled, save-each-other’s-skin adventures gradually transform an uneasy alliance into deep-felt friendship. Burks’s graphic novel sparkles with crisp color artwork, quip-cracking dialogue, and plenty of heart.

BUZZEO, Toni. One Cool Friend. illus. by David Small. Dial. 2012. RTE $16.99. ISBN 978-0-8037-3413-5.
PreS-Gr 3–A “very proper” tuxedo-wearing boy discovers a kindred spirit at the penguin display at the aquarium, pops the critter into his backpack, and goes about making Magellan feel at home, all under the large-size nose of his seemingly oblivious father. A hoot, with perfect comic interplay between the wryly straight-faced storytelling and supple-lined artwork.

CRUMMEL, Susan Stevens & Dorothy Donohue. City Dog, Country Dog. illus. by Dorothy Donohue. Marshall Cavendish. 2004. RTE $16.95. ISBN 978-2-223-42222-7; pap. $7.99. ISBN 978-0-7614-5538-7.
K-Gr 4–After meeting at art school in France, best pals Henri T. Lapooch and Vincent van Dog must surmount discordant personalities and preferences to find common ground. Filled with clever references to the canine characters’ true-life inspirations (Toulouse-Lautrec and van Gogh), this Aesop-based story blithely blends upbeat text, vibrant collage artwork, and a resounding moral (“Vive la difference!”). Audio version available from Spoken Arts Media.

DICAMILLO, Kate & Alison McGhee. Bink & Gollie. illus. by Tony Fucile. Candlewick. 2010. RTE $15.99. ISBN 978-0-7636-3266-3; pap. $6.99. ISBN 978-0-7636-5954-7.
Gr 1-3–Two girls–one tiny, tousled, and puckish; the other tall, tidy, and coolly self-possessed; both delightfully quirky and headstrong–embark on three hilarious adventures that showcase their differences while celebrating the special bond they share. Droll dialogue, splattered-with-color cartoons, and perfect comic timing add up to a whole lot of fun. The zany escapades continue in Bink & Gollie, Two for One (Candlewick, 2012). DVD and audio version available from Weston Woods.

ESBAUM, Jill. Tom’s Tweet. illus. by Dan Santat. Knopf. 2011. Tr $16.99. ISBN 978-0-375-85171-1; PLB $19.99. ISBN 978-0-375-95171-8; ebook $8.99. ISBN 978-0-375-98472-3.
K-Gr 2–Coming across a fallen-out-of-the-nest baby bird, a scruffy stray cat exclaims, “Hello, breakfast,” but “Dadburn it!,” the quivering tot is just too skinny to consume, and “Consarn it!,” too helpless to leave on its own. In this riotous read-aloud, rousing rhymes and rambunctious caricature-style cartoons describe how Tom goes from chompers-ready predator to tweety-cuddling chum.

GORBACHEV, Valeri. How to Be Friends with a Dragon. illus. by author. Albert Whitman. 2012. Tr $16.99. ISBN 978-0-8075-3432-8.
PreS-Gr 2–Simon loves everything about dragons, and while listening to his older sister expound upon the basics of befriending these beasts (from “be nice” to wear your seatbelt if he takes you flying), the boy envisions imagination-soaring interactions with a smiling green-scaled companion. Engaging narrative and airy artwork gracefully balance realism with fantasy, humor with gentle affection.

GREY, Mini. The Adventures of the Dish and the Spoon. illus. by author. Knopf. 2006. Tr $16.95. ISBN 978-0-375-83691-6.
Gr 1-4–The nursery-rhyme twosome runs away to 1920s New York City, where they find fame as vaudeville stars, turn to crime after going broke, and are tragically separated after an unsuccessful heist. However, true love withstands the vagaries of fate, resulting in a joyful reunion years later. Colorful collages and snappy narrative shine with playful details and invigorating élan.

HOWE, James. Otter and Odder: A Love Story. illus. by Chris Raschka. Candlewick. 2012. RTE $14. ISBN 978-0-7636-4174-0.
Gr 1-3–Gazing into the “round, sweet, glistening eyes” of his soon-to-be dinner, Otter finds himself falling for his food source, Myrtle the fish. Can this star-crossed, cross-species couple overcome wagging tongues and innate predator-prey instincts to find their happy-ever-after ending? The lyrical narrative and childlike artwork convey wise truths about following one’s heart and cherishing love.

KOSTECKI-SHAW, Jenny Sue. Same, Same but Different. illus. by author. Holt/Christy Ottaviano. 2011. Tr $16.99. ISBN 978-0-8050-8946-2; ebook $9.99. ISBN 978-1-4668-1116-4.
K-Gr 2–When pen pals Elliot and Kailash begin to exchange drawings and letters, they discover that even though they live in two different countries–America and India–they have much in common. Jewel-toned mixed-media illustrations dynamically depict details of both worlds, encouraging readers to identify aspects unique to each culture while appreciating the universality of shared interests and affection.

LANGSTAFF, John, retel. Frog Went A-Courtin’. illus by Feodor Rojankovsky. Harcourt. 1955. Tr $17. ISBN 978-0-15-230214-6; pap. $7. ISBN 978-0-15-633900-1.
PreS-Gr 4–An amphibian dandy gallantly woos the lovely Mistress Mouse, wedding preparations are made, and the couple celebrates with animal and insect guests until a pouncing cat brings an end to the festivities and prompts an early honeymoon departure. This sprightly retelling of a folk song harmonizes toe-tapping couplets with spellbinding homespun artwork. Audio version available from Weston Woods.

LEAR, Edward. The Owl and the Pussycat. illus. by Jan Brett. Putnam. 1991. Tr $17.99. ISBN 978-0-399-21925-2; pap. $6.99. ISBN 978-0-698-11367-1.
PreS-Gr 4–Lear’s whimsical poem about two seemingly mismatched lovers unfurls against a lush-hued, lavishly imagined Caribbean setting. Mingling detailed realism with fanciful charm, the sun-shimmering paintings depict the tender courtship between dashing fowl and dainty feline aboard their “pea-green boat,” while another romance–a tale of two tropical fish separated and reunited–plays out beneath the ocean’s surface.

MILLER, Bobbi, retel. Miss Sally Ann and the Panther. illus. by Megan Lloyd. Holiday House. 2012. RTE $16.95. ISBN 978-0-8234-1833-6.
K-Gr 3–When the feted American folk heroine meets a mean-as-tarnation varmint in the woods, a tree-felling, gorge-clawing, Milky Way-curdling brawl ensues, a “conbobberation” that lasts until both combatants prove their mettle, smile at one another, and become “great and glorious friends.” A rip-roaring tall tale with tongue-tingling language and bold-as-brass artwork.

PINKWATER, Daniel. Bear in Love. illus. by Will Hillenbrand. Candlewick. 2012. RTE $15.99. ISBN 978-0-7636-4569-4.
PreS–Someone has been leaving tasty treats for Bear, causing him to sing jubilant songs and to leave his own sweet offerings. Kindness adds to kindness until the two finally meet–it’s a shy bunny–to share their mutual enthusiasm for food, music, and one another. This charmer soars with scrumptious storytelling and sweet-as-pie paintings.

RICHARDSON, Justin & Peter Parnell. And Tango Makes Three. illus. by Henry Cole. S & S. 2005. Tr $16.99. ISBN 978-0-6898-7845-9; ebook $12.99. ISBN 978-1-4424-2410-4.
PreS-Gr 3–Two male penguins forge an enduring bond, construct a nest, and start a family by caring for an abandoned egg. Set in New York City’s Central Park Zoo and based on a true story, this tale pairs enchanting sherbet-hued watercolors and fine-tuned text to speak volumes about the importance of tolerance and the power of love.

RUNTON, Andy. Bright Lights and Starry Nights. illus. by author. (Owly & Wormy Series). S & S/Atheneum. 2012. Tr $15.99. ISBN 978-1-4169-5775-1; ebook $12.99. ISBN 978-1-4424-5439-2.
K-Gr 3–Two unlikely besties embark on a star-gazing camping trip marked by mishaps that test their verve and their nerve before finally catching sight of an awe-inspiring vista and winning a few new pals. Starring an amiable round-eyed owl and a spunky comma-shaped worm, this wordless sequel to Friends All Aflutter! (Atheneum, 2011) conveys events and emotions with ebullient drenched-in-dusky-hues cartoons and pictograph thought bubbles.

SAUER, Tammi. Nugget & Fang: Friends Forever or Snack Time? illus. by Michael Slack. Houghton Harcourt. Apr. 2013. Tr $16.99. ISBN 978-0-547-85285-0.
PreS-Gr 2–Nugget and Fang are boon companions until Nugget swims off to school and is taught that minnows can’t be buddies with sharks (as per the food chain). They part ways, but when Nugget’s life is endangered, faithful Fang gets the chance to prove his affection. Tongue-in-gill text and buoyant deep-water-hued cartoons send a heartfelt message about friendship.

STEAD, Philip C. A Home for Bird. illus. by author. Roaring Brook/Neal Porter. 2012. Tr $16.99. ISBN 978-1-59643-711-1.
PreS-Gr 4–While out foraging for “interesting things,” a toad instead finds a friend (an illustration shows the wooden-looking bird falling off a cuckoo clock on a passing-by pickup). Worried that his pal’s stony silence is symptomatic of homesickness, Vernon takes Bird on a daring quest to locate his abode. Deadpan text and effervescent artwork relate a smile-inducing tale of altruism and empathy. Audio version available from Recorded Books.

STEIG, William. Amos & Boris. illus. by author. Farrar. 1971. Tr $17.99. ISBN 978-0-374-30227-6; pap. $7.99. ISBN 978-0-312-53566-7.
K-Gr 5–While sailing the high seas, a venturesome mouse falls overboard and is rescued by an affable whale. Despite vast disparities in size and stomping grounds, the two mammals forge a friendship that resurfaces years later when Boris ends up in dire need of Amos’s assistance. Lighthearted watercolors and an eloquent narrative create a wise, witty, and wonder-filled tale.

WEEKS, Sarah. Woof: A Love Story. illus. by Holly Berry. HarperCollins/Laura Geringer. 2009. Tr $16.99. ISBN 978-0-06-025007-2.
K-Gr 2–Smitten by a pretty white cat with sparkling green eyes, a dog tries to articulate his feelings to her, but his “woofs” and “grrrs” only send her scampering up a tree…until he digs up a “shiny brass [trom]bone,” trumpets his emotions with passionate gusto, and wins her heart. A read-aloud romp with breezy rhymes and exuberant collage artwork.

WILLEMS, Mo. City Dog, Country Frog. illus. by Jon J. Muth. Hyperion/Disney. 2010. RTE $17.99. ISBN 978-1-4231-0300-4.
PreS-Gr 2–On a glorious spring day, a tail-wagging pooch meets a smiling amphibian and amity blossoms. Through the seasons, City Dog returns to frolic and reminisce with his pal. When winter’s visit finds Country Frog no longer there, spring’s return brings the comfort of remembrance and a new companion. Spare text and touched-with-light watercolors create an uplifting ode to friendship.

Easy Readers, Endearing Friendships

BELL, Cece. Rabbit & Robot: The Sleepover. illus. by author. Candlewick. 2012. Tr $14.99. ISBN 978-0-7636-5475-7.
K-Gr 2–When the evening doesn’t go as planned, single-minded Rabbit overreacts, but logical Robot remains unruffled and demonstrates how to roll with the punches, until he runs out of steam and Rabbit comes to the rescue. Funny situations, nuts-and-bolts visual high jinx, and a satisfying meeting-of-minds resolution leave readers rolling with laughter.

HOWE, James. Houndsley and Catina: Plink and Plunk. illus. by Marie-Louise Gay. Candlewick. 2009. Tr $15.99. ISBN 978-0-7636-3385-1; pap. $3.99. ISBN 978-0-7636-6640-8.
K-Gr 2–Though best friends, a floppy-eared dog and snowy-furred cat have dissimilar interests–he likes canoeing while she likes bicycling. After a few frustrating outings, they discover that they must help one another overcome fears in order to share these favorite pastimes. Part of a charmingly illustrated and invitingly told series featuring two winsome characters.

LOBEL, Arnold. Frog and Toad Are Friends. illus. by author. HarperCollins. 1970. Tr $16.99. ISBN 978-0-06-023957-2; pap. $3.99. ISBN 978-0-06-444020-2; ebook $4.99. ISBN 978-0-06-197410-6.
K-Gr 3–Frog is outgoing and spontaneous while Toad is more staid and set in his ways, but these companions share a tried-and-true friendship filled with heartwarming empathy and a genuine appreciation for one another’s foibles and fortitudes. The first in a series of grin-making adventures, told with accessible language, packed-with-personality artwork, and everlasting child appeal. Audio version available from HarperFestival.

WEEKS, Sarah. Mac and Cheese and the Perfect Plan. illus. by Jane Manning. HarperCollins. 2012. Tr $16.99. ISBN 978-0-06-117082-9; pap. $3.99. ISBN 987-0-06-117084-3.
K-Gr 2–In this second adventure about two feline friends, happy-go-lucky Mac is determined to get curmudgeonly Cheese out of the alley and off to the seashore, but when Cheese’s hemming and hawing causes them to miss the bus, he grudgingly finds a way to placate Mac and make some fun. Rhyme-filled text and comical artwork shine with humor and affection.

WILLEMS, Mo. Let’s Go for a Drive! illus. by author. (Elephant and Piggie Series). Hyperion. 2012. RTE $8.99. ISBN 978-142316482-1.
K-Gr 2–Meticulous-minded Gerald the elephant formulates a plan for the perfect road trip, sending ever-peppy Piggie scrambling to gather supplies. When one small detail (they don’t have a car) derails the undertaking—as well as Gerald–Piggie cheerfully comes up with a new plan. Kinetic cartoons, zesty text, and an unforgettable friendship combine in this laugh-out-loud addition to a never-miss series.

True Tales

BUCKLEY, Carol. Tarra & Bella: The Elephant and Dog Who Became Best Friends. photos by author. Putnam. 2009. RTE $16.99. ISBN 978-0-399-25443-7.
K-Gr 5–After years in the entertainment industry, Tarra retired to Tennessee’s Elephant Sanctuary but never paired off with a pachyderm pal like the other inhabitants. Surprisingly, the role of BFF was filled by a feisty stray dog. Crystal-clear photos and straightforward text describe how the two unlikely but devoted companions romp and play, communicate, and look after one another.

HATKOFF, Isabella, Craig Hatkoff, & Paula Kahumbu. Owen & Mzee: The True Story of a Remarkable Friendship. photos by Peter Greste. Scholastic. 2006. Tr $16.99. ISBN 978-0-439-82973-1.
K-Gr 5–Stranded on a coral reef by a 2004 tsunami, a baby hippopotamus was rescued, transported to an animal sanctuary in Kenya, and placed in an enclosure occupied by a 130-year-old tortoise. The long-lasting bond that ensued has amazed scientists and inspired many. Engaging close-up images and compelling text relate events with clarity and an emphasis on hope. The story continues in Owen & Mzee: The Language of Friendship (Scholastic, 2007).

JURMAIN, Susan Tripp. Worst of Friends: Thomas Jefferson, John Adams, and the True Story of an American Feud. illus. by Larry Day. Dutton. 2011. Tr $16.99. ISBN 978-0-525-47903-1.
Gr 2-5–As different as “pickles and ice cream,” tall, shy Thomas and short, loquacious John were the best of friends, working together to shape their newly born nation, until a passionate disagreement about presidential powers caused a political and personal rift that only time–and true affection–could overcome. Vivacious text and witty pencil-and-watercolor artwork blend historical detail with winning humor. Audio version available from Recorded Books.

LARSON, Kirby & Mary Nethery. Two Bobbies: A True Story of Hurricane Katrina, Friendship, and Survival. illus. by Jean Cassels. Walker. 2008. Tr $16.99. ISBN 978-0-8027-9754-4; PLB $17.89. ISBN 978-0-8027-9755-1.
K-Gr 3–Left homeless by the devastating storm, a dog and a cat–dubbed Bobbi and Bob Cat for their bobbed tails–wandered the streets of New Orleans for months, surviving only by sticking together, until they were finally rescued by animal shelter volunteers. Simple narrative and soft-toned realistic paintings tell a stirring tale of companionship. DVD available from Nutmeg Media.

THIMMESH, Catherine. Friends. Houghton Harcourt. 2011. Tr $16.99. ISBN 978-0-547-39010-9; ebook $16.99. ISBN 978-0-547-76921-9.
K-Gr 2–Strikingly photographed instances of remarkable animal amity–an elderly orangutan cuddling with a cat, a lion cub and piglet snuggled up and snoozing, a polar bear romping with a sled dog–are paired with simple rhyming verses that elucidate the wonders of friendship (prose paragraphs provide background information). This audience-grabber will inspire discussion along with “oohs” and “awws.”

Take the opportunity to booktalk or display a selection of splendid retellings of folk and fairy tales written for teens. The genre’s integral themes of transformation, self-realization, burgeoning independence, and first love are ready-made for a young adult audience, and these titles utilize a variety of writing styles, settings, and storytelling tones to explore timeless motifs in imaginative and appealingly contemporary ways. These reader-pleasing books are jam-packed with personal challenges, thrilling adventures, magical happenings, and heady romance. With their balance of the old and the new, the familiar and the fresh, these novels are also great choices for teen book discussion groups, or they can be used in the classroom to examine how modern works of fiction draw on themes, characters, and plotlines from traditional tales (Common Core State Standards RL. 8.9).

Fabulously Futuristic

What if Cinderella was a cyborg? Marissa Meyer introduces 16-year-old Cinder (2012; Gr 7 Up), a human girl with surgically implanted robot components who lives on a futuristic Earth that’s beleaguered by a deadly plague and the threat of invasion from Lunars (mind-controlling moon dwellers). Hated by her stepmother and spurned by a society that views cyborgs with distain, she earns her keep by toiling away as a mechanic in New Beijing’s marketplace. When word of her skill brings Prince Kai—a kind young man with a “heart-stopping smile”—to her booth with a request to repair his household android before an upcoming ball, Cinder is launched into an amazing adventure fueled by political intrigue, heart-pounding danger, secrets about her past, and a touch of against-the-odds romance. Meyer transmogrifies traditional Cinderella tropes and plot rudiments into a rocket-paced read set in an intricately imagined dystopian world. The first of four planned novels in the “Lunar Chronicles” series, Cinder’s story continues in and interconnects with that of the just-released Scarlet (2013, both Feiwel and Friends)—think Little Red Riding Hood. Cinder is also available in an unabridged audio edition from Macmillan Audio.

Rosalinda “Rose” Fitzroy, long-lost heir to a multiplanetary corporation, has been locked away in a chemically induced slumber for 62 years. Awakened from A Long Long Sleep (Candlewick, 2011; Gr 8 Up) by the kiss of a boy named Bren, who discovers her stasis tube abandoned in the subbasement of their condo, the astounded 16-year-old learns that she has slept through the plague-infested Dark Times and the death of her parents and boyfriend. Feeling lonely and weak from “stass fatigue,” Rose views herself as a freak—a girl “out-of-date, out of touch, out of time.” Her adjustment to her new reality is made more harrowing by the power struggles among the “nobility” of UniCorp who perceive her as a threat, her growing crush on Bren, and revelations about her own family’s appalling secrets. Meanwhile, a relentless killing machine programmed to assassinate her is determined to fulfill its mission. Contemplating the question of what would happen after Sleeping Beauty woke up, Anna Sheehan has created a captivating and thought-provoking tale that explores themes as diverse as the abuse of technology, learning to take control of one’s life, alienation, and the power and pain of true love.

Compellingly Contemporary

In Fathomless (2012; 9 Up), Jackson Pearce provides a dark-as-the-ocean-deeps take on Hans Christian Andersen’s “Little Mermaid” that will make readers forget all about Ariel and Sebastian the singing crab. Like her beautiful and outgoing triplet sisters, shy Celia has an usual ability—with a simple touch, Anne can see a person’s future, Jane can see the present, and Celia can see the past. She thinks of her talent as pretty much useless, until she and a mysterious girl work together to rescue a boy named Jude from drowning. Amazingly, Lo reveals that she lives in the ocean and has no memory of her past, but with Celia’s help, she begins to recall details of her long-ago life. The more Lo remembers, the more she longs to return to this existence, but knows that the only way she can regain her human soul is by seducing and killing Jude, who has become Celia’s boyfriend. Alternating first-person chapters describe Lo’s shadowy underwater world and conflicted emotions and Celia’s attempts to establish independence from her sisters and navigate her first romance. Readers will enjoy trawling the depths of a tale that mixes spine-tingling suspense with heartfelt sacrifice and terrifying paranormal occurrences with fairytale-style salvation. Point readers toward the author’s Sisters Red (2010, both Little, Brown) and other works to further explore her searingly re-imagined fairytale world.

A week before her sweet 16, Mirabelle runs away from home and her two loving but overbearing godmothers and boards a bus to the one place they have forbidden her to go—Beau Rivage, the city where she was born and her parents are buried. Despite the town’s seaside resort trappings, strange secrets lurk beneath the surface, and Mira soon discovers that the residents have been cursed and are doomed to play out ancient fairytale scenarios again and again. Mira’s birthmark (or “märchen mark”) reveals her to be a “Somnolent,” fated to prick her finger and fall into an enchanted sleep à la Snow White. Many of the other young adults she encounters, including the intoxicatingly charismatic Felix and his prickly but equally attractive younger brother Blue, each have secrets and storied destinies of their own. Will Mira be able to break the magical cycle, save herself and her true love, and determine her own future? In Sarah Cross’s Kill Me Softly (Egmont, 2012; Gr 9 Up), fairytale characters and touchstones have been re-envisioned with a sharp-honed modern-day edge, a realistic setting that believably spins off into fantasy, and a plot powered by mystery and a palpable sense of peril. Mira is a strong protagonist who grapples not only with frightening villains, but with issues of self-realization, free-will versus fate, and figuring out the ways of the heart. It’s also available in an unabridged audio edition.

Riveting and Romantic

Jane Nickerson adroitly weaves the threads of the “Bluebeard” story into Strands of Bronze and Gold (Knopf, 2013; Gr 8 Up) to create a spellbinding tapestry of mystery, romance, and suspense. It’s 1855, and after her father dies, 17-year-old Sophie leaves behind her modest Boston home and journeys south to take up residence with her wealthy godfather at his sumptuous Mississippi estate. Monsieur Bernard is unexpectedly handsome and charismatic, and Sophie finds herself beguiled by his magnetic personality and luxurious life style. However, horrible truths are buried at Wyndriven Abbey, and Sophie slowly begins to piece together shadowy stories about her godfather’s ill-fated wives… all of whom had fiery tresses similar to her own. Her doubts build as Monsieur Bernard turns from generous guardian to chillingly insistent suitor, and it seems as though a noose is slowly closing around her neck. A grippingly gothic tale, with a lavishly described and lushly atmospheric setting and likable heroine. Also available in an audio edition.

Like the rhyme says, Sunday Woodcutter, the seventh daughter of a seventh daughter, is supposed to be “blithe and bonny and good and gay,” but in fact, she feels lonely and overshadowed by her talented older siblings, and finds solace only in writing stories (which have the annoying tendency of coming true). Meeting an enchanted frog in the woods, she shares her tales, and the two strike up a friendship that gradually changes into something deeper. Unbeknownst to Sunday, a kiss they share restores the frog to his human form, that of Crown Prince Rumbold, a man wholeheartedly despised by the Woodcutter family. Longing to see Sunday again, the prince organizes a trio of balls, but decides to keep his identity a secret due to the feud between their families. The twists and turns of their up-and-down love affair are made more arduous by a dark force that threatens Rumbold and the entire kingdom. This page-turner is packed with everything from warring fairy godmothers to a pirate queen to a menacing made-from-magic giant. Althea Kontis blithely blends fairy tale fundamentals with original elements to create a world that is not only Enchanted (Harcourt, 2012; Gr 7-9), but absolutely enchanting.

Jessica Day George’s account of the filled-with-magic adventures—and romances—of 12 royal siblings began in Princess of the Midnight Ball (2009), a retelling of the “Twelve Dancing Princesses” that focuses on the eldest of the cursed-to-dance, named-for-flowers sisters, Rose. In the latest installment, Princess of the Silver Woods (2012, both Bloomsbury; Gr 5-9), the youngest girl takes center stage. Clothed in her new red cloak, 16-year-old Princess Petunia is traveling to visit an elderly family friend when her carriage is besieged by a band of thieves wearing wolf masks. When she’s accidentally kidnapped by their leader, who’s rather good-looking and isn’t much older than herself, Petunia learns that Oliver is actually a noble who has been forced into a life of crime by injustices perpetuated upon his family. As he tries to set things right, Oliver notices that the princess is being hounded by evil shadows, and soon finds himself in the midst of the sisters’ battle to stay out of the clutches of the fearsome King Under Stone. Breezy, with just enough danger and with fun-to-notice parallels to “Little Red Riding Hood,” this novel will please series fans and perhaps win over new readers.

Told with Glitter and Grit

The characters from the graphic novel Rapunzel’s Revenge (2008) return in another rip-roaring adventure. This time, the action focuses on Calamity Jack (2010; both Bloomsbury; Gr 5-9), a well-meaning but none-too wise city boy who tries to help his hardworking mother by earning funds from a variety of ill-conceived schemes (including a failed magic bean fiasco). After meeting Rapunzel out West (see the first volume), the two return to Shyport, and Jack discovers that Momma—and the entire town—is under the extra-large thumb of a cruel and corrupt giant. It will take all of Jack’s courage and can-do spirit, along with the help of Rapunzel and her lasso-like braids and a young journalist named Freddie Sparksmith, to bring Blunderboar down (literally). Shannon and Dean Hale’s rollicking script skillfully intertwines fast-moving events with awe-shucks romance, and Nathan Hale’s crisp artwork vibrantly defines the characters and creates a backdrop of grimy streets and hidden alleyways. Jack’s transformation from knave to knight-in-shining armor is captivatingly witty and wonder-filled.

Robert Paul Weston sets his fractured fairy tale on the mean streets of Dust City (Razorbill, 2010; Gr 8 Up), a mob-infested metropolis peopled by both animalia (intelligent, human-size animals) and hominids (elves, dwarves, humans, etc.). Everyone wants to get their hands—or paws—on dust. Manufactured locally and sold on the black-market, this mind-altering substance is a poor substitute for the real thing, fairydust, which has been impossible to obtain since the fairies mysteriously disappeared. Henry Whelp has lived at the St. Remus Home for Wayward Youth since his father was imprisoned for the double homicide of a little old lady and her granddaughter, a crime apparently committed after taking dust. Escaping from the Home, Henry follows up on suspicions that his father may have been framed, and goes undercover to infiltrate the operation of a mobster named Skinner. Despite the help of a human friend, Jack, and an attractive she-wolf named Fiona, Henry soon finds himself deep in danger and way over his head. It’s noir meets happily ever after as Weston plunges his protagonist into the depths of a deftly delineated and superbly seedy underworld, filled with down-on-their luck reprobates and cruel-hearted bad guys (err, dwarves and water nixies), and the surprisingly successful incongruity makes Henry’s heroic actions and ultimate redemption all the more satisfying.

Publication Information

MEYER, Marissa. Cinder. Feiwel and Friends/Macmillan. 2012. Tr $17.99. ISBN 9780312641894; pap. $9.99. ISBN 9781250007209; eBook $9.99. ISBN 9781466800113; Compact Disc (Macmillan Audio). $39.99. ISBN 9781427215000.

SHEEHAN, Anna. A Long Long Sleep. Candlewick. 2011. Tr $16.99. ISBN 978-0-76365-260-9; pap. $7.99. ISBN 978-0-7636-6346-9; eBook. $16.99. ISBN 978-0-7636-5605-8.

PEARCE, Jackson. Fathomless. Little, Brown. 2012. Tr $17.99. ISBN 978-0-316-20778-2; eBook. $9.99. ISBN 9780316207799.

CROSS, Sarah. Kill Me Softly. Egmont. 2012. Tr. $17.99. ISBN 978-1-60684-323-9; eBook $17.99. ISBN 978-1-60684-324-6; Unabridged Compact Disc. $44. ISBN 978-0-449-01038-9.

NICKERSON, Jane. Strands of Bronze and Gold. Knopf. March 2013. PLB $19.99. ISBN 978-0-375-97118-1; Tr $16.99. ISBN 978-0-307-97598-0; eBook $10.99. ISBN 978-0-307-97606-2; Unabridged Compact Disc. $55. ISBN 978-0-385-36123-1.

KONTIS, Althea. Enchanted. Harcourt. 2012. Tr $16.99. ISBN 978-0-547-64570-4; eBook. $16.99. ISBN 978-0-547-82235-8.

GEORGE, Jessica Day. Princess of the Silver Woods. Bloomsbury. 2012. Tr $16.99. ISBN 978-1-59990-646-1.

HALE, Shannon & Dean. Calamity Jack. illus. by Nathan Hale. Bloomsbury. 2010. Tr $19.99. ISBN 978-1-59990076-6; pap. $15.99. ISBN 978-1-59990373-6.

WESTON, Robert Paul. Dust City. Razorbill/Penguin. 2010. Tr $16.99. ISBN 978-1-59514-296-2; pap. $8.99. ISBN 978-1-59514-425-6; eBook $8.99. ISBN 9781101462386.

It might be a shove in the hallway, a verbal taunt during lunch, an individual being cruelly excluded or ignored, or an offensive text message. Bullying continues to be an emotionally, physically, and psychologically devastating problem for children and teens, and an important issue for parents and school staff, particularly at the middle school level.

The Indicators of School Crime and Safety: 2011, a report published by the National Center for Education Statistics, states that in 2009, 39 percent of sixth graders reported being bullied at school, with the number dropping only slightly for seventh and eighth graders.  A survey from the Cyberbullying Resarch Center done in 2007 shows that 43 percent of middle-school students polled indicated that they had experienced cyberbullying (an upsetting email, IM, or MySpace posting). Geared toward this age group and including both fiction and nonfiction, these books address the issue of bullying in a variety of ways, providing information, offering the comfort of knowing that others are facing similar challenges, and presenting strategies for surviving. Booktalk them and recommend them to teachers to share with their students to increase awareness and empathy, initiate discussion, and begin to bring about change.

Fiction

Bully. By Patricia Polacco. illus. by author. Putnam. 2012. Trade $17.99. ISBN 978-0-399-25704-9.

Gr 4-6–Two sixth-graders, both new to their school, become best buddies, but when Lyla is invited into the popular clique, the three girls pressure her to end her friendship with Jamie (“OMG, he is such a blimp”). After they post a spiteful photo on the boy’s Facebook page, Lyla finally has enough and cuts ties, but queen bee Gage has a plan for revenge, and only Jamie can save the day. Polacco pairs an accessible narrative with dynamic illustrations to depict a realistic middle-school milieu. Read this picture book aloud to launch conversation about the harmful effects of cyberbullying.

The Bully Book. By Eric Kahn Gale. HarperCollins/Harper. 2013. Trade $16.99. ISBN 978-0-06-22511-8; ebook $9.99. ISBN 978-0-06-212515-6.

Gr 5-7–Average-guy Eric Haskins suddenly finds himself the target of an elaborate bullying scheme that eventually encompasses his entire sixth-grade class and turns even long-time friends against him. Desperate to discover why he has been singled out as “the Grunt,” he becomes obsessed with tracking down a book rumored to have the answers. Eric’s journal entries candidly reveal the emotional fall-out of being victimized while his efforts to solve the mystery propel the action forward. Pages from “The Bully Book,” a ruthless kid-written manual on how to rule the school, add a chilling glimpse into a bully’s mindset and methods. Eric will win over readers with his resiliency, and what he ultimately learns–about himself and others–is empowering. Harrowing, riveting, and compellingly discussable.

Bystander. By James Preller. Feiwel and Friends. 2009. Trade $16.99. ISBN 978-0-312-37906-3; pap. $7.99. ISBN 978-0-312-54796-7; eBook $7.99. ISBN 9781429954969.

Gr 6-9–The new kid in school, seventh-grader Eric Hayes is relieved when a popular and charismatic classmate strikes up a friendship, and at first looks the other way when Griffin bullies another boy. Gradually realizing that his silence makes him an accomplice, Eric summons the courage to take a stand, only to become the next victim. Combining well-developed characters with a keen understanding of the middle-school social strata, Preller makes Eric’s experiences painfully real and thoroughly believable.

Hokey Pokey. By Jerry Spinelli. Knopf. 2013. Trade $15.99. ISBN 978-0-375-83198-0; Library Edition $18.99. ISBN 978-0-375-93198-7; eBook $9.99. ISBN 978-0-307-97570-6.

Gr 5-7–This mesmerizing coming-of-age tale is set in a daydreamy world in which kids do as they please and adults are nowhere to be found. Jack, looked up to by all from the tiniest Snotsippers to the top-of-the-heap Big Kids, awakens one morning and just knows that something’s different. He spends one last epic day revisiting his favorite places and pastimes, redefining relationships, putting a bully in his place, and preparing to bid farewell to Hokey Pokey. Inventive, insightful, and bedazzling, this novel presents a potent look at how kids interact with one another, mature, and change.

Slob. By Ellen Potter. Philomel. 2009. Trade $16.99. ISBN 978-0-399-24705-7; ebook $13.99. ISBN 9781101050811.

Gr 6-8–Overweight and genius-smart, seventh-grader Owen is the bully magnet at his progressive New York City school, taunted by classmates, persecuted by a sadistic P.E. teacher, and now the victim of a lunch-sack Oreo thief. Not only is he determined to catch the cookie snatcher, but he’s also hard at work inventing a TV time-machine that will re-play the details of the tragic day his parents were murdered two years earlier. As events unfold and mysteries are slowly solved, Owen learns things about himself–and the bully he most fears–that will change his life forever. Wise and witty, Owen’s first-person narrative is packed with heartache and humor.

The Truth about Truman School. By Dori Hillestad Bulter. Albert Whitman. 2008. Trade $15.99.  ISBN 978-0-8075-8095-0; pap. $7.99. ISBN 978-0-8075-8096-7.

Gr 5-8–Feeling that the content of the school newspaper is being censored by the faculty advisor, eighth-grader Zebby Bower and her friend Amr Nasir launch an underground website and invite submissions, hoping to provide a forum where students can discuss the truth about their school. However, when a popular girl becomes the target of malicious anonymous posts, things escalate out of control. Accessibly told in the alternating voices of the parties involved, this fast-paced expose takes a timely look at the insidious nature of cyberbullying.

Warp Speed. By Lisa Yee. Scholastic/Arthur A. Levine. 2011. Trade $16.99. ISBN 978-0-545-12276-4.

Gr 5-9–Self-admitted sci-fi nerd and AV Club “geekazoid” Marley Sandelski spends much of seventh grade either ignored by the popular group or dogged by punch-throwing homework-grabbing goons. However, when his ability to outrun bullies catches the eye of the track coach, and he actually wins a race, his new and unexpected position at the top of the social heap leads to revelations about himself and his number-one tormentor. Told with plenty of humor (and entertaining Star Trek references), this fast-moving tale features true-life situations and characters and sends a powerful message about empathy.

Nonfiction

Girls against Girls: Why We Are Mean to Each Other and How We Can Change. By Bonnie Burton.  Zest. 2011. pap. $12.99. ISBN 978-0-970173-6-0.

Gr 6-10—Fast-reading chapters outline the reasons behind mean-girl behaviors, describe different types of “relational aggression” (malicious gossiping, social shunning, verbal abuse, etc.), provide easy-to-implement strategies for coping, and offer empowering methods to break the cycle of meanness and bring about change. Written in a chatty and encouraging tone, the well-researched text addresses readers directly and presents a plethora of useful tips, important resources, and positive solutions.

Teen Cyberbullying Investigated: Where Do Your Rights End and Consequences Begin? By Tom Jacobs. Free Spirit. 2010. pap. $15.99. ISBN 978-1-57542-339-5.

Gr 7 Up—From creating a website containing personal attacks on school faculty, to posting fake profiles online, to using a cell phone to send nude photos, Judge Jacobs introduces landmark court cases involving tweens and teens engaged in cyberbullying. Accessibly written chapters present the facts, provide perspective on both victims and perpetrators, and prompt kids to think about how they would decide the case. Real-world experiences and consequences are clearly delineated, making readers aware of their rights and ascertaining why it’s never been more important “to think before you click.”

We Want You to Know: Kids Talk about Bullying. By Deborah Ellis. Coteau. 2010. Trade $21.95. ISBN 978-1-55050-417-0; pap. $14.95. ISBN 978-15-5050-4637.

Gr 5-9—Ellis presents interviews with young people between the ages of 9 and 19 who talk candidly about their experiences as victims, perpetrators, and bystanders. The straightforward first-person narratives tell it like it is, often shockingly, and the accounts are intimate, eye-opening, and surprisingly hope-filled. Black-and-white photos put faces to names, and “What Do You Think?” questions follow each piece. Additional quotes from kids around the world demonstrate the global nature of this issue. An excellent choice for group discussion.

Creative, colorful, and compelling, these narrative adaptations and graphic novels enhance the storytelling with thoughtful artistic interpretations and will inspire readers to further explore and assimilate the elements of this timeless classic. Share these enticing volumes with students already familiar with the epic to make comparisons and contrasts, or use them to tempt the uninitiated to try the real thing.

Narrative Retellings
Supplement standard fare such as Rosemary Sutcliff’s gracefully written The Wanderings of Odysseus (Delacorte, 1996), handsomely illustrated by Alan Lee, with newer works. Hugh Lupton and Daniel Morden’s The Adventures of Odysseus (Barefoot, 2006; Gr 5-8) offers a streamlined recounting that balances non-stop action with lyrical language. A prologue provides helpful background by briefly relating the tale of Paris, charged with choosing which of three goddesses is the most beautiful, and how his decision ignited the Trojan War.

Much of the story is told in vivid first-person narration by Odysseus, giving the tale a gripping sense of immediacy and adding depth to the character. Combining simplicity with insight, the succinct sentences and poetic chords are well-suited to a long-suffering man who has learned much: “All I have left now is my name. And a longing as sharp as pain to see the land that gave me life.”

Christina Balit’s stylized art combines linear shapes and patterns with swirling designs and details. The bold lines and profiled faces—presented on full pages or broad borders—bring to mind the friezes that decorated Greek temples, and lush gem-stone hues add to the regal tone. Ideal for sharing aloud, this retelling makes a sound introduction to the protagonist and his adventures. Discuss the point of view, and ask students to cite examples from the text that establish Odysseus’s unique voice. Have your students retell another epic tale (or even superhero origin story) from the hero’s perspective and use detail and dialogue to create a distinctive voice for their character.

Dynamic language, rapid-fire pacing, spine-tingling suspense, and a sense of foreboding that looms larger than a Cyclops characterize Gillian Cross’s rendition of The Odyssey (Candlewick, 2012; Gr 8 Up). Both accessible and mesmerizing, the text emphasizes moments of heady hubris (e.g., a triumphant Odysseus cruelly taunting one-eyed Polyphemus after his escape) and relates even the most unsettling events with gusto. One unforgettable scene describes how the huge and evidently hungry Laestrygonian giants “slithered down the cliffs and waded into the water” to spear Odysseus’s “drowning men as though they were fish,” while the survivors rowed for their lives, “the terrible screams of their comrades echo[ing] in their ears.”

Odysseus’s trials and travails are presented in a straightforward chronology, making it easy to examine each adventure in succession and building to a satisfying climax. Cross neatly sews the threads of the storytelling tapestry together by interspersing updates from Ithaca about Penelope’s struggles with the suitors (that surround her in the wake of Odysseus’s long absence), summations of Telemachus’s father-seeking travels, and scenes stages from Mount Olympus revealing the gods’ fate-defining negotiations.

The Odyssey (Cross)
©2012 by Neil Packer

Appearing on almost every spread, Neil Packer’s masterfully rendered paintings depict, interpret, and vivify the text, adding a spectacular visual dimension to the storytelling. While certain elements (costumes, textiles and graphic designs, frieze-like silhouettes, etc.) pay homage to the tale’s origins, the tone is strikingly contemporary. Distorted proportions and shifts in point of view (e.g., Odysseus hanging one-handed from a branch and looking down into the swirling, fang-filled mouth of Charybdis) are used to great dramatic effect, as are detail-revealing cutaways and sinuous collage compositions.

Splashes of color—a brashly striped garment or of the burnished hue of the lotus fruit—contrast with the characters’ flat skin tones, mostly statuesque alabaster or earthy tones of brown. Some of the portrayals, particularly those of the monsters, veer into the grotesque, and depictions of the gods are far from idealized (Poseidon sports sparse wire-like hair, a potbelly, and a meshy fish-net shirt and Hermes is updated with contemporary runner’s gear). Filled with symbolism, evocative details, and emotion, each unique painting is worthy of close inspection and discussion.

Have your students explore the interplay between text and artwork. How do the illustrations set the scene, convey events, add to the characterizations? What themes have the author and artist chosen to emphasize? How does Cross’s approach—telling events in a third-person narration rather than having Odysseus recount his experiences—change the story’s impact? What are the advantages and disadvantages of using an omniscient narrator instead of a first-person account?

Graphic Novels
“Sing to me, O Muse, of that man of many troubles…skilled in all ways of contending, who wandered far after he helped sack the great city of Troy. Sing through me, and tell the story of his suffering, his trials and adventures, and his bloody homecoming.” An epic in its own right, Gareth Hinds’s graphic novel adaption of The Odyssey (Candlewick, 2010; Gr 7 Up) pairs euphonious language with expressive pencil-and-watercolor illustrations.

Book by book, the “greathearted” hero’s twist-turning tale is presented in dazzling depth and detail; familiar images and phrasings resonate throughout the thoughtfully abridged script, skillfully echoing the tone and telling of the original (each book is identified by number and aptly titled, allowing for easy comparison ). Establishing a strong sense of time and place while maintaining an air of wonder, the artwork depicts the action, augments characterizations, and provides a potent emotional veneer. Certain moments, such as Odysseus’s heartfelt reunion with the faithful hound Argos, are eloquently expressed through illustration only, and color—the cold blue of the roiling ocean, fire-bright orange inside the Cyclops’s cave, washed-out grays of the Land of the Dead—is used throughout to add poignancy and punch.

Have your students compare Hinds’s version to Homer’s poem and explore similarities and differences. What themes have been emphasized in the graphic novel? How are the characters’ actions, emotions, and challenges conveyed through the artwork? Does the artist’s portrayal of Odysseus match students’ individual perceptions of the hero? A teacher’s guide is available.

Taking a much more cursory approach, Sam Ita showcases the storied highlights of The Odyssey (Sterling, 2011; Gr 5 Up) in an eye-catching pop-up format. Succinct dialogue balloons briefly relate events, utilizing contemporary-sounding language and well-timed comic moments (asked where he’s been for the last 20 years, the hero tells Penelope, “Well, sweetheart, it’s an awfully long story”).

The visual effects are cleverly envisioned and well-designed: Penelope’s loom opens like a venetian blind to reveal a scene of the suitors plotting evil; a 3-D Trojan Horse stands dramatically in front of a burning city (readers can lift a flap to see the soldiers hidden within); a pull tab (and Circe’s moving wand) magically transforms a man into a pig; a pop-up of Odysseus’s ship (with oars that actually paddle) is surrounded by wing-fluttering sirens on one side and a serpent-headed Scylla on the other; and the hero, just returned to Ithaca and disguised as a “homeless guy,” pulls back a bow string (via a tab) and shoots an arrow through several axe heads. This high-energy hands-on retelling makes a great way to review plot elements and initiate discussion about the tale’s most-touted themes. How does the updated language and tongue-in-cheek humor affect the timbre of the story?

Add a little fun to your explorations with Christopher Ford’s entertaining graphic novel, Stickman Odyssey: An Epic Doodle (2011; Gr 5 Up). Banished from Sticatha by an evil throne-seizing witch, “far-wandering” Zozimos is determined to find his way home and claim his rightful place as king. However, along the way, the young hero is waylaid by mighty monsters (he cleverly defeats the gigantic Cyclops-like Boetheos by barfing in his eye), embroiled in breathtaking battles (bravely brandishing his stick sword), and met by challenges that test his courage and perseverance (along with his skill at talking to girls).

Ford’s stick-figure characters possess boundless energy and plenty of expression, and the script percolates with snarky dialogue, hilarious expletives (“BY ZEUS’ BUTT!”), and loads of irreverent humor. The action certainly is epic, and numerous (and comically skewed) references to the original are integrated into the plot. For example, Athena intervenes in the affairs of mortals with a few deft strokes of a giant pen (e.g., doodling out a raft for her protégé), and during a perilous ocean journey, Zosimos’s cohorts plug their ears with wax—not to protect themselves from the sirens’ song but to drown out their leader’s complaining. Students will enjoy making comparisons to Odysseus’s adventures and teasing out corresponding themes, characters, and images. The antics continue in Book Two: The Wrath of Zozimos (2012, both Philomel).

Choose one of these retellings and have your students explore the ways that a modern author reinterprets an ancient text. Compare two of the adaptations, and have youngsters identify similarities and differences in writing style, language usage, point of view, and predominant themes. Look at the visual interpretations and discuss how the illustrations vary in style, medium, and mood. Have your students research classical art images of Greek gods, heroes, and creatures in books or online (Theoi Greek Mythology is a great starting point) and make comparisons to the artwork in one or more of these retellings. Was the modern artist influenced by ancient images and in what way? Have youngsters demonstrate their knowledge of the text by picking a scene from The Odyssey, gathering details, and retelling, illustrating, or creating a comic-book version of the event.

The Common Core State Standards below are a sampling of those references in the above books and classroom activities:
RL. 6.6. Determine how an author develops the point of view of the narrator or speaker in a text.
RL. 8.5. Compare and contrast the structure of two or more texts and analyze how the differing structure of each text contributes to its meaning and style.
RL. 8.9. Analyze how a modern work of fiction draws on themes, patterns of events, or character types from myths…including how the material is rendered new.
RL. 9-10.9. Analyze how an author draws on and transforms source material in a specific work….
W. 6.3-11-12.3. Write narratives to develop real or imagined experiences or events using effective technique, relevant descriptive details, and well-structured event sequences.
W. 6.9-11-12.9. Draw evidence from literary of informational texts to support analysis, reflection, and research.
W. 9-10.7. Conduct short as well as more sustained research projects to answer a question…or solve a problem…..

Beautiful Books

Mark Cotta Vaz’s Beautiful Creatures: The Official Illustrated Movie Companion (Little, Brown, 2013; Gr 7 Up) provides an in-depth look at the making of the film. Beginning with a description of the book’s origins (the authors scribbled out their story ideas on paper napkins at a restaurant during lunch and were egged on to complete the project by a bet made with one of their daughters), the well-written text goes behind the scenes to delve into the screenwriting process, casting, costume and hair design, location and sets, special effects, and more. Thorough explanations and quotes from the creative staff and actors paint a portrait of a production that strove to make the story’s fantasy elements seem real. Readers discover the nitty-gritty details behind the movie magic from the construction of a ruined plantation’s crumbling columns and walls out of foam, to a meticulously crafted high-tech dining room set that could actually spin and move around (design schematic included), to the challenges of re-creating Civil War battle scenes. Numerous full-color photos, both candid shots and film stills, appear throughout and are handsomely integrated into to volume’s inviting layout. Eye-catching and informative, this fun-to-browse offering will reel in book and film fans.

Help moviegoers make a connection to the source material by displaying Little, Brown’s new media-tie-in edition of Garcia and Stohl’s novel (2012; Gr 7 Up), which features an eye-catching cover showcasing the cast. Told in a riveting first-person narrative by Ethan, this page-turning story is driven by unique and strongly delineated characters, a skillfully created world in which small-town realism coexists with supernatural secrets, and an against-the-odds romance that reveals the power of true love. This edition is also available as an audio book with CD. Make sure you have copies of the rest of the series for readers who get hooked: Beautiful Darkness (2010), Beautiful Chaos (2011), and Beautiful Redemption (2012, all Little, Brown).

A graphic novel version of Beautiful Creatures (Yen, 2013; Gr 7 Up), adapted and illustrated by Cassandra Jean, will be released in early February. The elegant cover, a profile image of Lena in luminous violets with silver lettering, welcomes readers. Though the plot has been streamlined, the succinct script and crisp manga-style illustrations effectively convey the major story points and work in harmony to establish characterizations, build suspense, and create a distinctive and dramatic mood. Shading is used to distinguish between spoken dialogue and Ethan and Lena’s ability to communicate silently. Bold cross-hatching underscores moments of great magic, while softer lines and and smaller-size panels evoke the protagonists’ indomitable affection. Well-paced and logically delineated, each chapter ends on a high note, building toward a satisfying climax. This graphic novel grabber provides an inviting and fresh way for series fans to revisit the story or for the uninitiated to take their first steps into the Caster world.

A Potpourri of Paranormal Romances

Tempt teens who just can’t get enough of these Beautiful Creatures to keep reading by booktalking or displaying a selection of page-turning tales forged with mystical wonder and touched by true love. Encompassing copious coming-of-age themes and a variety of writing styles, these titles also make excellent choices for book discussion groups.

For as long as she can remember, 16-year-old Blue Sargent has been told by the members of her clairvoyant family that she’s destined to kill her true love with a kiss. Though she has no psychic ability of her own, Blue’s presence amplifies the talents of others, and she knows from experience to put trust in these predictions and resolves to never fall in love. When she meets The Raven Boys (Scholastic, 2012; Gr Up), a group of students from a nearby posh private boy’s school, she finds herself swept up in their quest to locate a local ley line—an invisible pathway of spiritual power. Led by the handsome Gansey, they hope to discover the resting place of a legendary “sleeping” Welsh king. Things get complicated when her feelings for Gansey—who is as exasperating as he is charismatic—begin to deepen, and prophesy seems destined to lead to danger. Unfolding at a pace that manages to be both suspenseful and stately, Maggie Stiefvater’s masterfully written novel features unique and deftly drawn characters, a plot as pleasingly complex as a well-played chess game, and the heart-pounding excitement of a murder mystery. The surprises keep on coming, right up until the very last sentence, and readers will clamor for the next installment in a planned quartet.

Rosemary Clement-Moore’s Texas Gothic (Delacorte, 2011; Gr 8 Up) blends laugh-out loud humor, hair-raisingly eerie ghost tale elements, and delectable romantic tension. Priding herself on her steely rationality, Amy Goodnight has long played the role of protector of her oddball family of practicing witches, “psychics and potions makers and ghost whisperers” who have zero interest in appearing normal. She’s looking forward to a quiet pre-college summer spent with her sister ranch-sitting for their aunt in rural Texas. However, when a construction project exposes long-buried human remains and stirs up the local specter—a spirit who seems to want something from her—Amy must tap into her own talents. Add to this a neighboring cowboy whose blue eyes and biceps make it worth overlooking his obnoxious demeanor, a crew of university students tasked with excavating the grave site, spine-tingling supernatural occurrences, and a mystery that involves menacing bad guys who are very much alive. A fast and fun read, narrated by a likable protagonist, peopled with quirky characters, and propelled with rip-roaring action.

A true Misfit (Amulet/Abrams, 2011; Gr 9 Up), Jael is aware of her half-human and half-demon heritage, but knows almost nothing about her past…or her potential. When her strict and ever-cautious father, a former priest, gives her a necklace for her 16th birthday that once belonged to her mother along with an admonition not to wear it, she just can’t resist. Suddenly, she finds herself in possession of amazing powers and begins having visions of the past: the fiery romance between her father and the ancient goddess/demoness Astarte; their amazing adventures smiting and exorcising evil-minded demons; and her mother’s choice to sacrifice herself to protect baby Jael. Needless to say, all of this makes the teen’s day-to-day life as a Catholic high school student a bit of a challenge, as does the fact that Belial, fearsome Grand Duke of Hell, is determined to hunt her down. Empowered by the affection of a cute skater dude and and her own blossoming abilities, Jael resolves to stand and fight. Steeped in mythology, religion, and dazzling imagination, supernatural elements fuse neatly with the book’s realistic Seattle setting. Jon Skovron blends demon-slashing action with philosophical quandaries and touches of wry humor as this delightfully strong heroine wrestles with believable coming-of-age issues.

The Golden Lily (Razorbill, 2012; Gr 8 Up), the second volume in Richelle Mead’s “Bloodlines” series, is set at Amberwood Academy, a California boarding school that serves as secret hiding place for Jill Dragomir, princess of the Moroi, a vampire sect more peaceable than their fierce Strigoi counterparts. Alchemist Sydney, part of a covert organization of humans dedicated to keeping the existence of vampires a secret, has been tasked with keeping Jill and her cohorts safe. Dangerous foes and mysteries intrigues lurk everywhere, and Sydney must balance schoolwork with duties that include serving as boyfriend advisor, bodyguard, and scientific researcher. And though she’s supposed to remain detached, she finds herself thinking of her vampire acquaintances almost as family, bringing her true allegiances into question. When she meets a boy who seems to be the perfect match, the overly analytical and socially inept Sydney struggles with the ins and outs of date expectations and first-kiss etiquette, while a much more heartfelt—and forbidden—passion brews between her and a troubled Moroi. Both funny and sincere, the first-person narration remains consistently in character, defining an individual who is intelligent, courageous, caring, and charmingly clueless about how others perceive her. A spin-off of the “Vampire Academy” series (Penguin), this spellbinding series will thrill fans and win new readers over to the author’s enticing world.

Truly Gothic in its haunting early-20th-century Swampsea setting and grandiose in its storytelling panache, Franny Billingsley’s Chime (Dial, 2011; Gr 7 Up) is told from the perspective of a 17-year-old character who believes that she should hang for her witchy crimes. Gifted with the second sight, Briony has the ability to see the spirits that linger in the marshes surrounding her town and thinks that she caused the incident that resulted in her stepmother’s death as well as the long-ago accident that left her twin sister Rose mentally fragile. Only when a handsome visitor arrives, a young man with leonine good looks and flashing eyes, does Briony begin to gaze through her guilt and self-hatred to see her own spirit—and dark secrets long hidden away—with clear eyes. Flavored with primordial magic and touches of wit, this novel is lyrically written, breathtakingly romantic, and beguiling from beginning to end. Also available in audiobook format from Random House Listening Library.

Publication Information

VAZ, Mark Cotta. Beautiful Creatures: The Official Illustrated Movie Companion. Little, Brown. 2013. pap. $18.99. ISBN 978-0-316-24519-7.

GARCIA, Kami & Margaret Stohl. Beautiful Creatures. Media tie-in ed. Little, Brown. 2012. Tr pap. $10.99. ISBN 9780316231671; pap. $7.99. ISBN 978-0316231657; AudioBook. $19.98. ISBN 9781619698437.

_____. Beautiful Creatures. illus. by Cassandra Jean. Yen Pr. Feb. 2013. Tr $16.99. ISBN 9780316182713.

STIEFVATER, Maggie. The Raven Boys. Scholastic. 2012. Tr $18.99. ISBN 9780545424929; ebook $17.99. ISBN 9780545469791; AudioBook. $39.99. ISBN 9780545465939.

CLEMENT-MOORE, Rosemary. Texas Gothic. Delacorte. 2011. PLB. $20.99. ISBN 9780385906364; Tr $17.99. ISBN 9780385736930; pap. $9.99. ISBN 9780385736947; eBook. $9.99. ISBN 9780375898105.

SKOVRON, Jon. Misfit. Amulet/Abrams. 2011. Tr $16.95. ISBN 9781419700217; pap. $8.95. ISBN 9781419704109.

MEAD, Richelle. The Golden Lily. “Bloodlines” series. Razorbill/Penguin. 2012. Tr $18.99. ISBN 9781595143181; pap. $9.99. ISBN 9781595146021; eBook. $10.99. ISBN 9781101565889.

BILLINGSLEY, Franny. Chime. Dial/Penguin. 2011. Tr $17.99. ISBN 9780803735521; pap. $8.99. ISBN 9780142420928; eBook. $8.99. ISBN 9781101476048.

The books also make excellent resources for Black History Month and can be used year round to enhance civil rights and multicultural studies. Keep them on hand to commemorate the 50th anniversary of the March on Washington for Jobs and Freedom and Dr. King’s iconic “I Have a Dream” speech on August 28.

Belle, the Last Mule at Gee’s Bend.  By Calvin Alexander Ramsey and Bettye Stroud, illustrations by John Holyfield. Candlewick. 2011. Reinforced Trade Edition $15.99. ISBN 978-0-7636-4058-3.

Gr 1-4—In this fact-based tale, elderly Miz Pettway tells young Alex about the important role played by her mule in the struggle for civil rights in her poor African American community. Far from fancy, “but strong and steady, and stubborn,” like the Alabama town’s humble inhabitants, Belle hauled a wagonload of “Benders”—empowered by a visit from Dr. King—on a day-long trip to Camden to register to vote, and later on, was summoned to pull the farm cart bearing the great man’s casket through the streets of Atlanta. An accessible and affecting look at history, told in down-to-earth language and illustrated with lush acrylic paintings.

I Have a Dream. By Martin Luther King, Jr., illustrations by Kadir Nelson. w/CD. Random/Schwartz & Wade. Trade $18.99. ISBN 978-0-375-85887-1; Library Edition $21.99. ISBN 978-0-375-95887-8; ebook $10.99. ISBN 978-0-375-98772-4.
Gr 2 Up–Insightful, articulate, and heart-stirring, Dr. King’s famous oration is as inspiring today as when first delivered in front of the Lincoln Memorial 50 years ago. Nelson’s majestic oil paintings provide a magnificent accompaniment to an excerpt from the speech, showcasing broad scenes of the historic gathering, captivating close-ups of the speaker, and uplifting images that visually convey Dr. King’s dream of “a beautiful symphony of brotherhood.” 

March On! The Day My Brother Martin Changed the World. By Christine King Farris, illustrations by London Ladd. Scholastic. 2008. Trade $17.99. ISBN 978-0-545-03537-8.

Gr 1-5—Writing with unassuming eloquence, Farris provides a compelling look at the March on Washington, effectively balancing fact-filled descriptions of events with unique personal perceptions and pride for a brother who was able to “…touch so many people in such a big way.” London’s painterly illustrations provide you-are-there snapshots that both portray the historical setting and convey the participants’ soaring emotions.

Martin’s Big Words: The Life of Dr. Martin Luther King, Jr. By Doreen Rappaport, illustrations by Brian Collier. Hyperion. 2001. Trade $19.99. ISBN 978-078680714-7; pap. $7.99. ISBN 978-1423106357.

Gr 2-5—This picture book biography pairs spare paragraphs about Dr. King’s life and achievements with pertinent and profound quotations taken from his writings and speeches. Imbued with the sharp-edged shapes and luminous colors of a stained-glass window, Collier’s breath-taking watercolor and cut-paper collage illustrations combine realism with heart-lifting spirituality. A beautifully written and visually striking introduction to the man and his world-changing wisdom.

Martin Luther King Jr.: A King Family Tribute. Angela Farris Watkins, editor. Abrams. 2013. Trade $18.95. ISBN 978-1-4197-0269-3.

Gr 4 Up–Memories, stories, and reflections about “ML,” as he was called by his relatives, are paired with never-before-published family photos in this scrapbook-style tribute. A celebration of life that is warm, personal, and inspiring.

My Uncle Martin’s Words for America. By Angela Farris Watkins, illustrations by Eric Velasquez. Abrams. 2011. Reinforced Trade Edition $19.95. ISBN 978-1-41970022-4.

K-Gr 4—Told from the perspective of his young niece, Angela, this inviting picture book describes how Dr. King used “words of love” to fight for change. Watkins’s crystalline first-person narrative introduces watershed moments in the Civil Rights Movement, highlights Dr. King’s role as leader, and incorporates phrases from his speeches. Presented in bold lettering, terms such as “nonviolence,” “justice,” and “brotherhood” resound throughout the text and are explained with child-friendly definitions and examples. The realistic paintings dramatically depict events with a mix of vivid action scenes and elegant portraits. Watkins’s companion volume, My Uncle Martin’s Big Heart (Abrams, 2010), also handsomely illustrated by Velasquez, provides an intimate and affectionate look at Uncle M.L. through the eyes of a child.

We March. By Shane W. Evans. Roaring Brook/Neal Porter. 2012. Trade $16.99. ISBN 978-1-59643-539-1; ebook $9.99. ISBN 9781466810846.

PreS-Gr 3—The members of an African American family rise at daybreak, pray and make preparations at their church, and journey to Washington D.C. to join with individuals from diverse cultural backgrounds in a hope-filled “march to justice,/to freedom,/to our dreams.” Told in simple first-person plural text and illustrated with radiant double-page paintings, this powerful picture book reels in young readers and makes them part of an historic moment.

What Was Your Dream, Dr. King? And other Questions about Martin Luther King Jr. by Mary Kay Carson, illustrations by Jim Madsen. Sterling. 2013. Trade $12.95. ISBN 978-1-4027-9622-7; pap. $5.95. ISBN 978-1-4027-9045-4.

Gr 1-4—Utilizing an inviting question-and-answer format, Carson presents an overview of Dr. King’s life, endeavors, and beliefs, providing historical context with clear explanations of segregation and defining moments in the civil rights movement. Straightforward and accessible, the text is sprinkled with primary quotes and accompanied by sepia-toned paintings.

Assassin’s Creed III

Taking place in a variety of time periods and locales, Ubisoft’s historical action-adventure video game series spotlights the members of an age-old secret sect of lethal warriors. Recently released, the hot-selling fifth installment harks back to Revolutionary War-era America for inspiration. Like the other entries in the franchise, the game includes a modern-day interface featuring protagonist Desmond Miles, the descendant of several Assassins, who uses a machine called the Animus to re-live the genetic memories of his ancestors and search for powerful artifacts and important secrets that will help him to stave off disaster in the present day. Set in the American colonies between 1753 and 1783, the newest iteration introduces Connor Kenway, son of a Mohawk mother and British father, an Assassin who has sworn to use his fine-honed abilities—and an arsenal of 18th-century weapons—to fight for liberty for both his people and his fledgling nation.

Oliver Bowden’s Assassin’s Creed: Forsaken (Ace, 2012; Gr 10 Up), the fifth in a series of original game-based novels, focuses on the life of Haytham Kenway (Connor’s father). Written in journal format, the book begins in 1735 London as the 10-year-old Haytham describes an attack on his family home, the murder of his father, and the kidnapping of his sister. Taken under the wing of a tutor, a member of the Knights Templar, Haytham is raised to accept that order’s philosophy while also honing his lethal skills. However, when he discovers that his father was an Assassin, longtime enemies of the Templars, everything he believes is thrown into question. Haytham’s quest for revenge and his philosophical struggles unfold over the course of many years and numerous globe-spanning adventures, climaxing with his return to the American colonies and his encounter with the son he did not know that he had, a son who stands on the other side of the ideological—and often violent—divide  between Templars and Assassins. Both compelling character study and page-turning adventure tale, this novel deftly incorporates numerous elements of the Assassin’s Creed universe and expands upon the newest game.

The Art of Assassin’s Creed III (Titan, 2012; Gr 9 Up) provides a behind-the-scenes look into this universe with stunning large-size reproductions of concept artwork and concise commentary from game writers and artists. Chapters focus on creating the present-day setting; character development (finding the right look for Conner and a cast of true-life individuals and fictional personages); historical settings (pristine wilderness, faithfully re-created colonial cities, and famous forts and battlegrounds); and epic-scale naval battles. Throughout, the text emphasizes the attention paid to historical detail (e.g., Boston is based on an actual 18th-century city plan) and awareness of the game-play experience (the heights of buildings have been adjusted to “facilitate climbing,” always important for an Assassin on the job). An amalgamation of sketches, handsome portraits, painterly landscapes, and thrilling battle scenes, the illustrations are sure to captivate Assassin’s-Creed–loving browsers and expand their playing experience.

A trio of Assassin’s Creed graphic novels (Titan, 2012; Gr 9 Up)—Desmond (vol. 1), Aquilus (vol. 2), and Accipiter (vol. 3)—grabs teens with dramatic color-splashed covers, each showing a close-up image of a mysterious hooded warrior (split down the middle by the spine, the books feature the titular historical personage on the front cover and modern-day counterpart on the back, opening out to reveal one visage that seems to span across centuries). Translated from the French, these crisply illustrated volumes blend game plot essentials with original story twists and characters. Desmond’s present-day adventures segue neatly into those of his Assassin ancestors, with action-packed mêlées, heroic deeds, unforeseen betrayals, and a mysterious artifact of great power making appearances in both timeframes. The story arc is driven by well-scripted dialogue and artwork that neatly contrasts lush outdoor landscapes with sinister scenes shrouded in shadows. A gripping read for gamers.

Star Wars: The Old Republic

Released in 2011, BioWare’s massively multiplayer online role-playing game (MMORPG) is set thousands of years before the rise of Darth Vader, when the galaxy is divided by war between the Galactic Republic and the Sith Empire. Players choose their avatar and define their own experience as they forge allegiances, engage in battles, and explore this expansive virtual world. The ultimate “Holocron” of information, Star Wars: The Old Republic: Encyclopedia (DK, 2012; Gr 8 Up) provides a gloriously illustrated and in-depth guide to the settings, history, and lore of this intricately imagined universe. Beginning with a helpful timeline, the book is arranged by factions, and gamers can find each of the eight avatar classes contained within these sections. Lengthy chapters cover “The Republic” (Republic Trooper), “The Jedi Order” (Jedi Knight and Consular), “The Sith Empire” (Imperial Agent), and “The Sith” (Sith Warrior and Inquisitor), while “Mandalorians,” “The Underworld” (Bounty Hunter and Smuggler), and “The Hutt Cartel” get briefer treatment. For each sect, detailed text and colorful artwork introduce important events, culture and philosophy, government organization, military forces and fleets, weapons and armor, major characters, and much, much more. Chapters zooming in on the galaxy’s diverse species and planets finish up this impressively comprehensive work. Dynamic and well-written, the text provides clear explanations and summations that make it easy for readers to dip into particular sections or use the index to follow points of interest. Illustrations include diagram-style close-ups of characters, equipment, and settings as well as magnificent depictions of light-saber duels, starship battles, and other moments of high drama. In addition to the game, this era also serves as setting for novels and comics, making this volume a must-have for Star Wars collections.

Dragon Age

Launched in 2009 with Dragon Age: Origins (Electronic Arts), BioWare’s dark fantasy role-playing series includes a sequel released in 2011 and an assortment of downloadable content add-ons (Dragon Age III is in development for 2013). The action is set in the fictional kingdom of Ferelden, a realm besieged by civil unrest and threatened by invasion form an ancient foe. Choosing their race (human, elf, or dwarf) and role (warrior, mage, or rogue), players are tasked with the quest of uniting disparate forces and vanquishing the forces of evil.

Originally released in digital format, Dragon Age: The Silent Grove (Dark Horse, 2012; Gr 9 Up), a graphic novel penned by franchise-lead-writer David Gaider, has recently been published as a hardcover by Dark Horse (2012; Gr 9 Up). This page-turning tale recounts the adventures of Alistair, King of Ferelden, and his two roguish companions, Isabela, a cunning and courageous pirate captain, and a merchant-turned-mercenary dwarf named Varric. Together, the comrades travel deep into a city of assassins, break into a well-guarded prison, and trek into a treacherous swamp—encountering villains, a dragon, and a magic-wielding Witch of the Wild along the way—as Alistair embarks on a quest to unearth secrets about the fate of his father, Maric. Unfolding at a satisfying pace, the script combines contemporary beats with flamboyantly descriptive language, moments of humor with scenes of sword-clashing fury. The detailed artwork defines the setting and conveys events with bright hues, vividly drawn details, and a lively sense of motion. The adventures continue in Those Who Speak (Dark Horse), scheduled for release in January 3013.

If your gamers prefer narrative fiction, Tor has re-issued Gaider’s 2009 Dragon Age: The Stolen Throne (2012; Gr 9 Up), a prequel set prior to the action of Dragon Age: Origins. Providing backstory about important individuals and detail about their realm, the novel focuses on the actions and relationships of three young adult characters: Maric, a newly made and somewhat self-doubting king determined to free Ferelden from foreign invaders; Loghain, a brazen outlaw who reluctantly becomes an ally; and Rowan, warrior maiden and Maric’s intended bride. As they attempt to recapture the stolen throne, the three soon discover that not only does danger lurk everywhere, but that romantic passions can lead to turmoil. Well-written descriptions and dialogue, sound characterizations, and a twist-turning plot keep readers glued to the pages.

Halo 4

First introduced by Microsoft Studios in 2001, this first-person-shooter sci-fi standby celebrates 10 years with the November 2012 release of the latest installment. Players once again step into the high-tech boots of the Master Chief, a bioengineered super soldier, to take on deadly aliens and save humanity. Teens who would like to find about more about the process behind designing the game will delight in browsing Awakening: The Art of Halo 4 (Titan, 2012; Gr 8 Up), an attractive volume packed with full-color concept artwork. Accompanied by insightful commentary from the artists involved, the book explores the game’s environments, characters, weaponry, and vehicles. The text identifies the inspirations behind the visual design, which incorporates and acknowledges previous incarnations of the game while also providing a fresh perspective. Varying from comic-book-style images of armor-wearing warriors and toothy aliens, to amazingly realistic depictions of battle rifles and spacecraft, to dynamic paintings of breathtaking aerial fight scenes, the illustrations provide much to admire and explore.

Publication Information

BOWDEN, Oliver. Assassin’s Creed: Forsaken. Ace. Dec. 2012. pap. $9.99. ISBN 978-0-425-26151-4; eBook $9.99. ISBN 9781101613412.

MCVITTIE, Andy. The Art of Assassin’s Creed III. Titan. 2012. Tr $29.95. ISBN 9781781164259.

CORBEYRAN, Eric. Assassin’s Creed: Desmond (vol. 1). ISBN 9781781163405.

_____. Assassin’s Creed: Aquilus (vol. 2). ISBN 9781781163412.

_____. Assassin’s Creed:Accipiter (vol. 3). ISBN 9781781163429.

Ea vol: illus. by Djillali Defali. Titan. 2012. Tr $9.99.

RYAN, Ian, et al. Star Wars: The Old Republic: Encyclopedia. DK. 2012. Tr $40. ISBN 978-0-7566-9839-3.

GAIDER, David & Alexander Freed. , Dragon Age: The Silent Grove. illus. by Chad Hardin. Dark Horse, dist. by Diamond Book Distributors. 2012. Tr $14.99. ISBN 978-1-59582-916-0.

GAIDER, David. Dragon Age: The Stolen Throne. Tor. 2012 reissue. pap. $7.99. ISBN 978-0-7653-6371-8.

DAVIES, Paul. Awakening: The Art of Halo 4. Titan. 2012. Tr $34.95. ISBN 9781781163245.

Attributed to a man who lived in fifth-century-B.C. Greece, these timeless tales abound with simple wisdoms and useful truths, illuminatingly human-like animal characters, and intrinsic child appeal. Aesop’s fables offer a wealth of opportunities for exploration in the classroom and can be used to effectively integrate Common Core State Standards into the curriculum.

Shared with students, the stories not only convey basic life lessons about how to act and behave, but can also be used to introduce literary genres, initiate discussion about human nature, and inspire creative writing and illustrating endeavors.

The books featured here showcase this body of work through a variety of narrative approaches and artistic styles, while remaining true to the tales’ simple charm, witty plotting, and powerful punch. Included are an array of handsomely illustrated anthologies, stunning picture book versions, and collections in which authors add their own imaginative twists to familiar renditions. As entertaining as they are elucidating, all of these titles can be read aloud in the classroom or delved into independently by youngsters.

Anthologies

Two collections serve well as basic classroom resources. From the tale of a tiny mouse who saves a mighty lion with an act of courage and kindness to that of a cunning fox who bamboozles a vain crow out of a chunk of cheese, The McElderry Book of Aesop’s Fables (S&S, 2005; K-Gr 4) recounts 21 favorite tales. Utilizing an amiably informal tone and accessible language, Michael Morpurgo spins the stories with humorous details and nimble dialogue. Emma Chichester Clark’s sunny watercolors and the book’s inviting format make it ideal for reading aloud or alone and a great starting point for introducing these selections.

For those seeking a more comprehensive anthology, Aesop’s Fables (Andersen Pr.; 2011; Gr 1-6) gathers together 60 tales in an eye-catching volume. Striking spreads pair Fiona Waters’s lively retellings and succinct morals with Fulvio Testa’s lush-hued, sparkling-with-wit paintings. Use this lovely compilation for deeper studies, or recommend it to students who would like to read further.

Part of Mary Ann Hoberman’s effective literacy-building series, You Read to Me, I’ll Read to You: Very Short Fables to Read Together (Little, Brown, 2010; Gr 1-4) retells 13 of Aesop’s well-known tales in buoyant rhyming verses arranged for two voices. Each part (e.g., Hare or Tortoise, the golden-egg-laying goose or her greedy Master, the grasshopper or the ant) is delineated by text in either orange or green, with the morals presented in a bright magenta that invites both readers to chime in.

Conveyed in rhythmic easy-reading text, the streamlined fables have a vibrant sense of immediacy that matches Michael Emberley’s comical action-packed artwork. This interactive volume is tailor-made to support reading comprehension and makes a suitable choice for practicing fluency in student pairs, to use as a reading-buddy resource, or as inspiration for readers’ theater.

Expanding upon 12 fables in an elegant oversize volume, Helen Ward regales older students with tidbits of Unwitting Wisdom (Chronicle, 2004; Gr 3-6). Each aptly titled tale is introduced with a stunning two-page painting and a teaser that foreshadows plot and themes (e.g., “Steady and Slow…in which a hare is too confident”). The artwork mingles natural details with whimsy to create a cast of realistic yet packed-with-personality animals. Lyrically written with a more formal cadence, the fables also sparkle with descriptive details, funny moments, and deftly delivered insights.

From “effervescent” to “tantalizing,” the writing offers a trove of challenging vocabulary words to tease out and utilize. Compare these retellings to more straightforward versions and have students identify and discuss each author’s particular interpretation, tone, and narrative voice. Take a closer look at the illustrations and determine how the images enhance the text and augment each tale’s meaning.

In her introduction to her collection of 16 Aesop’s Fables (Frances Lincoln, 2011; Gr 1-5), Beverley Naidoo makes a convincing argument in support of her theory that Aesop’s roots may have been found in Africa. Thus, she sets her tales on the grasslands of that continent, peoples them with indigenous fauna and flora (a jackal rather than a fox, a rinkhals snake, or a tamboti tree), and flavors them with terms from various African languages (defined after each entry).

Combined with Piet Grobler’s earth-toned paintings presenting a menagerie of comically expressive animals, the folksy retellings create a strong sense of place, while also conveying each fable’s universal themes and gentle humor. Have students compare these renditions to traditional versions, identifying similarities and differences. Investigate the environment and particular species featured in the stories. Invite youngsters to choose a favorite fable and re-write it with details that reflect their own neck of the woods.

Picture Book Retellings

These dazzlingly illustrated offerings expand upon particular fables, providing impetus for students to make comparisons to versions found in anthologies. Helen Ward’s retelling of The Town Mouse and the Country Mouse (Candlewick, 2012; K-Gr 4) describes how a rural rodent, accustomed to a quiet existence lived close to nature, journeys to visit his city-dwelling cousin where he encounters both wonders and dangers and learns to appreciate the simple pleasures of home.

Color-drenched paintings depict the beauties of the countryside throughout the changing seasons as well as the luxuriant trappings of 1930s New York City at Christmastime. Ward leaves off the traditional moral, allowing readers to draw their own conclusions.

In Fox Tails (Holiday, 2012; K-Gr 4), Amy Lowry weaves together four fables featuring this crafty though often over-confident character, creating a cumulative tale that stands solidly as a cohesive whole and remains true to the source material. Lively language and modern-day touches in the lighthearted artwork give the presentation an appealingly contemporary feel.

Read standard versions of the fables aloud and have students sort out the various plotlines and determine how they have been integrated together. Trace the archetypal characteristics of the fox or other animals that appear frequently in Aesop’s oeuvre. Choose two or more fables and have youngsters come up with plot scenarios to connect them together.

Wordless except for a few well-timed animal sound effects, Jerry Pinkney’s The Lion & the Mouse (Little, Brown, 2009; PreS-Gr 4) eloquently relates the story through a series of magnificent paintings that depict an African savannah setting with sinuous textures and shimmering hues. Riveting visual perspectives and realistic details convey the courage and compassion of both animals and inspire youngsters to voice their own narration of events.

Mouse & Lion (Scholastic, 2011) pairs Rand Burkert’s expansive and dialogue-rich narrative with Nancy Ekholm Burkert’s exquisitely rendered animals to emphasize the personalities of a skitter-scampering can-do rodent hero and a majestic leonine king. Have children compare the two versions, identify similarities and differences, and discuss how each rendition interprets the characters as well as the tale’s traditional moral.

Take-offs and Twists

Cleverly and often comically reinterpreted, these engaging offerings will have kids consulting and comparing to the originals, and dreaming up their own fractured versions. Margie Palatini and Barry Moser’s Lousy Rotten Stinkin’ Grapes (S&S; 2009; K-Gr 4) introduces a know-it-all fox who enlists the help of various animal friends to concoct a preposterously elaborate plan to put his paws on some succulent but out-of-reach treats, resulting in pratfalls galore and an uproarious comeuppance.

In The Great Race (Walker, 2011; K-Gr 4), Kevin O’Malley’s pun-filled text and droll artwork pit the fleet-footed and annoyingly arrogant rabbit runner, Lever Lapin, against slow but steady everyman, Nate Tortoise, a contest that results in an upset and a groaner of a newspaper headline (and amusingly reinterpreted moral): “Better Nate than Lever.”

Luli Gray’s Ant and Grasshopper (S&S, 2011; K-Gr 4), illustrated in hearth-warmed hues by Giuliano Ferri, expands upon the traditional lesson about the virtues of hard work and value of planning ahead to create an uplifting tale that emphasizes the importance of individuality and empathy. Industrious Ant spends much of his time counting the food items that he has stored away and has no patience for music-loving Grasshopper who would rather play his fiddle than worry about the future. However, when winter falls and Ant opts to share his bounty and his sympathies with the freezing Grasshopper, he realizes that friendship is the greater gift. Both discover that whether one’s talents lie in tallying up beans or singing a tune, “Everybody counts.”

Susan Stevens Crummel and Dorothy Donohue replace the traditional mouse cousins with City Dog, Country Dog (Marshall Cavendish, 2004; K-Gr 4), two pups with very different personalities who share a passion for painting. After meeting at art school, Henri T. Lapooch and Vincent van Dog attempt to maintain their friendship by visiting one another’s homes, but Henri just can’t abide roughing it in the countryside and Vincent has no patience for the fast city life. The two decide to meet at the beach, where they celebrate their camaraderie and revel in the moral, “Vive la différence!”

The upbeat text is seasoned with French terms (presented along with pronunciations and definitions) and the cut-paper collage illustrations incorporate painted references to the work of the real artists upon whom the characters are based, Vincent van Gogh and Henri de Toulouse-Lautrec. An author’s note about the painters that includes reproductions of their works makes it easy to stretch this tale into a study of art as well as fables.


Up-to-date and Laugh-out-loud Funny

Two books treat these traditional tales with tongue-in-cheek humor and contemporary flair. Jon Scieszka and Lane Smith’s Squids Will Be Squids (Puffin, 1998; Gr 3-6) presents a collection of 18 fables “…that Aesop might have told if here were alive today and sitting in the back of class daydreaming instead of paying attention….” Silly dialogue, familiar school-day details, oddball wisdoms, and off-the-wall artwork abound as beastly characters interact to illustrate such tried-and-true maxims as “He who smelt it, dealt it;” “It takes one to know one;” and “Don’t ever listen to a talking bug.” Irreverent, imaginative, and perfectly tuned to kids’ sensibilities, this zany book will provide an interesting viewpoint along with barrels of laughs.

Classroom extensions abound with fables. Share these tales with your students, and have them draw inferences about morals, using evidence from the stories to demonstrate their mastery of the text. Discuss the animal characters and their behaviors and make comparisons to human characteristics. How does each book’s artwork add to the text and enhance the storytelling tone?

Or, choose two anthologies that retell the same fable and make comparisons between the two versions. How do each author’s narrative voice and each illustrator’s artistic style differ? Have children select a fable to illustrate, act out, or prepare as a presentation on Power Point or another program. Challenge youngsters to try their hand at writing their own selections.

Make the experience multimedia by having students search out additional retellings on online sites such as “Aesop’s Fables,” which presents more than 655 tales (some with audio recording and/or images) or the Library of Congress’s wonderful “Aesop’s Fables Interactive Book” containing more than 140 tales with Milo Winter’s enchanting early 20th-century illustrations and interactive animations, also available as an iOS and Android app.

A fabulous classroom chapter read-aloud, Candace Fleming’s The Fabled Fourth Graders of Aesop Elementary School (Random, 2007; Gr 3-5) pairs a bunch of infamously difficult students with the equally quirky and free-thinking Mr. Jupiter (the only teacher willing to take them on). From “The Boy Who Cried Lunch Monitor” to a hare-versus-tortoise-style poetry-memorizing competition, the chapters present updated, cleverly re-imagined fables (complete with morals), all tailored to the classroom setting and adorned with entertainingly exaggerated humor, chuckle-inducing wordplay, and a plethora of puns.

Read aloud the fable that corresponds to each chapter and make comparisons, or challenge older students to identify the Aesop’s tidbit that inspired each scenario. Have youngsters brainstorm adages appropriate to classroom behavior and expectations and then write a fable with a school setting. Check out the author’s website to download an educator’s guide to the book that includes ideas for general explorations of Aesop’s fables. The high jinks—and literary references—continue in The Fabled Fifth Graders of Aesop Elementary School (Random House, 2010.)

Moral: Studying Aesop’s fables today will lead to more-accomplished students tomorrow.

The Common Core State Standards below are a sampling of those references in the above books and classroom activities:

RL. K.1. With prompting and support, ask and answer questions about key details in a text.
W. K.7. Participate in shared research and writing projects.
RL. 1.9. Compare and contrast the adventures and experiences of characters in stories.
RL. 2.9. Compare and contrast two or more versions of the same story…by different authors or from different cultures.
RL. 3.2. Recount stories, including fables and folktale from diverse cultures; determine the central message, lesson or moral and explain how it is conveyed through key details in the text.
RL. 3.7. Explain how specific aspects of a text’s illustrations contribute to what is conveyed by the words in a story.
W. 3.3. Write a narrative to develop real or imagined experiences or events using effective technique, descriptive details, and clear event sequences.
RL. 4.1. Refer to details and example in a text when explaining what the text says explicitly and when drawing inferences from the text.
SL. 4.1. Engage effectively in a range of collaborative discussions.
RL. 5.7. Analyze how visual and multimedia elements contribute to the meaning, tone, or beauty of a text.
RL. 5.9. Compare and contrast stories in the same genre on their approaches to similar themes and topics.
W. 5.9. Draw evidence from literary of informational texts to support analysis, reflection, and research.
RL. 6.1. Cite textual evidence to support analysis of what the text says explicitly as well as inferences drawn from the text.

For other classic connections, see Joy Fleishhacker’s “Severed Limbs, Devil’s Hairs, and Boys Turned into Beasts.”

Related TeachingBooks.net resources »»»

Rise of the Guardians

The film was inspired by William Joyce’s “Guardians of Childhood” (S &S/Atheneum) book series, and both endeavors were developed simultaneously. In fact, Joyce, whose many media credits include the TV series Rolie Polie Olie and George Shrinks, the big screen’s Meet the Robinsons (2007), and the Academy Award-winning animated short The Fantastic Flying Books of Mr. Morris Lessmore (2011), has been involved from the get-go and serves as executive producer.

The Guardians, a group of immortals, have been protecting the dreams, wishes, and imaginations of children across the globe for years. When an evil spirit known as Pitch (voiced by Jude Law) launches a nightmare of a plot to take over the world, these legendary personages must band together to save the day. Led by North (Alec Baldwin), a jolly Santa souped-up with warrior skills, the assemblage includes Bunnymund (Hugh Jackman), a boomerang-bearing, ready-for-action Aussie; Tooth (Isla Fisher), a shimmering half-hummingbird, half-human fairy; and Sandman, silent but powerful safe-keeper of dreams. However, everything just might depend on their latest recruit, eternal teenager and mischief-maker Jack Frost (Chris Pine), a loner plagued by the mysteries of his past who would rather use his weather-controlling staff for pranks than for heroics. Will Jack find his footing in time to help the Guardians defeat Pitch before it’s too late and children stop believing?

Kids can visit the film’s colorfully designed website to watch a trailer, meet the players, and access downloads of movie posters and other images. Online games include an “Elf-Ding-A-Long” (users can echo familiar tunes on various instruments or compose and record their own compositions), a pinball challenge, and a memory game. Also available are activity sheets (connect-the-dots, coloring pages, mazes, etc.) and 3-D sculptures of the main characters that can be printed out, cut, folded, and glued.

Movie Tie-ins

A line-up of books featuring handsome film-image covers is available from Simon Spotlight. In The Story of Jack Frost, the protagonist recounts events in a chatty first-person narrative, describing his remarkable ability to instantly create ice and snow with his magical staff, his struggle to understand his own identity, and his role as the newest Guardian. Combining double-page spreads with smaller-size illustrations, the artwork depicts the movie characters and their actions with soft-edges and muted colors. Another picture book, Made in the North Pole (both S & S, 2012; PreS-Gr 2) describes North’s magical domain where furry Yetis construct toys and red-hat-wearing elves wreak havoc. Movie images are neatly arranged against crisp blue snowflake-filled backdrops to illustrate the clearly written text.

Focusing on one of the film’s human characters, Jamie to the Rescue (S & S, 2012; K-Gr 2), a “Ready-to-Read” (Level Two) easy reader, recaps the events from the young boy’s point of view. The book traces Jamie’s interactions with the magical bunch, describing how despite the Guardians’ best efforts, in the end, it’s up to the youngster and his friends to keep the faith and continue to believe. Children familiar with the movie plot will easily follow the storyline and enthusiastically decode the text. Simple sentences, basic vocabulary, and illustrations filled with motion and visual clues encourage and support the efforts of new readers.

With a bright-hued movie-poster cover showing the action-ready Guardians posed superhero-style, the Movie Novelization (S & S, 2012; Gr 3-5) will draw in independent readers as well as a younger read-aloud crowd. Sprinkled with lively dialogue and lighthearted humor, the fast-reading text combines short sentences, clearly described events, and touches of suspense to retell the plot. Each chapter begins with a black-and-white sketch of one of the immortal characters, and eight pages of captioned full-color movie photos encourage youngsters to revisit the highpoints. An unabridged audio-book version is also available.

“Guardians of Childhood” Book Series

Film fans will be delighted to discover Joyce’s book series, while bibliophiles will make a beeline to the library to check out and re-read each installment. Set 200 years before the events depicted in Rise of the Guardians, the titles enhance and expand upon the film’s fantastical universe by introducing the characters and establishing the mythology of their world.

Picture Books

A lushly illustrated offering tells the story of The Man in the Moon (2011) aka MiM, the very first Guardian of Childhood who started life as a baby sailing throughout the heavens with his loving parents on their intergalactic vessel, the Moon Clipper. When the evil Pitch attempts to capture him, a battle ensues, and MiM is left orphaned on his ship, which has been transformed into a moon. He grows into adulthood, cared for by Moonbots, Moonmice, and giant Glowworms, all the while observing and listening to the children of planet Earth far below. Determined to ease their fears, he illuminates the moon to provide comfort and assembles the now-legendary Guardians, who vow to keep the youngsters safe and “guard…their hopes and dreams.”

Sanderson Mansnoozie, more popularly known as The Sandman (2012, both Atheneum; K-Gr 4), makes his debut in a second picture book. The one-time pilot of a shooting star harpooned by the dastardly Pitch, Sandy falls to Earth and lands upon an island made from the remnants of his vessel. Nestled comfortably among golden dunes, he is content to dream away the years, until MiM calls upon him to help keep the children safe at night when the moon’s not full or bright and darkness prevails. What better way to chase nightmares away than by sending lovely dreams via Dreamsand? Both tales are told with a compelling mix of concrete details and a buoyant sense of wonder. The delightful multi-media illustrations combine the precise lines and shading of an antique map with rich gem-stone colors, fantastical settings, and whimsical details. Children will enjoy comparing these images to the movie’s animation, identifying similarities and differences, and allowing their imaginations to soar.

Novels

Nicholas St. North and the Battle of the Nightmare King (2011) stars a younger version of North, a dashing bandit and much-feared warrior who cannot deny his hidden-away heart of gold. Drawn to Santoff Claussen by a dream, North discovers a town under siege by Pitch, recently released from imprisonment, and joins forces with a powerful wizard named Ombric and a stouthearted story-loving girl named Katherine to defeat the Nightmare King and his Fearling Army. The epic good-versus-evil conflict continues in E. Aster Bunnymund and the Warrior Eggs at the Earth’s Core! (2012; both Gr 3-6) as a giant-size, super-intelligent Rabbit Man with a knack for making chocolate treats and fighting bad guys joins the fray.

Filled with magical wonders, once-upon-a-time lore, and richly imagined characters, the novels blend intricately woven plot elements with thrilling action. Elegantly depicting the individuals and the events, Joyce’s mixed-media illustrations emphasize the magic and underscore the emotion. In addition to captivating independent readers, the books make great choices for sharing aloud with younger children. The adventure continues with the recently released Toothiana, Queen of the Tooth Fairy Armies (2012; all Atheneum). The first three volumes are available as a boxed set, and more novel and picture book installments are to come in the planned 13-book series.

Readers can visit the series website to find out more about the books and the characters and view a selection of entertaining videos (including one starring Joyce, who takes off on a book tour—literally—by donning a jetpack heading for  the moon).

Publication Information

MCDOOGLE, Farrah, adapt. Rise of the Guardians: The Story of Jack Frost. illus. by Larry Navarro. pap. $3.99. ISBN 978-1-4424-5305-0; ebook $5.99. ISBN 978-1-4424-5306-7.

SHAW, Natalie, adapt. Rise of the Guardians: Made in the North Pole. pap. $5.99. ISBN 978-1-4424-5290-9; ebook $5.99. ISBN 978-1-4424-5449-1.

GALLO, Tina, adapt. Rise of the Guardians: Jamie to the Rescue. illus. by Zack Franzen & Charles Grosvener. Tr $15.99. ISBN 978-1-4424-5260-2; pap. $3.99. ISBN 978-1-4424-5259-6; ebook $5.99. ISBN 978-1-4424-5262-6.

DEUTSCH, Stacia, adapt. Rise of the Guardians: Movie Novelization. pap. $6.99. ISBN 978-1-4424-3075-4; ebook $5.99. ISBN 9781442452541; Audio Bk (2 Compact Disks) $9.99. ISBN 9781442359505

ea vol: S&S. 2012.

JOYCE, William. The Man in the Moon. illus. by author. 2011. Tr $17.99. ISBN 978-1-4424-3041-9; ebook $12.99. ISBN 978-1-4424-3551-3.

_____. The Sandman. illus. by author. 2012. Tr $17.99. ISBN 978-1-4424-3042-6; ebook $12.99. ISBN 978-1-4424-5448-4.

JOYCE, William & Laura Geringer. Nicholas St. North and the Battle of the Nightmare King. Bk. 1. illus. by William Joyce. 2011. Tr $14.99. ISBN 978-1-4424-3048-8; ebook $12.99. ISBN 978-1-4424-3575-9.

JOYCE, William. E. Aster Bunnymund and the Warrior Eggs at the Earth’s Core! Bk. 2. 2012. Tr $14.99. ISBN 978-1-4424-3050-1; ebook $9.99. ISBN 978-1-4424-4991-6.

_____. Toothiana, Queen of the Tooth Fairy Armies. Bk. 3. 2012. Tr $14.99. ISBN 978-1-4424-3052-5; ebook $9.99. ISBN 978-1-4424-5461-3.

_____. The Guardians. Boxed set (Bks. 1-3). Tr $44.99. ISBN 978-1-4424-7425-3.

ea vol: illus. by William Joyce. (The Guardians Series). S & S/Athenuem.

Listen to Adam Gidwitz introduce and read from In a Glass Grimmly »»»

They may be as old as time, but folk and fairy tales continue to flourish in popular culture, regularly revisited, reinterpreted, and reimagined through a perpetual parade of picture books and novels, movies and television offerings, and even video games. Blending modern-day sensibilities with an avid appreciation for the source material and an endless knack for inventiveness, two novels by Adam Gidwitz, A Tale Dark & Grimm (2010) and In a Glass Grimmly (2012, both Dutton; Gr 3 Up), make sound starting points for examinations of folklore. Each volume stars a pair of intrepid young protagonists who set off on a quest of self-discovery only to encounter sinister adults, frightening monsters, and shocking situations. Filled with lots of breathless action, droll humor, and, well, blood, both books offer readers a riveting roller coaster ride that speeds through familiar plots, revels in the original tales’ harrowing hairpin turns, and plunges right into the essence of these timeless stories.

The Kingdom of Grimm
Addressing readers directly through entertaining, often elucidating asides, the narrator introduces A Tale Dark & Grimm with an invitation to youngsters to sample fairy tales in their true unadulterated and thoroughly “awesome” wonder. As he explains, “…the land of Grimm can be a harrowing place. But it is worth exploring. For, in life, it is in the darkest zones one finds the brightest beauty and the most luminous wisdom. And, of course, the most blood.” After wryly recommending that the room be cleared of small children, Gidwitz proceeds to tell the “real” story of Hansel and Gretel, a yarn that winds throughout Grimm’s “moldy, mysterious tome…like a trail of bread crumbs winding through a forest,” dipping in and out of stories both familiar and less-well-known.

The two youngsters step into the role of the siblings in “Faithful Johannes,” beheaded (and later re-headed) by their father, a guilt-ridden king desperate to restore the life of his loyal servant; run away (wouldn’t you?) into the “wide, wild world” in search of parents who would not kill their children, end up the prisoners of a cannibalistic baker woman, and just barely make their escape; and then wend their way through a masterfully interwoven tapestry of other danger-fraught scenarios based on “The Seven Ravens,” “Little Brother and Little Sister,” “The Robber Bridegroom,” and “The Three Golden Hairs.” Separated and reunited, repeatedly tested yet steadfastly triumphant, honed by moments of self-sacrifice and displays of incredible valor, the two return home, where they must face the horrors of a rampaging dragon as well as the attentions of their rather clueless parents.

Hansel and Gretel’s adventures unwind with taut suspense, clever twists and turns, grisly details, and laugh-out-loud humor, making the book a captivating classroom read-aloud. Themes worthy of discussion or written reflections include the role and responsibilities of parents, the importance of forgiveness, finding a place to call home, and the protagonists’ journeys toward wisdom (have your students explore these themes by citing examples from the text). At book’s end, the siblings recount all of their experiences to their parents, tales that are then relayed by servants (named Wilhelm and Jacob) to the rapt inhabitants of the kingdom of Grimm. Introduce the real Wilhelm and Jacob Grimm and their efforts to collect and record German folklore (their first volume of stories was published 200 year ago). Discuss the tradition of oral storytelling. As an example, have your students delve into family lore by interviewing older relatives, and retelling to the class or recording in writing favorite family stories.

Gidwitz deftly, and for the most part faithfully, incorporates Grimm’s folktales into the plot. Help students identify the featured tales, seek out traditional versions, and make comparisons. Discuss how the author reinterprets the stories and why he chooses to emphasize particular elements while discarding others. What modern touches has Gidwitz added to the mix? How is the author’s narrative tone different from that of a more traditional fairytale? How do Hansel and Gretel compare to their once-upon-a-time counterparts? Have your students try their own hand at creative storytelling by choosing two tales, brainstorming ways to connect the plots and characters, and writing or storyboarding their own renditions.

A Visit to Märchen
In the afterword for In a Glass Grimmly, Gidwitz explains that the sources that inspired this companion volume were “Kunstmärchen, or ‘original’ fairy tales—tales that were invented by a known author, like Hans Christian Andersen or Christina Rossetti.” Thus, though this book echoes the framework and narrative tone of the first offering—and still incorporates references to Grimm tales and the work of other “story-weavers”—much of the material is original, and the plot soars with the author’s quick-witted inventiveness. In a kingdom called Märchen live two cousins. Jill is the daughter of a self-obsessed, mirror-gazing queen, and though the woman is so full of pride and lacking in parenting skills that she actually allows her daughter to unknowingly parade naked before their subjects (à la “The Emperor’s New Clothes”), Jill still longs for her mother’s approval. Jack, a kindhearted dreamer, is unappreciated by his practical-minded father and cruelly bullied by the malicious village boys he so desperate wants to impress.

Fed up, the children run away together and are joined by a talking one-legged frog (whose own past includes a golden ball and a self-obsessed at-that-time princess). Promised their true heart’s desires by a mysterious and somewhat shady old woman, they set off in search of a magical looking glass lost long ago, trying not to obsess too much about the fact that if they fail, they forfeit their very lives. In addition to a head-breaking tumble down a hill, their ensuing quest includes a fast-growing bean stalk, a gang of surly, not-too-smart giants, an encounter with a tantalizing mermaid, a visit to the goblin realm, a gargantuan fire-belching salamander, and more, as well as hard-won revelations about themselves and the true magic that lies within the mirror (when finally translated at book’s end, the glass’s inscription reads, “To find what ye seek, look no further”). Once again, the heroes are kid-like and courageous, the action is cleverly constructed and death-defying, the telling is hilarious, the gross-outs colorfully described and numerous, and the message enlightening and empowering.

Jack and Jill end up telling their tales to an audience of spellbound children (including one little boy named Hans Christian and another called Joseph or J.J., as in Jacobs), reminding readers of the origins—and power—of the novel’s source material. Have students highlight familiar plot elements and characters and identify, read, and compare the stories (or nursery rhymes, or other works) from which they come (Gidwitz cites several specific sources in the afterword). Read a literary fairy tale, such Andersen’s “The Emperor’s New Clothes,” discuss the author’s tone and narrative style, and make comparisons to traditional fairy tales. Invite students to author their own literary fairy tales, inspired by stories that they have read or spun entirely from their own imaginations.

Resources Dark & Grimm
Expanded and updated in a new bicentennial edition, The Annotated Brothers Grimm (Norton, 2012) collects uncensored versions of more than 40 tales. Translated and edited by scholar Maria Tatar, the stories are written to reflect the spirit of the originals, and the accessible language and lyrical tellings make them appropriate for reading aloud. Thoughtful annotations provide commentary on the tales’ themes and meanings, make comparisons to versions from different cultures, explain literary and historical allusions, and highlight language usage offering insights for literary studies with more advanced students. Handsome full-color illustrations by artists such as Arthur Rackham, Walter Crane, and Kay Nielson provide a glimpse into past interpretations of these tales. The volume ends with a biographical essay about the Grimms and a section of thought-provoking passages from a variety of writers and thinkers about the power of fairy tales. Ranging from quotes from J. R. R. Tolkien and Bruno Bettelheim to a quip from Mae West (“I used to be Snow White, but I drifted”), these excerpts could serve as discussion starters or writing prompts. A solid resource for teachers, older students, and library shelves.

A detailed lesson plan for A Tale Dark & Grimm is available for downloading at the publisher’s website. Authored by two classroom teachers and aligned to Common Core Standards (Grade 4-5), this educator’s guide incorporates week-by-week guided and independent reading activities and includes vocabulary-based exercises, comprehension questions to help students demonstrate their mastery of the text, and an exploration of various tools utilized by the author.

Image from Adam Gidwitz’s website

Expand your students’ investigations to kid-accessible web resources. Adam Gidwitz’s website provides atmospheric video trailers for both titles, a brief author autobiography, a fun-to-browse personal photo gallery, FAQs (“Did You Want to Be a Writer as a Kid?,” or “Can You Explain Your Strange Narrator?”), and blog posts. Grabbing viewers with an enticing introduction, a National Geographic “Grimms’ Fairy Tales” website presents 12 “unvarnished” tales based on a 1914 translation. Kids can choose the story by subject matter (“tell me a tale about…a wicked stepmother” or “…a young girl who…”) or from a list of titles, and four of the offerings are available with an audio option. Youngsters can also click on an image of the Grimms to access a timeline. A treasure chest icon (opened with a skeleton key) reveals a menu that includes a well-written magazine article (from the December 1999 issue) about the lives, work, inspirations, and impact of these “Guardians of the Fairy Tale.” An activity option reveals colorful character images that can be printed out and used to make Popsicle puppets (students can create their own interpretations of traditional tales or mix and match to fashion their own original works for a story theater) or incorporated into comic-strip adaptations.

Need help locating unadulterated versions of the Grimms’ tales for comparison to Gidwitz’s renditions? A large selection of stories complied and translated by retired University of Pittsburgh professor D.L. Ashliman can be found at his website. Also, consider expanding your investigations further into the world of fractured fairy tales. Click here for a round up of “Folk and Fairy Tales Retold” and other resources.

The activities suggested above reference the following Common Core State Standards:

RL. 4.2. Determine a theme of a story…from details in the text.
RL. 5.6. Describe how a narrator’s point of view influences how events are described.
RL. 5.9. Compare and contrast stories in the same genre on their approaches to similar themes and topics.
RL. 6.9. Compare and contrast texts ind different forms or genres…in terms of their approaches to similar themes and topics.
RI. 3.9. Compare and contrast the most important points and key details presented in two texts on the same topic.
W. 4.3. Write narratives to develop real or imagined experiences or events using effective technique, descriptive details, and clear event sequences.
SL. 4.1. Engage effectively in a range of collaborative discussions.
RI.6.7 Integrate information presented in different media or formats (e.g., visually quantitatively)…to develop a coherent understanding of a topic or issue.

Related TeachingBooks.net resources »»»

Listen to Adam Gidwitz introduce and read from In a Glass Grimmly »»»

Directed by Sam Mendes and released by MGM and Columbia Pictures, Skyfall is the first film in the franchise to be presented in IMAX format. The cast also includes Javier Bardem as the villainous Raoul Silva; Ralph Fiennes as security committee chairman Gareth Mallory; Ben Whishaw as the new, very fresh-faced tech guru, Q; Bérénice Marlohe as femme fatale Sévérine; and Naomie Harris as the capable and charismatic field agent, Eve. Teens can get a taste of the action by visiting the official website for previews, clips, and behind-the-scenes videoblogs narrated by cast and crew. Experienced Bond viewers can also test their knowledge by accessing an interactive trailer in the “Extras” section, clicking on the “007” icon, and answering multiple choice questions covering 50 years of trivia.

Live and Let Read

Take advantage of the Bond bonanza and display or booktalk a selection of recently published young adult spy thrillers. Impossible to put down, these titles feature an array of unforgettable protagonists, a mix of time periods and settings, and a teen-tantalizing variety of narrative styles.

One Day High School, the Next Day Espionage

High school senior Perry Stormaire is just an average guy, obsessing over college applications, caving into his controlling father’s decrees, and daydreaming about his band, Inchworm, one day making it big. That is until his mother forces him to take their quiet and drab Lithuanian foreign exchange student to the prom, and his life is changed forever. Shedding her frumpy peasant dress and bottle-thick glasses to reveal a sleek and sexy, highly trained, and resolutely determined assassin, Gobi is dead set on completing her mission to off five targets before daybreak. Forced at gunpoint to chauffeur her around Manhattan in his father’s purloined Jaguar, the petrified Perry has no choice but to acquiesce, and soon finds himself dodging flying bullets and dead bodies (as well as his frantic father’s calls). However, once Perry learns the reason for Gobi’s lethal spree—and is dazzled by an intoxicating lipstick-and-gunpowder-flavored kiss—he gathers his courage and willingly transforms from captive to compatriot. Joe Schreiber’s Au Revoir, Crazy European Chick (2011; Gr 8 Up) dazzles readers with drolly delivered humor, rapid-fire action, and a surprisingly believable romance. The adventures continue in Perry’s Killer Playlist (Nov. 2012, both Houghton).

Farrah Higgins, aka A Girl Named Digit (Houghton Mifflin, 2012; Gr 9 Up), has resolved to keep her status as math genius under wraps and cruise through senior year as part of the popular crowd. However, her true number-crunching geekiness is outed when she manages to crack a complex code used by a group of eco-terrorists and begins to investigate it on her own. Targeted by the bad guys, she is whisked into hiding by the FBI and placed under the care of John Bennett, a 21-year-old agent who is as sexy as he is smart. Even better, John finds her amazing math mojo attractive, and before long, the two are working side-by-side to track down the criminals and root out a double agent, while also falling in love. Annabel Monaghan’s fast-paced novel percolates with brain-teasing ciphers and puzzles, whirlwind action, and cloak-and-dagger danger. Digit’s first-person narrative is quirky and laugh-out-loud funny, and her growing self-acceptance—as she finally begins to feel comfortable in her own skin and fully embraces her abilities and long-hated nickname—is empowering.

A World War II Epic

Identifying herself only by her Code Name Verity (Hyperion, 2012; Gr 9 Up), Julia Beaufort-Stuart, a secret agent captured by the Gestapo in 1943, pens her confession to stave off the awful fate promised by her Nazi interrogator. A self-admitted coward who has bargained away bits of information for small comforts, she describes the harrowing brutality of her imprisonment while relating the events leading up to her arrest in France. Her friendship with Maddie Brodatt, a British Civilian pilot, is the focus of her tale. She describes how they met, trained together, and eventually formed a deep bond that would cross cultural boundaries (Julia is a Scottish noblewoman and Maddie is the granddaughter of a bike-shop owner) and stand firm despite grave danger. Enduring torture and endless suffering, Julia remains defiant to the end, when orders come through for her execution. Maddie takes up the story for the last third of the novel, and her account chronicles her efforts to rescue her friend, while also shedding light on the truth about what actually happened after they crash-landed in France together and revealing the heartbreaking depths of Julia’s fortitude and courage. Rich in historical detail, artfully nuanced in the telling, filled with unexpected twists, and peopled with complex characters, Elizabeth Wein’s novel is not only an addictive page-turner and emotionally riveting, it also provides readers with much to contemplate and discuss.

Tales with a Sci-Fi Twist

The son of an out-of-luck gambler, 14-year-old Tom Raines wants more from life than hopping from casino to casino. So when his natural skill as a virtual reality gamer earns him the notice of a U.S. Air Force general—and a position at the Pentagonal Spire—he jumps at the chance. At this elite military academy, he will train to be a Combatant, one of a group of teen warriors selected to remotely pilot the unmanned aircraft that are currently fighting World War III in space. Agreeing to have a neural processor implanted in his brain to enhance both his physical and mental abilities, Tom dives wholeheartedly into the program, where he makes friends, dabbles in an illicit online romance with a recruit from the opposite side, and discovers that he has the unheard-of capability to actually interface with machinery. When it becomes clear that a spy is among them, and Tom is mistakenly charged with treason, he must make tough choices to survive. Set in a world where multinational corporations control politicians, soldiers are viewed as reality-media stars, and humans are grafted to technological devices, Insignia (HarperCollins, 2012; Gr 7 Up) blends a richly imagined reality with gripping suspense and high-octane action. S. J. Kincaid has a knack for creating believable teen dialogue, camaraderie, and emotion, along with a likable protagonist who struggles with flaws yet soars to new heights.

Like Tom, 19-year-old Jackson Miller has an unusual ability—he can make brief jumps back through time. When his girlfriend is fatally shot after a violent struggle, the shock causes him to accidentally jolt back two years. Stuck in 2007, desperately trying to figure out how to return to his own time, he meets and falls in love with Holly all over again. He also begins to uncover the truth about his own identity and that of his father, who is actually a spy, as well as the existence of a secret organization of time-travelers, the Enemies of Time, who will use any means necessary to recruit him to their side. Unsure of whom to trust, Jackson must unravel numerous mysteries, test his own abilities, and ultimately make gut-wrenching choices to save the woman he loves, and possibly the world. A veritable Tempest (St. Martin’s Griffin, 2012; Gr 9 Up) of mind-stretching time-travel conundrums, heart-pounding action, and non-stop surprises, Julie Cross’s novel keeps the story grounded with an enthralling plot, well-developed characters, and interpersonal relationships that ring true. Readers will breathlessly await the next installment in the trilogy.

For more great spy reads featured in SLJTeen, click here.

Publication Information   

SCHREIBER, Joe. Au Revoir, Crazy European Chick. 2011. Tr $16.99. ISBN 9780547577388; eBook $10.99. ISBN 9780547677637.

_____. Perry’s Killer Playlist. 2012. Tr $16.99. ISBN 9780547601175; eBook $16.99. ISBN 978054792776-3.

Ea vol: Houghton Mifflin.

MONAGHAN, Annabel. A Girl Named Digit. Houghton Mifflin. 2012.Tr $16.99. ISBN 9780547668529; eBook $16.99. ISBN 9780547668949.

WEIN, Elizabeth. Code Name Verity. Hyperion. 2012. Tr $16.99. ISBN 9781423152194.

KINCAID, S. J. Insignia. HarperCollins/Katherine Tegen Bks. 2012. Tr $17.99. ISBN 9780062092991; eBook. $9.99. ISBN 9780062093011.

CROSS, Julie. Tempest. St. Martin’s Griffin/Thomas Dunne. 2012. Tr $17.99. ISBN 9780312568894; eBook $9.99. ISBN 9781429990592.

With his hulking body and sledge-hammer-shaped fists, Ralph (voiced by John C. Reilly) has been the villain in a kid-favorite arcade video game for 30 years, smashing buildings and causing mayhem throughout Niceland, damage adeptly repaired by the ever-cheerful Fix-It Felix (Jack McBrayer). Fed up with being another 8-bit baddie, Ralph is ready to take a shot at being the good guy and decides to prove his mettle by earning a medal.

His quest takes him—via power cord—to “Hero’s Duty,” a modern, first-person shooter game starring the stalwart Sergeant Calhoun (Glee’s Jane Lynch) and a mass of evil alien cy-bugs. Next, he crash-lands in the candy-themed kart-racing game, “Sugar Rush,” where he meets spunky Vanellope von Schweetz (Sarah Silverman), a feisty and outspoken youngster who is determined to earn a place in the starting lineup despite her propensity for glitching. The two form an alliance, and Ralph believes he has finally made a friend, until events that he has inadvertently set in action—and a carefully camouflaged villain—cause everything to crash down around them. Will Ralph be able to set things right before it’s too late?

Designed to look and sound like an old-school arcade game, the movie’s official website provides a trailer, a selection of behind-the-scenes videos, and a gallery of movie images. A characters option introduces each of the major players with a bright illustration, a bar chart of personality-specific statistics (e.g., “Fist Power” for Ralph or “Heart” for Vanellope), a brief bio, and downloads. Showcased here are some familiar videogame villains featured in the film, including the orange-colored ghost from “Pac-Man” and Dr. Eggman from “Sonic the Hedgehog.” Kids can also try their hand at online versions of the movie’s three arcade games, providing a fun interactive extension to the viewing experience. Each offering’s graphic style, music, and milieu are cleverly suited to its particular era (a classic 1980’s pixilated veneer for “Fix-it Felix, Jr.,” a super-cute Nintendo-esque ‘90s look for “Sugar Rush,” and a hyper-realistic setting for “Hero’s Duty”).

Book Tie-ins: Picture Books

A selection of Wreck-It Ralph books geared to a variety of reading levels will win over movie fans. A “Little Golden Book” version (PreS-K) of the tale recaps the action in a straightforward narrative, briefly touching upon the story’s highpoints. The colorful cartoon illustrations provide just enough detail to delineate events, while emphasizing Ralph’s super-size fists and Vanellope’s perky nature. Illustrated throughout with glossy large-size images, the “Big Golden Book” retelling (PreS-Gr 4; both Random House) incorporates more elements from the plot, providing dialogue along with a bit more character development. In both the narrative and artwork, transitions between scenes set in the different game worlds and in the arcade are clean and easy to follow.

The illustrations evoke the movie animation, and shifting perspectives and close-ups effectively underscore the unfolding action and the characters’ emotions. The text’s clear writing style and basic vocabulary make the book appropriate for sharing aloud or for independent readers. Some of the same images are presented in Wreck-It Ralph: Read-Along Storybook and CD (Disney, 2012; PreS-Gr 4), a staple-bound paperback that presents a more streamlined retelling. Narrated with plenty of expression, the audio CD also includes lines of dialogue performed by the movie actors, lively sound effects, and background music.

A staple-bound picture book zooms in on Ralph’s adventures in Sugar Rush (Random House, 2012; PreS-Gr 2) as he and Vanellope work together to mix, bake, and decorate a kart confection for the race, and their reluctant alliance gradually blossoms into friendship. Fast-reading text and soft-edged candy-colored illustrations convey the events along with the characters’ growing affection. One Sweet Race (Disney, 2012; PreS-Gr 1), an original picture book set in the world of Sugar Rush, stars Rancis Fluggerbutter, a blonde-haired boy with a jauntily angled chocolate-bonbon cap. When he trades his belongings to purchase a souped-up candy racing kart, it proves impossible to control, and he ends up in a wreck with “bubble gum airbag” deployed. Never fear! Vanellope helps him to piece together a homemade vehicle with a “fudge-bucket seat,” “shock-olate absorbers,” and “taffy bear-rakes,” allowing him to triumph and learn a lesson about friendship. Created by one of the movie’s visual design artists, the artwork depicts the sugar-sweet characters, confection-filled backdrops, and racing action.

Easy Reader/Chapter Books

Game On! (PreS-Gr 1; Random House, 2012), a “Step 2” easy reader, recounts the movie’s plot in a concise narrative that utilizes short sentences and basic, often-repeated vocabulary words. Employing clean lines and muted colors, the illustrations add interest and support the text with visual clues. Beginning readers will enjoy re-living the familiar events, as Ralph discovers that “He does not need a medal to be a Good Guy.”

Standing at 9-feet tall, weighing 643 pounds, and continually yelling, I’m Gonna Wreck It! (Random House; Gr 1-4), the film’s hero recounts his story in a lively first-person narrative. Written in an accessible style, this easy chapter book combines simple vocabulary, short and snappy sentences, and humorous black-and-white cartoons to tell “a pretty crazy story about some Good Guys, some Bad Guys, a cute kid, and lots of gooey taffy.” The text clearly conveys the events, while remaining in character with a warmly informal tone and exclamations like, “Mother Hubbard!” The Kapow! cover (Ralph fisting his way through a brick wall), invitingly open format, and protagonist’s perspective will draw readers into the tale.

Clear and descriptive writing, humorous dialogue, and fast-paced plot make the The Junior Novelization (Random House; Gr 3-6) appropriate for both independent readers and sharing aloud with younger movie fans. The prologue sets the scene by introducing Litwak’s Family Fun Center, with its “ringing bells and electronic beeps,” kids racing from console to console, and the fact that the real action takes place when the arcade closes at night. Told in suspenseful chapters, the tale touches upon themes of finding friendship, discovering untapped talents, and helping others. A colorful cover showing the vivacious Vanellope perched on Ralph’s shoulder, the two smiling affectionately at each other, welcomes movie viewers. Eight pages of captioned full-color artwork are nestled within, along with black-and-white images of a pixilated Ralph.

Go Behind the Scenes

Movie devotees as well as readers with an interest in visual design and animation will enjoy perusing the profusely illustrated pages of Jennifer Lee and Maggie Malone’s The Art of Wreck-It Ralph (Chronicle, 2012; Gr 5 Up). Stating that the movie is a bit of  a departure for Disney Animation, the authors point to the involvement of Moore, who brought with him “an edgy animation aesthetic and a bold, risky sense of humor” along with a commitment to creating a film with a modern sensibility. Well-written chapters delve into each of the very different video-game worlds, describing the design process, settings, and character development (at various times, Ralph was envisioned as a troll, caveman, Sasquatch, and gorilla, as shown in the concept artwork).

Other sections introduce “Game Central” (a train-station-like hub through which the characters travel from one game console to another), scenes set in the human world of the arcade, and characters that were cut before production. Commentary from the creative staff is woven into the narrative, along with pull-out quotes, providing an interesting look at how the film’s look and storyline evolved side by side. The handsome pages are filled with concept art, character sketches, story boards, and models (including an amazing built-from-candy rendition of the Sugar Rush town square).

Publication Information

SAXON, Victoria, adapt. Wreck-It Ralph. illus. by Lorelay Bove. “A Little Golden Bk.” Random. 2012. Tr $3.99. ISBN 978-0-7364-2972-6.

BAZALDUA, Barbara, adapt. Wreck-It Ralph. illus. by the Disney Studio Artists. “A Big Golden Bk.” Random. 2012. Tr $9.99. ISBN 978-0-7364-2954-2.

GLASS, Calliope, adapt. Wreck-It Ralph: Read-Along Storybook and CD. illus. by the Disney Storybook Artists. Disney Pr. 2012. pap. $6.99. ISBN 978-142316061-8. w/CD.

O’HARA, Ellen. Wreck-It Ralph: Sugar Rush. illus. by Cory Loftis. Random. 2012. pap. $3.99. ISBN 978-0-7364-2959-7.

RISCO, Elle D. Wreck-It Ralph: One Sweet Race. illus. by Brittney Lee. Disney. 2012. Tr $15.99. ISBN 978-142316628-3.

AMERIKANER, Susan. Wreck-It Ralph: Game On! illus. by the Disney Storybook Artists. Random House. 2012. PLB $12.99. ISBN 978-0-7364-8116-8; pap.  $3.99. ISBN 978-0-7364-2889-7.

BAZALDUA, Barbara, adapt. Wreck-It Ralph: I’m Gonna Wreck It! illus. by David Gilson. Random House. 2012. pap. $4.99. ISBN 978-0-7364-2958-0.

TRIMBLE, Irene, adapt. Wreck-It Ralph: The Junior Novelization. Random House. 2012. pap.  $4.99. ISBN 978-0-7364-2960-3.

LEE, Jennifer & Maggie Malone. The Art of Wreck-It Ralph. Chronicle. 2012. Tr $40. ISBN 978-1-4521-1101-8.

Bloom, a seemingly regular teenager, discovers her true identity as a fairy and travels to the dimension of Magix to attend Alfea College, a much-respected fairy school, and hone her magical powers. Here, she forms friendships with five other students: carefree and charismatic Stella, Fairy of the Shining Sun; Flora, group peacemaker and Fairy of Nature; Musa, Fairy of Music and resident mystery-solver; science-savvy Tecna, Fairy of Technology; and audacious and athletic Aisha, Fairy of Waves (voiced by Keke Palmer). Calling themselves the Winx Club, the girls work hard at their studies and have fun spending time together. When threatened by evil forces, including a trio of mischief-making witches from Cloudtower Academy known as the Trix, Bloom and her cohorts transform from trendily dressed teens into winged fairies and band together to use their unique abilities to vanquish their foes. The girls often team up—and hang out—with the Specialists, a group of wizards/warriors-in-training from nearby Red Fountain School. Themes of identity, exploring one’s strengths (magical and otherwise), and friendships and romances are mixed with humor and good-versus-evil adventures.

Kids can visit Nickelodeon’s Winx website to find out more about the characters, watch videos and full episodes, take quizzes (“Which Winx are you?”), and sample a variety of online games. For newcomers to the series, a “Winx 101” option provides background on the personalities and plotlines with a click-on timeline of images and clips.

Book Tie-ins: Novels and Graphic Novels

Followers of these fashion-forward fairy friends will enjoy reading about their heroines’ adventures in two new book series that emphasize teamwork, camaraderie, and self-discovery. Random House has launched a series of fast-reading chapter books based on the show’s plot, each featuring an inviting cover image of a bright-eyed Bloom. Welcome to Alfea reveals how the ordinary sixteen-year-old protagonist discovers her hidden talents when she stumbles upon Stella, a blonde-haired girl with wings, being bullied by a bunch of gruesome creatures at the park. Wanting to help, Bloom somehow taps into her magical powers, thus discovering her true identity as a fairy. Heading off to the Magic Dimension with Stella, she settles in and makes new friends, has her first run in with the wicked witch triumvirate, and starts to truly believe in her newfound abilities. In the second volume, Bloom begins to uncover the secrets of her past, while encountering Trouble with Trix (both Random, 2012; Gr 2-5), who are determined to steal Bloom’s greatest strength, the power of the Dragon Flame. Both tales are clearly written with accessible vocabulary, concisely described action, and entertaining dialogue. Magical adventures and battles with monsters alternate with friendship issues and personal dilemmas. Each volume includes eight pages of full-color photos from the show. Series viewers will appreciate learning about or revisiting Bloom’s beginnings.

Readers with a taste for storytelling that blends succinct narrative with vibrant visuals will be drawn to Viz Media’s graphic novel series. Adorned with sherbet-hued images of the fairies and title logos that sparkle, each volume includes two stand-alone stories. Bloom’s Discovery of her identity as a fairy is recapped in the first book, along with a tale about her “First Day in Magix” and first skirmish with the Trix. In Secrets of Alfea, the fairies are getting ready to host a party for the Red Fountain boys, and it’s up to Bloom to stop the Trix from making mischief.

The Red Fountain Boys return in the second adventure, when their decision to detour from a troll-transporting mission and pay a visit to the girls ends up in disaster and they must all work together to set things right. The Magic of Friendship (all Viz Media, 2012; Gr 3-6) describes how hard-working Bloom beats out two other girls for a part-time waitressing job, and then takes on a terrifying swamp monster (and the evil Trix) with the help of her friends. The show’s mix of humor, action, and fantasy translates well into the graphic novel format. The artwork emphasizes exaggerated facial expressions for comic beats, dynamically delineates rampaging monsters and magical-forces wielding fairies, and colorfully depicts the other-worldly settings and dazzling transformations. With lithe lines and sharp angles, the illustrations have a sophisticated look, and dabs of personal drama—friendship issues and crushes—will also reel in tween readers.

Expand their Horizons

Encourage Winx Club viewers as well fans of the Disney Fairies to stretch their wings and dip into other fairy fare. Starring a feisty protagonist, The Night Fairy (Candlewick, 2010; Gr 1-5) details the adventures of Flora, a young fairy with injured wings who must learn to fend for herself in the wilds of a giantess’s (aka human woman’s) garden. Laura Amy Schlitz’s vivacious storytelling and Angela Barrett’s elegant and atmospheric artwork present an evocatively imagined fairy’s-eye view of the world, while providing a suspenseful tale that percolates with exciting danger, fortitude-testing challenges, and newfound friendships.

Beginning with Silence and Stone (2010; Gr 2-5), Kathleen Duey’s easy chapter book series, “The Faeries’ Promise,” serves as a companion to her popular “Unicorn’s Secret” series (both S & S). Alida, a young faerie princess, has been locked away in a castle for years by Lord Dunraven, a man determined to stop any contact between people and magical creatures. With the help of a daring human boy named Gavin, she makes her escape and embarks on a quest to find the rest of her family. Though she finally has the opportunity to tap into her fairy powers, danger lurks everywhere, and the two friends are continually threatened by capture. Sandara Tang’s fine-lined drawings depict the dramatic high points and add to the magical mood.

Gail Carson Levine and David Christiana’s Fairies and the Quest for Never Land (Disney, 2010; Gr 2-5) stars Gwendolyn Carlisle, a descendant of the famed Wendy Darling and latest recipient of the “kiss” necklace (actually an old button made from an acorn), given by Peter Pan to Wendy long ago and passed down for years from mother to daughter. She breathlessly awaits a magical nighttime visit, but when Peter Pan finally comes to fetch her to Never Land, things do not go as expected: not only is the evil dragon Kyto on the loose, but Gwendolyn must work hard to earn the trust of  the fairies who are determined to recapture the flame-spewing beast. A resourceful heroine, short and suspenseful chapters, and whimsical full-color artwork add up to a fun-filled, sprinkled-with-shimmer adventure. Readers may also want to check out the other well-written and handsomely illustrated entries in the duo’s “Disney Fairies” series.

Looking for more offerings to tempt fairy devotees? Check out “Gossamer Wings and Magical Charms: Tales of the Fairy Realm.”

Publication Information

REISFELD, Randi, adapt. Winx Club: Welcome to Alfea. Vol. 1. ISBN 978-0-307-97994-0.

_____. Winx Club: Trouble with Trix. Vol. 2. ISBN 978-0-307-97995-7.

ea vol: Random. 2012. pap. $4.99.

Winx Club: Volume 1: Bloom’s Discovery. ISBN 978-1-4215-4159-4.

Winx Club: Volume 2: Secrets of Alfea. ISBN 978-1-4215-4160-0.

Winx Club: Volume 3: The Magic of Friendship. ISBN 978-1-4215-4161-7.

ea vol: Viz Media. 2012. pap. $6.99.

SCHLITZ, Amy. The Night Fairy. illus. by Angela Barrett. Candlewick. 2010. Tr $16.99. ISBN 9780763636746; pap. $6.99. ISBN 9780763652951; ebook $6.99. ISBN 9780763654399.

DUEY, Kathleen. Silence and Stone. illus. by Sandara Tang. (The Faeries’ Promise Series). S & S. 2010. Tr $15.99. ISBN 9781416984566; pap. $4.99. ISBN 9781416984573; ebook $5.99. ISBN 9781442413016.

LEVINE, Gail Carson. Fairies and the Quest for Never Land. illus. by David Christiana. Disney. 2010. Tr $18.99. ISBN 978-1423109358; pap. $7.99. ISBN 978-1423160120.

How to Rock

Immediately jettisoned by ex-BFF Molly (Samantha Boscarino) and the rest of the mean-girl clique, Kacey is still determined to stand out and forges unlikely friendships with the members of a band, including the cool and confident Zander (Max Schneider), self-assured tomboy and bass-player Stevie (Lulu Antariksa), tech-savvy keyboardist Nelson (Noah Crawford), and girl-shy drummer Kevin (Christopher O’Neal). Stepping up as lead singer for Gravity 5, Kacey is ready to rock and to outshine her former friends and their eponymously named band on both the stage and the school’s social scene. The series, which has consistently averaged an audience of more than 2 million viewers, recently began airing new episodes and will conclude on December 8.

Nick’s “How to Rock” website introduces the characters with brief bios and photos, showcases a large selection of videos and clips (and several full episodes), and provides access to message boards. A “Ready to Rock” section takes viewers behind the scenes with Cymphonique to meet the cast and get a glimpse at the filming the series, watch her lay down tracks in the recording studio, find out how she spends her free time, and more. Alloy Entertainment’s official site, geared toward both the TV show and Haston’s novel, includes posts about the cast and characters, episode recaps, videos, and book and author info. Also featured are photos and stories about celebrities who know how to rock braces and glasses, self-image-empowering style and cosmetics tips for teens (e.g., suggestions for taking a great yearbook photo, or eye makeup ideas for those who wear glasses) and advice about social situations (“How to Deal with a Broken Heart”).

How to Rock the Books

Fans of the TV show—and lovers of breezy chick lit—will enjoy discovering the book that inspired the characters and plot scenario. Little, Brown Books for Young Readers’ Poppy imprint has reissued Haston’s novel (2012; Gr 5-8) with a bright-hued media tie-in cover featuring a microphone-holding Cymphonique along with other members of the cast. Kacey’s first-person narrative is filled with humor, snappy dialogue, and genuine emotion. The snarky seventh-grader is at the top of her game—she has her own (not-so-nice) advice show on the school’s TV station, the lead in the upcoming musical and an undisputed role as the most popular clique’s most popular member. However, due to unforeseen events (an eye infection and roller-skating disaster), Kacey is left with thick tortoise-shell glasses, metal braces, and a (temporary) lisp.

Suddenly, her world is turned upside down: she is dropped by her so-called friends, ridiculed by classmates, and forced to put her public speaking endeavors on hold (until she gets “uthed” to her braces). After befriending Zander, a skinny-jeans-wearing boy new to the school, Kasey discovers a fresh outlet for her creativity as the lead singer in his band (…as well as the first stirrings of a crush). As she begins to regain her former social status, and (unfortunately) some of her trademark attitude, she is forced to make some eye-opening discoveries about herself and how she has treated others. Facing tough choices, she doesn’t always make the right decision, but ultimately follows a path that reveals much about putting people before popularity, appreciating individuality, and learning to be true to one’s self. The book is also available in paperback with the original cover.

Kacey’s adventures continue in How to Rock Break-Ups and Make-Ups (Little, Brown, 2012; Gr 5-8), as humorous angst and pranks gone comically wrong blend with descriptions of to-die-for outfits, squeal-filled girl time, and a heart-racing first kiss. Just when Kacey is feeling like she is back in her groove (sans the mean-girl attitude), and sparks are flying between Zander and her, his gorgeous and talented ex-girlfriend arrives in town. It’s dislike at first sight between Kacey and Stevie, and Kacey launches an intricate and ill-considered scheme to take her rival down (and get her in big trouble during a field trip). To make matters worse, the two girls discover that their parents, both divorced, have begun dating and are looking particularly starry-eyed. Determined not to become stepsisters, the teens reluctantly forge an alliance and initiate a plot to break up the lovebirds.

Unfortunately, they do not anticipate how their actions will affect the people they care about. Once again, Kacey comes across as believably less-than-perfect, and though she makes whopper-size mistakes, she gradually sees the light and tries to make things right. Entertaining dialogue, comically exaggerated plot elements, and well-timed dabs of sincere emotion make for a fast and lively read. Suggest the book series to TV fans looking for something more after the show airs its final episode.

Publication Information

HASTON, Meg. How to Rock Braces and Glasses. Media tie-in ed. 2011. Tr $16.99. ISBN 978-0-316-21273-1. pap. $7.99. ISBN 978-0-316-06824-6; eBook $9.99 ISBN 978-0-316-19289-7.

_____. How to Rock Break-Ups and Make-Ups. 2012. Tr $16.99. ISBN 978-0-316-06826-0.

ea vol: Little, Brown/Poppy.

Related TeachingBooks.net resources »»»

Whether they are taking their first steps and beginning to sound out words or making leaps and bounds toward decoding longer sentences and more complex story plots, emergent readers benefit from high-quality books that grab their interest and support their efforts. These recently published easy-reader offerings combine well-written and appropriately leveled narratives with vibrant illustrations that enhance the text with visual details and contextual clues. Ranging from funny tales to nonfiction, these books are guaranteed to reel in readers and keep them turning pages.

Great Beginnings
Lushly illustrated and sized somewhere between a traditional easy reader and a picture book, the volumes in Holiday House’s “I Like to Read” series are just right for beginners. The texts incorporate high-frequency and easy-to-decode words, short sentences, and helpful repetition, and the generous format leaves plenty of room for large reader-friendly fonts and eye-fetching artwork.

Emily Arnold McCully’s Late Nate in a Race stars a “slow”-moving mouse who dawdles while his family eats breakfast and gets ready to go. After arriving at the park, his raring-to-go siblings jump into place at the race’s starting line. Nate is reluctant to join in (“No./I like to go slow”) until his mother insists, and, despite a sluggish start, he “zips” ahead of the pack to win (“Nate likes to go slow—/and fast”). Warm-hued watercolors depict the action, which builds to a satisfying and smile-inducing conclusion.

Rebecca and Ed Emberley’s color-drenched artwork depicts the adventures of a group of Mice on Ice  with bold lines and striking geographic shapes. As the critters soar blithely across a frozen pond, their skates leave behind a pattern that looks familiar: “What is that?/That is a cat/That is a cat with a hat.” Bursting to life in vivid reds and oranges, the grinning feline enthusiastically joins the mice on the ice (“Nice!”). In addition to providing visual clues, the bold illustrations expand the very simple text into an imagination-stirring fantasy, inviting readers to verbalize their own version of the events.

In Michael Garland’s Fish Had a Wish  (all Holiday House, 2012; K-Gr 2), the protagonist daydreams about taking on the unique abilities of various creatures (“I wish I were a bird!…I could fly high up/in the sky” or “If I were a bobcat,/I could have spots”). However, after gobbling down a tasty mayfly, the narrator remembers, “It is good to be a fish.” Filled with pleasing rhythms, the text is both lyrical and accessible. The earth-toned images provide realistic depictions of each critter, emphasizing the characteristics highlighted in the text and helping readers to match pictures to words. Use the author’s format as a template—“I wish I were…” followed by “I could…”—and have your students verbalize, write, and illustrate their own becoming-an-animal aspirations.

Funny-Bone Ticklers
Pig Has a Plan (Holiday House, 2012; K-Gr 2) to take a nap, but the rest of the farmyard animals have other ideas—“Cat wants to pop” (puncturing helium balloons being blow up by frazzled mice), “Rat wants to mix” (a bowl of cake batter), “Hog wants to hum” (while spreading out a festive table cloth), “Pup wants to bop” (to music blasting from a boom box), and more. Fed up with the hubbub, the pig finds a clever way to get some quiet (submersing his head in the mud while breathing through a straw), just as his friends launch the birthday bash that they had been preparing for all along. Bubbling with humor, Ethan Long’s dynamic cartoon artwork adds plenty of zip to the text and keeps readers engaged in the happenings.

Combining colorful cartoon artwork with short-and-snappy dialogue balloons, Jeff Mack presents six brief tales about Frog and Fly  (Philomel, 2012; K-Gr 2). Most of the encounters between this predator-prey pairing end up with Frog extending a hot-pink tongue and gulping down gullible Fly with a satisfied “Slurp” (though Fly finally serves his nemesis his just desserts by orchestrating a meeting between the amphibian and “a frog-slurping bear”). Utilizing a limited vocabulary and simple sentences, Mack packs the text with witty wordplay and perfect comic timing, and the illustrations provide useful visual clues while topping off the slapstick humor. Kids will want to read it over and over again.

Mo Willems’s “Elephant and Piggie” series continues to inspire new readers—and an abundance of giggles—with Let’s Go for a Drive!. Always a careful planner, Gerald the elephant enlists the aid of his ever-enthusiastic porcine sidekick to assemble all of the essentials for a successful jaunt (map, sunglasses, umbrellas, etc.), before realizing that they are missing a key ingredient: a car. Luckily, Piggie comes up with a plan of his own. In The Duckling Gets a Cookie?! (both Hyperion, 2012; K-Gr 2), the short-fused Pigeon throws one of his trademark temper tantrums—accompanied by dramatic color shifts and appropriately large-font text—over the fact that a tiny, adorable duckling has received a cookie from the reader, just by asking. Like the other offerings in this good-as-gold series, this book’s simple text and exuberant cartoon artwork blend laugh-out-loud moments with heartwarming themes of enduring friendship to encourage and electrify emergent readers.

Friendships and Families
Two feline friends, one cheerfully upbeat and the other a curmudgeon, return for another lighthearted adventure in Mac and Cheese and the Perfect Plan (2012). It’s a hot day, and Mac is determined to get his best pal out of the alley where they live and off to the seashore. However, by the time the grumpy Cheese agrees to go—and assembles a truckload of must-have items (“A kite. A dish./A chair. A fish” and much more)—they miss the bus. Never fear, Cheese finds a way to ease Mac’s disappointment and save the day. As in Mac and Cheese  (2010, both Harper; K-Gr 2), Sarah Weeks artfully utilizes repetition and rhyme to tell a tale filled with gentle humor. Jane Manning’s watercolor artwork delineates the setting, supports the text with clear details, and offers depictions of the characters that emphasize their very different personalities—as well as their true affection for one another.

Kevin Henkes, creator of Lily (of the purple purse), brave Shelia Rae, blanket-owning Owen, and other enchantingly child-like mice, has introduced another endearing character. In Penny and Her Song, the spirited protagonist arrives home from school excited to sing her just-made-up ditty, but has to wait until the time is right before sharing it with her family. It’s love at first sight between Penny and Her Doll  (both 2012), just arrived from Grandma, and the mouse must think carefully before deciding upon the perfect name for her new playmate. In Penny and Her Marble  (2013; all Greenwillow; K-Gr 2) the youngster finds a dazzling object in her neighbor’s yard and is instantly captivated; later, feeling guilty about taking the marble, she decides to return it to Mrs. Goodwin, and is met by a wonderful surprise. Ranging from impatience, to joy, to remorse, Penny’s emotions ring true, and readers will empathize with the familiar challenges she faces. From the pastel-colored covers, framed with borders of spring-hued blooms, throughout each book’s interior, the artwork overflows with buoyantly depicted action, text-elucidating details, and warmhearted charm.

It’s Time to Read
Two lively offerings provide opportunity to combine reading fluency practice with a lesson on telling time. Margery Cuyler’s Tick Tock Clock  (Harper, 2012; K-Gr 1) uses terse, toe-tapping rhymes to describe the hour-by-hour doings of a pair of energetic twins as they keep their grandmother busy throughout a fun-filled day. Activities include painting (“Tick tock./Ten o’clock./Tick tock./Messy smocks”), a trip to the park (“Tick tock./Two o’clock./Tick tock./Chase a flock”), and dinner (“Tick tock./Five o’clock./Tick tock./Cook in the wok”). Robert Neubecker’s jaunty artwork imbues the characters with sparkling personality.

Traveling via bus and train, Bear Takes a Trip  (Barefoot, 2012; K-Gr 2) from the city to the mountains, where he and a friend hike, sail, and have a great time. Stella Blackstone’s rhyming verses describe each leg of the journey (“He makes his bed and washes his face./He eats his breakfast and packs his case”) while Debbie Harter’s breezy artwork depicts details and jewel-toned scenery. The time—presented in both digital format and on a clock face—is indicated on each spread.

Use a large demonstration clock and/or smaller student-held mini-clocks to represent the times featured in both of these tales and have your students practice reading the hands. Discuss typical morning and afternoon activities, make a list on the board, and compare to the characters’ actions in both stories.

Just the Facts: Quality Nonfiction
Part of National Geographic’s lineup of beginning readers, Laura Marsh’s Caterpillar to Butterfly  (2012; K-Gr 2) blends simple, clearly written text with outstanding color photos to outline this insect’s amazing metamorphosis. This attractively laid-out book not only grabs readers’ interest, but also provides them with a solid introduction to informational texts: scientific terminology is employed throughout the narrative (along with definitions and pronunciations), points are illustrated with well-chosen images, species featured in the photos are identified, and captions effectively expand upon the content. The volume ends with additional facts, advice on making a butterfly garden, and an identify-the-images quiz. Kids and educators can visit the “National Geographic Super Readers” website part of a program designed to support and rev up emergent readers, to browse other titles in the series, download bookmarks and incentive badges, play games, and more.

Nic Bishop Spiders (2012) pairs easy-reading sentences with astounding up-close images to introduce arachnids. The writing is simultaneously accessible, fact-filled, and animated: “…the spider oozes digestive juices on its meal. This turns the prey’s insides to goo, so the spider can suck them into its stomach” (digestive juices, prey, and other terms are defined in a glossary). The pictures are spectacular, and a photo index identifies species and encourages readers to flip back through the book and practice locating information. Nic Bishop Butterflies is also available (2011, both Scholastic; Gr 1-2).

David Macaulay, author of numerous nonfiction classics such as The New Way Things Work (1998) and Cathedral (1973, both Houghton), applies his genius for conveying information through an inviting combo of illustration and text to a new series of easy readers. Focusing on high-interest topics, two offerings immediately engage readers by addressing them directly with second-person narratives. Asking, “Are you friend or foe?,” Castle  first takes youngsters within the “tall towers,/thick stone walls,/doors of wood and iron” to tour the structure and investigate its workings, and then pulls back to describe a siege by enemy soldiers.

Jet Plane  (both Macmillan, 2012; Gr 1-3) puts readers into a passenger seat and explains the mechanics of an airline flight from takeoff to landing. Written in a dynamic tone and warmed with touches of humor, both texts incorporate vocabulary appropriate to the subject matter and end with “Words to Know.” Detailed indexes facilitate information seeking. The appealing artwork utilizes a variety of viewpoints, close-ups, cutaways, and diagrams to aid in decoding the text and to expand upon the content.

Folklore Fun
Most children know the story of “The Three Little Pigs,” and Claudia Rueda’s Huff & Puff  (Abrams Appleseed, 2012; K-Gr 2) provides an opportunity for students to utilize their familiarity with the tale to support their reading efforts and appreciate the entertaining spin on the plot. Peering through the cut-out hole on the book’s cover, youngsters take on the role of the big bad wolf, watching each pig “building a house,” standing “inside the house,” and then “huffing and puffing” to blow the structure down (“First pig is not happy”). So it goes until the third pig’s brick home proves indestructible (and a look within the dwelling provides a delightful “SURPRISE!” for both the wolf and readers). The simple text, high-spirited artwork, and interactive element add up to a satisfying experience for emergent readers. Enhance comprehension by having your students discuss the plot of this upbeat retelling and make comparisons to other renditions.

Melissa Wiley retells and expands upon an Aesop’s fable in Fox and Crow Are NOT Friends (Random House, 2012; Gr 1-3). Three entertaining chapters describe how these two enemies repeatedly—and humorously—try to outwit one another to earn bragging rights along with a tasty piece of cheese. Sebastien Braun clearly depicts the animals’ antics with lighthearted artwork in sherbet hues. The straightforward text, amusing illustrations, and hilarious rivalry will encourage developing readers to persevere. Expand the reading experience by sharing other fables, and having your students come up with “what happens next…” scenarios.

The activities suggested above reference the following Common Core State Standards:

RL. 1.1. Ask and answer questions about key detail in a text.
RL. 1.9. Compare and contrast the adventures and experiences of characters in stories.
RL. 2.3. Describe how characters in a story respond to major events and challenges.
RI. 1.5. Know and use various text features to locate key facts or information in a text.
RF. K.4 Read emergent-reader texts with purpose and understanding.
RF. 1.4. Read with sufficient accuracy and fluency to support comprehension.

Related TeachingBooks.net resources »»»

Read the Book

The film is inspired by Mickey Rapkin’s nonfiction title, Pitch Perfect (Gotham, 2008; Gr 10 Up), which has been re-issued with an eye-catching movie-poster cover. Spotlighting three singing groups—Divisi (12 red-tie-wearing women from the University of Oregon), the Tuft’s Beelzebubs (a celebrated male ensemble with numerous studio albums under its belt), and the Hullabahoos (“upstart bad boys” from the University of Virginia, who are almost as proud of their flag-football team as of their singing)—the author follows a year of cut-throat competition to reveal the “curious, inspiring, triumphant, hilarious, and heartbreaking story of the quest for collegiate a cappella glory.” The often laugh-aloud-funny narrative is written with both clarity and acerbic wit, describing an artistic arena where dorkdom (those matching khaki pants and snapping fingers) meets rock star fame (these performers tour internationally and inspire screaming groupies), where long-standing rivalries motivate new levels of performance (and sometimes fistfights), and where internal discord and personal drama must be overcome to achieve harmony. Along the way, Rapkin includes interesting facts about music history, amusing celebrity anecdotes, and mention of the raucous partying that seems to go part and parcel with this collegiate subculture. Movie fans and teens with an interest in the subject matter will be mesmerized by this surprisingly entertaining read.

Tales of Divas, Rockers, Virtuosos, and Other Artistes

Strike a chord with music lovers by booktalking or displaying these perfectly tuned titles about the pressures and pleasures of performing, the resonance of romances and rivalries, and the empowerment of finally figuring out how to hit all the right notes—both on and off stage.

Guitar Heroes

Denise Vega’s Rock On: A Story of Guitars, Gigs, Girls, and a Brother (Not Necessarily in That Order) (Little, Brown, 2012; Gr 8 Up) stars Ori Taylor, a shy 16-year-old who has long lived in the shadow of his sports-star older sibling, Del. However, get Ori behind a guitar and in front of his band (to be named later) and his innate musical genius takes over, catapulting him beyond his fears and transporting his audience to true rock nirvana. A new bass player (interestingly, a deaf musician) is finally in place and the buzz is building as the group gears up for the local Battle of the High School Bands. Unfortunately, Del, moody and self-obsessed after bombing out of college, seems determined to take the wind out of Ori’s sails, and their rivalry deepens when they both fall for the same girl. Ori’s honest first-person narrative blends humor with heartbreak, and supplementary touches (including posts from the band’s webpage, emails, and flashbacks) provide an entertaining backbeat. Readers will root for the likable protagonist, and stick with him until he finally finds his groove.

Talk about the ultimate rock ’n’ roll fantasy! In The Girl Who Became a Beatle (Feiwel and Friends, 2011; Gr 9 Up), 16-year-old Regina Bloomsbury, heartbroken over the breakup of her band, makes a bedtime wish that she were as famous as her longtime music idols. The next morning, she wakes up in an alternate reality in which she and her bandmates have actually replaced the Fab Four in music history (with the Caverns’ faces on the familiar album covers and their names in the credits). Suddenly, Regina is caught up in the dazzle of superstardom—heading off to Hollywood to open the Grammys, flirting with her hot TV-star boyfriend, and encountering screaming fans everywhere. However, there are a few glitches in this wish-fulfilled world: she feels guilty about assuming responsibility for the Beatles’ oeuvre, the members of the Caverns are fighting like cats and dogs, and she just can’t get over her crush on her bandmate Julian. Will she remain in this beguiling reality and run with her newfound fame, or return to her much more humdrum but close-to-her-heart home? Written with an upbeat tempo, Greg Taylor’s frothy fantasy is amped up with funny moments, fast-paced action, and just the right amount of soul-searching.

Beats from the Streets

Set in a much grittier reality, Love Maia’s DJ Rising (Little, Brown, 2012; Gr 9 Up) introduces Marley Diego-Dylan, a half-black/half-Puerto Rican high school junior who dreams of escaping the small inner-city apartment he shares with his heroin-addicted mother (and her never-ending succession of low-life boyfriends) and use his talent for mixing songs, juggling beats, and reinterpreting tunes to launch a career as a professional disc jockey. Despite all of the partying that goes on around him—exhibited by his close friends and the “haves” that populate the private school where he is a scholarship student—Marley keeps to the straight and narrow, working two part-time jobs, studying hard, caring for his mother, and daydreaming about his crush, who’s an out-of-reach rich girl. When a golden opportunity to spin at a local club allows him to display his amazing artistry, Marley’s hopes for the future suddenly seem closer than ever. Then tragedy strikes and he’s forced to make some tough choices, but ultimately refuses to give up his dreams. Filled with emotional high and low notes, Maia’s lyrical writing hits all of the beats, conveying not only her protagonist’s passion for the music he plays, but also his desire to connect with others and break down barriers with his beats. The author is putting together a soundtrack of both already-released and original tunes (a mix of underground hip hop, DJ mixes, R&B, mainstream, and more) relating to the characters and action, scheduled to be posted on the book’s website in February 2013, coinciding with the paperback’s publication.

Short and clearly written, Charnan Simon’s Shattered Star (Darby Creek, 2011; Gr 9 Up) is part of the “Surviving Southside” series, hi-lo novels with urban settings that focus on teens encountering tough true-life situations. A talented soloist in her high school’s glee club, Cassie Pratt dreams of a musical career but knows that paying for college will be difficult for her family. When TV’s America’s Next Star holds auditions in Houston, she decides to skip school and try out. Though the line is impossibly long, a man identifying himself as an L.A. talent scout approaches her and offers to represent her. Flattered by the attention, Cassie believes that she has a shot at fame. However, she must lie to her family, friends, and teachers to meet with him, and his requests—money for a portfolio, photos that make her look “hot”—are becoming more and more demanding. When the man forces himself on her, Cassie’s eyes are finally opened and she manages to escape. With the help of family and friends, she’s able to learn from the experience and begin to put it behind her, returning to the glee club and once again finding her true voice.

Soloist Smackdowns

Seventeen-year-old Carmen Bianchi, a violin prodigy who has performed with symphony orchestras around the world and recorded a slew of CDs, is about to face her biggest challenge: winning the prestigious Guarneri Competition. Certainly, the last thing she planned is falling head over heels for her toughest rival, Jeremy King, a boy with irresistible dimples, a blistering talent, and a unique perspective that enables him to truly understand her world—and appreciate the joys and pressures of performing. As the big day draws nearer, Carmen struggles with her dependence on anti-anxiety medication (the pills keep her calm during concerts but make her feel removed from the music), her desire to break free from her overbearing mother and make her own decisions, and an intoxicatingly whirlwind but star-crossed relationship (does Jeremy truly like her, or is he just playing her for an advantage?). Things become more complicated when a shocking secret is revealed, and Carmen must make the most difficult decision of her life. Beautifully written and compulsively readable, Jessica Martinez’s Virtuosity (S & S, 2011; Gr 8 Up) is a masterful mix of music, romance, and coming-of-age revelations.

Once close friends and now bitter enemies, two high school seniors and Honors Choir divas prepare to compete for the top prize in a celebrated singing contest. Though the protagonists in Sara Bennett Wealer’s Rival (HarperTeen, 2011; Gr 7 Up) exist at opposite ends of the social stratosphere—Brooke is a popular A-lister from a well-off family who likes to party while Katherine comes from a middle-class home and tends to hang out with her male best friend—they both share a passion for opera, and a steely determination to win the Blackmore. The story is told in alternating first-person chapters, effectively conveying each character’s point of view. Tensions and clashes build along with the suspense as the two songstresses prepare for the competition, while flashbacks to the year before reveal the equally gripping story of their onetime friendship, and the jealousies, betrayals, and misunderstandings that caused their falling-out. Believable dialogue, multidimensional characters, thoughtfully explored emotions, and a well-crafted resolution make for a fast-paced and rewarding read.

Publication Information

RAPKIN, Mickey. Pitch Perfect: The Quest for Collegiate A Cappella Glory. Media tie-in ed. Gotham. 2012. pap. $16. ISBN 9781592408214.

VEGA, Denise. Rock On: A Story of Guitars, Gigs, Girls, and a Brother (Not Necessarily in That Order). Little, Brown. 2012. Tr $17.99. ISBN 9780316133104; eBook. $9.99. ISBN 9780316192453.

TAYLOR, Greg. The Girl Who Became a Beatle. Feiwel and Friends/Macmillan. 2011. Tr $16.99. ISBN 9780312652593; pap. $9.99. ISBN 9780312606831.

MAIA, Love. DJ Rising. Little, Brown. 2012. Tr $17.99. ISBN 978-0-316-12187-3; eBook. $9.99. ISBN 9780-316194563.

SIMON, Charnan. Shattered Star. “Surviving Southside.” Darby Creek/Lerner. 2011. PLB $27.93. ISBN 978-0-7613-6154-1; pap. $7.95. ISBN 9780761361688.

MARTINEZ, Jessica. Virtuosity. S & S. 2011. Tr $16.99. ISBN 9781442420526; pap. $9.99. ISBN 9781442420533; eBook. $9.99. ISBN 9781442420540.

WEALER, Sara Bennett. Rival. HarperTeen. 2011. Tr $16.99. ISBN 9780061827624; eBook. $9.99. ISBN 9780062069672.

Adhering to the long-established format, Samurai blends scenes of the current English-speaking cast with action footage from the Japanese TV series Super Sentai, presents a slew of creatively attired oddball villains, and incorporates combat action (both hand-to-hand and mega-size) with delightfully cornball élan. Classic good versus evil tropes are underscored by themes stressing the importance of discovering and utilizing one’s unique abilities, helping others, and working together as a team. The show has an average audience of 2 million weekly viewers, and the franchise is gearing up for its next incarnation to coincide with the series’ 20^th anniversary.

Trained and guided by the wise Mentor Ji, the Samurai squad consists of quiet yet fearless leader Jayden, accomplished swimmer and swordsman Kevin, big-sisterly Mia, free-spirited Mike, sweet-natured Emily, and computer-whiz Antonio. Though they seem like ordinary teens, they have learned to master the ancient symbols of power that give them control over the basic elements—fire, water, sky, forest, earth, and light—allowing them to morph into amazing warriors, wield mighty Spin Swords, and pilot giant robot vehicles. The evil Master Xandred, leader of the Nighlok monsters that inhabit the Netherworld, is on the rampage, and the danger only worsens when the sinister Serrator enters the fray. In order to continue to protect humankind from evil, the teens must unlock the mysteries of the past and attain a new level of power as Super Samurais.

Nickelodeon’s dedicated website includes brief character bios, a lengthy selection of video clips, and several online games. Kids (or perhaps their nostalgic parents) can also visit the “Power Rangers” official website to browse through a season-by-season history of the show, print out activity and coloring sheets, and access special 20^th anniversary downloads and information.

Book Tie-ins

Power Rangers fans will be delighted to discover books about the familiar characters on library shelves. The Official Guide (Scholastic, 2012; K-Gr 4) introduces the teen warriors with double-pages spreads that include full-color photos (in and out of costume), a brief bio, and list of characteristics (weapon, element, etc.). A lengthy bad-guys section highlights numerous Nighlok creatures (including the half-human guitar-playing Dayu, the glue-gob-emitting Epoxar, and the gluttonous Skarf) with large-size images and short descriptions. Other segments offer explanations of the Samurai morphing sequence and various battle modes as well as the rangers’ particular weapons, power discs, and Zords (magical animal-spirit robots that fold down to tiny size or transform into gigantic MegaMode vehicles). The volume ends with brief recaps of “Epic Battles.” Written in straightforward language, the book is packed with colorful images, and kids will enjoy taking a closer look at the characters and the details of their world.

Two staple-bound paperbacks illustrated with large-size photos recount specific adventures. When a dangerous Nighlok hits the Blue Ranger (Kevin) with a mind-control ray and orders him to attack his compatriots, it becomes difficult to tell if he’s a Friend or Enemy?, but the other teens come to his aid. The New Ranger (both Scholastic, 2012; PreS-Gr 2) describes the arrival of Antonio, a seemingly ordinary guy who is destined to become the sixth member of their squad (“Go, Gold!”). Filled with battle action, both stories also emphasize teamwork and looking out for one another, and the brief sentences, simple language, and action-packed images make them suitable for sharing aloud or for beginning readers.

Three easy chapter books pair longer narratives with photos from the show that support the text with visual clues. Rangers Unite describes how Jayden, son of another Red Ranger lost long ago in battle, first assembles his team and inspires them to work together to defeat the Nighlok. The crew is ready and Armed for Battle, as they take on the frightening Scorpionic and his powerful Whirlwind Scythe. As Master Xandred and his minions grow stronger, the squad learns how to utilize the Black Box, enabling them to take their combined powers to the next level and defeat their foes with a super Samurai Strike (all Scholastic, 2012; K-Gr 4). The tales’ quick-paced narratives are sprinkled with dialogue and Power Rangers terminology that will strike a chord with viewers. The photos depict the characters in both their civilian personas and in their costumed warrior mode, showcasing an abundance of sword-slashing, spear-swinging, fireball-flinging action.

Graphic Novel Series

Papercutz recently launched the franchise’s first-ever graphic novel series with Power Rangers Super Samurai #1: “Memory Short” (2012; Gr 1-5). This original adventure begins with a section of full-color photos and brief descriptive text introducing the show’s characters and premise. The six teens are enjoying an outdoor rock concert when Master Xandred launches his latest evil plan, sending Oblivitor to make the crowd forget about the Power Rangers in order to destroy their hope and allow misery to flourish. However, the monster mistakenly zaps Jayden, wiping out his memory. While fighting off attack after attack, the team attempts to break the spell by recounting past events and getting the Red Ranger back up to speed before it’s too late.

The crisp dialogue is supported by bright-hued illustrations that clearly delineate the events, with black lines and swirling colors adding excitement and motion. The perspective zooms in to highlight important moments or underscore a character’s emotions, and pulls back to provide a broader view of the battle scenes. Touches of kid-pleasing humor and themes of trust, working together, and taking one’s responsibilities to heart are nestled within the action. The vibrant artwork draws youngsters into the story, aiding their comprehension and encouraging them to translate the text, making this a good choice for emergent or newly confident readers, while older fans will appreciate the book’s sophisticated look. The next installment in the series will be published in October.

Publication Information

LANDERS, Ace. Power Rangers: Super Samurai: Official Guide. Scholastic. 2012. pap. $7.99. ISBN 978-0-545-44747-8.

_____.  Power Rangers: Samurai: Friend or Enemy? ISBN 978-0-545-39005-7.

_____. Power Rangers: Samurai: Armed for Battle. ISBN 978-0-545-39010-1.

_____. Power Rangers: Super Samurai: Samurai Strike. ISBN 978-0-545-40322-1.

EASTON, Marilyn. Power Rangers: Samurai: The New Ranger. ISBN 978-0-545-39008-8.

SANTOS, Ray. Power Rangers: Samurai: Rangers Unite. ISBN 978-0-545-39011-8.

ea vol: Scholastic. 2012. pap. $3.99.

PETRUCHA, Stefan. Power Rangers Super Samurai #1: “Memory Short.” illus. by Paulo Henrique. Papercutz. 2012. Tr $10.99. ISBN 978-1-59707-332-5; pap. $6.99. ISBN 978-1-59707-331-8.

Frankenweenie

This touching tale about a boy and his dog—presented with a distinctive Tim Burton twist—premieres in theaters on October 5. Frankenweenie (PG), from Walt Disney Pictures, is based on director/producer Burton’s own 1984 live-action short of the same title. Filmed in atmospheric black and white, this 3-D stop-motion-animated feature blends classic monster movie elements with quirky humor, creepy-looking characters and settings, and deftly explored themes.

Victor Frankenstein (voiced by Charlie Tahan) is a clever and creative 10-year-old with a passion for science. When Sparky, his cherished pet and constant companion, is tragically killed in an accident, the boy is devastated. Inspired by a new science teacher, Victor comes up with a brilliant plan to bring his pooch (now stitched together but still compellingly cute) back to life. Though he tries to keep his accomplishment a secret, word soon gets out—with monstrous consequences for his fellow students and the entire town.

Fans of Frankenstein (1931) and other old-school standards will be entertained by the film’s numerous references and playful parodies. For example, Victor’s new teacher (voiced by Martin Landau) bears a striking resemblance to Vincent Price; one of his classmates, Edgar “E” Gore (Atticus Shaffer), echoes the appearance and ineptitude of his namesake; and Elsa van Helsing (Winona Ryder), the likable girl-next-door, owns a poodle that—after a shocking reunion with the souped-up Sparky—ends up with a Bride of Frankenstein bouffant.

Kids can visit the movie’s website to meet the flamboyantly spooky characters, watch trailers and video clips, and play a science-experiment-themed game. A click on one of the “360 Set Tours” takes viewers behind the scenes to find out more about the stop-motion animation process, listen to commentary from the movie’s makers, and use their mouse to browse around a stage set (designated hot spots link to interesting tidbits).

Disney Press has published two tie-in titles that will grab film fans with stylish movie-poster-style covers. Frankenweenie: A Cinematic Storybook (K-Gr 4) retells the plot highlights and provides clearly reproduced double-page movie photos. Consisting of short sentences and straightforward language and presented in a large-size font, the narrative could be shared aloud or tackled by beginning readers with a bit of experience. Graphics that look like stitches frame the illustrations and the text, echoing Sparky’s sutured-up appearance after re-animation. Filled with gritty textures, dramatic shadows, and expressive character close-ups, the images are well-chosen to convey the emotional ups and downs of the story.

Based on the movie screenplay, Elizabeth Rudnick’s novelization (Gr 3-6) delves more deeply into the details of the story. The specifics of Victor’s character—his enthusiasm for dreaming up and cobbling together contraptions, his interest in science, the fact that Sparky is really his only friend—are clearly established before tragedy strikes (as is the town’s proclivity for attracting regular lightning strikes). Once his experiment is a success, Victor must try to keep Sparky’s reappearance a secret from everyone, including his parents and a bunch of competitive classmates desperate to come up with a killer science fair project. As his adventures unfold, the pace picks up and keeps on rolling right up to the fun—and back-from-the-dead monster-filled—climax. Sprinkled throughout with dialogue, the narrative is lively and clearly written. The text is printed in white on black pages, adding to the eerie ambiance, and the chapters begin with white silhouettes of the various re-animated critters (a mummy hamster, were-rat, vampire cat, and more). Film fans will enjoy revisiting the plot and the characters.

Hotel Transylvania

Scheduled for release on September 28, this 3-D computer animated comedy from Sony Pictures is the first feature to be directed by Genndy Tartakovsky, the creative force behind Star Wars: Clone Wars, Dexter’s Laboratory, The Powerpuff Girls, and other popular TV cartoon series.

Dracula (voiced by Adam Sandler) runs Hotel Transylvania (PG), a secluded resort where monsters and their families can relax and get away from it all (particularly those irritating humans). To commemorate the 118^th birthday of his daughter Mavis (Selena Gomez), a teenager in vampire terms, he invites some of the world’s most famous fiends for a weekend celebration—Frankenstein and his bride (Kevin James and Fran Drescher), Quasimodo (Jon Lovitz), the Invisible Man (David Spade), a werewolf (Steve Buscemi), Murray the Mummy (CeeLo Green), and many more. However, the guest list most definitely does not include regular-guy Jonathan (Andy Samberg), a personable backpacker who happens upon the hotel and ends up falling head over heels for Mavis, to the great dismay of the overprotective Dracula. What’s a father to do? Youngsters can visit the official website to watch videos, meet the characters, tour the hotel, and sample a large selection of online games.

Incorporating a surprisingly bright selection of colors and featuring a cast of cleverly imagined monsters, the film makes a powerful visual impact. Kids can step behind the scenes and take a closer look by perusing Tracey Miller-Zarneke’s lushly illustrated The Art and Making of Hotel Transylvania (Titan, 2012; Gr 6 Up). The well-written text incorporates numerous quotes from the movie’s creators, emphasizing important themes and underscoring the underlying artistic vision. A lengthy section focuses on character design (the challenges of creating new versions of familiar monsters and finding the “balance between the expected and unexpected”) and how the various the interpretations evolved over time (Dracula “went through more rounds of development work than there are bats in a belfry”).

Production design is also treated with descriptions of the various sets and props, and discussion of differentiating between how the two main environments—monster and human—through the use of shape, texture, and palette. More than 400 clearly reproduced illustrations, including concept art, character sketches, storyboards, digital scenes, models, and movie images, are showcased on attractively designed spreads, ready to inspire kids who love to draw. A good mix of eye candy and production info, this handsome volume will appeal to monster fans, artists, and up-and-coming filmmakers.

Publication Information

MACRI, Thomas. Frankenweenie: A Cinematic Storybook. Disney Pr. 2012. pap. $9.99. ISBN 978-142318017-3.

RUDNICK, Elizabeth, adapt. Frankenweenie. Disney Pr. 2012. Tr $16.99. ISBN 978-142315376-4.

MILLER-ZARNEKE, Tracey. The Art and Making of Hotel Transylvania. Titan Bks. 2012. Tr $34.95. ISBN 9781781164150.

Take your students on a fact-filled African expedition with a selection of titles about awe-inspiring creatures. Handsomely illustrated with stunning photos and/or striking artwork, these books introduce various species, provide insights about their habitats, and highlight environmental concerns and conservation challenges. The titles have been selected to support a range of reading abilities and interest levels, spanning from picture books suitable for providing overviews or sharing aloud, to more detailed accounts appropriate for deeper classroom studies or individual research. Use these books as part of a report-writing unit on animals, to launch a study of various biomes, to explore the issues facing endangered species, or to build an appreciation of the diversity of wildlife and the importance of maintaining ecological balance.

Out of Africa
Begin your armchair adventure with Dan Kainen’s eye-catching Safari: A Photicultural Book (Workman, 2012; Gr 3 Up). Utilizing a cutting-edge lenticular technology, the photographic images (made from finely sliced video frames and overlaid with a sheet of thin plastic lenses) spring to life in graceful motion. Lift the book’s cover and a cheetah sprints across a stark grassland (if the cover is moved more slowly, the motion also decelerates, providing viewers with a slo-mo look at the stride of the world’s fastest land animal). Other mesmerizing images depict a lioness barreling head-on toward readers, a close-up of a western lowland gorilla chewing a plant, and an African elephant flapping its ears. Viewers observe the different gaits of a lumbering black rhinoceros, nimble young zebra, fleet-footed Thomson’s gazelle, and regally sauntering giraffe.

Author Carol Kaufmann sets a you-are-there tone by describing her own safari adventure to Kenya’s Masai Mara reserve (and the thrill of viewing these creatures in person). A page about each featured animal offers facts and vivid observations (e.g., “The patterns and whimsical swirls of a zebra’s stripes are as individual as the swirls of a human fingerprint”) and points out important conservation issues. Though the text is best suited to more confident readers, the expressive writing and irresistible images make this book a lovely choice for sharing aloud with younger students.

Predators and Prey
Beginning with a vivid account of a hungry lioness stalking, chasing, and pulling down a zebra, Darrin Lunde and Catherine Stock’s dramatic picture book provides a revealing glimpse at the circle of life on East Africa’s Serengeti Plain. Tautly written text and sun-drenched watercolors describe what happens After the Kill (Charlesbridge, 2011; Gr 2-5), as the carcass is fought over and consumed by both predators and scavengers.

The competition is fierce: male and female members of the pride, a hyena clan, a pair of clever jackals, and several species of vultures all vie for a share of meat. Finally, a horde of tiny meat-eating beetles “swarm inside the skull, squeeze between the teeth, and wiggle inside the ears” until the skeleton is picked clean and the bones are left to “slowly turn to dust.”

The text tells it like it is, using action-packed and lyrical language and an objective tone, and the artwork depicts events with images that capture both the essence of these animals and the intensity of their confrontations. Paragraphs presented in a smaller font offer details about the creatures and their habitat. A compelling and interesting-to-discuss read-aloud, this book can launch studies of African animals, the area’s ecology, and the life-and-death survival stories hidden away within the food chain.

Big Cats
Wildlife photographers and researchers Beverly and Dereck Joubert take readers to Botswana’s Okavango Delta to go Face to Face with Leopards (National Geographic, 2009; Gr 2-6). Gorgeous, crystal-clear images and lucid text detail the couple’s first encounter with an eight-day-old cub, named Legadema (“lightning” in the local language), an animal that they observed and photographed in the wild during a four-year period.

Facts about the physical characteristics and behaviors of leopards are deftly woven into Dereck’s enthusiastic first-person narrative, delightfully embellished by his in-the-field observations. For example, the author describes how Legadema, provided with an impala meal by her mother, “…played with it by chasing it and pouncing on it. This game helped her to practice the hunting skills she would need to survive on her own one day.”

Throughout, captioned photos illustrate the information presented in the text. A chapter focuses on the problems facing these creatures, including habitat loss and hunting, as well as the important role that predators play in the balance of nature. Suggestions for how youngsters can help leopards are appended, along with tips for tracking local wildlife, at-a-glance facts, and annotated websites.

Also ideal for sharing aloud in the classroom, Cheetah (Frances Lincoln, 2012; K-Gr 3), part of the “Eye on the Wild” series written and photographed by Suzi Eszterhas, zooms in on a mother and her cubs, describing the first two years of their lives in the open grasslands of the African plains. The straightforward narrative reads like a story, as Mom cares for her offspring, protects them from danger, and teaches them to survive on their own.

Exquisite, close-up portraits (newborns, eyes still closed, chirping for a snack or the mother licking her cubs dry) are balanced with breathtaking action shots (Mom bounding full-speed after a gazelle, or a pair of six-month-old siblings roughhousing). The accessible text (neatly printed against clean white backdrops), enticing visuals, and basic facts make this book a solid choice for the youngest report writers or big cat fans, while the author’s focus on how young cheetahs are reared provides opportunity for comparison to the family life of other animals.

Hunter and Scavenger
In Hyenas (Marshall Cavendish, 2011; Gr 3-6), part of the “Animals Animals” series, Gloria G. Schlaepfer provides an overview of these “tough and clever” carnivores and the valuable role they play in the Africa’s ecosystem, both controlling the population of prey animals as predators, and serving as “nature’s cleanup crew.” Clearly written text and attractive photos introduce these extremely social mammals, comparing and contrasting the four species (including the habitat-spanning spotted hyena and much smaller and shyer aardwolf) and describing their physical characteristics and way of life. Specific examples support the narrative and make the information easy to process for readers; for example, a hyena’s waste-nothing way of eating is elucidated as follows: “A hungry pack can reduce a 992-pound…zebra to a pile of hooves and clumps of hide and hair in thirty minutes.” The book’s logical organization, helpful index, and vocabulary terms in bold font (defined in an appended glossary) make it useful for report writers.

Gorillas
Two books on these intriguing primates take very different approaches to the subject matter. In another volume from the “Eye on the Wild” series, Eszterhas blends a simple narrative with riveting photos to describe the first years in the life of a baby Gorilla (Frances Lincoln, 2012; K-Gr 3). Facts about these mountain dwellers are seamlessly integrated into the storytelling and supported by the marvelous up-close images, which depict the young primate interacting with her mother (nursing, cuddling, grooming, cruising piggyback style), exploring and learning about her environment, wrestling with the other members of her troop, and gradually maturing from a helpless infant to a six-year-old adult, “ready to have a baby of her own.”

Rather than spotlighting a particular family group, Gail Gibbons provides an informative overview of Gorillas (Holiday, 2011; K-Gr 4) packed with facts and illustrated with detailed, watercolor paintings. Lush-hued spreads introduce the different kinds of gorillas and their habitats, physical characteristics, and diet before describing a typical day in the lives of these animals, touching upon their adaptations to the environment, communication, the rearing of young, and more. The book ends with a mention of conservation efforts and the role played by zoos in helping “people learn to respect gorillas and understand why they should be protected.” The text is straightforward, and a pleasure to read aloud, and the artwork expands the information with slice-of-life images, maps, labeled diagrams, close-ups, and even cut-aways (an image of a skull with large teeth and strong jaw muscles help readers understand how gorillas grind up coarse food).

Used in tandem, these books offer an elucidating introduction to world’s largest primates. Read both titles aloud and have your students formulate a list of primate characteristics and behaviors. Have them compare and contrast the two titles and discuss each author’s writing style, method of conveying information, and use of illustrations to support the text. How are facts presented in each book? How do different types of visuals (photos, paintings, diagrams, etc.) communicate details about the subject matter? How do photographs and paintings compare? Would photos taken in the wild provide a more accurate view of gorilla life than photos taken in a zoo?

Land Rovers
Caitlin O’Connell and Donna M. Jackson’s The Elephant Scientist (Houghton Mifflin, 2011; Gr 4-8) provides an overview of these majestic beasts as well as an intriguing look at how researchers work in the field and the process of scientific investigation. Fueled by the exhilaration of discovery, the well-written text describes how O’Connell, a scientist studying elephants in Namibia’s Etosha National Park, first observed a matriarch display a particular behavior: coming to a sudden stop, leaning on her front feet, and flattening her trunk on the ground. Could it be that these “giant mammals were sending and receiving messages through the ground…talking—and listening—to one another with their feet?”

This observation, and many others, supported by careful research, experimentation, collaboration with other scientists, and field studies, eventually resulted in major breakthroughs in the area of elephant behavior and communication, information that can be used to help us better understand what these “animals need not only to survive but to thrive.” Details about envisioning, designing, and implementing particular experiments are just as fascinating as insights about elephant physiology and social interactions. Budding scientists will be inspired by O’Connell’s career path (her passion for science began with frog watching at a local pond) and informed by descriptions of life in the field (setting up camp, working with park rangers and local villagers, identifying particular elephants, etc.). Photos taken by the scientists provide visual details as well as an aura of on-the-scene excitement.

Melissa Gish’s Rhinoceroses (Creative Education, 2012; Gr 4-8), part of the “Living Wild” series, introduces the second-largest land mammal in the world. The informative text covers the basics—various rhino species, habitat, physical characteristics, behavior, mating and reproduction, conservation issues and efforts, etc. Ranging from a close-up shot of a rhino’s textured skin to a full-page image of two critters doing battle, to a portrait of a mother and her calf, the full-color photographs effectively illustrate the text.

The book also provides interesting insights about the history of rhinos in captivity and the ways in which this remarkable creature has been interpreted through works of art, including a huge sculpture by Salvador Dali, Ice Age’s brontops (“prehistoric rhino relatives”), and the supervillain Rhino from The Amazing Spider-Man comic series. Reproductions of several artworks are included, and a folktale from Malaysia about the animal’s origin is appended. Have your students use the book’s detailed index to locate specific facts about the species, or expand your discussion beyond the strictly scientific to discuss the animal’s influence on human culture.

Reptile Rhapsody
Bring your safari back home with a look at a class of captivating cold-blooded critters that can be found in Africa…or in a nearby park or backyard.

Combining interesting facts, dazzling full-color photos, and endless enthusiasm for his subject matter, Nic Bishop provides a tantalizing overview of Lizards (Scholastic, 2010; Gr 2-5). The lively narrative introduces broad saurian characteristics and lifestyles, points out ways that these creatures differ from mammals, and reveals an astoundingly varied spectrum of species, each adapted to its particular environment. Specific examples in both text and image add detail and aid in comprehension (for example, a description of how lizards move in deserts highlights two African species, web-footed geckos, which “have feet like snowshoes to clamber across powdery sand,” and shovel-snouted lizards, which “hop from one foot to the other, trying to keep them off the hot surface”).

Artfully composed and crystal clear, the close-up photos include portraits of a bearded dragon hatching from an egg, an aptly named flying dragon gliding between trees, a veiled chameleon snagging its prey with tongue outstretched to almost a foot, and a basilisk sprinting across the water’s surface (Bishop provide fascinating background on how he got this breathtaking shot). Deftly melding words and images, this superb work is equally useful for research, browsing, and sharing aloud in the classroom.

Packed with the author’s full-color photos and eye-rolling jokes, Sneed B. Collard III’s Most Fun Book Ever about Lizards (Charlesbridge, 2012; Gr 3-6) conveys a wealth of solid information in a delightfully chatty and extremely readable narrative style. For example, Sneed explains that Gila monsters, desert-dwellers, spend most of their time in underground burrows, allowing them to “avoid extremely hot and cold temperatures—and to keep the glare off their television screens while they watch reruns of Saurian Idol.” A detailed index makes it easy to locate particular facts about habitat, movement, mating, etc., and sections also cover topics such as “Lizard Troubles” (dangers posed by habitat destruction, hunting, and introduced predators) and the realities and responsibilities of keeping these creatures as pets.

Written and illustrated with a lighthearted touch, What to Expect When You’re Expecting Hatchlings: A Guide for Crocodilian Parents (and Curious Kids) (Millbrook, 2012; Gr 1-4) presents an informative look at this family of reptiles (which includes alligators, crocodiles, caimans, and gharials) while thoroughly entertaining readers. Bridget Heos’s tongue-and-cheek text is presented in question-and-answer format, as she provides basic info to prospective (and be-scaled) parents, with only one condition: “don’t eat the book!”

Topics covered include choosing a nesting site, laying and protecting a clutch of eggs, development of babies inside the shell, hatching, and caring for offspring. Showcasing a cast of charismatic crocodilians engaging in humorously personified behaviors—proffering baby gifts, sucking pacifiers, knitting by a waterhole while youngsters frolic, leaving home with luggage, courting with a bouquet of flowers—Stéphane Jorisch’s colorful cartoon artwork is laugh-out-loud funny, but also conveys interesting facts (a mother carrying her hatchlings in her mouth, or a look at an embryo over time). This colorful volume makes a fun choice for sharing aloud, reading alone, basic reptile research, or inspiring further study.

Grab your students’ attention and tickle their funny bones with these three exceptionally reader-friendly informational texts. Use these books to introduce a diverse and always fascinating animal group, make comparisons between mammals and reptiles, and stir up interest in investigating the natural world.

The activities suggested above reference the following Common Core State Standards:

R.I. 1.9 Identify basic similarities and differences between two texts on the same topic (e.g., in illustrations, descriptions, or procedures)

R.I. 2.6 Identify the main topic of a text, including what the author wants to answer, explain, or describe.

SL. 3.2 Determine the main ideas and supporting details of a text read aloud or information presented in diverse media and formats, including visually, quantitatively, and orally.

RI. 3.7 Use information gained from illustrations…and the words in a text to demonstrate understanding of the text.

R.I. 3.9 Compare and contrast the most important points and key details presented in two texts on the same topic.

RI.4.2 Determine the main idea of a text and explain how it is supported by key details.  Ask and answer such questions as who, what, where, when, why, and how to demonstrate understanding of key details in a text.
RI. 5.5 Compare and contrast the overall structure…of events, ideas, concepts, or information in two or more texts.

W 5.7 Conduct short research projects that use several sources to build knowledge through investigation of different aspects of a topic.

Related TeachingBooks.net resources »»»

Lawrence takes on the role of Elissa, a high schooler who moves with her recently divorced mother Sarah (Elisabeth Shue) to a small but affluent rural town in order to make a fresh beginning. Though their new home is everything they could have wished for, they soon learn more about the awful secrets that shroud the house next door, where a daughter had brutally murdered her parents several years earlier and then disappeared. Now, the ill-fated abode is occupied by the killer’s brother, Ryan (Max Thieriot), an enigmatic loner—and the only remaining member of the family.

When they meet, Elissa finds herself attracted to the charismatic boy, and despite her mother’s warning to stay away from him, the two begin a relationship that continues to grow more intimate. As strange and disturbing events begin to occur, they are caught up in web of lies and mysteries, rooted in both past and present, and Elissa soon finds herself in terrifying danger. Kids can visit the movie’s Facebook page to view photos and get in on the buzz, or stop by Yahoo!Movies for a selection of trailers and clips.

Book Tie-in

Based on the David Loucka’s screenplay, Lily Blake’s novelization of the House at the End of the Street (2012; Gr 7 Up) is available from Little, Brown’s Poppy imprint. Film fans will be drawn in by the movie-poster cover, showing Lawrence in character, her face filled with fear as she peeks around an open doorway. A black backdrop and sepia tones set the proper mood as do the chapter lead-ins, old-fashioned patterned wallpaper adorned with unsettling slash marks. A prologue recounts the tragic events of the past, while suspenseful chapters relate Elissa’s tale.

Flashbacks and current plot points reveal details about her character—her disappointing relationship with her father and disconnect with her mother, feelings of alienation from many of her peers (including the hard-partying “in” crowd), her instant connection to Ryan—making their growing romance believable. Filled with creepy twists and turns, the story unfolds with unexpected revelations, violent encounters, and moments of adrenaline-surging danger. The book’s rapid-fire dialogue, straightforward writing, and ever-building tension add up to a page-turning read for movie viewers.

Some Scintillating New Thrillers for Teens

Cleverly plotted, compellingly unnerving, and impossible to put down, these recently published novels make great choices for film fans and young adults who love to curl up with a mystery/thriller. Suggest these gripping tales as read-alikes, or consider making them part of a Halloween display or booktalk.

Barry Lyga’s I Hunt Killers (Little, Brown, 2012; Gr 9 Up) introduces Jasper “Jazz” Dent, a 17-year-old who has good looks, charisma, and a natural way with people. He also happens to be the son of the world’s most notorious serial killer, and though Billy has been behind bars for years (thankfully), Jazz is still haunted by his father’s ruthless voice and a childhood spent learning gruesome lessons at the knee of “Dear Old Dad.”

When a body is found in his hometown of Lobo’s Nod, Jazz is determined to assist with the investigation—after all, who would have better insight into the mind of a serial killer? Though the local sheriff turns down his help, Jazz launches his own (sometimes unlawful) inquiries, but as the body count increases, he begins to struggle with his own inner demons—shadowy memories from his past, his inability to connect with others, horrible urges that are boiling to the surface. Is he truly looking to atone for his father’s actions and prove that he is not his father’s heir? Or is he fated to step into Billy’s shoes?

Complete with harrowing details and fueled by a pulse-pumping plot, the story’s real power lies in its strong characterizations, and Jazz’s compelling first-person narrative, deftly seasoned with believable self-doubt, disturbing insights, and dark humor. One look at the cover—a shadowy figure surrounded by splatters of blood—and teens will be hooked…and they won’t stop flipping pages until they reach the cliff-hanger climax (a sequel will be published in 2013). Visit the LB-Teens site for a reader-grabbing book trailer.

Seventeen-year-old Gabie had switched shifts with Kayla on The Night She Disappeared (Holt, 2012; Gr 8 Up), heading out from Pete’s Pizza to make a delivery and never returning. Even more chilling, Gabie discovers that the man who placed the order—giving a bogus address in a deserted area where Kayla’s car was later found abandoned—had asked for the girl who drives the Mini Cooper (Gabie’s set of wheels), meaning that she was the intended victim.

As time passes and the kidnapper eludes capture, the police begin to focus on searching for a body. It’s up to Gabie and her co-worker and classmate Drew to prove that Kayla is still alive, and find her before it’s too late. The story is told from various points of view, amping up the anxiety and keeping readers embroiled in the unfolding events. Chapter heads tick off the days, and an array of documents (interview transcripts, evidence reports, a missing girl poster) add detail to the plot and provide atmosphere. A blossoming romance offers a pleasant distraction, but the focus remains solidly on the quick-reading, crime-solving action.

Is it possible to steal a life? Jenny Valentine’s Double (Hyperion, 2012; Gr 9 Up) is told in an edgy first-person narration by a 16-year-old runaway who has long called the streets of London his home. When Chap is mistaken for a boy who went missing two years ago, he decides to seize the opportunity. Taking on the identity of Cassiel Roadhouse (to whom he bears an uncanny resemblance), Chap travels “home” with his newfound sister, believing that he has suddenly landed everything he has ever dreamed of—a loving family, security, a real name. However, things do not go as anticipated: not only does he live in constant fear of being found out, but he also discovers that the Roadhouses are harboring a few secrets of their own.

As he delves into the mystery surrounding Cassiel’s disappearance, Chap realizes that he is in grave danger, a danger that reaches beyond his ruse being revealed and threatens his very life. Details about the teen’s early childhood are cleverly interwoven into the action, adding intricacies to the novel, spinning out the suspense, and building toward the book’s final breathtaking bombshell.

In The Butterfly Clues (Egmont USA, 2012; Gr 9 Up), Kate Ellison crawls right into the mind of her protagonist, Penelope “Lo” Martin, a 17-year-old whose lifelong struggle with obsessive-compulsive behavior has been exacerbated by the recent death of her brother.
Lo just can’t seem to stop her thigh-tapping, word-repeating, counting-off behavior, or her kleptomaniac impulses (it gives her comfort to arrange and rearrange a room full of stolen items). While wandering a crime-ridden Cleveland neighborhood, she pauses at an old house to snatch an angel statue; suddenly, she is caught up in a stream of gunfire, but manages to flee back to the safety of her suburban home. When she discovers that a 19-year-old girl named Sapphire, a dancer in a strip club, was murdered, Lo feels compelled to get to the truth.

Returning to the scene of the crime, she becomes embroiled in the seedy, perilous world of Neverland, where she befriends—and soon finds herself falling for—Flynt, a runaway teen who agrees to help her but whom she suspects is keeping secrets of his own. Tension and danger build, along with Lo’s compulsions, as she tracks down clues and begins to piece together the truth. The writing is both lyrical and street-savvy, and the action is smartly paced. Teens who like a lot of meat to their thrillers will enjoy the spellbinding insider’s look at Lo’s off-kilter psyche as much as the meandering twists and turns of the mystery.

Publication Information

BLAKE, Lily. House at the End of the Street. Little, Brown/Poppy. 2012. pap. $12.99. ISBN  978-0-316-23063-6; ebook $8.99. ISBN 978-0-316-23064-3.

LYGA, Barry. I Hunt Killers. Little, Brown. 2012. Tr $17.99. ISBN 978-0-316-12584-0; ebook $9.99. ISBN 978-0-316-20174-2.

HENRY, April. The Night She Disappeared. Holt/ Christy Ottaviano Bks. 2012. Tr $16.99. ISBN 978-0-8050-9262-2; ebook. $9.99. ISBN 9781429942454.

VALENTINE, Jenny. Double. Disney/Hyperion. 2012. RTE $16.99. ISBN 978-142314714-5.

ELLISON, Kate. The Butterfly Clues. Egmont USA. 2012. Tr $17.99. ISBN 978-1-60684-263-8; ebook $17.99. ISBN 978-1-60684-268-3.